Amidst wi-fi and cellular outages, a threatened workers’ strike, and dialogue around the #MeToo movement in France, the 77th edition of the Cannes Film Festival is underway. For Filmmaker, Vadim Rizov and Blake Williams are both back with on-the-ground reports and Critics Notebooks, and we begin with this list of 15 films that might be sliding under your radar. You don’t need us to recommend Coppola’s Megalopolis, Schrader’s Oh Canada, Cronenberg’s The Shrouds or any of the other titles from the higher-profile auteurs. Instead, we’ve focused here on debuting directors, U.S. independents, and arthouse auteurs who have dazzled us with […]
The post 15 Films Not to Miss at the 2024 Cannes Film Festival first appeared on Filmmaker Magazine.
The post 15 Films Not to Miss at the 2024 Cannes Film Festival first appeared on Filmmaker Magazine.
- 5/15/2024
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Amidst wi-fi and cellular outages, a threatened workers’ strike, and dialogue around the #MeToo movement in France, the 77th edition of the Cannes Film Festival is underway. For Filmmaker, Vadim Rizov and Blake Williams are both back with on-the-ground reports and Critics Notebooks, and we begin with this list of 15 films that might be sliding under your radar. You don’t need us to recommend Coppola’s Megalopolis, Schrader’s Oh Canada, Cronenberg’s The Shrouds or any of the other titles from the higher-profile auteurs. Instead, we’ve focused here on debuting directors, U.S. independents, and arthouse auteurs who have dazzled us with […]
The post 15 Films Not to Miss at the 2024 Cannes Film Festival first appeared on Filmmaker Magazine.
The post 15 Films Not to Miss at the 2024 Cannes Film Festival first appeared on Filmmaker Magazine.
- 5/15/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
It’s not necessarily that, in a pathetic version of Henry Hill’s childhood desire to be a gangster, I’ve “always wanted to attend a pitch forum.” But I’ve admittedly been curious to see how this particular part of the festival-film apparatus works and never had ready access; impelled by both that and ties of friendship, I went on my third day at this year’s Jeonju International Film Festival to the Jeonju Cinema Project pitching panel. Fellow Filmmaker writer and pal Blake Williams was one of the seven projects—four Korean, three international, with one finalist selected from each category—selected to pitch at […]
The post Jeonju 2024: Cinema Projects Past and Future first appeared on Filmmaker Magazine.
The post Jeonju 2024: Cinema Projects Past and Future first appeared on Filmmaker Magazine.
- 5/9/2024
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
It’s not necessarily that, in a pathetic version of Henry Hill’s childhood desire to be a gangster, I’ve “always wanted to attend a pitch forum.” But I’ve admittedly been curious to see how this particular part of the festival-film apparatus works and never had ready access; impelled by both that and ties of friendship, I went on my third day at this year’s Jeonju International Film Festival to the Jeonju Cinema Project pitching panel. Fellow Filmmaker writer and pal Blake Williams was one of the seven projects—four Korean, three international, with one finalist selected from each category—selected to pitch at […]
The post Jeonju 2024: Cinema Projects Past and Future first appeared on Filmmaker Magazine.
The post Jeonju 2024: Cinema Projects Past and Future first appeared on Filmmaker Magazine.
- 5/9/2024
- by Vadim Rizov
- Filmmaker Magazine - Blog
While Christopher Nolan recently directly explored the creation of the atomic bomb, a long-lost 1961 film explores the landscape directly after the dropping of the bomb in uniquely expressionistic fashion, set against the racial politics of the decade. Helmed by theater director Peter Kass and shot by radical visualist Ed Emshwiller, it’s now been restored in 4K by UCLA Film & Television Archive and Lightbox Film Center, University of the Arts at Illuminate Hollywood laboratory, in collaboration with Corpus Fluxus and Audio Mechanics from the 35mm picture, the soundtrack negative and the original 1⁄4” stereo master recording of Lejaren Hiller’s score. Ahead of a May 10 release at NYC’s Film at Lincoln Center and May 12 at LA’s American Cinematheque from Arbelos, the new trailer has now arrived.
Here’s the synopsis: “Emerging from the void, mysterious drifter Gaunt (The Sting’s John Heffernan) wanders the upstate countryside in a...
Here’s the synopsis: “Emerging from the void, mysterious drifter Gaunt (The Sting’s John Heffernan) wanders the upstate countryside in a...
- 4/19/2024
- by Jordan Raup
- The Film Stage
Update: the Roxy have added encore dates for House of Tolerance. See them below along with ticket info.
Bonello Season approaches. In anticipation of the U.S. release of The Beast and, at long last, Coma––or just an excuse to watch one of this (any) century’s greatest films; either works!––The Film Stage is proud to present his masterpiece House of Tolerance at the Roxy Cinema on March 14, 16, and 17, marking New York’s first 35mm showing in five years.
Special thanks to our friends at Janus Films / Sideshow Films and Film Movement, who will present trailers for their upcoming, respective Bonello releases The Beast and Coma.
The Film Stage readers receive a discounted $12 ticket with mention of our program at the Roxy’s box office. (Don’t be shy––their employees are very nice.) We look forward to seeing you at the movies.
House of Tolerance on 35mm
Tuesday,...
Bonello Season approaches. In anticipation of the U.S. release of The Beast and, at long last, Coma––or just an excuse to watch one of this (any) century’s greatest films; either works!––The Film Stage is proud to present his masterpiece House of Tolerance at the Roxy Cinema on March 14, 16, and 17, marking New York’s first 35mm showing in five years.
