Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
Blanche is in real need of a protector at this stage in her life when circumstances lead her into paying a visit to her younger sister Stella in New Orleans. She doesn't understand how Stella, who is expecting her first child, could have picked a husband so lacking in refinement. Stanley Kowalski's buddies come over to the house to play cards and one of them, Mitch, finds Blanche attractive until Stanley tells him about what kind of a woman Blanche really is. What will happen when Stella goes to the hospital to have her baby and just Blanche and her brother-in-law are in the house? Written by
Dale O'Connor <firstname.lastname@example.org>
Mickey Kuhn plays the young sailor who helps Vivien Leigh onto the streetcar at the beginning of this film. He had previously appeared with her in Gone with the Wind (1939) as Beau Wilkes (the child of Olivia de Havilland's character Melanie) toward the end of that film when the character was age 5. When Mickey Kuhn mentioned this to someone else on the set of "A Streetcar Named Desire", word got back to her, and Miss Leigh called him into her dressing room for a half-hour chat. In an interview in his seventies, Kuhn stated that Leigh was extremely kind to him and "one of the loveliest ladies he had ever met." See more »
The position of the collar on Stanley's silk pyjamas changes between shots, varying between up and down. See more »
Can I help you, ma'am?
Why, they told me to take a streetcar named Desire and then transfer to one called Cemetery and ride six blocks and get off at Elysian Fields.
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Vivien Leigh Gives One of Cinema's Greatest Performances
Tennessee Williams himself wrote of Vivien Leigh"s performance in "Streetcar Named Desire": "She brought everything I intended to the role and even much more than I had dared dream of".
Brando is wonderful as Stanley Kowalski, but the new viewers to the film seem to come away with the haunting greatness of Vivien Leigh in what is one of the most harrowing and shattering pieces of acting ever committed to film.
Although some have expressed regret that Jessica Tandy did not repeat her stage performance, it is probably good to note that her husband Hume Cronyn and Elia Kazan (the director of the film and play) both never felt that Tandy quite got the character right. If you listen to the radio performance of extracted scenes that Tandy gave on the occasion of the Pulitzer Prize award, it will reenforce the perfection of Leigh's inflections and innate understanding of the role. This inner and complete understanding is what Brando praises Leigh for in his autobiography. He agrees that she plays this Hamlet of female roles better than anyone because he felt she was quite like the character...sadly.
If anyone is interested in great acting check out "Streetcar" for Vivien Leigh's Academy Award winning performance. The supporting cast is outstanding from Kim Hunter and Karl Malden (both Oscar winners for the film)to, of course, the iconographic T-shirt-torn Brando.
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