| Cast overview, first billed only: | |||
| Fabrice Luchini | ... | Germain Germain | |
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Ernst Umhauer | ... | Claude Garcia |
| Kristin Scott Thomas | ... | Jeanne Germain | |
| Emmanuelle Seigner | ... | Esther Artole | |
| Denis Ménochet | ... | Rapha Artole père | |
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Bastien Ughetto | ... | Rapha Artole fils |
| Jean-François Balmer | ... | Le proviseur du lycée Gustave Flaubert | |
| Yolande Moreau | ... | Les jumelles Rosalie et Eugénie | |
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Catherine Davenier | ... | Anouk - la secrétaire |
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Vincent Schmitt | ... | Bernard - le prof de maths |
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Jacques Bosc | ... | Monsieur Garcia - le père de Claude |
| Stéphanie Campion | ... | La première femme au balcon | |
| Diana Stewart | ... | La deuxième femme au balcon | |
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Ronny Pong | ... | Le Chinois |
| Jana Bittnerová | ... | La doublure de la jumelle (as Jana Bittnerova) | |
A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher. Faced with this gifted and unusual pupil, the teacher rediscovers his enthusiasm for his work, but the boy's intrusion will unleash a series of uncontrollable events. Written by Production
This awkward and witty film is based on the play The Boy in the Last Row by Juan Mayorga, i.e. the script emanates from a solid creation. The run of the events is smooth, but sometimes it is tricky to follow the line between truth and fantasy, including the ending scenes, and some deeds remained mystery to me. In spite of serious topics touched (e.g. alienation, growing pains, loneliness, generation gaps), there are several funny scenes, particularly gallery-related ones, and strong performances provide additional value to the film (Fabrice Luchini as Germain Germain, Ernst Umhauer (skilfully depicting an 16-year-old while being 22) as Claude Garcia, Kristin Scott Thomas (in fluent French) as Jeanne Germain, Emmanuelle Seigner as Esther Artole - in particular). Hopefully, no remake will be made, as the sound of French and supposition of Frenchmen are just appropriate for such a film.
Recommended to all those fond of films with twists and not afraid of subtitles.