Four-time Grammy winner Lenny Kravitz will perform for Sunday’s emotional “In Memoriam” segment on the Oscars 2023 ceremony. While only 40-50 people are generally remembered for the television ceremony hosted by Jimmy Kimmel on ABC, over 200 people will be recognized on the Academy’s webpage starting that evening.
SEEWho is Performing at the Oscars 2023?: Full List of Presenters and Performers
Here is a lengthy list of many contributors to film who died since last year’s Academy Awards ceremony:
Mary Alice (actor)
Gil Alkabetz (animator)
Kirstie Alley (actor)
Burt Bacharach (composer)
Angelo Badalamenti (composer)
Simone Bär (casting director)
Joanna Barnes (actor)
Carl A. Bell (animator)
Jeff Berlin (sound)
David Birney (actor)
Bruce Bisenz (sound)
Robert Blake (actor)
Eliot Bliss (sound)
Nick Bosustow (shorts)
Albert Brenner (production designer)
Tom Bronson (costume designer)
James Caan (actor)
Michael Callan (actor)
Donn Cambern (editor)
Irene Cara (songwriter)
Gary W. Carlson (sound)
Marvin Chomsky...
SEEWho is Performing at the Oscars 2023?: Full List of Presenters and Performers
Here is a lengthy list of many contributors to film who died since last year’s Academy Awards ceremony:
Mary Alice (actor)
Gil Alkabetz (animator)
Kirstie Alley (actor)
Burt Bacharach (composer)
Angelo Badalamenti (composer)
Simone Bär (casting director)
Joanna Barnes (actor)
Carl A. Bell (animator)
Jeff Berlin (sound)
David Birney (actor)
Bruce Bisenz (sound)
Robert Blake (actor)
Eliot Bliss (sound)
Nick Bosustow (shorts)
Albert Brenner (production designer)
Tom Bronson (costume designer)
James Caan (actor)
Michael Callan (actor)
Donn Cambern (editor)
Irene Cara (songwriter)
Gary W. Carlson (sound)
Marvin Chomsky...
- 3/10/2023
- by Chris Beachum
- Gold Derby
Mickey Kuhn, a child actor whose long credits list in the 1930s and 1940s included “Gone With the Wind” and “A Streetcar Named Desire,” has died in Naples, Florida, at the age of 90, his wife, Barbara told reporters.
Kuhn was the last surviving credited cast member of “Gone With the Wind,” playing Beau Wilkes, the son of Ashley and Melanie Wilkes, who were played by Leslie Howard and Olivia de Havilland. Kuhn’s most well-known line comes near the end of the film, when Melanie is on her deathbed from pregnancy complications and Beau asks his father, “Where is my mother going away to? And why can’t I go along, please?”
Despite the mother-son relationship between their characters, Kuhn and de Havilland never appeared on-screen together and had never even met on set. In fact, he told the Naples Daily News in 2017 that his first meeting with de Havilland...
Kuhn was the last surviving credited cast member of “Gone With the Wind,” playing Beau Wilkes, the son of Ashley and Melanie Wilkes, who were played by Leslie Howard and Olivia de Havilland. Kuhn’s most well-known line comes near the end of the film, when Melanie is on her deathbed from pregnancy complications and Beau asks his father, “Where is my mother going away to? And why can’t I go along, please?”
Despite the mother-son relationship between their characters, Kuhn and de Havilland never appeared on-screen together and had never even met on set. In fact, he told the Naples Daily News in 2017 that his first meeting with de Havilland...
- 11/22/2022
- by Jeremy Fuster
- The Wrap
Gray Frederickson, who was part of the Oscar-winning production team for Francis Ford Coppola’s “Apocalypse Now” and “The Godfather Part II,” died Nov. 20 of prostate cancer in Oklahoma City, Okla. He was 85.
Frederickson had been called as “the Godfather of Oklahoma film” for his efforts to boost filmmaking in his home state.
“Gray is one of the most accomplished people to have ever come from our city,” Oklahoma City Mayor David Holt told The Oklahoman.
Frederickson left Oklahoma to attend the University of Lausanne in Switzerland, then started his career in Rome as producer of “Natika” in 1963. He joined Sergio Leone’s “The Good, the Bad and the Ugly” as production manager, where he met Clint Eastwood, who would become a longtime friend.
He met producer Albert S. Ruddy on the Robert Redford film “Little Fauss and Big Halsy,” which led to him coming aboard “The Godfather” as associate producer.
Frederickson had been called as “the Godfather of Oklahoma film” for his efforts to boost filmmaking in his home state.
“Gray is one of the most accomplished people to have ever come from our city,” Oklahoma City Mayor David Holt told The Oklahoman.
Frederickson left Oklahoma to attend the University of Lausanne in Switzerland, then started his career in Rome as producer of “Natika” in 1963. He joined Sergio Leone’s “The Good, the Bad and the Ugly” as production manager, where he met Clint Eastwood, who would become a longtime friend.
He met producer Albert S. Ruddy on the Robert Redford film “Little Fauss and Big Halsy,” which led to him coming aboard “The Godfather” as associate producer.
- 11/21/2022
- by Pat Saperstein
- Variety Film + TV
Click here to read the full article.
Gray Frederickson, the Oscar-winning producer who worked alongside Francis Ford Coppola on the Godfather trilogy, Apocalypse Now and One From the Heart in a collaboration that spanned more than four decades, has died. He was 85.
Frederickson died Sunday at his home in Oklahoma City after a battle with prostate cancer, his wife, Karen, told The Hollywood Reporter.
Frederickson shared the best picture Oscar in 1975 with writer-director-producer Coppola and producer Fred Roos for The Godfather Part II — the first of just two sequels to take the big prize — and the trio (and Tom Sternberg) were nominated again for Apocalypse Now (1979).
“I got on a winning horse. I was with Francis Coppola, who’s no slouch. I was lucky enough to be carried along with him,” Frederickson told The Oklahoman in a 2021 interview. “I got lucky with him, but he says he got lucky with me.
Gray Frederickson, the Oscar-winning producer who worked alongside Francis Ford Coppola on the Godfather trilogy, Apocalypse Now and One From the Heart in a collaboration that spanned more than four decades, has died. He was 85.
Frederickson died Sunday at his home in Oklahoma City after a battle with prostate cancer, his wife, Karen, told The Hollywood Reporter.
