It's 1941. Robert E. Lee Prewitt has requested Army transfer and has ended up at Schofield in Hawaii. His new captain, Dana Holmes, has heard of his boxing prowess and is keen to get him to represent the company. However, 'Prew' is adamant that he doesn't box anymore, so Captain Holmes gets his subordinates to make his life a living hell. Meanwhile Sergeant Warden starts seeing the captain's wife, who has a history of seeking external relief from a troubled marriage. Prew's friend Maggio has a few altercations with the sadistic stockade Sergeant 'Fatso' Judson, and Prew begins falling in love with social club employee Lorene. Unbeknownst to anyone, the Japanese bombing of Pearl Harbor looms in the distance. Written by
Ed Sutton <firstname.lastname@example.org>
The US Army had a censorship stipulation that there should be no depictions of military sloppiness, hypocrisy, homosexuality or brutality. Naturally, they were less than thrilled by James Jones' novel and weren't particularly enamored by the film version, either. See more »
A bugler who is as good as Prewitt would never become a boxer for fear of messing up his embouchure if he were hit in the mouth. If he's that good he'd never risk screwing up his livelihood in civilian life. See more »
"From Here to Eternity" contains the best performance delivered by an actor of any gender on celluloid. Montgomery Clift is assertive, funny, tough, sensitive and charismatic in the pivotal role of Robert E. Lee Prewitt, the rebellious loner with the streak of nobility. It is easy to see why James Dean idolized him after seeing his portrayal in the film. It is also a shame modern actors don't mention his name more often when listing their influences. As often noted, he preceded Brando by two years (he first appeared in Red River, released in 1948; Brando bowed in The Men in 1950)and created the arch-type of the 1950's rebel. But due to his intelligence, Clift also informed his characters with a sense of purpose. He didn't simply rebel. For instance, in Eternity, he apologises after an angry outbreak at his girlfriend. Instead of appearing weak, he impressed me all the more for doing so. It makes him appear more mature than the typical rebel. In another instance, when he feels his friend Maggio is being unfairly attacked, he "stares down" the attacker proving he looks out for his friend, another attractive quality. When the non-coms dole out extra punishment to him to force him to box, he refuses to file a complaint but likewise refuses to comply to their demands. Such moments distinguish Clift from other, more typically macho Hollywood leading men of the era and contributed greatly to Eternity's long initial run at the box office and its status as a classic piece of Hollywood cinema. It is time someone set the record straight and restored Montgomery Clift's name to its rightful place in the pantheon of Hollywood's great leading men. For proof, look no further than From Here to Eternity.
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