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Midnight Cowboy (1969)

 -  Drama  -  16 June 1969 (Brazil)
8.0
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Ratings: 8.0/10 from 64,380 users  
Reviews: 312 user | 79 critic

A naive male prostitute and his sickly friend struggle to survive on the streets of New York City.

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(screenplay), (based on the novel by)
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Title: Midnight Cowboy (1969)

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Won 3 Oscars. Another 26 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Mr. O'Daniel
...
Shirley
...
Towny
...
Sally Buck - Texas
...
Annie - Texas
Gilman Rankin ...
Woodsy Niles - Texas (as Gil Rankin)
...
T. Tom Marlow ...
George Eppersen ...
Ralph - Texas
Al Scott ...
Cafeteria Manager - Texas
Linda Davis ...
Mother on the Bus - Texas
J.T. Masters ...
Old Cow-Hand - Texas
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Storyline

Texas greenhorn Joe Buck arrives in New York for the first time. Preening himself as a real 'hustler', he finds that he is the one getting 'hustled' until he teams up with a down-and-out but resilient outcast named Ratso Rizzo. The initial 'country cousin meets city cousin' relationship deepens. In their efforts to bilk a hostile world rebuffing them at every turn, this unlikely pair progress from partners in shady business to comrades. Each has found his first real friend. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

Whatever you hear about Midnight Cowboy is true. See more »

Genres:

Drama

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

16 June 1969 (Brazil)  »

Also Known As:

Perdidos en la noche  »

Box Office

Budget:

$3,600,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Dustin Hoffman stated during a 1994 interview with Larry King that Jon Voight (being from Yonkers, New York) originally did not get the part of Joe Buck because he was having trouble mastering the character's Midland, Texas accent. See more »

Goofs

When the main character, Voight, is hungry and destitute, he stops in a diner and sits with a weird mother and son. The son looks at the tracking camera not once but twice before dialog resumes. Easily edited, but left in, maybe on purpose. See more »

Quotes

[first lines]
Joe Buck: Whoopee-tee-yi-yo. Get along little dogies. It's your misfortune and none of my own.
See more »

Connections

Spoofed in Roadie (1980) See more »

Soundtracks

Everybody's Talkin'
Words and Music by Fred Neil
Arranged and Conducted by George Aliceson Tipton (as George Tipton)
Sung by Harry Nilsson (as Nilsson)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An all-time favorite of mine.
10 June 2002 | by (Ohio, USA) – See all my reviews

In my opinion, this is one of the greatest movies ever made in America and it deserved every single award it won and it's place on the AFI Top 100 list (though it's shamefully too low on the IMDB Top 250 list, at only #183 as of this writing). If you enjoy acting of the highest calibre (Voight and Hoffman are a superb match), well-drawn characterizations and inventive direction, editing and cinematography, you'll love this just as much as I did. Schlesinger paints a vivid, always credible picture of the late 60s New York City scene and it's many victims struggling to overcome personal demons and survive amidst the amorality, poverty and hopelessness of 42nd Street, New York City.

The filmmaking techniques employed here brilliantly capture the feel of the underground New York film movement (and of the city) and are nothing less than dazzling. I've seen many ideas (including the rapid-fire editing, the handling of the voice-over flashbacks, the drug/trip sequences and the cartoonish face slipped in during a murder scene to convey angst and terror) stolen by other filmmakers.

The relationship between Joe and Ratso is handled in such a way as to be viewed as an unusually strong friendship OR having it's homosexual underpinnings. I think the director handled this in a subtle way not to cop out to the censorship of the times, but rather to concentrate his energies on the importance of a strong human connection in life, whether it be sexual or not.

MIDNIGHT COWBOY is a brave, moving film of magnitude, influence and importance that has lost absolutely none of it's impact over the years, so if you haven't seen it, you're really missing out on a true American classic. I recommend this film to everyone.

Score: 10 out of 10.


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