Frederickson shared the best picture Oscar in 1975 with writer-director-producer Coppola and producer Fred Roos for The Godfather Part II — the first of just two sequels to take the big prize — and the trio (and Tom Sternberg) were nominated again for Apocalypse Now (1979).
“I got on a winning horse. I was with Francis Coppola, who’s no slouch. I was lucky enough to be carried along with him,” Frederickson told The Oklahoman in a 2021 interview. “I got lucky with him, but he says he got lucky with me.
- 11/21/2022
- by Mike Barnes
- The Hollywood Reporter - Movie News
Renowned producer Gray Frederickson, best known for his work on “The Godfather” trilogy and “Apocalypse Now,” has died, TheWrap has confirmed. He was 85.
Frederickson was born on July 21, 1937, in Oklahoma City. In pursuit of a career in the entertainment industry, he moved to Hollywood where he would eventually co-executive produce “The Godfather” and “The Godfather Part II.” He also worked as a production manager for franchise. The Academy Award-winning producer’s other work includes “Apocalypse Now,” “Uhf,” “Ladybugs,” “The Outsiders” and more.
Frederickson, a proud Oklahoman, was celebrated via Twitter by Oklahoma City Mayor David Holt.
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‘Supernatural’ Actress Nicki Aycox Dies at 47
“Gray Frederickson has passed away, and we send our deepest condolences to his family. To win the Oscar for Best Picture is one of the greatest accomplishments in modern culture, and as such, Gray is one of the most accomplished people to have ever come from our city,...
Frederickson was born on July 21, 1937, in Oklahoma City. In pursuit of a career in the entertainment industry, he moved to Hollywood where he would eventually co-executive produce “The Godfather” and “The Godfather Part II.” He also worked as a production manager for franchise. The Academy Award-winning producer’s other work includes “Apocalypse Now,” “Uhf,” “Ladybugs,” “The Outsiders” and more.
Frederickson, a proud Oklahoman, was celebrated via Twitter by Oklahoma City Mayor David Holt.
Also Read:
‘Supernatural’ Actress Nicki Aycox Dies at 47
“Gray Frederickson has passed away, and we send our deepest condolences to his family. To win the Oscar for Best Picture is one of the greatest accomplishments in modern culture, and as such, Gray is one of the most accomplished people to have ever come from our city,...
- 11/21/2022
- by Raquel "Rocky" Harris
- The Wrap
Gray Frederickson, an Oscar-winning co-ep on The Godfather films and Apocalypse Now who was one of the busiest and most respected producers and production executives of the 1960s through the ‘80s, died November 20 of prostate cancer in Oklahoma City. He was 85. His wife, Karen, confirmed his death.
Born in Oklahoma, Frederickson moved to Hollywood in the early ‘60s and quickly acquired expertise as a line producer. He produced the 1971 comedy Making It at 20th Century Fox and joined with Al Ruddy to produce Little Fauss and Big Halsy (1970) with Robert Redford at Paramount.
Related Story Hollywood & Media Deaths In 2022: Photo Gallery Related Story Aubrey Plaza Joins Adam Driver In Francis Coppola's 'Megalopolis' Related Story James Caan: A Career In Pictures
Becoming a trusted adviser to Francis Ford Coppola, Frederickson was a co-executive producer on The Godfather, The Godfather Part II — sharing a Best Picture Oscar for the sequel — and Apocalypse Now,...
Born in Oklahoma, Frederickson moved to Hollywood in the early ‘60s and quickly acquired expertise as a line producer. He produced the 1971 comedy Making It at 20th Century Fox and joined with Al Ruddy to produce Little Fauss and Big Halsy (1970) with Robert Redford at Paramount.
Related Story Hollywood & Media Deaths In 2022: Photo Gallery Related Story Aubrey Plaza Joins Adam Driver In Francis Coppola's 'Megalopolis' Related Story James Caan: A Career In Pictures
Becoming a trusted adviser to Francis Ford Coppola, Frederickson was a co-executive producer on The Godfather, The Godfather Part II — sharing a Best Picture Oscar for the sequel — and Apocalypse Now,...
- 11/21/2022
- by Peter Bart
- Deadline Film + TV
It is a story steeped in action and intrigue, but is it true?
The Offer, a new 10-part series starting April 28 on Paramount+, delivers an “inside” account of the making of The Godfather. It is a story about stalwart filmmakers who defied bullets and death threats from Mafia soldiers to deliver their great saga.
But not really. The TV series, written by Michael Tolkin, is loosely based on incidents and anecdotes supplied by Albert S. Ruddy, who produced the movie. They are vivid anecdotes, but they are at odds with the accounts of principals who made the movie — of which I am one — and who encountered a different reality.
The Italian-American activists who took an interest in the project in fact revered Mario Puzo’s bestselling novel and were desperate to find a way of mobilizing the film to raise funds for their own causes and charities. “The principals of the movie were celebrated,...
The Offer, a new 10-part series starting April 28 on Paramount+, delivers an “inside” account of the making of The Godfather. It is a story about stalwart filmmakers who defied bullets and death threats from Mafia soldiers to deliver their great saga.
But not really. The TV series, written by Michael Tolkin, is loosely based on incidents and anecdotes supplied by Albert S. Ruddy, who produced the movie. They are vivid anecdotes, but they are at odds with the accounts of principals who made the movie — of which I am one — and who encountered a different reality.
The Italian-American activists who took an interest in the project in fact revered Mario Puzo’s bestselling novel and were desperate to find a way of mobilizing the film to raise funds for their own causes and charities. “The principals of the movie were celebrated,...
- 4/14/2022
- by Peter Bart
- Deadline Film + TV
Apocalypse Now in 4K? After The Wild Bunch this is one title likely to get me to invest in a new format. Francis Coppola & John Milius’ Vietnam War epic may not be perfect, but it’s one of the most exciting movie experiences ever and one of the top achievements of the first film school generation of moviemakers. The release is agreeably all-inclusive: the original Road Show cut and the two revised versions are here along with the excellent making-of feature Hearts of Darkness. Re-tooled and polished up for picture and audio, this qualifies as a prime audio show-off disc too.
Apocalypse Now Final Cut
4K Ultra-hd + Blu-ray + Digital
Lionsgate
1979, 2001, 2019 / Color / 2:35 widescreen / 147, 196, 183 min. / 40th Anniversary Edition / 1979 70mm Road Show cut, 2001 Redux cut, 2019 Final Cut versions / Street Date August 27, 2019 /
Starring: Marlon Brando, Martin Sheen, Robert Duvall, Frederic Forrest, Sam Bottoms, Laurence Fishburne, Albert Hall, Harrison Ford, Dennis Hopper, G.D. Spradlin,...
