Following a banal incident in her local village, 8-year old girl Shula is accused of witchcraft. After a short trial she is found guilty, taken into state custody and exiled to a witch camp...
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An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Locals collaborate to stage recreations of their controversial past.
Jong-su bumps into a girl who used to live in the same neighborhood as him, who asks him to look after her cat while on a trip to Africa. When back, she introduces Ben, a mysterious guy she met there, who confesses his secret hobby.
Following a banal incident in her local village, 8-year old girl Shula is accused of witchcraft. After a short trial she is found guilty, taken into state custody and exiled to a witch camp. At the camp she takes part in an initiation ceremony where she is shown the rules surrounding her new life as a witch. Like the other residents, Shula is tied to a ribbon which is attached to a coil that perches on a large truck. She is told that should she ever cut the ribbon, she'll be cursed and transformed into a goat.
There are several very interesting podcasts available online where the director explains how she found the protagonist girl (Benfors 'Wee Do) by accident. She also mentions that in some scenes, she wanted to deal with the film's central theme with humour, instead of forcing the viewer to feel guilty for laughing. It may be due to ignorance or lack of knowledge of the cultural context but personally, I did not feel the delicate line between humour and seriousness, between fairy tale and reality. For this very reason, I found these motifs overtly forced and simply too symbolic. At the same time, it is a movie with a really strong imagery and important message. The potential for catharsis is there all the way through the film but sadly, it just did not happen for me this time.
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