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Last Year at Marienbad (1961)

L'année dernière à Marienbad (original title)
Not Rated | | Drama , Mystery | 7 March 1962 (USA)
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2:12 | Trailer

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In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.

Director:

Alain Resnais

Writer:

Alain Robbe-Grillet (scenario and dialogue)
Reviews
Nominated for 1 Oscar. Another 2 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
Delphine Seyrig ... A - la femme brune
Giorgio Albertazzi ... X - l'homme à l'accent italien
Sacha Pitoëff ... M - l'autre homme au visage maigre, le mari
Françoise Bertin Françoise Bertin ... Un personnage de l'hôtel
Luce Garcia-Ville Luce Garcia-Ville ... Un personnage de l'hôtel
Héléna Kornel Héléna Kornel ... Un personnage de l'hôtel
Françoise Spira Françoise Spira ... Un personnage de l'hôtel
Karin Toche-Mittler Karin Toche-Mittler
Pierre Barbaud Pierre Barbaud ... Un personnage de l'hôtel
Wilhelm von Deek Wilhelm von Deek ... Un personnage de l'hôtel
Jean Lanier Jean Lanier ... Un personnage de l'hôtel
Gérard Lorin Gérard Lorin ... Un personnage de l'hôtel
Davide Montemurri Davide Montemurri ... Un personnage de l'hôtel (as Davide Montemuri)
Gilles Quéant Gilles Quéant ... Un personnage de l'hôtel
Gabriel Werner Gabriel Werner
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Storyline

In a huge, old-fashioned luxury hotel a stranger tries to persuade a married woman to run away with him, but it seems she hardly remembers the affair they may have had (or not?) last year at Marienbad. Written by Otto Oberhauser <Oberhauser@cc.univie.ac.at>

Plot Summary | Plot Synopsis

Taglines:

Evocative, compelling, fascinating, different - an important motion picture, an exceptional work of art from the brilliant See more »

Genres:

Drama | Mystery

Certificate:

Not Rated | See all certifications »
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Details

Country:

France | Italy

Language:

French

Release Date:

7 March 1962 (USA) See more »

Also Known As:

Last Year at Marienbad See more »

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Box Office

Opening Weekend USA:

$19,113, 20 January 2008, Limited Release

Gross USA:

$143,381, 10 August 2008
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Finnish certificate # 62949 delivered on 5-10-1962. See more »

Goofs

Exterior night scenes were shot day-for-night, but the sky and reflections of it were allowed in the frame, and they appear as bright white instead of black. This may have been intentional to emphasize the surreality of the film. See more »

Quotes

[X wanders through the hotel's corridors cataloging items he sees]
X: Empty salons. Corridors. Salons. Doors. Doors. Salons. Empty chairs, deep armchairs, thick carpets. Heavy hangings. Stairs, steps. Steps, one after the other. Glass objects, objects still intact, empty glasses. A glass that falls, three, two, one, zero. Glass partition, letters.
See more »

Connections

Referenced in The Best of Blur (2000) See more »

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User Reviews

 
Meandering & trance-like
22 November 2000 | by AfraciousSee all my reviews

This mysterious film shows us a man and a woman in an extravagant and capacious hotel. The man insists that he had an affair with the lady last year in Marienbad (or was it somewhere else?) The woman denies it, and just wants the man to leave her alone. Perhaps the man did meet her, perhaps he didn't. Resnais puts the pieces there and lets us take what we can from it.

The beautiful looking establishment, complete with gardens of splendour, is an eerie setting for the film. The guests seem like they are in a trance most of the time. A card game is shown where a man cannot be beaten, he claims. The cinematography is brilliant. Dark, then white, giving a blinking effect at times; and constantly switching between different locations. The music throughout the film sounds like it's from an old church organ. I can understand why this film will put off some people, because it doesn't explain much, and does meander at a pedestrian pace. But approached in the right mood, and watched in a dark room, this is a film to appreciate. Peter Greenaway thinks so; the film was influential in the making of The Draughtsman's Contract, and is (supposedly) the film Greenaway most admires.


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