Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
Blanche is in real need of a protector at this stage in her life when circumstances lead her into paying a visit to her younger sister Stella in New Orleans. She doesn't understand how Stella, who is expecting her first child, could have picked a husband so lacking in refinement. Stanley Kowalski's buddies come over to the house to play cards and one of them, Mitch, finds Blanche attractive until Stanley tells him about what kind of a woman Blanche really is. What will happen when Stella goes to the hospital to have her baby and just Blanche and her brother-in-law are in the house? Written by
Dale O'Connor <email@example.com>
Vivien Leigh initially felt completely at sea when she joined the tight New York cast in rehearsals. Director Elia Kazan was able to exploit her feelings of alienation and disorientation to enrich her performance. See more »
The window after Stanley throws the radio through it. See more »
Can I help you, ma'am?
Why, they told me to take a streetcar named Desire and then transfer to one called Cemetery and ride six blocks and get off at Elysian Fields.
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Elia Kazan's second best film A Streetcar Named Desire is a film with plenty of passion and fire and is definately a must see drama. The story has a woman, Blanche DuBois, played by Vivien Leigh, who moves in with her sister, played by Kim Hunter, and her brother in law, Marlon Brando. Then the events start to unfold in a tale of a animal, the depending woman, and even her admirer, played by Karl Malden. Absolutely acted to perfection by everyone (Liegh, Malden and Hunter got richly deserved Oscars), however it is the breakthrough by Brando in one of his best roles, that steals the show. Crafted just like the play, except for one almost fatal flaw, the last scene of the movie is hollywooded up and if you read the play, that ending might be better for you. Otherwise, a must see. Magnificent jazz music by Alex North. A
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