Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard the HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, ... See full summary »
It's 1941. Robert E. Lee Prewitt has requested Army transfer and has ended up at Schofield in Hawaii. His new captain, Dana Holmes, has heard of his boxing prowess and is keen to get him to represent the company. However, 'Prew' is adamant that he doesn't box anymore, so Captain Holmes gets his subordinates to make his life a living hell. Meanwhile Sergeant Warden starts seeing the captain's wife, who has a history of seeking external relief from a troubled marriage. Prew's friend Maggio has a few altercations with the sadistic stockade Sergeant 'Fatso' Judson, and Prew begins falling in love with social club employee Lorene. Unbeknownst to anyone, the Japanese bombing of Pearl Harbor looms in the distance. Written by
Ed Sutton <email@example.com>
Frank Sinatra credited Burt Lancaster and Montgomery Clift with helping him find his feet dramatically for the film. Prior to this, most of Sinatra's film engagements had been comedic roles or in musicals but by working alongside such heavyweight actors, Sinatra was able to hone his craft in new directions. Indeed, he and Lancaster remained friends for the rest of their lives. Sadly, the relationship with Clift was not so long-lasting. Three years after From Here to Eternity (1953), Clift was involved in a life-altering car crash that required facial reconstruction and left him addicted to pain medication. This, coupled with his alcoholism, made him a very different person from the actor who played Prewitt. At a party thrown by Sinatra, Clift made a drunken pass at one of the singer's entourage that ended up with him being thrown out of the party and denied access to Sinatra and his inner circle. See more »
When 1st Sgt. Milton Warden is walking Pvt. Robert E. Lee 'Prew' Prewitt over to Supply, the shadow of the boom mic can be seen on Prewitt's blouse. See more »
Come back here, Sergeant. I'll tell you the story; you can take it back to the barracks with you. I'd only been married to Dana two years when I found out he was cheating. And by that time I was pregnant. I thought I had something to hope for. I was almost happy the night the pains began. I remember Dana was going to an officers' conference. I told him to get home early, to bring the doctor with him. And maybe he would have... if his "conference" hadn't been with a hat-check girl! He was drunk ...
[...] See more »
Truly Excellent; Not Exactly the War Movie You Might Expect
How others have rated this movie any less than 10-"stars" eludes me. Combine uniformly terrific acting from all involved, an excellent script, keen editing and directing with beautiful visuals, and you do have the 10-star movie that won so many awards. Every acting job is measured and believable, whether Lancaster's just-let-me-do-my-job introverted bullheadedness to Kerr's not-quite-the-Captain's-slut-wife to Sinatra's multi-dimensional kid-from-home-with-an-irrational-chip-on-his-shoulder to Clift's I'm-smarter'n'subtler-than-James-Dean-defiance to Reed's putting-on-airs-(up)country-girl-at-heart...it's all there. The war scenes are besides the point in this movie. You know there's a war just a'brewing. The real battlefield action happens between the characters in a way so much more important and real than a bunch of bombs dropping to blow up the latest Bruckheimer set. I'll admit the ending strains the movie's own internal logic, but that doesn't take away from its power. There's a war on and not every battlefield is equally as obvious.
25 of 40 people found this review helpful.
Was this review helpful to you?