Ben has recently graduated from college, with his parents now expecting great things from him. At his "Homecoming" party, Mrs. Robinson, the wife of his father's business partner, has Ben drive her home, which leads to an affair between the two. The affair eventually ends, but comes back to haunt him when he finds himself falling for Elaine, Mrs. Robinson's daughter. Written by
When Elaine tracks down Ben in his gloomy room and he causes her to scream, a number of other tenants gather behind the landlord in the doorway. One says, "Shall I get the cops? I'll get the cops..." It's Richard Dreyfuss in one of his earliest film roles. See more »
When Ben is outside Elaine's house watching the Robinsons pack the car, he puts his hand on the rear-view mirror. In the next shot, which is a close-up of the rear-view mirror, the hand is nowhere. See more »
Ladies and gentlemen, we are about to begin our descent into Los Angeles. The sound you just heard is the landing gear locking into place. Los Angeles weather is clear; temperature is 72. We expect to make our 4 hour and 18 minute flight on schedule. We have enjoyed having you on board, and look forward to seeing you again in the near future.
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"The Graduate" scourges the shallowness of the sixties, kicks against its smug and sanctimonious middle classes: xenophobic, materialistic and spoiled. Mrs. Robinson is the epitome of the devil-may-care LA bourgeoisie and represents the darker side of America's American Dream that is sedated by pills, desensitized by liquor, mind dulled by television, sanitized by the latest Tupperware and gleaming colors to sugarcoat the humdrum of suburban life (Mr. McGuire: I want to say one word to you. Just one word. - Benjamin: Yes, sir. - Mr. McGuire: Are you listening? - Benjamin: Yes, I am. - Mr. McGuire: Plastics.). The adulterous relationship between Mrs. Robinson and Ben is sex for sex only and is cast in terms of indifference, coldness and vulgarity. Mrs. Robinson is like a beast of prey, hungering for sex, absorbing young men's bodies to fight off the specter of old age, hysterically suppressing the anxiety that it causes, keeping her young daughter, whom she regards as her competitor and therefore, adversary, neurotically at bay. The true love between Elaine and Ben, on the other hand, surpasses the tasteless, the absurd and offers hope of a better generation to come (Mr. Braddock: What's the matter? The guests are all downstairs, Ben, waiting to see you. Benjamin: Look, Dad, could you explain to them that I have to be alone for a while? Mr. Braddock: These are all our good friends, Ben. Most of them have known you since, well, practically since you were born. What is it, Ben? Benjamin: I'm just... Mr. Braddock: Worried? Benjamin: Well... Mr. Braddock: About what? Benjamin: I guess about my future. Mr. Braddock: What about it? Benjamin: I don't know... I want it to be... Mr. Braddock: To be what? Benjamin:... Different.) Truly, a bridge over troubled water...
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