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Apocalypse Now (1979)

R | | Drama, War | 15 August 1979 (USA)
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During the Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade colonel who has set himself up as a god among a local tribe.

Director:

(as Francis Coppola)

Writers:

, (as Francis Coppola) | 1 more credit »
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491 ( 71)
Top Rated Movies #48 | Won 2 Oscars. Another 18 wins & 32 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Tyrone 'Clean' Miller (as Larry Fishburne)
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Jerry Ziesmer ...
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Bo Byers ...
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Storyline

It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him! Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will... Written by Derek O'Cain

Plot Summary | Plot Synopsis

Taglines:

The Horror. . . The Horror. . .

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for disturbing violent images, language, sexual content and some drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

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Release Date:

15 August 1979 (USA)  »

Also Known As:

Apocalypse Now: The Complete Dossier  »

Filming Locations:

 »

Box Office

Budget:

$31,500,000 (estimated)

Opening Weekend:

$96,992 (USA) (3 August 2001)

Gross:

$78,800,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Redux) | (workprint)

Sound Mix:

(70 mm prints)| (Redux version)| (35 mm prints)| (Redux version)

Color:

(Technicolor)|

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Francis Ford Coppola asked Al Pacino to play Willard, Pacino turned him down saying, "I know what this is going to be like. You're going to be up there in a helicopter telling me what to do, and I'm gonna be down there in a swamp for five months." The shoot actually lasted sixteen months. See more »

Goofs

The cuts on Willard's nose when he's in the bamboo cage appear, then disappear. See more »

Quotes

[first lines]
Willard: [voiceover] Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
Willard: When I was home after my first tour, it was worse.
[grabs at flying insect]
Willard: I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay ...
See more »

Crazy Credits

There are no opening credits in the film. The title can be seen as graffiti in the Kurtz compound late in the film. See more »

Connections

Referenced in Saved by the Bell: The New Class: Free for All (1998) See more »

Soundtracks

The Ride of the Valkyries
from "Die Walküre"
Composed by Richard Wagner
Conducted by Georg Solti
Performed by Wiener Philharmoniker (as The Vienna Philharmonic Orchestra)
Courtesy of Decca Record Company Ltd/London Records Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
You love it, or you hate it....
25 June 2001 | by (Salt Lake City, Utah) – See all my reviews

As I peruse through the hundreds of comments that loyal readers of the IMDB have posted on this film, I find it very interesting how few ,"middle of the road" comments there are. Everyone either loves it, or they hate it. Having seen Apocalypse Now approximately 30 times, and having recently dissected it on DVD (how did we ever live without those magical digital machines?????), I can say without hesitation that I am one of those who have a very special place in my heart for this film. "Why would you like a film that's so confusing?" ask many of my associates. The answer is this: Forget the war, forget the brutality....This is a classic story of society protecting itself from those that refuse to fall in line with the status quo. Brando represents the individual that has his own way of getting the job done. They (Big Brother) sent him out to do the job, he does it too well, without adhering to the accepted "standards" of death and destruction (Am I the only one who's troubled by the fact that we have 'standards' for death and destruction????), so they send the "Conformity Police" out to eliminate the individual. Hmmmmmm....Draw any parallels between this and things you see every day? With the deepest respect to Mr. Coppola, whom I believe is one of the best directors of all time, I think he transcended his original intent of the movie, and probably didn't even realize it until after the movie was released. The subtle sub-text that permeates the entire movie has way too much to it to have been planned and portrayed; instead, it seems to have 'grown' itself, like some wild flower in the middle of a vegetable garden. Again I must reiterate: I think FF Coppola did a bang-up job on this entire production, as did the cast and crew, but the sum of the movie exceeds the individual efforts ten-fold. So if you haven't seen the movie, rent it, watch it, then watch it again, and maybe a few more times, and look for all the generic parallels to everyday life. Only then make a judgment on the quality of the film. Those of you that have seen it, watch it again with the mindset previously described. I think you may just have a whole new appreciation for the film. Or maybe not! No matter whether you love it or hate it, be sure and give credit to Coppola for his masterful story-telling style!


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