Apocalypse Now Final Cut
4K Ultra-hd + Blu-ray + Digital
Lionsgate
1979, 2001, 2019 / Color / 2:35 widescreen / 147, 196, 183 min. / 40th Anniversary Edition / 1979 70mm Road Show cut, 2001 Redux cut, 2019 Final Cut versions / Street Date August 27, 2019 /
Starring: Marlon Brando, Martin Sheen, Robert Duvall, Frederic Forrest, Sam Bottoms, Laurence Fishburne, Albert Hall, Harrison Ford, Dennis Hopper, G.D. Spradlin,...
- 3/6/2021
- by Glenn Erickson
- Trailers from Hell
The Damah Film Festival, a competitive festival which specializes in short films focused on spirituality, is relocating to Tokyo. It will run May 10-11 and be based at the Kitazawa Town Hall in city’s Shimokitazawa district.
The festival was launched in Seattle in 2001, relocated to Culver City, California and has been settled in Hiroshima, Japan for the past five years. The Damah Hiroshima event has been rebranded and will continue as the Hiroshima International Film Festival. Damah is a Hebrew word which means metaphor or parable.
“It is a double win for us. The Hiroshima International Film Festival will continue to grow and expand, and Damah will continue in Tokyo,” said Damah’s co-founder and President of the board of Directors, Mark Joseph
Mayumi Fukuhara, who , worked for many years at Tokyo International Film Festival, is set as the festival’s director. Damah will partner with the Tokyo-based Metaventure Corporation,...
The festival was launched in Seattle in 2001, relocated to Culver City, California and has been settled in Hiroshima, Japan for the past five years. The Damah Hiroshima event has been rebranded and will continue as the Hiroshima International Film Festival. Damah is a Hebrew word which means metaphor or parable.
“It is a double win for us. The Hiroshima International Film Festival will continue to grow and expand, and Damah will continue in Tokyo,” said Damah’s co-founder and President of the board of Directors, Mark Joseph
Mayumi Fukuhara, who , worked for many years at Tokyo International Film Festival, is set as the festival’s director. Damah will partner with the Tokyo-based Metaventure Corporation,...
- 1/15/2019
- by Patrick Frater
- Variety Film + TV
A legendary line-up of speakers retold iconic behind-the-scenes stories and shared mutual, little-known memories.Photo: Tomris Laffly / Film School Rejects
The 2017 edition of Tribeca Film Festival came to a close on Saturday with an epic affair, which was kicked off with one of the greatest opening lines spoken in any American film ever: “I believe in America.”
The historic event that wrapped up the festival’s massively-scaled and star-studded 16th year was the back-to-back screenings of The Godfather and The Godfather Part II, followed by a panel discussion moderated by filmmaker Taylor Hackford. After a 7+- hour screening marathon with one intermission, writer-director Francis Ford Coppola took the stage, joined by his cast-members Al Pacino, Robert De Niro, Diane Keaton, James Caan, Robert Duvall and Talia Shire. Even Marlon Brando was there in spirit, with his portrait positioned over the living room-like setting where the conversation took place. To the cinephiles that filled the sold-out event in...
The 2017 edition of Tribeca Film Festival came to a close on Saturday with an epic affair, which was kicked off with one of the greatest opening lines spoken in any American film ever: “I believe in America.”
The historic event that wrapped up the festival’s massively-scaled and star-studded 16th year was the back-to-back screenings of The Godfather and The Godfather Part II, followed by a panel discussion moderated by filmmaker Taylor Hackford. After a 7+- hour screening marathon with one intermission, writer-director Francis Ford Coppola took the stage, joined by his cast-members Al Pacino, Robert De Niro, Diane Keaton, James Caan, Robert Duvall and Talia Shire. Even Marlon Brando was there in spirit, with his portrait positioned over the living room-like setting where the conversation took place. To the cinephiles that filled the sold-out event in...
- 5/2/2017
- by Tomris Laffly
- FilmSchoolRejects.com
It may not have been as momentous as the heads of the five families meeting for a Mob-war peace treaty. But the 2017 Tribeca Film Festival's Godfather event – which reunited director Francis Ford Coppola, Al Pacino, Robert De Niro, James Caan, Diane Keaton, Robert Duvall and Talia Shire – gave festivalgoers the opportunity to see the cast of the Oscar-winning Mafia dramas talk about the 1972 movie and its equally celebrated 1974 sequel before a sold-out crowd at Radio City Music Hall. (One assumes they were convinced to converse about these classics in honor...
- 4/30/2017
- Rollingstone.com
Lenny Bruce: Dustin Hoffman in the 1974 Bob Fosse movie. Lenny Bruce movie review: Polemical stand-up comedian merited less timid biopic (Oscar Movie Series) Bob Fosse's 1974 biopic Lenny has two chief assets: the ever relevant free speech issues it raises and the riveting presence of Valerie Perrine. The film itself, however, is only sporadically thought-provoking or emotionally gripping; in fact, Lenny is a major artistic letdown, considering all the talent involved and the fertile material at hand. After all, much more should have come out of a joint effort between director Fosse, fresh off his Academy Award win for Cabaret; playwright-screenwriter Julian Barry, whose stage version of Lenny earned Cliff Gorman a Tony Award; two-time Best Actor Oscar nominee Dustin Hoffman (The Graduate, Midnight Cowboy); and cinematographer Bruce Surtees (Play Misty for Me, Blume in Love). Their larger-than-life subject? Lenny Bruce, the stand-up comedian who became one of the...
- 6/5/2015
- by Andre Soares
- Alt Film Guide
Eli Wallach and Anne Jackson on the Oscars' Red Carpet Eli Wallach and Anne Jackson at the Academy Awards Eli Wallach and wife Anne Jackson are seen above arriving at the 2011 Academy Awards ceremony, held on Sunday, Feb. 27, at the Kodak Theatre in Hollywood. The 95-year-old Wallach had received an Honorary Oscar at the Governors Awards in November 2010. See also: "Doris Day Inexplicably Snubbed by Academy," "Maureen O'Hara Honorary Oscar," "Honorary Oscars: Mary Pickford, Greta Garbo Among Rare Women Recipients," and "Hayao Miyazaki Getting Honorary Oscar." Delayed film debut The Actors Studio-trained Eli Wallach was to have made his film debut in Fred Zinnemann's Academy Award-winning 1953 blockbuster From Here to Eternity. Ultimately, however, Frank Sinatra – then a has-been following a string of box office duds – was cast for a pittance, getting beaten to a pulp by a pre-stardom Ernest Borgnine. For his bloodied efforts, Sinatra went on...
