History Professor Brad Fletcher heads west for his health, but falls in with Soloman Bennett's outlaw gang. Fascinated by their way of life, Fletcher finally takes over the gang, leading ... See full summary »
Gian Maria Volonté,
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco comes across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie meet with Carson and knows they know the location of the gold. All he needs is for the two to ... Written by
In the theatrical trailer, Angel Eyes is "The Ugly" and Tuco "The Bad," which is the reverse of their designations in the actual film. This is because the Italian title translated into English is actually The Good, the Ugly, the Bad, not The Good, the Bad and the Ugly, and the Italian trailer had "The Ugly" and "The Bad" in that order. When the trailer was transferred to English, The Ugly and The Bad were not reversed to coincide with the altered title, causing the incorrect designations. See more »
When the Sheriff unrolls the wanted poster in Tuco's face the poster clearly has a photograph of very good quality instead of a sketch which seems highly unlikely at the time the film takes place. See more »
You're... from Baker... Tell Baker that I told him all that I know already. Tell him I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins. Now that gold has disappeared, but if he'd listened, we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more. I can't tell Baker what happened to the money; go back and tell him that!
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often overlooked or belittled by so-called "film critics", GBU is a monumental influential masterpiece. everything works: music, photography, acting, dialogue, directing, etc. the cinematography and music stand out as legendary film history. who can forget the Morricone "whistles". or the harsh landscape united with a sweaty dirty super close-up of an unknown Italian actor. there's just too much to say about this landmark movie. what a combo: THE "spaghetti western", directed by an Italian, starring american leads, shot in Spain, and taking place in the barren American west. wow.remember, there's two kinds of people in this world, my friend, those who appreciate a masterpiece like GBU, and those who don't know much 'bout great movies!!!!!!!!
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