Special thanks to our friends at Janus Films / Sideshow Films and Film Movement, who will present trailers for their upcoming, respective Bonello releases The Beast and Coma.
The Film Stage readers receive a discounted $12 ticket with mention of our program at the Roxy’s box office. (Don’t be shy––their employees are very nice.) We look forward to seeing you at the movies.
House of Tolerance on 35mm
Tuesday,...
- 4/1/2024
- by Nick Newman
- The Film Stage
Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
In all honesty, the films of 2023 should take a backseat to the images we are seeing every day in Gaza, where journalists and average citizens have been recording and documenting a daily assault on their homes and livelihoods by the Idf. Whatever fakery we watched and enjoyed in the cinema this year should always be kept in perspective in importance with images that are real and actually happening right now. The Palestinians who have documented these important images have been targeted and killed with intent and purpose to silence what their photos and videos are showing and saying.
List of journalists who have been killed.
The below is of lesser note:
Best First Watches:
Angel’s Egg La belle noiseuse Centipede Horror Charley Varrick Coffy Crimson Gold...
In all honesty, the films of 2023 should take a backseat to the images we are seeing every day in Gaza, where journalists and average citizens have been recording and documenting a daily assault on their homes and livelihoods by the Idf. Whatever fakery we watched and enjoyed in the cinema this year should always be kept in perspective in importance with images that are real and actually happening right now. The Palestinians who have documented these important images have been targeted and killed with intent and purpose to silence what their photos and videos are showing and saying.
List of journalists who have been killed.
The below is of lesser note:
Best First Watches:
Angel’s Egg La belle noiseuse Centipede Horror Charley Varrick Coffy Crimson Gold...
- 1/3/2024
- by Soham Gadre
- The Film Stage
Here’s the first full trailer for Todd Haynes’s May December, which Netflix acquired at Cannes this year for a reported $11 million. At that time, contributor Blake Williams wrote that the “campy, provocative and sexy May December was the most fun I’ve had at this year’s festival, and stands as the filmmaker’s strongest work since Far from Heaven (2002), if not Safe (1995).” The film will show this Friday as the opening night selection for this year’s NYFF. May December will receive a limited release on November 17 prior to joining the streaming platform on December 1.
The post Trailer Watch: Todd Haynes’s May December first appeared on Filmmaker Magazine.
The post Trailer Watch: Todd Haynes’s May December first appeared on Filmmaker Magazine.
- 9/26/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Here’s the first full trailer for Todd Haynes’s May December, which Netflix acquired at Cannes this year for a reported $11 million. At that time, contributor Blake Williams wrote that the “campy, provocative and sexy May December was the most fun I’ve had at this year’s festival, and stands as the filmmaker’s strongest work since Far from Heaven (2002), if not Safe (1995).” The film will show this Friday as the opening night selection for this year’s NYFF. May December will receive a limited release on November 17 prior to joining the streaming platform on December 1.
The post Trailer Watch: Todd Haynes’s May December first appeared on Filmmaker Magazine.
The post Trailer Watch: Todd Haynes’s May December first appeared on Filmmaker Magazine.
- 9/26/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
TIFF 2023 Adds Films by Jean-Luc Godard, Radu Jude, Pedro Costa, Eduardo Williams, Phạm Thiên & More
In one of their festival announcements, Toronto International Film Festival have unveiled some of the most exciting international offerings of the year with Wavelenghts. Featuring Jean-Luc Godard’s posthumous short Trailer of the Film That Will Never Exist: Phony Wars, Pedro Costa’s Daughters of Fire, Radu Jude’s Do Not Expect Too Much from the End of the World, Bas Devos’ Here, Eduardo Williams’ The Human Surge 3, Phạm Thiên’s Inside the Yellow Cocoon Shell, Angela Schanelec’s Music, and much more, it’s quite an eclectic lineup.
“Wavelengths is a testament to the range of cinema celebrated at TIFF,” stated Anita Lee, Chief Programming Officer, TIFF. “It is also evidence that artist-driven experimental films are thriving and growing a new generation of cinephiles.”
“The increasing necessity to support artists willing to take risks, break rules, and challenge the status quo — especially in our over-saturated media landscape — bears repeating,...
“Wavelengths is a testament to the range of cinema celebrated at TIFF,” stated Anita Lee, Chief Programming Officer, TIFF. “It is also evidence that artist-driven experimental films are thriving and growing a new generation of cinephiles.”
“The increasing necessity to support artists willing to take risks, break rules, and challenge the status quo — especially in our over-saturated media landscape — bears repeating,...
- 8/11/2023
- by Leonard Pearce
- The Film Stage
The Toronto Film Festival has unveiled its Wavelengths program for artist-driven experimental work that includes films by avant garde directors Denis Côté, Radu Jude, the late Chantal Akerman and Wang Bing.
There’s selections for Isiah Medina’s He Thought He Died, an experimental heist film; Angela Schanelec’s Music, a retelling of the Oedipus myth; and Denis Côté’s Mademoiselle Kenopsia, which stars Larissa Corriveau and will first bow at the Locarno Film Festival.
Wavelengths also booked fiction debuts with Rosine Mbakam’s Mambar Pierrette, a portrait of a Cameroonian seamstress; and Phạm Thiên Ân’s Inside the Yellow Cocoon Shell, the Vietnamese director’s hypnotic first feature about a man haunted by past memories when returning to his hometown that picked up the Caméra d’Or in Cannes.