- 4/24/2015
- by D. Zhea
- Alt Film Guide
Hollywood’s sound pros nominated Birdman and Dawn of the Planet of the Apes for three awards apiece as the Motion Picture Sound Editors unveiled nods for its 62nd Mpse Golden Reel Awards, honoring the best feature film, television, animation and computer entertainment work of the year.
“2014 was a fantastic year for sound,” said Mpse president Frank Morrone. “The advent of new distribution channels, streaming services and gaming platforms is creating additional opportunities for sound artists to practice their craft beyond the traditional venues of film and television. This year’s nominations reflect that change, spanning an amazing diversity of mediums and genres, all executed at the highest level of creativity. We are truly inspired and impressed by the work of our colleagues.”
This year’s Golden Reels will additionally honor Noah director Darren Aronofsky with the Mpse’s annual Filmmaker Award. Oscar winner Skip Lievsay, known for his work...
“2014 was a fantastic year for sound,” said Mpse president Frank Morrone. “The advent of new distribution channels, streaming services and gaming platforms is creating additional opportunities for sound artists to practice their craft beyond the traditional venues of film and television. This year’s nominations reflect that change, spanning an amazing diversity of mediums and genres, all executed at the highest level of creativity. We are truly inspired and impressed by the work of our colleagues.”
This year’s Golden Reels will additionally honor Noah director Darren Aronofsky with the Mpse’s annual Filmmaker Award. Oscar winner Skip Lievsay, known for his work...
- 1/14/2015
- by Jen Yamato
- Deadline
Fred Thompson, the former U.S. senator and candidate for Republican nomination for U.S. president, stars in Persecuted, a movie that Millennium Entertainment opens in 600 theaters Friday and is produced by Gray Frederickson, the Oscar-winning producer of The Godfather Part II. The film tells the story of a televangelist framed for murder by powerful government officials. Thompson spoke to The Hollywood Reporter about the real-life issues raised in the film, which he calls a "religious thriller." Photos Hollywood's 100 Favorite Films In the film, the Senate majority leader is the bad guy, and he engages
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- 7/14/2014
- by Paul Bond
- The Hollywood Reporter - Movie News
Exclusive: UK outfit boards doc which imagines that the Us never existed.
UK outfit Manifest Film Sales has boarded international rights to documentary America from the filmmakers of controversial Us box office hit 2016: Obama’s America [pictured].
The film, which imagines a world in which America lost the Revolutionary War and therefore never existed, is produced by Oscar winners Gerald Molen (Schindler’s List) and Gray Frederickson (The Godfather Part II) and will see director John Sullivan reunite with his co-director from 2016: Obama’s America, the New York Times bestselling author Dinesh D’Souza, who has written the feature.
Manifest will introduce the film in Cannes ahead of its wide North American release by Lionsgate on July 4, 2014.
2016: Obama’s America grossed more than $33m in the Us, making it the second-highest grossing political doc in the territory.
D’Souza said: “America is loved and hated around the world but rarely ignored. We hope this...
UK outfit Manifest Film Sales has boarded international rights to documentary America from the filmmakers of controversial Us box office hit 2016: Obama’s America [pictured].
The film, which imagines a world in which America lost the Revolutionary War and therefore never existed, is produced by Oscar winners Gerald Molen (Schindler’s List) and Gray Frederickson (The Godfather Part II) and will see director John Sullivan reunite with his co-director from 2016: Obama’s America, the New York Times bestselling author Dinesh D’Souza, who has written the feature.
Manifest will introduce the film in Cannes ahead of its wide North American release by Lionsgate on July 4, 2014.
2016: Obama’s America grossed more than $33m in the Us, making it the second-highest grossing political doc in the territory.
D’Souza said: “America is loved and hated around the world but rarely ignored. We hope this...
- 5/15/2014
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Millennium Entertainment said Thursday it will handle the national distribution of Persecuted, a religious-political thriller that stars former Republican presidential candidate Fred Thompson as a priest and is co-produced by Gray Frederickson, who won a best picture Oscar for The Godfather Part II. Persecuted is about a televangelist, played by James Remar, who is framed for murder after he refuses to publicly support a U.S. senator's plan that would compel religious leaders to provide "fairness" and equal time to all faiths. The cast includes Bruce Davison, Dean Stockwell, Raoul Trujillo and Fox News personality Gretchen Carlson, who
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- 4/3/2014
- by Paul Bond
- The Hollywood Reporter - Movie News
Regal Entertainment said Friday it has booked for a May 9 release a political thriller called Persecuted that explores politically timely topics like religious freedom, government surveillance and censorship. A distribution deal for the film was still being negotiated, but the movie was getting buzz Friday because of a panel discussion at the Conservative Political Action Conference in Washington that included Fred Thompson, one of the movie’s stars. Persecuted teams for the first time Thompson, the actor who was also a U.S. senator and Republican presidential candidate, with Gray Frederickson, the Oscar-winning producer of The Godfather Part II.
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- 3/8/2014
- by Paul Bond
- The Hollywood Reporter - Movie News
A 3D movie entitled Higher Mission starring Casper Van Dien as a Us Senator trying to prevent corrupt Russian politicians from being transformed by God into giant rats, from the producer of The Godfather and Apocalypse Now? What an age we live in.
Oscar-winning producer Gray Frederickson also executive produced Uhf so, after reading the rather lengthy synopsis below, you might find yourself surprised that Higher Mission wasn’t one of the parody programs “Weird” Al Yankovic aired on that network.
Synopsis:
From Academy Award-winning producer Gray Frederickson comes a stereoscopic 3D movie that revolves around a highly respected United States senator, John Perryman, who gets a higher calling from superior forces above. Through his dreams he is given an important mission: to expose and to warn the corrupted government officials of Russia to stop taking bribes or else the superior forces will literally turn them into rats.
The Russian...
Oscar-winning producer Gray Frederickson also executive produced Uhf so, after reading the rather lengthy synopsis below, you might find yourself surprised that Higher Mission wasn’t one of the parody programs “Weird” Al Yankovic aired on that network.
