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A Christmas Tale (2008)

Un conte de Noël (original title)
Not Rated | | Comedy, Drama | 21 November 2008 (USA)
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The troubled Vuillard family is no stranger to illness, grief, and banishment, but when their matriarch requires a bone-marrow transplant, the estranged clan reunites just in time for Christmas.

Director:

Arnaud Desplechin

Writers:

Arnaud Desplechin (scenario and dialogue), Emmanuel Bourdieu (scenario and dialogue) | 2 more credits »
5 wins & 35 nominations. See more awards »

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Cast

Cast overview, first billed only:
Catherine Deneuve ... Junon Vuillard
Jean-Paul Roussillon Jean-Paul Roussillon ... Abel - Junon's husband
Anne Consigny ... Elizabeth Dédalus - Abel and Junon's oldest child
Mathieu Amalric ... Henri Vuillard - Abel and Junon's middle child
Melvil Poupaud ... Ivan Vuillard - - Abel and Junon's youngest child
Hippolyte Girardot ... Claude Dédalus- Elizabeth's husband
Emmanuelle Devos ... Faunia - Henri's lover
Chiara Mastroianni ... Sylvia Vuillard - Ivan's wife
Laurent Capelluto ... Simon - Junon's nephew - the painter cousin
Emile Berling Emile Berling ... Paul Dédalus - Elizabeth and Claude's son
Thomas Obled Thomas Obled ... Basile 'Baz' Vuillard - Ivan and Sylvia's son
Clément Obled Clément Obled ... Baptiste - Ivan and Sylvia's son
Françoise Bertin Françoise Bertin ... Rosaimée Vuillard - Abel's mother's girlfriend
Samir Guesmi ... Spatafora - the family friend at Roubaix
Azize Kabouche ... Doctor Zraïdi - the oncologist
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Storyline

The Vuillard family gathers: Junon and Abel, a daughter Elizabeth and her son Paul, Henri and a girlfriend, Ivan, his wife Sylvia and their young sons, and cousin Simon. Six years before, Elizabeth paid Henri's debts and demanded he never see her again or visit their parents' home. Paul, at 16, has mental problems and faces a clinical exam. Junon learns she needs a bone marrow transplant if she's to live beyond a few months: thus the détente bringing all together. Two family members have compatible marrow, but the spats, fights, cruel words, drunken toasts, and somewhat civilized bad behavior threaten all; plus Junon may simply refuse treatment. Do we know ourselves? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

France

Language:

French

Release Date:

21 November 2008 (USA) See more »

Also Known As:

A Christmas Tale See more »

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Box Office

Opening Weekend USA:

$63,837, 16 November 2008

Gross USA:

$1,060,602
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Staff members of the Lille Hospital appear as themselves. See more »

Goofs

The opening narration notes that Joseph was born in 1965, and that he died at age 6. However, we later see that his headstone gives 1968 as his year of death. See more »

Quotes

Sylvia - Ivan's wife: [about Faunia] She has an ass like Angela Bassett.
See more »

Connections

References Vertigo (1958) See more »

Soundtracks

Lyric Fathom
Written by Gift of Gab (as Tim Parker) and Chief Xcel (as Xavier Mosley)
Lyrics and vocals by Gift of Gab (as The Gift of Gab)
Performed by Blackalicious
Produced, recorded and mixed by Chief Xcel
Also recorded and mixed by DJ Shadow
(1994)
See more »

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User Reviews

 
Another brilliant French film
24 November 2008 | by emeiserlohSee all my reviews

This one, however, is not for everyone. Most people will probably not only have trouble with its length, but its style, as well. Both as wild as it is imaginative, this film is like a post-modern jazz score, mixing elements from a variety of cinematic styles that are jarring (at times), but always interesting to behold. And as long as the film is, it always keeps moving and changing before our very eyes. What makes its odd stylistic combinations work is the compelling depths of its explorations into family and the bonds the unite, or divide us. Like and The Royal Tennenbaums, with a nouvelle vague twist, the film is not only full of odd combinations of image and music, but seems to jump from one film to another from scene to scene, as if each character or emotional quality (from light comedy to serious drama) were each receiving its own rendering. At times, the characters turn and speak directly to the camera. The filmmaker also intercedes by providing chapter headings and keyhole views, but, somehow, what could have become a cacophony of chaos, turns into a wonderment of cinema that any real cinephile will be amazed to behold and want to experience again....


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