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The Wild Bunch (1969)

An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.

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(screenplay), (screenplay) | 2 more credits »
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Nominated for 2 Oscars. Another 5 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jaime Sánchez ...
Angel (as Jaime Sanchez)
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Mapache (as Emilio Fernandez)
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T.C
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Paul Harper ...
Jorge Russek ...
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Storyline

It's 1913, and the traditional American West is dying. Among the inhabitants of this dying time era are a outlaw gang called "The Wild Bunch". After a failed bank robbery, the gang head to Mexico to do one last job. Seeing their times and lives drifting away in the newly formed world of the 20th century, the gang take the job and end up in a brutally, violent last stand against their enemies who deemed to be corrupt in a small Mexican town, ruled by a ruthless general. Written by blazesnakes9

Plot Summary | Plot Synopsis

Taglines:

Born too late for their own times. Uncommonly significant for ours. See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

| |

Release Date:

7 August 1969 (Hong Kong)  »

Also Known As:

Divlja horda  »

Filming Locations:

 »

Box Office

Budget:

$6,244,087 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(director's cut)

Sound Mix:

(70 mm prints)| (1995 re-release)| (1995 re-release)| (35 mm prints)| (1995 re-release)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Walon Green based the character of Freddie Sykes on Howard, the prospector played by Walter Huston in The Treasure of the Sierra Madre (1948). See more »

Goofs

At least twice in the movie, characters refer to Gen. Huerta as the president of Mexico. This would place the time period between early spring of 1913 and the summer of 1914. However, when Sikes is telling his colleagues about a "flying machine", Pike informs them that he heard the machines would be used in "the war", which would place the time period late 1914, after Huerta had been overthrown. Also, at least twice during the film a character refers to Pancho Villa indicating he was a major figure in the rebellion against Huerta. During the revolt Gen. Venustiano Carranza was the leading rebel; Villa was a minor figure, although he did ally his forces with those of Carranza (he also later led a rebellion against Carranza after Huerta was overthrown). Mentioning Villa's name may have been an attempt to place a well-known name before the audience to give them an historical context. See more »

Quotes

[first lines]
[indistinct voices]
Rev. Wainscoat: Do not drink wine or strong drink, thou, nor thy sons with thee, least ye shall die. Look not though upon the wine when it is red, and when it bringeth his color in the cup, when it moveth itself aright at the last, it biteth like a serpent and stingeth like an adder. Now folks, that's from the Good Book, but in this here town it's five cents a glass. Five cents a glass, now does anyone think that that is a price of a drink?
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Connections

Referenced in Schlock! The Secret History of American Movies (2001) See more »

Soundtracks

Shall We Gather at the River?
(uncredited)
Written by Robert Lowry
Played by the Temperance Union Band in the shootout at Starbuck
See more »

Frequently Asked Questions

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User Reviews

Let's go.
10 December 1999 | by (Boston. MA) – See all my reviews

I got this movie on DVD at the suggestion of my brother. I admit to knowing nothing about it's director and a complete lack of familiarity with most of it's actors or the mythology behind it's production (I was born years after it was made). I can, however, safely say this: this is one of the greatest movies ever made. Every aspect of the film is flawless, from the acting to the cinematography to the script.

This is also the most truly macho of all macho movies. It's not cartoonish machismo, rather it's the kind of machismo you see in drywall hangers: no-nonsense comments like "We're after men" and "Let's go" predominate, the men don't swagger around and violence is approached (fairly) honestly. The reserved dialogue and physicality reminds me of "Seven Samaurai" (to which this film owes a great deal). To me, that is the highest praise that I can give a movie.

The photography is amazing: the desert looks sweltering and parched, the close-ups of actor's faces outdoes Sergio Leone and the action is probably the best ever filmed. Scorcese and Tarantino obviously owe a lot to Peckinpaw. The scene during the opening credits of "Reservoir Dogs" is a direct lift from this movie, just to cite one of countless examples.

The acting is on par with the direction. Robert Ryan steals the show and, c'mon, who doesn't love Ernest?

Some would poo-poo the films treatment of women, and I am not going to get involved in that debate. Just go see it because, like the best movies, it immerses you in a time and place. Smell the sage!


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