Synopsis:
From Academy Award-winning producer Gray Frederickson comes a stereoscopic 3D movie that revolves around a highly respected United States senator, John Perryman, who gets a higher calling from superior forces above. Through his dreams he is given an important mission: to expose and to warn the corrupted government officials of Russia to stop taking bribes or else the superior forces will literally turn them into rats.
The Russian...
- 2/28/2014
- by Foywonder
- DreadCentral.com
Having impressively proved himself a capable actor, country singer-songwriter Dwight Yoakam adds director-screenwriter-producer-composer to his resume, and the resulting "South of Heaven, West of Hell" would suggest a case of wearing at least one Stetson too many.
A subversive Gothic western starring Yoakam and a bunch of his Hollywood buddies, the picture, which actually is much closer to hell than its directions would imply, is an interminable, annoying mess of fractured cowboy-movie cliches.
Although Yoakam and co-screenwriter Stan Bertheaud must have had a hoot cramming in all the frat boy perversity -- castration, rape, incest and pedophilia rank high on its top 10 list -- it all comes across as the kind of indulgence that gives vanity projects a bad name.
Yoakam has cast himself as Valentine Casey, a marshal with an uncertain past who finds himself biding time in some kind of existential purgatory resembling a desolate New Mexico town called Los Tragos.
Part of that past resurfaces when the murderous, inbred Henry Gang, presided over by Bible-thumping Leland (Luke Askew), rides into town. Apparently way back when, after Val's own family died during an influenza outbreak, Leland raised Val as his own. Now Leland and his boys, including Vince Vaughn and Paul Reubens, have returned with larceny on their minds. Though Val sticks to his guns, the Henry Gang proceeds to slaughter everything around him that tries to block their path to the bank vault.
Cut to nine months later, where we find Val in the Arizona desert breaking wild horses and meeting up with Adalyne Dunfries (Bridget Fonda), the daughter of the local hotel and saloon owner who has returned to town accompanied by the odd Brigadier Smalls Billy Bob Thornton with long golden hair).
Just when it looks like Val and Adalyne are about to have a thing going, who else but the Henry Gang comes in and gums up the works, precipitating a protracted fight to the finish.
While Yoakam underplays his part to the point of catatonia, the rest of his cast, also including Bud Cort, Peter Fonda and Michael Jeter, go in the opposite direction in some kind of contest to determine who can be the most irritating. Jeter's the clear winner as the screeching Uncle Jude.
To his credit, director of photography James Glennon ("El Norte", "Election") mines plenty of atmospheric value for the low-budget buck, but there ain't enough purdy sunsets in the world to compensate for this long-winded, one-trick pony of a home movie.
SOUTH OF HEAVEN, WEST OF HELL
Trimark
Director: Dwight Yoakam
Producers: Gray Frederickson, Darris Hatch
Screenwriters: Dwight Yoakam, Stan Bertheaud
Story: Dwight Yoakam, Dennis Hackin, Otto Felix
Director of photography: James Glennon
Production designer: Siobhan Roome
Editor: Robert Ferretti
Costume designer: Le Dawson
Music: Dwight Yoakam
Color/stereo
Cast:
Valentine Casey: Dwight Yoakam
Taylor: Vince Vaughn
Brigadier Smalls: Billy Bob Thornton
Adalyne Dunfries: Bridget Fonda
Shoshonee Bill: Peter Fonda
Arvid: Paul Reubens
Agent Otts: Bud Cort
Doc Angus Dunfries: Bo Hopkins
Leland: Luke Askew
Uncle Jude: Michael Jeter
Running time -- 131 minutes
MPAA rating: R...
A subversive Gothic western starring Yoakam and a bunch of his Hollywood buddies, the picture, which actually is much closer to hell than its directions would imply, is an interminable, annoying mess of fractured cowboy-movie cliches.
Although Yoakam and co-screenwriter Stan Bertheaud must have had a hoot cramming in all the frat boy perversity -- castration, rape, incest and pedophilia rank high on its top 10 list -- it all comes across as the kind of indulgence that gives vanity projects a bad name.
Yoakam has cast himself as Valentine Casey, a marshal with an uncertain past who finds himself biding time in some kind of existential purgatory resembling a desolate New Mexico town called Los Tragos.
Part of that past resurfaces when the murderous, inbred Henry Gang, presided over by Bible-thumping Leland (Luke Askew), rides into town. Apparently way back when, after Val's own family died during an influenza outbreak, Leland raised Val as his own. Now Leland and his boys, including Vince Vaughn and Paul Reubens, have returned with larceny on their minds. Though Val sticks to his guns, the Henry Gang proceeds to slaughter everything around him that tries to block their path to the bank vault.
Cut to nine months later, where we find Val in the Arizona desert breaking wild horses and meeting up with Adalyne Dunfries (Bridget Fonda), the daughter of the local hotel and saloon owner who has returned to town accompanied by the odd Brigadier Smalls Billy Bob Thornton with long golden hair).
Just when it looks like Val and Adalyne are about to have a thing going, who else but the Henry Gang comes in and gums up the works, precipitating a protracted fight to the finish.
While Yoakam underplays his part to the point of catatonia, the rest of his cast, also including Bud Cort, Peter Fonda and Michael Jeter, go in the opposite direction in some kind of contest to determine who can be the most irritating. Jeter's the clear winner as the screeching Uncle Jude.
To his credit, director of photography James Glennon ("El Norte", "Election") mines plenty of atmospheric value for the low-budget buck, but there ain't enough purdy sunsets in the world to compensate for this long-winded, one-trick pony of a home movie.
SOUTH OF HEAVEN, WEST OF HELL
Trimark
Director: Dwight Yoakam
Producers: Gray Frederickson, Darris Hatch
Screenwriters: Dwight Yoakam, Stan Bertheaud
Story: Dwight Yoakam, Dennis Hackin, Otto Felix
Director of photography: James Glennon
Production designer: Siobhan Roome
Editor: Robert Ferretti
Costume designer: Le Dawson
Music: Dwight Yoakam
Color/stereo
Cast:
Valentine Casey: Dwight Yoakam
Taylor: Vince Vaughn
Brigadier Smalls: Billy Bob Thornton
Adalyne Dunfries: Bridget Fonda
Shoshonee Bill: Peter Fonda
Arvid: Paul Reubens
Agent Otts: Bud Cort
Doc Angus Dunfries: Bo Hopkins
Leland: Luke Askew
Uncle Jude: Michael Jeter
Running time -- 131 minutes
MPAA rating: R...
