| Complete credited cast: | |||
| Delphine Seyrig | ... | A - la femme brune | |
| Giorgio Albertazzi | ... | X - l'homme à l'accent italien | |
| Sacha Pitoëff | ... | M - l'autre homme au visage maigre, le mari | |
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Françoise Bertin | ... | Un personnage de l'hôtel |
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Luce Garcia-Ville | ... | Un personnage de l'hôtel |
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Héléna Kornel | ... | Un personnage de l'hôtel |
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Françoise Spira | ... | Un personnage de l'hôtel |
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Karin Toche-Mittler | ||
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Pierre Barbaud | ... | Un personnage de l'hôtel |
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Wilhelm von Deek | ... | Un personnage de l'hôtel |
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Jean Lanier | ... | Un personnage de l'hôtel |
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Gérard Lorin | ... | Un personnage de l'hôtel |
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Davide Montemurri | ... | Un personnage de l'hôtel (as Davide Montemuri) |
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Gilles Quéant | ... | Un personnage de l'hôtel |
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Gabriel Werner | ||
In a huge, old-fashioned luxury hotel a stranger tries to persuade a married woman to run away with him, but it seems she hardly remembers the affair they may have had (or not?) last year at Marienbad. Written by Otto Oberhauser <Oberhauser@cc.univie.ac.at>
Years come and go, but "Marienbad" seems to remain the same--intriguing, challenging, stimulating, and moving. Alain Resnais' classic emerges as a timeless work, with a memorable score (utilizing unique pipe organ music) by Francis Seyrig and striking photography by Sacha Vierny. Delphine Seyrig and Giorgio Albertazzi play out their "roles" amidst dark corridors, empty halls, baroque statuary and geometric gardens. Time seems to stand still in the world of Resnais and Alain Robbe-Grillet, as our rapt attention is focused on its distinctive unfoldment. The meaning seems to be in the work and the solution in the problem. We simply take it in and allow it to speak for itself.
"Marienbad" is one of those films which requires a full- size widescreen and an excellent print to weave its haunting magic. It's a one-of-a-kind film experience, and one to which one can return again and again to enjoy as a mystery, romance or meditation.