Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
The growing ambition of Julius Caesar is a source of major concern to his close friend Brutus. Cassius persuades him to participate in his plot to assassinate Caesar but they have both sorely underestimated Mark Antony.
Blanche DuBois, a high school English teacher with an aristocratic background from Auriol, Mississippi, decides to move to live with her sister and brother-in-law, Stella and Stanley Kowalski, in New Orleans after creditors take over the family property, Belle Reve. Blanche has also decided to take a break from teaching as she states the situation has frayed her nerves. Knowing nothing about Stanley or the Kowalskis' lives, Blanche is shocked to find that they live in a cramped and run down ground floor apartment - which she proceeds to beautify by putting shades over the open light bulbs to soften the lighting - and that Stanley is not the gentleman that she is used to in men. As such, Blanche and Stanley have an antagonistic relationship from the start. Blanche finds that Stanley's hyper-masculinity, which often displays itself in physical outbursts, is common, coarse and vulgar, being common which in turn is what attracted Stella to him. Beyond finding Blanche's delicate ... Written by
At a test screening, Elia Kazan and producer Charlie Feldman received a shock: the audience laughed at Blanche DuBois. Ever observant of his actors, Kazan discovered that the audience was laughing specifically at the scene when the Young Collector reacts to Blanche's bold and yearning way in which she reaches for him from her door. Kazan eliminated Wright King's reaction shots, which did the trick of quelling the unintended laughter. See more »
During the conversation about the Napoleonic Code between Stella and Stanley, the plate Stanley has been eating off of disappears off of the top of the trunk, which is suddenly open. See more »
Can I help you, ma'am?
Why, they told me to take a streetcar named Desire and then transfer to one called Cemetery and ride six blocks and get off at Elysian Fields.
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"A Streetcar Named Desire" is along with "Who's Afraid of Virginia Woolf" the best movies adapted from a play ever. Vivien Leigh is excellent in the most difficult role of the world theatre and far more impressive here than in "Gone With the Wind". With the performance she gives she proves what a great actress really means. Marlon Brando is equally impressive in a role that made him a star. He gives a different dimension to Stanley and introduces method acting to Hollywood. This role that deserved an Oscar is maybe the best of his career. Kim Hunter and Karl Malden are ideal in the supporting roles. The scene that Stanley and Stella are reconciled after a fight they have is full of passion and desire and is now regarded a classic. But the person that created the atmosphere and helped the actors create their roles is Elia Kazan (to me he is the best director ever lived). Kazan manages to create a great atmosphere and make the movie not be just another stagy play. "A Streetcar Nemed Desire" is undoubtedly a milestone in cinema's history that nobody should miss.
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