A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him! Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will... Written by
The Music during the helicopter scene is Wagner's "Ritt der Walküren" ("Ride of The Valkyries") and the original music was about speared men charging whilst riding buffalo. See more »
After the helicopter carrying the wounded child leaves, Lance's clothing has changed from his Army fatigues to a pair of shorts (this is because of a cut scene in which Kilgore gives him a pair of shorts to surf in. The scene was restored in the Redux edition.) See more »
Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
When I was home after my first tour, it was worse.
[grabs at flying insect]
I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay ...
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There are four different treatments of the end credits, all four are available in different VHS, laserdisc, DVD and TV prints of the film...... When the film premiered in a limited 70mm format, it had no beginning or end credits, nothing but a one-line Omni Zoetrope copyright notice at the end. Programs were passed out to theater goers in lieu of any credits. When the film went into its wide release its format was 35mm. This version included end credits rolling over surrealistic explosions and burning jungle, showing the Kurtz compound being destroyed. When Coppola heard that people were assuming that the explosions during the end credits of the 35mm version meant that an air strike had been called in on the Kurtz compound (which is not what he wanted audiences to think) he quickly re-edited the 35mm version to have the end credits rolling over a simple black background and a slightly altered musical score. The "Redux" version also has the end credits over a black background but in different screen fonts and including additional "Redux" inserted cast members. See more »
So just how insane is 'Apocalypse Now'? Well, let's say that it is the kind of film that makes you want to bang your head against the wall. The beginning has no credits or titles; nothing. The whole film seems like it's taking place on a different world, and as the story moves on, sanity itself is shed. There was a French plantation scene that got cut out, and an alternate ending that would have had a massive battle scene outside Kurtz's compound.
'Apocalypse Now' is not a realistic film in the sense that the presentation of the Vietnam War is far from correct: helicopters going in BEFORE the napalm strikes, a USO show in the jungle at night, and the final bridge all lit-up like a Christmas tree. (for more realistic 'Nam War movies, try 'The Deer Hunter' or 'Platoon')
But what 'Apocalypse Now' lacks in historical accuracy, it makes up in artistic and dramatic scripting. Some of the best photography and lighting ever can be found here.
The film also raises some severe philosophical issues, and gives us entirely new ones. When the movie begins, the war is raging around us. It is chaotic and nerve-racking, yet still rational. When we finally get to Kurtz's base, the action has died down, but rational thinking has long since been vanquished to the point of total lunacy. This shows us the truth about men of war in times of war and peace. The voyage down the river has a sense of time travel (a sense that would have been much more apparent had the French Plantation scene remained.) And when you get to the end, keep in mind the old phrase: The King is dead... Long live the king.
Is Kurtz insane? Or are we not yet ready to understand him? These questions and more are up to you as 'Apocalypse Now has no easy answers.
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