Having impressively proved himself a capable actor, country singer-songwriter Dwight Yoakam adds director-screenwriter-producer-composer to his resume, and the resulting "South of Heaven, West of Hell" would suggest a case of wearing at least one Stetson too many.
A subversive Gothic western starring Yoakam and a bunch of his Hollywood buddies, the picture, which actually is much closer to hell than its directions would imply, is an interminable, annoying mess of fractured cowboy-movie cliches.
Although Yoakam and co-screenwriter Stan Bertheaud must have had a hoot cramming in all the frat boy perversity -- castration, rape, incest and pedophilia rank high on its top 10 list -- it all comes across as the kind of indulgence that gives vanity projects a bad name.
Yoakam has cast himself as Valentine Casey, a marshal with an uncertain past who finds himself biding time in some kind of existential purgatory resembling a desolate New Mexico town called Los Tragos.
Part of that past resurfaces when the murderous, inbred Henry Gang, presided over by Bible-thumping Leland (Luke Askew), rides into town. Apparently way back when, after Val's own family died during an influenza outbreak, Leland raised Val as his own. Now Leland and his boys, including Vince Vaughn and Paul Reubens, have returned with larceny on their minds. Though Val sticks to his guns, the Henry Gang proceeds to slaughter everything around him that tries to block their path to the bank vault.
Cut to nine months later, where we find Val in the Arizona desert breaking wild horses and meeting up with Adalyne Dunfries (Bridget Fonda), the daughter of the local hotel and saloon owner who has returned to town accompanied by the odd Brigadier Smalls Billy Bob Thornton with long golden hair).
Just when it looks like Val and Adalyne are about to have a thing going, who else but the Henry Gang comes in and gums up the works, precipitating a protracted fight to the finish.
While Yoakam underplays his part to the point of catatonia, the rest of his cast, also including Bud Cort, Peter Fonda and Michael Jeter, go in the opposite direction in some kind of contest to determine who can be the most irritating. Jeter's the clear winner as the screeching Uncle Jude.
To his credit, director of photography James Glennon ("El Norte", "Election") mines plenty of atmospheric value for the low-budget buck, but there ain't enough purdy sunsets in the world to compensate for this long-winded, one-trick pony of a home movie.
SOUTH OF HEAVEN, WEST OF HELL
Trimark
Director: Dwight Yoakam
Producers: Gray Frederickson, Darris Hatch
Screenwriters: Dwight Yoakam, Stan Bertheaud
Story: Dwight Yoakam, Dennis Hackin, Otto Felix
Director of photography: James Glennon
Production designer: Siobhan Roome
Editor: Robert Ferretti
Costume designer: Le Dawson
Music: Dwight Yoakam
Color/stereo
Cast:
Valentine Casey: Dwight Yoakam
Taylor: Vince Vaughn
Brigadier Smalls: Billy Bob Thornton
Adalyne Dunfries: Bridget Fonda
Shoshonee Bill: Peter Fonda
Arvid: Paul Reubens
Agent Otts: Bud Cort
Doc Angus Dunfries: Bo Hopkins
Leland: Luke Askew
Uncle Jude: Michael Jeter
Running time -- 131 minutes
MPAA rating: R...
A subversive Gothic western starring Yoakam and a bunch of his Hollywood buddies, the picture, which actually is much closer to hell than its directions would imply, is an interminable, annoying mess of fractured cowboy-movie cliches.
Although Yoakam and co-screenwriter Stan Bertheaud must have had a hoot cramming in all the frat boy perversity -- castration, rape, incest and pedophilia rank high on its top 10 list -- it all comes across as the kind of indulgence that gives vanity projects a bad name.
Yoakam has cast himself as Valentine Casey, a marshal with an uncertain past who finds himself biding time in some kind of existential purgatory resembling a desolate New Mexico town called Los Tragos.
Part of that past resurfaces when the murderous, inbred Henry Gang, presided over by Bible-thumping Leland (Luke Askew), rides into town. Apparently way back when, after Val's own family died during an influenza outbreak, Leland raised Val as his own. Now Leland and his boys, including Vince Vaughn and Paul Reubens, have returned with larceny on their minds. Though Val sticks to his guns, the Henry Gang proceeds to slaughter everything around him that tries to block their path to the bank vault.
Cut to nine months later, where we find Val in the Arizona desert breaking wild horses and meeting up with Adalyne Dunfries (Bridget Fonda), the daughter of the local hotel and saloon owner who has returned to town accompanied by the odd Brigadier Smalls Billy Bob Thornton with long golden hair).
Just when it looks like Val and Adalyne are about to have a thing going, who else but the Henry Gang comes in and gums up the works, precipitating a protracted fight to the finish.
While Yoakam underplays his part to the point of catatonia, the rest of his cast, also including Bud Cort, Peter Fonda and Michael Jeter, go in the opposite direction in some kind of contest to determine who can be the most irritating. Jeter's the clear winner as the screeching Uncle Jude.
To his credit, director of photography James Glennon ("El Norte", "Election") mines plenty of atmospheric value for the low-budget buck, but there ain't enough purdy sunsets in the world to compensate for this long-winded, one-trick pony of a home movie.
SOUTH OF HEAVEN, WEST OF HELL
Trimark
Director: Dwight Yoakam
Producers: Gray Frederickson, Darris Hatch
Screenwriters: Dwight Yoakam, Stan Bertheaud
Story: Dwight Yoakam, Dennis Hackin, Otto Felix
Director of photography: James Glennon
Production designer: Siobhan Roome
Editor: Robert Ferretti
Costume designer: Le Dawson
Music: Dwight Yoakam
Color/stereo
Cast:
Valentine Casey: Dwight Yoakam
Taylor: Vince Vaughn
Brigadier Smalls: Billy Bob Thornton
Adalyne Dunfries: Bridget Fonda
Shoshonee Bill: Peter Fonda
Arvid: Paul Reubens
Agent Otts: Bud Cort
Doc Angus Dunfries: Bo Hopkins
Leland: Luke Askew
Uncle Jude: Michael Jeter
Running time -- 131 minutes
MPAA rating: R...
