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Cabaret (1972)

 -  Drama | Musical  -  13 February 1972 (USA)
7.9
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Ratings: 7.9/10 from 31,254 users   Metascore: 80/100
Reviews: 169 user | 72 critic | 8 from Metacritic.com

A female girlie club entertainer in Weimar Republic era Berlin romances two men while the Nazi Party rises to power around them.

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(based on the musical play "Cabaret" book by), (based on the play by), 2 more credits »
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Title: Cabaret (1972)

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Won 8 Oscars. Another 26 wins & 15 nominations. See more awards »

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Edit

Cast

Cast overview, first billed only:
...
...
Helmut Griem ...
Maximilian von Heune
...
Fritz Wepper ...
...
Elisabeth Neumann-Viertel ...
Helen Vita ...
Fräulein Kost
Sigrid von Richthofen ...
Fräulein Mayr (as Sigrid Von Richthofen)
Gerd Vespermann ...
Bobby
Ralf Wolter ...
Herr Ludwig
Georg Hartmann ...
Willi
Ricky Renée ...
Elke (as Ricky Renee)
Estrongo Nachama ...
Cantor
Kathryn Doby ...
Kit-Kat Dancer
Edit

Storyline

Sally Bowles, an American singer in 1930s Berlin, falls in love with bi-sexual Brian. They are both then seduced by Max, a rich playboy. Sally becomes pregnant, and Brian offers to marry her... All the characters are linked by the Kit-Kat club, a nightspot where Sally sings. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Life is a Cabaret See more »

Genres:

Drama | Musical

Certificate:

PG | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

| | |

Release Date:

13 February 1972 (USA)  »

Also Known As:

Kabare  »

Filming Locations:

 »

Box Office

Budget:

$6,000,000 (estimated)

Gross:

$42,765,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(5.0 Surround Sound) (L-R)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Years before Cabaret (1972) was filmed Liza Minnelli performed Maybe This Time when she appeared with her mother Judy Garland at the London Palladium. See more »

Goofs

Brian is seen pushing a bicycle while walking with Sally. The front light on the bicycle points downwards. Later, Brian and Sally join two friends for a cycle ride. Brian rides the same bicycle with the downward pointing light. In the same scene, when the four are pushing their bicycles and eating ice creams, Brian is pushing a bicycle that doesn't have the downward-pointing light. See more »

Quotes

Brian: Screw Maximilian!
Sally: I do.
Brian: So do I.
Sally: You two bastards!
Brian: Two? Two? Shouldn't that be three?
See more »

Connections

Referenced in American Pie Presents Beta House (2007) See more »

Soundtracks

Don't Tell Mama
(uncredited)
Written by John Kander and Fred Ebb
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An eerie, glowing tinderbox full of grinning souls and desperate laughter...
4 December 2005 | by (las vegas, nv) – See all my reviews

Pre-Nazi Germany is a hotbed of escalating tensions, but decadent nightclub performer Sally Bowles is oblivious to the encroaching horrors. If you know a little about Liza Minnelli and you're curious, "Cabaret" should make you a fan; if you're not interested or just don't like her, "Cabaret" probably isn't the movie for you. Liza is the heart, soul, and centerpiece of the picture; when she's on-screen, everybody else is irrelevant. Movie-fans still discuss whether Liza was actually acting the role of Sally Bowles or just being herself (her Oscar-win still draws debates--Diana Ross in "Lady Sings The Blues" is oft-times described as 'robbed' for the Best Actress statue). Indeed, time has proved that Minnelli had a whole lot in common with Sally, the parallels are even echoed in much of the dialogue, but this part utilizes her entire range (sarcastic sass, vulnerable imp, high-powered musical presence) and she's fabulous. She doesn't do anything small, even her quiet moments are extraordinary. Her final speech to Michael York ("How soon would it be before we started hating each other?") is a knockout, as good as any of her musical numbers, and when he lashes out in anger, she sighs, "If you wanna hit me, why don't'cha just hit me?" She can be fragile and wounded, but it's in her spirit to get right back up and perform. The film is a burlesque nightmare, amazingly directed and photographed, filled with great actors and songs and a deadly-serious finale. It's a classic. **** from ****


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