“The increasing necessity to support artists willing to take risks, break rules and challenge the status quo — especially in our over-saturated media landscape — bears repeating,...
There’s selections for Isiah Medina’s He Thought He Died, an experimental heist film; Angela Schanelec’s Music, a retelling of the Oedipus myth; and Denis Côté’s Mademoiselle Kenopsia, which stars Larissa Corriveau and will first bow at the Locarno Film Festival.
Wavelengths also booked fiction debuts with Rosine Mbakam’s Mambar Pierrette, a portrait of a Cameroonian seamstress; and Phạm Thiên Ân’s Inside the Yellow Cocoon Shell, the Vietnamese director’s hypnotic first feature about a man haunted by past memories when returning to his hometown that picked up the Caméra d’Or in Cannes.
“The increasing necessity to support artists willing to take risks, break rules and challenge the status quo — especially in our over-saturated media landscape — bears repeating,...
- 8/11/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
A 4K uncut restoration of Chen Kaige’s 1993 Palme d’Or winner “Farewell My Concubine” is a highlight of the Toronto International Film Festival’s (TIFF) Classics strand while Jean-Luc Godard’s last film will feature in Wavelengths.
The Classics strand also includes Canadian producer-director Brigitte Berman’s Oscar-winning feature documentary “Artie Shaw: Time Is All You’ve Got” (1985), portraying the life of the clarinettist and bandleader, and, after decades of oblivion Jacques Rivette’s New Wave classic “L’amour fou” (1969), whose original celluloid elements were damaged in a fire. A 50th anniversary screening of “Touki Bouki” (1973), from Sengal’s Djibril Diop Mambéty and Ousmane Sembène’s “Xala” (1975), presented in 4K, complete the program. Classics is curated by Robyn Citizen, director of programming and platform lead, with contributions from Andréa Picard.
The Wavelengths strand has 12 feature films and 19 shorts, as well as a suite of four restored early films by...
The Classics strand also includes Canadian producer-director Brigitte Berman’s Oscar-winning feature documentary “Artie Shaw: Time Is All You’ve Got” (1985), portraying the life of the clarinettist and bandleader, and, after decades of oblivion Jacques Rivette’s New Wave classic “L’amour fou” (1969), whose original celluloid elements were damaged in a fire. A 50th anniversary screening of “Touki Bouki” (1973), from Sengal’s Djibril Diop Mambéty and Ousmane Sembène’s “Xala” (1975), presented in 4K, complete the program. Classics is curated by Robyn Citizen, director of programming and platform lead, with contributions from Andréa Picard.
The Wavelengths strand has 12 feature films and 19 shorts, as well as a suite of four restored early films by...
- 8/11/2023
- by Naman Ramachandran
- Variety Film + TV
The Toronto International Film Festival has announced this year’s Wavelengths and Classics sidebars, the former section known for its politically charged, geographically diverse fare with a wide range of work drawn from the worlds of documentary, contemporary art, and international art-house cinema.
Wavelengths this year counts 12 feature films and 19 shorts, as well as a suite of four restored early films by the singular Chantal Akerman.
Of note in the Wavelengths short section, North American audiences will finally get to see Jean-Luc Godard’s swan song short, Trailer of the Film That Will Never Exist: Phony Wars, which played Cannes this past spring.
Another highlight in the Classics sidebar is the 4K uncut restoration of Chen Kaige’s Farewell My Concubine, the only movie from China to win the Palme d’Or. The original film had 20 minutes cut by then Miramax Boss Harvey Weinstein much to the chagrin of jury...
Wavelengths this year counts 12 feature films and 19 shorts, as well as a suite of four restored early films by the singular Chantal Akerman.
Of note in the Wavelengths short section, North American audiences will finally get to see Jean-Luc Godard’s swan song short, Trailer of the Film That Will Never Exist: Phony Wars, which played Cannes this past spring.
Another highlight in the Classics sidebar is the 4K uncut restoration of Chen Kaige’s Farewell My Concubine, the only movie from China to win the Palme d’Or. The original film had 20 minutes cut by then Miramax Boss Harvey Weinstein much to the chagrin of jury...
- 8/11/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Classics includes restored version of Jacques Rivette’s New Wave film L’amour Fou.
Toronto International Film Festival (TIFF) has announced selections in the Wavelengths and Classics programmes ahead of the festival (September 7-17).
The expanded Wavelengths section offers 11 features and 19 shorts including the world premiere of Canadian artist and filmmaker Isiah Medina’s deconstructed heist tale He Thought He Died (pictured), Denis Côté’s Mademoiselle Kenopsia, and Angela Schanelec’s retelling of the Oedipus myth, Music.
“Wavelengths is a testament to the range of cinema celebrated at TIFF,” said Anita Lee, TIFF’s chief programming officer. “It is also evidence...
Toronto International Film Festival (TIFF) has announced selections in the Wavelengths and Classics programmes ahead of the festival (September 7-17).
The expanded Wavelengths section offers 11 features and 19 shorts including the world premiere of Canadian artist and filmmaker Isiah Medina’s deconstructed heist tale He Thought He Died (pictured), Denis Côté’s Mademoiselle Kenopsia, and Angela Schanelec’s retelling of the Oedipus myth, Music.
