Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs such songs as the title number, "Liza with a 'Z'" and "Son of a Preacher Man". The concert ... See full summary »
Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her ... See full summary »
Two students from neighboring colleges in upstate New York are swept up in a tragic romantic interlude calling for a maturity of vision beyond their experience of capabilities. Pookie Adams... See full summary »
Alan J. Pakula
A straight film of the stage show which as far as I know was only shown once. Young American writer goes to Berlin at a time Nazis were emerging. Meets Sally Bowles at the Kit Kat club... ... See full summary »
Sally Bowles, an American singer in 1930s Berlin, falls in love with bi-sexual Brian. They are both then seduced by Max, a rich playboy. Sally becomes pregnant, and Brian offers to marry her... All the characters are linked by the Kit-Kat club, a nightspot where Sally sings. Written by
Colin Tinto <firstname.lastname@example.org>
Brian is seen pushing a bicycle while walking with Sally. The front light on the bicycle points downwards. Later, Brian and Sally join two friends for a cycle ride. Brian rides the same bicycle with the downward pointing light. In the same scene, when the four are pushing their bicycles and eating ice creams, Brian is pushing a bicycle that doesn't have the downward-pointing light. See more »
An eerie, glowing tinderbox full of grinning souls and desperate laughter...
Pre-Nazi Germany is a hotbed of escalating tensions, but decadent nightclub performer Sally Bowles is oblivious to the encroaching horrors. If you know a little about Liza Minnelli and you're curious, "Cabaret" should make you a fan; if you're not interested or just don't like her, "Cabaret" probably isn't the movie for you. Liza is the heart, soul, and centerpiece of the picture; when she's on-screen, everybody else is irrelevant. Movie-fans still discuss whether Liza was actually acting the role of Sally Bowles or just being herself (her Oscar-win still draws debates--Diana Ross in "Lady Sings The Blues" is oft-times described as 'robbed' for the Best Actress statue). Indeed, time has proved that Minnelli had a whole lot in common with Sally, the parallels are even echoed in much of the dialogue, but this part utilizes her entire range (sarcastic sass, vulnerable imp, high-powered musical presence) and she's fabulous. She doesn't do anything small, even her quiet moments are extraordinary. Her final speech to Michael York ("How soon would it be before we started hating each other?") is a knockout, as good as any of her musical numbers, and when he lashes out in anger, she sighs, "If you wanna hit me, why don't'cha just hit me?" She can be fragile and wounded, but it's in her spirit to get right back up and perform. The film is a burlesque nightmare, amazingly directed and photographed, filled with great actors and songs and a deadly-serious finale. It's a classic. **** from ****
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