When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
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The story of the life of Brandon Teena, a transgendered teen who preferred life in a male identity until it was discovered he was born biologically female.
Director:
Kimberly Peirce
Stars:
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In 1978 rural Pennsylvania an absentee father is reacquainted with his estranged teenage sons and they become intrigued with romanticized life of crime.
Director:
James Foley
Stars:
Sean Penn,
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A college freshman returns to L.A. for the holidays at his ex-girlfriend's request, but discovers that his former best friend has an out-of-control drug habit.
Director:
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Stars:
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Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen... See full summary »
The movie details a town split between the wealthy South Zone gang called 'The Socials' and the poor North Zone gang called 'The Greasers'. Dallas Winston, Ponyboy Curtis and Johnny Cade from 'The Greasers' befriend the rich Cherry Valance and Marcia at a drive-in. Later that night, a group of 'The Socs' chase and beat up Johnny and attempt to drown Ponyboy in a fountain. However, Johnny stabs one Soc and kills him, saving Ponyboy. The desperate boys seek Dallas who finds a hideout for them in a nearby town. One week later, Johnny and Ponyboy decide to return to their hometown, with Dallas, to claim the murder as self-defense. But on their way back, they see the church on fire and Ponyboy and Johnny help the children trapped in the church and become heroes. However Johnny is badly wounded and confined to the hospital. Meanwhile The Socs and The Greasers prepare to fight. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Francis Ford Coppola received letters over the years from fans of the novel, many expressing disappointment that several key scenes from the book were omitted from the film version (they were in Coppola's original cut, but were edited at the behest of the studio). Years later, Coppola's granddaughter was reading the book in class, and was about to watch the film with her fellow schoolmates. Feeling embarrassed, Coppola cobbled together what would eventually become his Director's Cut. See more »
Goofs
At, the very end, when Dally robs the bank, he pulls out his gun at the store clerk and he points it on the clerk's right cheek (at 01:23:27 in 91 m.). The next shot of the clerk, shows the gun on the left side of the clerk's cheek (at around 1h 23 mins). See more »
Quotes
[first lines]
Ponyboy:
[voicecover]
When I stepped out into the bright sunlight, from the darkness of the movie house, I had only two things on my mind: Paul Newman, and a ride home.
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Crazy Credits
Closing dedication: This film is dedicated to the people who first suggested that it be made... Librarian Jo Ellen Misakian and the students of the Lone Star School in Fresno, California. See more »
The Outsiders is a great adaptation of S.E Hinton's wonderful (and heart-breaking) novel. The film is a piece of art. It's got a good, solid story, beautiful photography, convincing acting by the leading actors and a nice score.
It's a star-packed film with appearances by Tom Cruise, Rob Lowe, Patrick Swayze among others. (Not to mention it was directed by Francis Ford Coppola!) But I was most amazed by C. Thomas Howell's portrayal of Ponyboy Curtis, the central character of the novel and film, who did a great job carrying the story.
There are many scenes in the film that are exactly like the book, even following the same dialogue. Usually I don't think that's a good thing since I like to see someone else's interpretation, another one's point of view instead of a copy of the book. But Coppola masters everything beautifully anyway so it never gets boring and C. Thomas Howell's interpretation of his role is what makes the film stand on its own.
Thanks to Howell there are many memorable Ponyboy moments. One of those is Ponyboy's recital of Robert Frost's 'Nothing Gold can stay', which is a scene that stays with you forever. Another actor who caught my attention in this film was Emilio Estevez who plays Two-Bit Mathews, friend of the Curtis brothers and a greaser. Estevez lights up every scene he's in and the film wouldn't be as great without him.
There are only two things I don't like about the film: The greasers are too well-groomed and clean and the socs are a too one-dimensional.
28 of 34 people found this review helpful.
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The Outsiders is a great adaptation of S.E Hinton's wonderful (and heart-breaking) novel. The film is a piece of art. It's got a good, solid story, beautiful photography, convincing acting by the leading actors and a nice score.
It's a star-packed film with appearances by Tom Cruise, Rob Lowe, Patrick Swayze among others. (Not to mention it was directed by Francis Ford Coppola!) But I was most amazed by C. Thomas Howell's portrayal of Ponyboy Curtis, the central character of the novel and film, who did a great job carrying the story.
There are many scenes in the film that are exactly like the book, even following the same dialogue. Usually I don't think that's a good thing since I like to see someone else's interpretation, another one's point of view instead of a copy of the book. But Coppola masters everything beautifully anyway so it never gets boring and C. Thomas Howell's interpretation of his role is what makes the film stand on its own.
Thanks to Howell there are many memorable Ponyboy moments. One of those is Ponyboy's recital of Robert Frost's 'Nothing Gold can stay', which is a scene that stays with you forever. Another actor who caught my attention in this film was Emilio Estevez who plays Two-Bit Mathews, friend of the Curtis brothers and a greaser. Estevez lights up every scene he's in and the film wouldn't be as great without him.
There are only two things I don't like about the film: The greasers are too well-groomed and clean and the socs are a too one-dimensional.