Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Texas greenhorn Joe Buck arrives in New York for the first time. Preening himself as a real 'hustler', he finds that he is the one getting 'hustled' until he teams up with a down-and-out but resilient outcast named Ratso Rizzo. The initial 'country cousin meets city cousin' relationship deepens. In their efforts to bilk a hostile world rebuffing them at every turn, this unlikely pair progress from partners in shady business to comrades. Each has found his first real friend. Written by
When the main character, Voight, is hungry and destitute, he stops in a diner and sits with a weird mother and son. The son looks at the tracking camera not once but twice before dialog resumes. Easily edited, but left in, maybe on purpose. See more »
Whoopee-tee-yi-yo. Get along little dogies. It's your misfortune and none of my own.
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Everybody's Talkin' at me, I can't hear a word they're saying
One of the best films of the 60's and one of the kings of X rated films (among the few which include Valley of the Dolls, Clockwork Orange, and the only one to keep the title, Last Tango in Paris) is essentially a old fashioned type of movie, sorta like American Pie was (in a way). The film stars a young Jon Voight as a guy from the pig farms of Texas who moves to New York and becomes a man-whore. While in town, he meets the memorable Ratzo Rizzo played even more memorably by Dustin Hoffman. They then form a good yet sad friendship. Stylishly compelling, with two fine performances at it's core, and even thought the X rated form might scare away some people, most sex scenes go fast with quick yet excellent editing. A very well made film experience, however never watch this film on TV, and that goes for most films that have some explicit stuff. A+
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