The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ... Written by
Eli Wallach found the scene where Tuco confronts his friar brother, Pablo, difficult to perform because Luigi Pistilli, the actor who played Pablo, could not speak English. See more »
After setting the explosives under the bridge, Tuco and Blondie jump into a foxhole and are perfectly dry, despite having been soaking wet from the river just previously. See more »
You're... from Baker?
[Angel Eyes is silent, eating a bowl of stew and staring at him]
Tell Baker that I told him all that I know already and I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins.
[Angel Eyes stops eating and looks interested]
Now that gold has disappeared, but if he'd listened we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more....
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often overlooked or belittled by so-called "film critics", GBU is a monumental influential masterpiece. everything works: music, photography, acting, dialogue, directing, etc. the cinematography and music stand out as legendary film history. who can forget the Morricone "whistles". or the harsh landscape united with a sweaty dirty super close-up of an unknown Italian actor. there's just too much to say about this landmark movie. what a combo: THE "spaghetti western", directed by an Italian, starring american leads, shot in Spain, and taking place in the barren American west. wow.remember, there's two kinds of people in this world, my friend, those who appreciate a masterpiece like GBU, and those who don't know much 'bout great movies!!!!!!!!
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