“Wavelengths is a testament to the range of cinema celebrated at TIFF,” said Anita Lee, TIFF’s chief programming officer. “It is also evidence...
- 8/11/2023
- by Jeremy Kay
- ScreenDaily
The Toronto International Film Festival has added an additional 17 films to its 2023 lineup, with the new entries the work of a variety of bold international directors, from Radu Jude and Kleber Mendonca Filho to the late Jean-Luc Godard and Chantal Akerman.
The Wavelength section contains 12 features, two films paired in a single program and 19 shorts grouped in three separate programs. It is devoted to “artist-driven experimental films,” in the words of TIFF Chief Programming Officer Anita Lee. “Wavelengths continues to be a celebration of subversion, personal expression, and the vast, inexhaustible capabilities of cinema to enlighten, inspire, awe, resist, disrupt, and propose new ways of seeing and being in the world.”
Films in the section include “Do Not Expect Too Much From the End of the World” from the fiery Romanian satirist Radu Jude, “Here” from Belgian director Bas Devos,” the “Oedipus” retelling “Music” from Angela Schanelec, Brazilian Kleber Mendonca...
The Wavelength section contains 12 features, two films paired in a single program and 19 shorts grouped in three separate programs. It is devoted to “artist-driven experimental films,” in the words of TIFF Chief Programming Officer Anita Lee. “Wavelengths continues to be a celebration of subversion, personal expression, and the vast, inexhaustible capabilities of cinema to enlighten, inspire, awe, resist, disrupt, and propose new ways of seeing and being in the world.”
Films in the section include “Do Not Expect Too Much From the End of the World” from the fiery Romanian satirist Radu Jude, “Here” from Belgian director Bas Devos,” the “Oedipus” retelling “Music” from Angela Schanelec, Brazilian Kleber Mendonca...
- 8/11/2023
- by Steve Pond
- The Wrap
Uruguayan filmmaker Lucía Garibaldi (who premiered The Sharks at Sundance in 2019), Abinash Bikram Shah (short film winner in Cannes 2022), Burak Cevik (one third of the filmmaking team with Sofia Bohdanowicz and Blake Williams in A Woman Escapes) and the tandem of Nara Normande and Tião who are heading to Venice with Sem Coração are some of the filmmakers who’ll receive some coin via the Berlinale World Cinema Fund (Wcf). Projects selected come from a bit everywhere on the globe: Bhutan, Brazil, Indonesia, Israel, Madagascar, Nepal, Palestine, Somalia, Sudan, Turkey, Uruguay and Venezuela.
Wcf Production Funding
A Bright Future (Uru-Ger)
Dir Lucía Garibaldi
Prods Montelona, Francisco Magnou Arnabal; Achtung Panda!,…...
Wcf Production Funding
A Bright Future (Uru-Ger)
Dir Lucía Garibaldi
Prods Montelona, Francisco Magnou Arnabal; Achtung Panda!,…...
- 8/8/2023
- by Eric Lavallée
- IONCINEMA.com
Below you will find the results of Notebook's critics' poll for the best films of the Cannes Film Festival, as well as an index of our coverage of the festival.Awardstop 101. Fallen Leaves (Aki Kaurismäki)2. The Zone of Interest (Jonathan Glazer)3. May December (Todd Haynes)4. Anatomy of a Fall (Justine Triet)5. Close Your Eyes (Víctor Erice)6. Killers of the Flower Moon (Martin Scorsese)7. La chimera (Alice Rohrwacher)8. The Pot-au-feu (Tràn Anh Hùng)9. A Prince (Pierre Creton)10. Last Summer (Catherine Breillat)(Poll contributors: Pedro Emilio Segura Bernal, Anna Bogutskaya, Jordan Cronk, Flavia Dima, Lawrence Garcia, Leonardo Goi, Daniel Kasman, Jessica Kiang, Roger Koza, Elena Lazic, Beatrice Loayza, Guy Lodge, Łukasz Mańkowski, Savina Petkova, Caitlin Quinlan, Vadim Rizov, Christopher Small, Öykü Sofuoğlu, Blake Williams)DISPATCHESThe Obscenity of EvilLeonardo Goi on The Zone of Interest (Jonathan Glazer), The Sweet East (Sean Price Williams), Eureka (Lisandro Alonso), and Killers of the Flower Moon...
- 6/14/2023
- MUBI
Since Sofia Bohdanowicz introduced Deragh Campbell’s Audrey Brenac in Never Eat Alone, the eye-gravitating protagonist has always been on some inquiry, not unlike a non-criminal investigator. In A Woman Escapes, Audrey ventures into new territory for her fifth film, where she heals from losing her friend Juliane in Paris at her grandmother’s home. Along the path, Williams and Çevik play fictional versions of Audrey to help her in her grief through filmmaking while separated during the pandemic.
Containing dialogue and imagery recalling Robert Bresson’s A Man Escaped, this explicit homage to the French auteur allows the three filmmakers to expand what experimental film could be. Throughout her work, Bohdanowicz seeds a bridge between fact and fiction to evoke the audience’s connection with their existing reality. She, Williams, and Çevik emit a patient, inquisitive approach to gazing at the world: Williams’ 3D layering of subtitles and physical...
Containing dialogue and imagery recalling Robert Bresson’s A Man Escaped, this explicit homage to the French auteur allows the three filmmakers to expand what experimental film could be. Throughout her work, Bohdanowicz seeds a bridge between fact and fiction to evoke the audience’s connection with their existing reality. She, Williams, and Çevik emit a patient, inquisitive approach to gazing at the world: Williams’ 3D layering of subtitles and physical...
