Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
Ben has recently graduated college, with his parents now expecting great things from him. At his "Homecoming" party, Mrs. Robinson, the wife of his father's business partner, has Ben drive her home, which leads to an affair between the two. The affair eventually ends, but comes back to haunt him when he finds himself falling for Elaine, Mrs. Robinson's daughter. Written by
Paul Simon wrote two songs for the film that director Mike Nichols rejected: "Punky's Dilemma" and "A Hazy Shade of Winter". Both appear on the Simon and Garfunkel "Bookends" album. The song "Mrs. Robinson" was not written for the movie; it was the working title of a song Simon was then writing (originally called "Mrs. Roosvelt", and about Eleanor Roosevelt) and Nichols decided to include it. Simon and Art Garfunkel only sing the chorus but none of the verses of the later hit song. Additionally, the chorus portion sung contains some lyrics not featured in the more popular "final" version of the song. See more »
When Ben is in the hotel bar waiting for Mrs. Robinson he takes a sip of his drink and the glass has ice in it, when he sets the glass down and there is a reflection of Mrs. Robinson on the glass table there is no ice in the glass. See more »
Ladies and gentlemen, we are about to begin our descent into Los Angeles. The sound you just heard is the landing gear locking into place. Los Angeles weather is clear; temperature is 72. We expect to make our 4 hour and 18 minute flight on schedule. We have enjoyed having you on board, and look forward to seeing you again in the near future.
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What a wonderful time capsule. Not being old enough to grasp the entire "Swinging 60's" movement, I can't help but think this was pretty true to form to what was going on back then. Dustin Hoffman is of course great, but Ann Bancroft steals the movie, dominating every scene even when she's not in it. It must have been quite a risk for her to not only play an "older woman," especially in age conscious Hollywood, but also to play so much against "type." The music, the clothes, the houses all harken back to when America was discovering not every one lived like Ozzie and Harriet, and that a stiff martini could certainly loosen ones morals. The sexual energy this movie projects oozes across the screen and makes one feel like a voyeur.
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