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Cabaret (1972) 7.7
Ratings:
7.7/10 from 26,461 users
Metascore: 80/100
Reviews: 160 user | 64 critic | 8 from Metacritic.com A female girlie club entertainer in Weimar Republic era Berlin romances two men while the Nazi Party rises to power around them. Director:Bob Fosse |
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Title: Cabaret (1972)
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Cast
| Cast overview, first billed only: | |||
| Liza Minnelli | ... | ||
| Michael York | ... | ||
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Helmut Griem | ... |
Maximilian von Heune
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| Joel Grey | ... |
Master of Ceremonies
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Fritz Wepper | ... |
Fritz Wendel
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| Marisa Berenson | ... |
Natalia Landauer
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Elisabeth Neumann-Viertel | ... | |
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Helen Vita | ... |
Fräulein Kost
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Sigrid von Richthofen | ... |
Fräulein Mayr
(as Sigrid Von Richthofen)
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Gerd Vespermann | ... |
Bobby
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Ralf Wolter | ... |
Herr Ludwig
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Georg Hartmann | ... |
Willi
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Ricky Renée | ... |
Elke
(as Ricky Renee)
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Estrongo Nachama | ... |
Cantor
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Kathryn Doby | ... |
Kit-Kat Dancer
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Plot Summary
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Plot Synopsis
Storyline
Sally Bowles, an American singer in 1930s Berlin, fall in love with bi-sexual Brian. They are both then seduced by Max, a rich playboy. Sally becomes pregnant, and Brian offers to marry her... All the characters are linked by the Kit-Kat club, a nightspot where Sally sings. Written by Colin Tinto <cst@imdb.com>
Taglines:
Life is a Cabaret See more »Parents Guide:
View content advisory »
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Details
Country:
USARelease Date:
13 February 1972 (USA) See more »Also Known As:
Kabare See more »Box Office
Budget:
$6,000,000 (estimated)Gross:
$42,765,000 (USA)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
Color:
Color (Technicolor)Aspect Ratio:
1.85 : 1
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Sally: Oh, you got the toothpaste glass!
[laughs a little]
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(uncredited)
Written by John Kander and Fred Ebb
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Did You Know?
Trivia
The song "Married", originally in the Broadway version, was cut from the movie. It can be heard playing on a radio in the background during the scene where Brian and Sally are discussing marriage. See more »Goofs
Brian is seen pushing a bicycle while walking with Sally. The front light on the bicycle points downwards. Later, Brian and Sally join two friends for a cycle ride. Brian rides the same bicycle with the downward pointing light. In the same scene, when the four are pushing their bicycles and eating ice creams, Brian is pushing a bicycle that doesn't have the downward-pointing light. See more »Quotes
Brian: [after trying a prairie oyster for the first time] Peppermint prairie oysters?Sally: Oh, you got the toothpaste glass!
[laughs a little]
See more »
Connections
Featured in Broadway: The American Musical: Give My Regards to Broadway: 1893-1927 (2004) See more »Soundtracks
"It Couldn't Please Me More"(uncredited)
Written by John Kander and Fred Ebb
See more »
Pre-Nazi Germany is a hotbed of escalating tensions, but decadent nightclub performer Sally Bowles is oblivious to the encroaching horrors. If you know a little about Liza Minnelli and you're curious, "Cabaret" should make you a fan; if you're not interested or just don't like her, "Cabaret" probably isn't the movie for you. Liza is the heart, soul, and centerpiece of the picture; when she's on-screen, everybody else is irrelevant. Movie-fans still discuss whether Liza was actually acting the role of Sally Bowles or just being herself (her Oscar-win still draws debates--Diana Ross in "Lady Sings The Blues" is oft-times described as 'robbed' for the Best Actress statue). Indeed, time has proved that Minnelli had a whole lot in common with Sally, the parallels are even echoed in much of the dialogue, but this part utilizes her entire range (sarcastic sass, vulnerable imp, high-powered musical presence) and she's fabulous. She doesn't do anything small, even her quiet moments are extraordinary. Her final speech to Michael York ("How soon would it be before we started hating each other?") is a knockout, as good as any of her musical numbers, and when he lashes out in anger, she sighs, "If you wanna hit me, why don't'cha just hit me?" She can be fragile and wounded, but it's in her spirit to get right back up and perform. The film is a burlesque nightmare, amazingly directed and photographed, filled with great actors and songs and a deadly-serious finale. It's a classic. **** from ****