- 6/7/2023
- by Edward Frumkin
- The Film Stage
Following a number of disappointing blockbusters in May, there are a few promising ones this month (as glimpsed in our honorable mentions below), but it feels like we’ll have to wait until July for a trio of heavy hitters. In the meantime, June brings an eclectic mix of sturdy debuts, auteur-driven offerings, and accomplished documentaries.
15. Shadow Kingdom (Alma Har’el; June 6)
Technically released in limited capacity a couple years ago, the Bob Dylan concert film Shadow Kingdom is now getting proper distribution. As Nick Newman said in our summer movie preview, “Your local Bob Dylan obsessive has surely mentioned Shadow Kingdom, the 2021 concert film that saw him rework an assortment of earlier songs––some established, some deeper in the back catalogue. One case (‘To Be Alone with You’) marked an almost-total rewrite, and courtesy the end credits (which we now know is called ‘Sierra’s Theme’) an entirely new track.
15. Shadow Kingdom (Alma Har’el; June 6)
Technically released in limited capacity a couple years ago, the Bob Dylan concert film Shadow Kingdom is now getting proper distribution. As Nick Newman said in our summer movie preview, “Your local Bob Dylan obsessive has surely mentioned Shadow Kingdom, the 2021 concert film that saw him rework an assortment of earlier songs––some established, some deeper in the back catalogue. One case (‘To Be Alone with You’) marked an almost-total rewrite, and courtesy the end credits (which we now know is called ‘Sierra’s Theme’) an entirely new track.
- 6/2/2023
- by Jordan Raup
- The Film Stage
With the Cannes Film Festival underway and Vadim Rizov and Blake Williams readying their first dispatches, here, from our team, are 13 films that we think should be on your radar here on the Croisette. Asteroid City. Following Moonrise Kingdom and The French Dispatch, Wes Anderson’s newest film is his third to premiere at Cannes. Asteroid City boasts a typically sprawling ensemble cast of both returning regulars and high-profile new additions (including Tom Hanks and Scarlett Johansson). While the thematic elements are familiar—dead and disappointing parents, extremely ambitious playwrights and a dedicated elementary school […]
The post 13 Films to Anticipate at the 2023 Cannes Film Festival first appeared on Filmmaker Magazine.
The post 13 Films to Anticipate at the 2023 Cannes Film Festival first appeared on Filmmaker Magazine.
- 5/17/2023
- by Scott Macaulay
- Filmmaker Magazine - Blog
With the Cannes Film Festival underway and Vadim Rizov and Blake Williams readying their first dispatches, here, from our team, are 13 films that we think should be on your radar here on the Croisette. Asteroid City. Following Moonrise Kingdom and The French Dispatch, Wes Anderson’s newest film is his third to premiere at Cannes. Asteroid City boasts a typically sprawling ensemble cast of both returning regulars and high-profile new additions (including Tom Hanks and Scarlett Johansson). While the thematic elements are familiar—dead and disappointing parents, extremely ambitious playwrights and a dedicated elementary school […]
The post 13 Films to Anticipate at the 2023 Cannes Film Festival first appeared on Filmmaker Magazine.
The post 13 Films to Anticipate at the 2023 Cannes Film Festival first appeared on Filmmaker Magazine.
- 5/17/2023
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Today, Neon exclusively premieres a nearly 14-minute featurette with Filmmaker on the making of Cornish writer-director Mark Jenkin’s experimental folk horror film Enys Men. Jenkin and the film’s star, Mary Woodvine, take viewers behind the scenes of the shoot and detail their individual processes while making the film. In his review out of Cannes, Blake Williams summarized the film’s loose plot and stylistic leanings: Set in 1973, Enys Men (Cornish for “Stone Island” and is pronounced—if I recall correctly—Ayn-is Mayn) is an image-forward movie drenched in the kind of dense, thick film grain you can find in e.g. the work of Ben Rivers or […]
The post Watch: The Making of Enys Men (Exclusive Premiere) first appeared on Filmmaker Magazine.
The post Watch: The Making of Enys Men (Exclusive Premiere) first appeared on Filmmaker Magazine.
- 3/30/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Today, Neon exclusively premieres a nearly 14-minute featurette with Filmmaker on the making of Cornish writer-director Mark Jenkin’s experimental folk horror film Enys Men. Jenkin and the film’s star, Mary Woodvine, take viewers behind the scenes of the shoot and detail their individual processes while making the film. In his review out of Cannes, Blake Williams summarized the film’s loose plot and stylistic leanings: Set in 1973, Enys Men (Cornish for “Stone Island” and is pronounced—if I recall correctly—Ayn-is Mayn) is an image-forward movie drenched in the kind of dense, thick film grain you can find in e.g. the work of Ben Rivers or […]
The post Watch: The Making of Enys Men (Exclusive Premiere) first appeared on Filmmaker Magazine.
The post Watch: The Making of Enys Men (Exclusive Premiere) first appeared on Filmmaker Magazine.