Albert S. Ruddy has a new project, Cloud Nine, about a has-been coach (Burt Reynolds) who launches a women's volleyball team with a difference: It's for strippers. Described as a "labor of love" for the Godfather producer, Cloud was co-written by Ruddy after encountering a volleyball poster during a trip to New York. Cloud will be directed by Hairy Tale helmer Harry Basil. Ruddy is reteaming with Godfather associate producer Gray Fredrickson for Cloud, with Fredrickson executive producing together with Graymark Prods. partner John Simonelli. The film will be a Graymark presentation in association with Ruddy Morgan and Frozen Films. Brett Hudson and Burt Kearns of Frozen are producing with Ruddy. The duo also co-scripted the project.
- 3/23/2004
- The Hollywood Reporter - Movie News
Having impressively proved himself a capable actor, country singer-songwriter Dwight Yoakam adds director-screenwriter-producer-composer to his resume, and the resulting "South of Heaven, West of Hell" would suggest a case of wearing at least one Stetson too many.
A subversive Gothic western starring Yoakam and a bunch of his Hollywood buddies, the picture, which actually is much closer to hell than its directions would imply, is an interminable, annoying mess of fractured cowboy-movie cliches.
Although Yoakam and co-screenwriter Stan Bertheaud must have had a hoot cramming in all the frat boy perversity -- castration, rape, incest and pedophilia rank high on its top 10 list -- it all comes across as the kind of indulgence that gives vanity projects a bad name.
Yoakam has cast himself as Valentine Casey, a marshal with an uncertain past who finds himself biding time in some kind of existential purgatory resembling a desolate New Mexico town called Los Tragos.
Part of that past resurfaces when the murderous, inbred Henry Gang, presided over by Bible-thumping Leland (Luke Askew), rides into town. Apparently way back when, after Val's own family died during an influenza outbreak, Leland raised Val as his own. Now Leland and his boys, including Vince Vaughn and Paul Reubens, have returned with larceny on their minds. Though Val sticks to his guns, the Henry Gang proceeds to slaughter everything around him that tries to block their path to the bank vault.
Cut to nine months later, where we find Val in the Arizona desert breaking wild horses and meeting up with Adalyne Dunfries (Bridget Fonda), the daughter of the local hotel and saloon owner who has returned to town accompanied by the odd Brigadier Smalls Billy Bob Thornton with long golden hair).
Just when it looks like Val and Adalyne are about to have a thing going, who else but the Henry Gang comes in and gums up the works, precipitating a protracted fight to the finish.
While Yoakam underplays his part to the point of catatonia, the rest of his cast, also including Bud Cort, Peter Fonda and Michael Jeter, go in the opposite direction in some kind of contest to determine who can be the most irritating. Jeter's the clear winner as the screeching Uncle Jude.
To his credit, director of photography James Glennon ("El Norte", "Election") mines plenty of atmospheric value for the low-budget buck, but there ain't enough purdy sunsets in the world to compensate for this long-winded, one-trick pony of a home movie.
SOUTH OF HEAVEN, WEST OF HELL
Trimark
Director: Dwight Yoakam
Producers: Gray Frederickson, Darris Hatch
Screenwriters: Dwight Yoakam, Stan Bertheaud
Story: Dwight Yoakam, Dennis Hackin, Otto Felix
Director of photography: James Glennon
Production designer: Siobhan Roome
Editor: Robert Ferretti
Costume designer: Le Dawson
Music: Dwight Yoakam
Color/stereo
Cast:
Valentine Casey: Dwight Yoakam
Taylor: Vince Vaughn
Brigadier Smalls: Billy Bob Thornton
Adalyne Dunfries: Bridget Fonda
Shoshonee Bill: Peter Fonda
Arvid: Paul Reubens
Agent Otts: Bud Cort
Doc Angus Dunfries: Bo Hopkins
Leland: Luke Askew
Uncle Jude: Michael Jeter
Running time -- 131 minutes
MPAA rating: R...
A subversive Gothic western starring Yoakam and a bunch of his Hollywood buddies, the picture, which actually is much closer to hell than its directions would imply, is an interminable, annoying mess of fractured cowboy-movie cliches.
Although Yoakam and co-screenwriter Stan Bertheaud must have had a hoot cramming in all the frat boy perversity -- castration, rape, incest and pedophilia rank high on its top 10 list -- it all comes across as the kind of indulgence that gives vanity projects a bad name.
Yoakam has cast himself as Valentine Casey, a marshal with an uncertain past who finds himself biding time in some kind of existential purgatory resembling a desolate New Mexico town called Los Tragos.
Part of that past resurfaces when the murderous, inbred Henry Gang, presided over by Bible-thumping Leland (Luke Askew), rides into town. Apparently way back when, after Val's own family died during an influenza outbreak, Leland raised Val as his own. Now Leland and his boys, including Vince Vaughn and Paul Reubens, have returned with larceny on their minds. Though Val sticks to his guns, the Henry Gang proceeds to slaughter everything around him that tries to block their path to the bank vault.
Cut to nine months later, where we find Val in the Arizona desert breaking wild horses and meeting up with Adalyne Dunfries (Bridget Fonda), the daughter of the local hotel and saloon owner who has returned to town accompanied by the odd Brigadier Smalls Billy Bob Thornton with long golden hair).
Just when it looks like Val and Adalyne are about to have a thing going, who else but the Henry Gang comes in and gums up the works, precipitating a protracted fight to the finish.
While Yoakam underplays his part to the point of catatonia, the rest of his cast, also including Bud Cort, Peter Fonda and Michael Jeter, go in the opposite direction in some kind of contest to determine who can be the most irritating. Jeter's the clear winner as the screeching Uncle Jude.
To his credit, director of photography James Glennon ("El Norte", "Election") mines plenty of atmospheric value for the low-budget buck, but there ain't enough purdy sunsets in the world to compensate for this long-winded, one-trick pony of a home movie.
SOUTH OF HEAVEN, WEST OF HELL
Trimark
Director: Dwight Yoakam
Producers: Gray Frederickson, Darris Hatch
Screenwriters: Dwight Yoakam, Stan Bertheaud
Story: Dwight Yoakam, Dennis Hackin, Otto Felix
Director of photography: James Glennon
Production designer: Siobhan Roome
Editor: Robert Ferretti
Costume designer: Le Dawson
Music: Dwight Yoakam
Color/stereo
Cast:
Valentine Casey: Dwight Yoakam
Taylor: Vince Vaughn
Brigadier Smalls: Billy Bob Thornton
Adalyne Dunfries: Bridget Fonda
Shoshonee Bill: Peter Fonda
Arvid: Paul Reubens
Agent Otts: Bud Cort
Doc Angus Dunfries: Bo Hopkins
Leland: Luke Askew
Uncle Jude: Michael Jeter
Running time -- 131 minutes
MPAA rating: R...
