Paris, 1920s. Marguerite Dumont is a wealthy woman, lover of the music and the opera. She loves to sing for her friends, although she's not a good singer. Both her friends and her husband ...
See full summary »
Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow ... See full summary »
Cécile de France,
France, present day. A professional conman passes himself off as the boss of a construction site building a highway extension. He cons the whole region, hires dozens of workers and ... See full summary »
Julien Bernardini, a young French journalist, is planning to do an interview by now aged movie-star Ava Gardner, who lives secluded in her London mansion and who refuses any interview by ... See full summary »
Burdened with a heavy and ever-increasing debt, a dorayaki baker hires a kind ageing woman, after tasting her delicious surprise. Little by little, she unravels her beautiful inner world. Could she be holding the secret to his success?
Paul is preparing to leave Tajikistan, while thinking back on his adolescent years. His childhood, his mother's madness, the parties, the trip to the USSR where he lost his virginity, the friend who betrayed him and the love of his life.
Paris, 1920s. Marguerite Dumont is a wealthy woman, lover of the music and the opera. She loves to sing for her friends, although she's not a good singer. Both her friends and her husband have kept her fantasy. The problem begins when she decides to perform in front of a real audience.Written by
The film had more than 1 million admissions in France. See more »
Placed in Paris starting from September 1920, and with an almost faithful commitment to the period, except for the sequence when Marguerite, Baronne Dumont sings whilst motion picture images are first projected onto a white sheet and then onto her white clothing. Incorrectly there is the use of a 16mm silent movie film that appears to be projected from a 16mm film projector, however 16mm film was not invented by Eastman Kodak in the USA until 1923. In France in 1922 Pathé Frères invented their 9.5mm silent movie film as part of the Pathé Baby amateur film system, which would have been more likely to be in use in this era.
For the era the incorrect number countdown leader is projected, and any fully trained projectionist would notice the error, and in 1920 we see the 1965 "SMPTE Universal Leader" that was designed and used for television projection applications. Featuring a continuous countdown from eight to two (measured in seconds, rather than feet), with the numbers in the center of a target with two white circles and a rotating "clock arm" animation. "SMPTE Universal Leader" did not gain widespread acceptance theatrically which still used from 1930 "The Academy Leader", and from 1951 "The Society Leader" (both are 16 frames/foot in 35mm film), counting down from eleven to three, and a quick beep is heard at three, with all the numbers appearing upside down. The words 'SIX' and 'NINE' usually appear below their respective numbers.
The Academy leader is specified by SMPTE 301.. The Universal Leader is specified by ANSI/SMPTE 55.
The Society [aka All-Purpose] Leader (1951) is quite complex in design, and is recognizable by its circles with slender arrows pointing to the sides, top, and bottom of each frame (akin to cross-hairs). The numbering is from 11 to 3, but oriented the correct way up, however the SIX and NINE appear as words only. The numbers are again spaced at one foot intervals, i.e. at every sixteenth frame, with 'echoes' of each number in the immediately adjacent frames (so each number actually appears thrice). The Universal [a.k.a. Television] Leader (1965) is the most widely recognized with the familiar 'clocksweep' animated graphic, and the numbering used is from 8 to 2 and with duration of precisely 8secs@24fps. All numbers are the correct way up, and are spaced at 24-frame (1 second) intervals. Since the number 9 has been eliminated, the 6 appears only as a numeral. See more »
regardless the mockery and despise of the people surrounding her, supposing to like her singing, she kept going on with all her heart, her generosity and forgiveness, she really believed what people where saying to her, the ones who used her innocence to gain her trust and took advantage of her, regardless the pain she felt knowing that even her husband turned his back on her, she didn't stopped, she loved singing so much and this was her way of escaping reality and the lack of love she received in return, she wanted to please everybody and didn't spare her health to achieve the unbelievable and against all odds, she went singing on stage, great performance of Catherine Frost,
2 of 4 people found this review helpful.
Was this review helpful to you?
| Report this