- 3/30/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Watch the trailer for Godland, the third feature from Icelandic filmmaker Hlynur Pálmason. The film takes place during the late 19th century and follows a young Danish priest as he embarks on a grueling journey through the harsh yet stunning landscape of Iceland to establish a church and photograph the inhabitants of the then-remote Danish territory. In his dispatch out of Cannes last year, Blake Williams expands on the film’s sumptuous visuals and the film’s (albeit fictitious) historical reference: “The film is shot on 35mm and lets you know it by adopting what appears to have been an extremely hands-off […]
The post Trailer Watch: Hlynur Pálmason’s Godland first appeared on Filmmaker Magazine.
The post Trailer Watch: Hlynur Pálmason’s Godland first appeared on Filmmaker Magazine.
- 1/17/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Watch the trailer for Godland, the third feature from Icelandic filmmaker Hlynur Pálmason. The film takes place during the late 19th century and follows a young Danish priest as he embarks on a grueling journey through the harsh yet stunning landscape of Iceland to establish a church and photograph the inhabitants of the then-remote Danish territory. In his dispatch out of Cannes last year, Blake Williams expands on the film’s sumptuous visuals and the film’s (albeit fictitious) historical reference: “The film is shot on 35mm and lets you know it by adopting what appears to have been an extremely hands-off […]
The post Trailer Watch: Hlynur Pálmason’s Godland first appeared on Filmmaker Magazine.
The post Trailer Watch: Hlynur Pálmason’s Godland first appeared on Filmmaker Magazine.
- 1/17/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
As various critics groups and awards bodies dole out their top films of the year, it can be hard to parse which ones are actually worth paying attention to. One such list has arrived today with Film Comment’s annual end-of-year survey. Revealed at a special live talk last night, in an unexpected but welcome surprise, David Cronenberg’s Crimes of the Future topped the list, which also included Jerzy Skolimowski’s Eo, Charlotte Wells’s Aftersun, two by Hong Sangsoo, and more. They also revealed their top undistributed films list, which included David Easteal’s The Plains, Bertrand Bonello’s Coma, and Laura Citarella’s Trenque Lauquen.
“That the winner of this year’s poll is a strange, gory, apocalyptic film about a future where art and humanity are both on the precipice of extinction is a striking reflection of what we’re seeking from cinema in 2022,” said Film...
“That the winner of this year’s poll is a strange, gory, apocalyptic film about a future where art and humanity are both on the precipice of extinction is a striking reflection of what we’re seeking from cinema in 2022,” said Film...
- 12/15/2022
- by Jordan Raup
- The Film Stage
Mike Gauyo and co-showrunner of Allblk network series Send Help, with industry training platform Stage 32 open submissions for the third year of the Black Boy Writes & Black Girl Writes Mentorship Initiative under the Black Boy Writes Media banner.
The initiative, which launched at the start of 2021, focuses on supplying industry access and resources to preWGA Black screenwriters. In partnership with Stage 32, admissions for the 2023 class will open November 18 2022 and close December 18 2022.
The first round of the application will require a bio, 1-hour or half-hour original script (of any genre), and a short essay. Those chosen to move to the third round will interview with Mike and the initiatives Chief of Programming, Ashley Aronson, before 10 to 12 participants are selected. Links to submit applications are http://www.blackboywrites.com or http://www.stage32.com.
Past participants of the program include 2021 alum Joshua L. Myers, who received representation with Culture Creative,...
The initiative, which launched at the start of 2021, focuses on supplying industry access and resources to preWGA Black screenwriters. In partnership with Stage 32, admissions for the 2023 class will open November 18 2022 and close December 18 2022.
The first round of the application will require a bio, 1-hour or half-hour original script (of any genre), and a short essay. Those chosen to move to the third round will interview with Mike and the initiatives Chief of Programming, Ashley Aronson, before 10 to 12 participants are selected. Links to submit applications are http://www.blackboywrites.com or http://www.stage32.com.
Past participants of the program include 2021 alum Joshua L. Myers, who received representation with Culture Creative,...
- 11/15/2022
- by Valerie Complex
- Deadline Film + TV
An unclassifiable filmic object that sprang out of a long-distance creative partnership, A Woman Escapes brings directors Sofia Bohdanowicz, Burak Çevik, and Blake Williams together in an intimate and playful collaboration that mingles different formats, aesthetics, and experiences. In a nod to Robert Bresson’s classic A Man Escaped (1956), the film accounts the flight of a young woman—Bohdanowicz’s regular persona Audrey Benac, played by Deragh Campbell—from an emotionally paralyzing grieving process. We witness Audrey’s life being deeply impacted by the death of her elderly friend Juliane, whose apartment, along with its souvenirs, shared memories, and some images, are left behind to the devastated young woman. In the minuscule kitchen of this time-worn Parisian apartment, Audrey sits and vainly ruminates on the past while feeling speechless, lethargic, and trapped in an eternal stagnation. When Audrey’s friends Burak and Blake—also fictional personas of Çevik and Williams...
- 8/18/2022
- MUBI
The film festival is taking place July 5-11.
Lav Diaz’s A Tale Of Filipino Violence will make its world premiere as part of the international competition line-up of the FIDMarseille international film festival taking place in France from July 5-11.
Further world premieres in the selection include Sofia Bohdanowicz, Burak Çevik and Blake Williams’ A Woman Escapes and Spanish film Aftersun by Lluís Galter.
Scroll down for the full selection
Atlantics director Mati Diop is the president of this year’s international jury which includes João Pedro Rodrigues.
FIDMarseille’s 33rd edition will screen 123 films, including 49 world premieres, of which 40 are by female filmmakers.
