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The Godfather: Part II (1974)

 -  Crime | Drama  -  20 December 1974 (USA)
9.1
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Ratings: 9.1/10 from 589,683 users   Metascore: 80/100
Reviews: 589 user | 137 critic | 9 from Metacritic.com

The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.

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(screenplay), (screenplay), 1 more credit »
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Cast

Cast overview, first billed only:
...
...
...
Kay
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Vito Corleone (as Robert DeNiro)
...
...
...
...
...
Richard Bright ...
Gastone Moschin ...
Fanucci (as Gaston Moschin)
Tom Rosqui ...
...
Young Clemenza (as B. Kirby Jr.)
...
Genco
Francesca De Sapio ...
Young Mama Corleone (as Francesca de Sapio)
Edit

Storyline

The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Plot Keywords:

cuba | new york | business | 1950s | 1910s | See All (265) »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

Language:

| | | |

Release Date:

20 December 1974 (USA)  »

Also Known As:

Mario Puzo's The Godfather: Part II  »

Box Office

Budget:

$13,000,000 (estimated)

Gross:

$57,300,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Extended Edition)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

The paper currency that Vito hands to Signor Roberto is historically accurate. The bills used are series 1914 large size $10 Federal Reserve Notes. Large size notes measure 7-3/8 by 3-1/8 inches compared to the small note, printed from 1928 to the present, measuring 6-1/8 by 2-5/8 inches. See more »

Goofs

In the opening scene when Vito's mother touches Paolo's body, his hand visibly moves. His fingers curl up and that is something a dead body just can't do. He is also seen obviously breathing in the subsequent moments. See more »

Quotes

[first lines]
Title Card: The godfather was born Vito Andolini, in the town of Corleone in Sicily. In 1901 his father was murdered for an insult to the local Mafia chieftain. His older brother Paolo swore revenge and disappeared into the hills, leaving Vito, the only male heir, to stand with his mother at the funeral. He was nine years old.
[gunshots and screams]
Woman: [subtitled from Italian] They've killed the boy! They've killed young Paolo! They've killed your son Paolo!
See more »

Crazy Credits

As with the first film no opening credits are shown. Although it is now commonplace for films not to have opening credits, it was considered innovative in 1974. See more »

Connections

Referenced in Gilmore Girls: Ballrooms and Biscotti (2003) See more »

Soundtracks

Heart and Soul
Frank Loesser and Hoagy Carmichael
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of the Best Sequels Ever
2 August 2004 | by (Canada, ontario) – See all my reviews

You can count on one hand the movie sequels that measure up to the original; GODFATHER II makes the cut. This movie is just as fine as GODFATHER I. Here the director goes back and forth between the early days of the young Vito Corleone, played by Robert De Niro, and the family after the action in GODFATHER I in the 1950's just before Castro came to power. Michael Corleone (Al Pacino) has moved the family and most of his business to Nevada. Once again the acting is flawless. Diane Keaton as Michael's wife who quickly becomes disillusioned with her life with him and the lies he continues to tell her, assuring her that he is going legitimate soon; Robert Duvall as Michael's adopted brother and adviser; and Lee Strasberg as Hyman Roth all give outstanding performances; but the film really is Al Pacino's. We see him become a ruthless, cold-blooded killer who alienates himself from his family in ways his father would never have done. He has come so far from the idealistic young man in "GODFATHER I, who joined the Marines in World War I to serve his country and die for it if necessary, to a lonely, paranoid tragic man. There are many poignant scenes concerning his wife and children-- the drawing his son leaves for him in his bedroom, the gift that Tom buys the child because Michael is too busy, his wife Kay's being kept a virtual prisoner at his orders in the family compound, etc.

Once again many acts of violence are interwoven with religion: Michael's son's first communion, the religious parade in New York, Fredo's repeating the Rosary in order to catch a fish, for example.

The cinematography is stunning; the footage from Sicily and New York around the turn of the century and the snow scenes from the American West are beautiful and rich in detail. Mr. Coppola has directed yet another masterpiece.


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