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The Graduate (1967)

Approved | | Comedy, Drama | 22 December 1967 (USA)
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A disillusioned college graduate finds himself torn between his older lover and her daughter.

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(screenplay), (screenplay) | 1 more credit »
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Won 1 Oscar. Another 20 wins & 16 nominations. See more awards »

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Cast

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Mrs. Singleman
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Miss DeWitte
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Woman on Bus
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Storyline

Ben has recently graduated from college, with his parents now expecting great things from him. At his "Homecoming" party, Mrs. Robinson, the wife of his father's business partner, has Ben drive her home, which leads to an affair between the two. The affair eventually ends, but comes back to haunt him when he finds himself falling for Elaine, Mrs. Robinson's daughter. Written by Zac Abrams

Plot Summary | Plot Synopsis

Taglines:

This is Benjamin. He's a little worried about his future. See more »

Genres:

Comedy | Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

Release Date:

22 December 1967 (USA)  »

Also Known As:

El graduado  »

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

$873 (USA) (18 May 2012)

Gross:

$104,397,102 (USA)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)| (35 mm optical prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film takes a different visual approach before and after Ben falls in love with Elaine. According to Mike Nichols, the first part is meant to have a cold, glassy, plastic look, while the romantic scenes were done with long lenses and diffused shots (although he later noted it was time to retire that pictorial style for good). See more »

Goofs

When Ben is in the hotel bar waiting for Mrs. Robinson he takes a sip of his drink and the glass has ice in it, when he sets the glass down and there is a reflection of Mrs. Robinson on the glass table there is no ice in the glass. See more »

Quotes

[first lines]
Pilot: Ladies and gentlemen, we are about to begin our descent into Los Angeles. The sound you just heard is the landing gear locking into place. Los Angeles weather is clear; temperature is 72. We expect to make our 4 hour and 18 minute flight on schedule. We have enjoyed having you on board, and look forward to seeing you again in the near future.
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Connections

Referenced in Raquel! (1970) See more »

Soundtracks

April Come She Will
(uncredited)
Written by Paul Simon
Performed by Simon & Garfunkel
Courtesy of CBS Records
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Frequently Asked Questions

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User Reviews

 
Rebelliousness and reality...
8 October 2005 | by (las vegas, nv) – See all my reviews

I'm not sure why evil, decadent Mrs. Robinson sets her sights on dazed and shy college grad Benjamin Braddock, son of the middle-aged couple she and her husband socialize with; it's never really explained, and neither is Benjamin's sexual past (it's hinted that he's a virgin when they end up in a hotel room together). It's also not explained why Mrs. Robinson definitely does not want Benjamin to get to know her daughter (she's angrily adamant about it, even willing to expose her own affair to prevent the two kids from going out for a drive!). Despite the gaps in the narrative and the lapses in logic (and taste, some might say), "The Graduate" is still a landmark film, crystallizing the helplessness of the '60s. Surprisingly, the ultimate theme of the movie is love--an impulsive, rebellious kind of love, but still the rather old-fashioned notion of love conquering all. And yet this brings up another question: is Benjamin really in love with sweet college girl Elaine or is she just a conquest? Or maybe the best thorn he can stick in Mrs. Robinson's side? Benjmain is told he cannot see her, he cannot have her, and that surely fuels his desire to marry her. The film presents love as the answer, but then (with an amusing, sobering final shot) second-guesses itself. "The Graduate" doesn't dig too deeply, it's lightweight (even with Dustin Hoffman's outburst in the church--the only time the movie gets some fury going), but it does take chances; it wasn't ahead of its time, it just came along at the right time and is still a relevant, glossy modern comedy. ***1/2 from ****


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