Lav Diaz’s A Tale Of Filipino Violence will make its world premiere as part of the international competition line-up of the FIDMarseille international film festival taking place in France from July 5-11.
Further world premieres in the selection include Sofia Bohdanowicz, Burak Çevik and Blake Williams’ A Woman Escapes and Spanish film Aftersun by Lluís Galter.
Scroll down for the full selection
Atlantics director Mati Diop is the president of this year’s international jury which includes João Pedro Rodrigues.
FIDMarseille’s 33rd edition will screen 123 films, including 49 world premieres, of which 40 are by female filmmakers.
- 6/7/2022
- by Ellie Calnan
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSTriangle of Sadness.The Cannes Film Festival wrapped its 75th edition on Saturday. Ruben Östlund won his second Palme d'Or for his yacht-shipwreck class farce Triangle of Sadness, while other major awards went to Claire Denis, Jerzy Skolimowski, and Park Chan-wook. Visit our coverage roundup to peruse the complete list of winners, our Top 10 poll from Notebook contributors, and our series of festival correspondences.In other festival news, Sabzian compiled an overview of the "restructuring" at the International Film Festival Rotterdam (IFFR) in the wake of significant programming layoffs.On October 25, Quentin Tarantino will publish a nonfiction book called Cinema Speculation, a critical memoir of his cinemagoing throughout the 1970s. This comes one year after his novelization of Once Upon a Time in... Hollywood.Erika Balsom and Genevieve Yue will be the co-editors of Cutaways,...
- 6/2/2022
- MUBI
Starz has unveiled the trailer and key art for “Gaslit,” its limited series that tackles the Watergate scandal. The show focuses on the perspective of Martha Mitchell (Julia Roberts), the wife of Richard Nixon’s attorney general, John Mitchell (Sean Penn). “Gaslit” will debut on Starz’s digital platform at midnight on April 24, with a linear debut the same day at 8 p.m. Et.
Roberts is on fire in the trailer, Arkansas accent and all, as a political storm swirls around her, and Penn is nearly unrecognizable in his prosthetics and hair pieces. At one point, John slaps Martha across the face, to which she responds by slapping him back, adding, “My momma slapped me harder than that.”
Martha was the first person to publicly blow the whistle on Nixon’s involvement in the infamous scandal, which kicked off an avalanche of political and personal consequences. John was Nixon’s close advisor and friend,...
Roberts is on fire in the trailer, Arkansas accent and all, as a political storm swirls around her, and Penn is nearly unrecognizable in his prosthetics and hair pieces. At one point, John slaps Martha across the face, to which she responds by slapping him back, adding, “My momma slapped me harder than that.”
Martha was the first person to publicly blow the whistle on Nixon’s involvement in the infamous scandal, which kicked off an avalanche of political and personal consequences. John was Nixon’s close advisor and friend,...
- 3/16/2022
- by Sasha Urban, Wilson Chapman and Wyatte Grantham-Philips
- Variety Film + TV
Exclusive: Hillman Grad Productions has named the 22 creatives selected for its second annual Mentorship Lab, geared toward uplifting marginalized creatives in film and television, which launches in Los Angeles on March 18, and will wrap up with a showcase event in October.
Those participating include creative executives Andy Park, Franco Chacon, Geralyn Smith, Jocelyn Waddell and Wai Wing Lau; writers Abi Rich, Blake Williams, Charlene Little, Cydney Fisher, Emily Teerasuphaset, Luveza Mubashar, Rubén Mendive, Van Newman and Victoria George; and actors Donnevan Tolbert, Jonny Williams, Kashayna Johnson, Lanora Terraé Hayden, Lee Hubilla, Lynnese Page, Michaela Obro-Ababio and Tj Chester.
The eight-month, tuition-free program funded by Hillman Grad’s CEO and Founder Lena Waithe offers mentees the opportunity to enhance their creative skillset through personalized instruction from industry professionals, creating additional pathways to bring more people from diverse backgrounds into entertainment, both in front of and behind the camera. It provides a...
Those participating include creative executives Andy Park, Franco Chacon, Geralyn Smith, Jocelyn Waddell and Wai Wing Lau; writers Abi Rich, Blake Williams, Charlene Little, Cydney Fisher, Emily Teerasuphaset, Luveza Mubashar, Rubén Mendive, Van Newman and Victoria George; and actors Donnevan Tolbert, Jonny Williams, Kashayna Johnson, Lanora Terraé Hayden, Lee Hubilla, Lynnese Page, Michaela Obro-Ababio and Tj Chester.
The eight-month, tuition-free program funded by Hillman Grad’s CEO and Founder Lena Waithe offers mentees the opportunity to enhance their creative skillset through personalized instruction from industry professionals, creating additional pathways to bring more people from diverse backgrounds into entertainment, both in front of and behind the camera. It provides a...
- 3/16/2022
- by Matt Grobar
- Deadline Film + TV
At long last, The Marvelous Mrs. Maisel returns! And even better, it's doing two episodes a week for four weeks for a combo binge-episodic effect.
Apple TV releases Severance, and the race will be on to determine what in the heck is going on because it's a mindbender!
And we cannot forget Valentine's Day. There's romance across the dial, but we've got our eyes on one Gac Family flick and the second in a trilogy at Hallmark.
Saturday, February 12
8/7c Harmony from the Heart (Gac Family)
Jessica Lowndes stars in this moving film, which she also wrote and executive produced, about a young woman named Violet who hopes to change lives through music therapy.
