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Midnight Cowboy (1969)

 -  Drama  -  16 June 1969 (Brazil)
8.0
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Ratings: 8.0/10 from 67,721 users  
Reviews: 324 user | 80 critic

A naive prostitute and his sickly friend struggle to survive on the streets of New York City.

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(screenplay), (based on the novel by)
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Title: Midnight Cowboy (1969)

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Won 3 Oscars. Another 27 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Mr. O'Daniel
...
Shirley
...
Towny
...
Sally Buck - Texas
...
Annie - Texas
Gilman Rankin ...
Woodsy Niles - Texas (as Gil Rankin)
Gary Owens ...
T. Tom Marlow ...
George Eppersen ...
Ralph - Texas
Al Scott ...
Cafeteria Manager - Texas
Linda Davis ...
Mother on the Bus - Texas
J.T. Masters ...
Old Cow-Hand - Texas
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Storyline

Texas greenhorn Joe Buck arrives in New York for the first time. Preening himself as a real 'hustler', he finds that he is the one getting 'hustled' until he teams up with a down-and-out but resilient outcast named Ratso Rizzo. The initial 'country cousin meets city cousin' relationship deepens. In their efforts to bilk a hostile world rebuffing them at every turn, this unlikely pair progress from partners in shady business to comrades. Each has found his first real friend. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

For those who have never seen it and those who have never forgotten it. (1980 re-release) See more »

Genres:

Drama

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

16 June 1969 (Brazil)  »

Also Known As:

Perdidos en la noche  »

Box Office

Budget:

$3,600,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Contrasting Opinions #1: Ratso Rizzo's famous line, "I'm walkin' here!", *was* scripted. The location was at 58th Street and 6th Avenue in Midtown Manhattan. The scene called for the taxicab (driven by a stunt driver) to turn east onto 58th Street from 6th Avenue as Dustin Hoffman and Jon Voight, walking north on 6th Avenue, crossed 58th Street. Dustin then was to yell at the cab as it almost ran into him. The scene was rehearsed, and then with camera and sound rolling, the shot was filmed. There was a pause, the cab reversed direction, backed up onto 6th, stopped, then proceeded to turn again onto 58th as Dustin and Jon once more crossed the street. This happened several times, each time attracting a larger and larger crowd of curious onlookers. The camera setup was just to the north, and the crew seemed to be greatly amused as the filming disrupted morning rush hour. See more »

Goofs

After Joe Buck's encounter with Towny, he and Ratso board the bus to Miami. But the bus then enters the south tube of the Lincoln Tunnel, which only carries eastbound traffic into New York. See more »

Quotes

[first lines]
Joe Buck: Whoopee-tee-yi-yo. Get along little dogies. It's your misfortune and none of my own.
See more »

Connections

Featured in 100 Years at the Movies (1994) See more »

Soundtracks

The Last Round-Up (Git Along, Little Dogie, Git Along)
(1933) (uncredited)
Music and Lyrics by Billy Hill
Sung a cappella by Jon Voight with modified lyrics
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An all-time favorite of mine.
10 June 2002 | by (Ohio, USA) – See all my reviews

In my opinion, this is one of the greatest movies ever made in America and it deserved every single award it won and it's place on the AFI Top 100 list (though it's shamefully too low on the IMDB Top 250 list, at only #183 as of this writing). If you enjoy acting of the highest calibre (Voight and Hoffman are a superb match), well-drawn characterizations and inventive direction, editing and cinematography, you'll love this just as much as I did. Schlesinger paints a vivid, always credible picture of the late 60s New York City scene and it's many victims struggling to overcome personal demons and survive amidst the amorality, poverty and hopelessness of 42nd Street, New York City.

The filmmaking techniques employed here brilliantly capture the feel of the underground New York film movement (and of the city) and are nothing less than dazzling. I've seen many ideas (including the rapid-fire editing, the handling of the voice-over flashbacks, the drug/trip sequences and the cartoonish face slipped in during a murder scene to convey angst and terror) stolen by other filmmakers.

The relationship between Joe and Ratso is handled in such a way as to be viewed as an unusually strong friendship OR having it's homosexual underpinnings. I think the director handled this in a subtle way not to cop out to the censorship of the times, but rather to concentrate his energies on the importance of a strong human connection in life, whether it be sexual or not.

MIDNIGHT COWBOY is a brave, moving film of magnitude, influence and importance that has lost absolutely none of it's impact over the years, so if you haven't seen it, you're really missing out on a true American classic. I recommend this film to everyone.

Score: 10 out of 10.


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Trying to watch, it's horrible so far catdaddyd
Really didn't like this film. mrjoelabs
The top double lead performances ever in American film jrl0726
Ratso's illness tvcrazeddave
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Best opening scene in movie history Trimac20
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