- 12/18/2000
- The Hollywood Reporter - Movie News
Having impressively proved himself a capable actor, country singer-songwriter Dwight Yoakam adds director-screenwriter-producer-composer to his resume, and the resulting "South of Heaven, West of Hell" would suggest a case of wearing at least one Stetson too many.
A subversive Gothic western starring Yoakam and a bunch of his Hollywood buddies, the picture, which actually is much closer to hell than its directions would imply, is an interminable, annoying mess of fractured cowboy-movie cliches.
Although Yoakam and co-screenwriter Stan Bertheaud must have had a hoot cramming in all the frat boy perversity -- castration, rape, incest and pedophilia rank high on its top 10 list -- it all comes across as the kind of indulgence that gives vanity projects a bad name.
Yoakam has cast himself as Valentine Casey, a marshal with an uncertain past who finds himself biding time in some kind of existential purgatory resembling a desolate New Mexico town called Los Tragos.
Part of that past resurfaces when the murderous, inbred Henry Gang, presided over by Bible-thumping Leland (Luke Askew), rides into town. Apparently way back when, after Val's own family died during an influenza outbreak, Leland raised Val as his own. Now Leland and his boys, including Vince Vaughn and Paul Reubens, have returned with larceny on their minds. Though Val sticks to his guns, the Henry Gang proceeds to slaughter everything around him that tries to block their path to the bank vault.
Cut to nine months later, where we find Val in the Arizona desert breaking wild horses and meeting up with Adalyne Dunfries (Bridget Fonda), the daughter of the local hotel and saloon owner who has returned to town accompanied by the odd Brigadier Smalls Billy Bob Thornton with long golden hair).
Just when it looks like Val and Adalyne are about to have a thing going, who else but the Henry Gang comes in and gums up the works, precipitating a protracted fight to the finish.
While Yoakam underplays his part to the point of catatonia, the rest of his cast, also including Bud Cort, Peter Fonda and Michael Jeter, go in the opposite direction in some kind of contest to determine who can be the most irritating. Jeter's the clear winner as the screeching Uncle Jude.
To his credit, director of photography James Glennon ("El Norte", "Election") mines plenty of atmospheric value for the low-budget buck, but there ain't enough purdy sunsets in the world to compensate for this long-winded, one-trick pony of a home movie.
SOUTH OF HEAVEN, WEST OF HELL
Trimark
Director: Dwight Yoakam
Producers: Gray Frederickson, Darris Hatch
Screenwriters: Dwight Yoakam, Stan Bertheaud
Story: Dwight Yoakam, Dennis Hackin, Otto Felix
Director of photography: James Glennon
Production designer: Siobhan Roome
Editor: Robert Ferretti
Costume designer: Le Dawson
Music: Dwight Yoakam
Color/stereo
Cast:
Valentine Casey: Dwight Yoakam
Taylor: Vince Vaughn
Brigadier Smalls: Billy Bob Thornton
Adalyne Dunfries: Bridget Fonda
Shoshonee Bill: Peter Fonda
Arvid: Paul Reubens
Agent Otts: Bud Cort
Doc Angus Dunfries: Bo Hopkins
Leland: Luke Askew
Uncle Jude: Michael Jeter
Running time -- 131 minutes
MPAA rating: R...
A subversive Gothic western starring Yoakam and a bunch of his Hollywood buddies, the picture, which actually is much closer to hell than its directions would imply, is an interminable, annoying mess of fractured cowboy-movie cliches.
Although Yoakam and co-screenwriter Stan Bertheaud must have had a hoot cramming in all the frat boy perversity -- castration, rape, incest and pedophilia rank high on its top 10 list -- it all comes across as the kind of indulgence that gives vanity projects a bad name.
Yoakam has cast himself as Valentine Casey, a marshal with an uncertain past who finds himself biding time in some kind of existential purgatory resembling a desolate New Mexico town called Los Tragos.
Part of that past resurfaces when the murderous, inbred Henry Gang, presided over by Bible-thumping Leland (Luke Askew), rides into town. Apparently way back when, after Val's own family died during an influenza outbreak, Leland raised Val as his own. Now Leland and his boys, including Vince Vaughn and Paul Reubens, have returned with larceny on their minds. Though Val sticks to his guns, the Henry Gang proceeds to slaughter everything around him that tries to block their path to the bank vault.
Cut to nine months later, where we find Val in the Arizona desert breaking wild horses and meeting up with Adalyne Dunfries (Bridget Fonda), the daughter of the local hotel and saloon owner who has returned to town accompanied by the odd Brigadier Smalls Billy Bob Thornton with long golden hair).
Just when it looks like Val and Adalyne are about to have a thing going, who else but the Henry Gang comes in and gums up the works, precipitating a protracted fight to the finish.
While Yoakam underplays his part to the point of catatonia, the rest of his cast, also including Bud Cort, Peter Fonda and Michael Jeter, go in the opposite direction in some kind of contest to determine who can be the most irritating. Jeter's the clear winner as the screeching Uncle Jude.
To his credit, director of photography James Glennon ("El Norte", "Election") mines plenty of atmospheric value for the low-budget buck, but there ain't enough purdy sunsets in the world to compensate for this long-winded, one-trick pony of a home movie.
SOUTH OF HEAVEN, WEST OF HELL
Trimark
Director: Dwight Yoakam
Producers: Gray Frederickson, Darris Hatch
Screenwriters: Dwight Yoakam, Stan Bertheaud
Story: Dwight Yoakam, Dennis Hackin, Otto Felix
Director of photography: James Glennon
Production designer: Siobhan Roome
Editor: Robert Ferretti
Costume designer: Le Dawson
Music: Dwight Yoakam
Color/stereo
Cast:
Valentine Casey: Dwight Yoakam
Taylor: Vince Vaughn
Brigadier Smalls: Billy Bob Thornton
Adalyne Dunfries: Bridget Fonda
Shoshonee Bill: Peter Fonda
Arvid: Paul Reubens
Agent Otts: Bud Cort
Doc Angus Dunfries: Bo Hopkins
Leland: Luke Askew
Uncle Jude: Michael Jeter
Running time -- 131 minutes
MPAA rating: R...
- 12/18/2000
- The Hollywood Reporter - Movie News
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