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The Good, the Bad and the Ugly (1966)
"Il buono, il brutto, il cattivo." (original title)

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Ratings: 9.0/10 from 379,817 users   Metascore: 90/100
Reviews: 713 user | 168 critic | 7 from Metacritic.com

A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

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Title: The Good, the Bad and the Ugly (1966)

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Cast

Cast overview, first billed only:
...
...
...
Aldo Giuffrè ...
Alcoholic Union Captain (as Aldo Giuffre')
...
Rada Rassimov ...
Enzo Petito ...
Claudio Scarchilli ...
Mexican Peon
John Bartha ...
Sheriff (as John Bartho)
Livio Lorenzon ...
Antonio Casale ...
Sandro Scarchilli ...
Mexican Peon
Benito Stefanelli ...
Member of Angel Eyes' Gang
Angelo Novi ...
Monk
Antonio Casas ...
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Storyline

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie meet with Carson and knows they know the location of the gold. All he needs is for the two to ... Written by Jeremy Thomson

Plot Summary | Plot Synopsis

Plot Keywords:

gold | cemetery | battle | bandit | stagecoach | See more »

Taglines:

They formed an alliance of hate to steal a fortune in dead man's gold See more »

Genres:

Adventure | Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

23 December 1966 (Italy)  »

Also Known As:

The Good, the Bad and the Ugly  »

Filming Locations:

 »

Box Office

Budget:

$1,200,000 (estimated)

Gross:

$6,100,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (dubbed) | (2003 extended English) | (1984) (cut)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The following guns are used in this movie. 1.Blondie uses: A Colt 1851 cartridge conversion revolver (with silver snake grips), and a Winchester 1866 "yellow boy" with ladder elevated sights. 2. Tuco uses: A Colt 1851 Navy cartridge conversion revolver with a lanyard. 3. Angel Eyes uses: A Remington 1858 Army percussion revolver. 4. Soldiers used: Gatling guns with drum magazines, and Howitzer cannons. See more »

Goofs

Before the final gunfight, as Tuco is standing in the circle, he lowers his hand to the level of his pistol. His hand was already there in a previous shot. See more »

Quotes

[first lines]
Stevens: You're... from Baker... Tell Baker that I told him all that I know already. Tell him I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins. Now that gold has disappeared, but if he'd listened, we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more. I can't tell Baker what happened to the money; go back and tell him that!
See more »

Connections

Referenced in Ye he hua (1971) See more »

Soundtracks

The Story Of A Soldier
by Tommie Connor
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Westerns don't get any better than this.
16 August 2004 | by (Tennessee) – See all my reviews

This is the third,and arguably the best, of the so-called "spaghetti western" trilogy. It is ironic that, at the time the three Sergio Leone westerns were released, they were largely panned by critics as being poor and even laughable imitations of American-made westerns. The fact that they were filmed in Italy and Spain resulted in them receiving their amusing nickname which was intended to degrade them at the time.

Somehow, over the quarter century or so since their release, the critics have tended to change their opinions, and now these movies are generally regarded as classics. Perhaps this is because Clint Eastwood was principally known only as the second banana, Rowdy Yates, in the television series "Rawhide" when the films were produced but since then has achieved superstardom. But I also think it goes beyond that. I believe the critics decided to take another look at these films and realized that they had been premature in writing them off. Actually, I believe the three films were considerably better than most of what Hollywood produced. In fact, I think that TGTBATU ranks among the best westerns ever produced bringing to mind the magnificent films of John Ford, the undisputed master of that genre, and his protege, the incomparable John Wayne.

I have nothing but praise for this film. In fact, I rank it as one of my favorite films of all time. I could write volumes of what is good about this film. But since its qualities have been oft repeated in other viewer reviews, I will focus on what others didn't like about it. Most of the IMDb reviews had only one major complaint: the film is too long. I disagree. In fact, in spite of its nearly three hour length, I was disappointed that it ended. I was so absorbed in the film that I was disheartened to have to return to reality. The combination of story, cinematography, acting and musical score left nothing to be desired other than more of the same! The sequences that seemed to drag on in the opinion of other reviewers were necessary to fully create moods and to drive home important points. For example, the opening sequence might be regarded as needlessly long as Angel Eyes taunts a hapless man over a leisurely meal. But to me, scenes like that are what makes the movie great! The time allows the viewer to fully appreciate the amazing replication of the primitive home and the pitiful life of its dirt-poor inhabitants. I felt as though I was sitting there at the table; I was half tempted to reach for a bowl and spoon to partake of the meal. And all the while the suspense was building towards the inevitable climax. You know it's coming but not when and the length of the scene drives you crazy but makes it all the more satisfying when it does happen.

Another example is when Tuco punishes Joe by forcing him to walk through the desert. This is possibly the only time that one might become bored with the film. But again, I think the time for the scene was justified in that we are able to receive the full impact of that experience and enjoy the haunting music at the same time. Joe's subsequent predicament might not have had much credibility had this sequence been abbreviated.

In my opinion, one of the essential elements of a great film is creating moods that absorb our attention. This often takes time, lots of time. For example, many of the scenes in the magnificent film "Dr. Zhivago" were almost painfully long but they were necessary to create those startling surrealistic moods, and the film would not have been great without them. In many ways, TGTBATU has this same sort of greatness. It is a sweeping epic with very compelling characters and magnificent settings that draws the viewer in and doesn't release him until the closing credits begin to roll. When it's over, you feel that you've been on a long and exciting journey. Such a journey takes time.

In summary, if you haven't seen this film, buy it right away. Don't rent it because you will not want to part with it once you've seen it.

Then curl up with it on a cold, rainy Sunday afternoon when you are in no hurry to do anything.


412 of 483 people found this review helpful.  Was this review helpful to you?

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