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A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long-lost uncle. The initial suspicion with which they greet the man slowly dissolves... See full summary »
A group of Calcutta city slickers, including the well-off Asim (Soumitra Chatterjee), the meek Sanjoy (Subhendu Chatterjee) and the brutish Hari (Samit Bhanja), head out for a weekend in the wilderness.
After living awhile in Benares, 10 year old Apu and his mother move in with her uncle in a small Bengali village. Apu enters a local school, where he does well. By the time he graduates, he has a scholarship to study at a college in Calcutta. So off he goes. His mother is torn by his leaving, and by his growing independence. She loves her son very much and wants him to succeed, but she does not want to be left alone.Written by
John Oswalt <email@example.com>
Much of Apu's story here is actually autobiographical regarding Satyajit Ray's own personal experiences. When Apu goes to Calcutta where he finds work and lodging with a printer, this is Ray directly reliving his youth, when he lived above his grandfather's printing press. See more »
What is there at Keoratola?
They have cremations.
I see... I hope you're careful on the roads. When are your finals? After that you can get a job and I'll stay with you. Will you have me? Will that ever be, I wonder? Who knows how long one has to live? Suppose I fall seriously ill... I'm not so well as I used to be. In the evenings I'm often feverish, I've no appetite. I thought of telling you... but I couldn't. I don't suppose you'd leave college to look after me, ...
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I am always a bit dismayed by the attention that Pather Panchali and Charulata command in discussions on Ray because while they are fine films, they do not account for Ray's cinema as a whole. In fact, I would resist from picking one or even three films that 'speak for Ray'- but I would be lying if I said I didn't have a favourite. Aparajito is a wonderful work of art, an extremely moving melodrama and a remarkably accurate portrayal of adolescence. Of course, it would be shameful to give all the credit to Ray. Bibhuti Bhusan Bandhyopadhaya's novels (Aparajito is adapted from the last part of Pather Panchali and the first half of Aparajito) are meticulously descriptive and Ray's success with the film owes much to the simplicity and honesty of his source. But there is something in Aparajito that belongs exclusively to the cinema - something that has to do with the the mixture of distance and intimacy in the movies, of identification and unfamiliarity. You want to feel like Aparajito is a film about you, but you secretly admit that it isn't, it cannot be - because you experience it outside yourself, in Ravi Shankar's beautiful music, in the photography that oscillates between banality and the deeply metaphoric, in the wonderful performances (especially by Karuna Bannerjee), and finally in Ray's masterful vision in putting it all together. I couldn't say much else - you must experience it for yourself!
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