Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Blanche DuBois, a high school English teacher with an aristocratic background from Auriol, Mississippi, decides to move to live with her sister and brother-in-law, Stella and Stanley Kowalski, in New Orleans after creditors take over the family property, Belle Reve. Blanche has also decided to take a break from teaching as she states the situation has frayed her nerves. Knowing nothing about Stanley or the Kowalskis' lives, Blanche is shocked to find that they live in a cramped and run down ground floor apartment - which she proceeds to beautify by putting shades over the open light bulbs to soften the lighting - and that Stanley is not the gentleman that she is used to in men. As such, Blanche and Stanley have an antagonistic relationship from the start. Blanche finds that Stanley's hyper-masculinity, which often displays itself in physical outbursts, is common, coarse and vulgar, being common which in turn is what attracted Stella to him. Beyond finding Blanche's delicate ... Written by
Is only one of two films that has been awarded three acting Oscars, the other film being Network (1976). Although both were nominated, neither film won the Best Picture Oscar that year. See more »
The window after Stanley throws the radio through it. See more »
Can I help you, ma'am?
Why, they told me to take a streetcar named Desire and then transfer to one called Cemetery and ride six blocks and get off at Elysian Fields.
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Elia Kazan's second best film A Streetcar Named Desire is a film with plenty of passion and fire and is definately a must see drama. The story has a woman, Blanche DuBois, played by Vivien Leigh, who moves in with her sister, played by Kim Hunter, and her brother in law, Marlon Brando. Then the events start to unfold in a tale of a animal, the depending woman, and even her admirer, played by Karl Malden. Absolutely acted to perfection by everyone (Liegh, Malden and Hunter got richly deserved Oscars), however it is the breakthrough by Brando in one of his best roles, that steals the show. Crafted just like the play, except for one almost fatal flaw, the last scene of the movie is hollywooded up and if you read the play, that ending might be better for you. Otherwise, a must see. Magnificent jazz music by Alex North. A
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