The portrait of a man and his attempts to make things up with life after losing his job.
Director:
Pablo TraperoWriter:
Pablo Trapero
From metacritic.com
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Title: Crane World (1999)
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19 wins & 7 nominations.
See more awards »
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Cast
| Credited cast: | |||
 |
Luis Margani | ... | Rulo |
| Adriana Aizemberg | ... | Adriana | |
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Daniel Valenzuela | ... | Torres |
| Roly Serrano | ... | Walter (as Rolly Serrano) | |
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Graciana Chironi | ... | Rulo's mother |
|
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Federico Esquerro | ... | Claudio |
|
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Alfonso Rementería | ||
| Rest of cast listed alphabetically: | |||
|
|
Alejandro Zucco | ... | Zucco |
Learn more
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Plot Summary
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Plot Synopsis
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Storyline
The portrait of a man and his attempts to make things up with life after losing his job.
Plot Keywords:
construction crane | sandwich | musician | independent film | hoarding |Parents Guide:
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See full technical specs »
Details
Country:
ArgentinaLanguage:
SpanishRelease Date:
17 June 1999 (Argentina) See more »Also Known As:
Crane World See more »Filming Locations:
Buenos Aires, Federal District, ArgentinaCompany Credits
Production Co:
Instituto Nacional de Cine y Artes Audiovisuales (INCAA), Lita Stantic Producciones, Matanza Cine See more »
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IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Dolby DigitalAspect Ratio:
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When this film was originally released I had the chance to see it on the big screen. It did have a rather limited release; it didn't have support from a private television station and exhibitors didn't have much confidence in it. No stars are in this film, only people who usually play supporting roles in soap operas or in the theater.
But the results were first rate and eventually television made people aware of its worth. All of the actors are excellent and engaging. The black and white cinematography is terrific. The best Argentinean films were not photographed in color and this production is worthy of that tradition.
Francisco Canaro's famous waltz, "Corazón de oro", is used as the film theme with great success. Although written in 1928 (reworking his unsuccessful 1925 tango "París"), his music emerges naturally as it was intended to be used in this film. Director Pablo Trapero did a find job, reediting Canaro's 1951 recording.
The story of a nice guy whose youthful dreams were shattered and has to struggle with Argentina's crisis as well is still a very good movie.