When she gets too involved with patients and neglects the requisites she needs to graduate, Violet gets an assignment that would put her skills to use.
Meeting local physician Blake Williams (Jesse Metcalfe) opens challenges Violet...
Apple TV releases Severance, and the race will be on to determine what in the heck is going on because it's a mindbender!
And we cannot forget Valentine's Day. There's romance across the dial, but we've got our eyes on one Gac Family flick and the second in a trilogy at Hallmark.
Saturday, February 12
8/7c Harmony from the Heart (Gac Family)
Jessica Lowndes stars in this moving film, which she also wrote and executive produced, about a young woman named Violet who hopes to change lives through music therapy.
When she gets too involved with patients and neglects the requisites she needs to graduate, Violet gets an assignment that would put her skills to use.
Meeting local physician Blake Williams (Jesse Metcalfe) opens challenges Violet...
- 2/12/2022
- by Carissa Pavlica
- TVfanatic
There's a new and exciting romance premiering on Gac Family this weekend, just in time for Valentine's Day.
Harmony from the Heart is a labor of love for Jessica Lowndes, who stars in the moving film, which she also wrote and executive produced.
The story follows a young woman named Violet who hopes to change lives through music therapy.
A musician herself, Jessica has crafted a story that has all of the romantic tropes you're used to seeing in similar movies you love to watch.
What you won't expect is how she's managed to infuse it with a unique freshness that sets Harmony from the Heart on a level all its own.
We had the chance to catch up with Jessica over Zoom this week, and she told us how she started writing Harmony from the Heart, which has been years in the making.
This isn't the first movie that Jessica produced,...
Harmony from the Heart is a labor of love for Jessica Lowndes, who stars in the moving film, which she also wrote and executive produced.
The story follows a young woman named Violet who hopes to change lives through music therapy.
A musician herself, Jessica has crafted a story that has all of the romantic tropes you're used to seeing in similar movies you love to watch.
What you won't expect is how she's managed to infuse it with a unique freshness that sets Harmony from the Heart on a level all its own.
We had the chance to catch up with Jessica over Zoom this week, and she told us how she started writing Harmony from the Heart, which has been years in the making.
This isn't the first movie that Jessica produced,...
- 2/11/2022
- by Carissa Pavlica
- TVfanatic
Exclusive: Hallmark Channel veterans Jessica Lowndes and Jesse Metcalfe have been tapped to star in Harmony From The Heart, a Gac Family film set for premiere on February 12. Lowndes also wrote the film and will executive produce, and performs several of the film’s original songs, which she also wrote and produced. Production is underway.
Lowndes and Metcalfe are the latest Hallmark Channel alums who have joined Gac Family projects. Gac Family CEO and President Bill Abbott has been bringing in established Hallmark Channel talent he worked with while running Crown Media Family Networks, parent of Hallmark Channel. Former Hallmark Channel stars Danica McKellar and Trevor Donovan have both signed multi-picture deals with Gac Family. Additionally, When Calls the Heart alums Lori Loughlin and Daniel Lissing have reunited for the return of spinoff When Hope Calls on Gac Family.
In Harmony From The Heart, Violet (Lowndes) has a shot at...
Lowndes and Metcalfe are the latest Hallmark Channel alums who have joined Gac Family projects. Gac Family CEO and President Bill Abbott has been bringing in established Hallmark Channel talent he worked with while running Crown Media Family Networks, parent of Hallmark Channel. Former Hallmark Channel stars Danica McKellar and Trevor Donovan have both signed multi-picture deals with Gac Family. Additionally, When Calls the Heart alums Lori Loughlin and Daniel Lissing have reunited for the return of spinoff When Hope Calls on Gac Family.
In Harmony From The Heart, Violet (Lowndes) has a shot at...
- 12/8/2021
- by Denise Petski
- Deadline Film + TV
Here’s the first teaser trailer from IFC Films for Benedetta, Paul Verhoeven’s long-awaited “lesbian nun” movie. Verhoeven’s characteristically provocative drama about a 17th-century nun who claimed to experience visions of Jesus premiered at this year’s Cannes (where Blake Williams reviewed it). The movie’s in theaters and on demand on December 3.
The post Trailer Watch: Paul Verhoeven’s Benedetta first appeared on Filmmaker Magazine.
The post Trailer Watch: Paul Verhoeven’s Benedetta first appeared on Filmmaker Magazine.
- 9/24/2021
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Writing out of Cannes, Blake Williams reviewed Mia Hansen-Løve’s latest, Bergman Island, a meta-fictional drama about a female filmmaker’s marriage to a fellow director and the ways in which she mines her life, creative anxieties and influences for narrative material. About the film, which jumps between the filmmaker’s (played by Phantom Thread‘s Vicki Krieps) exploration of the Baltic island where Ingmar Bergman lived and shot several of his films, her conversations with her partner (Tim Roth) about her efforts to crack her third act, and imagined scenes from the film to be, which feature Mia Wasikowska and Joachim Trier-regular Anders […]
The post Trailer Watch: Mia Hansen-Løve’s Bergman Island first appeared on Filmmaker Magazine.
The post Trailer Watch: Mia Hansen-Løve’s Bergman Island first appeared on Filmmaker Magazine.
- 9/7/2021
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Writing out of Cannes, Blake Williams reviewed Mia Hansen-Løve’s latest, Bergman Island, a meta-fictional drama about a female filmmaker’s marriage to a fellow director and the ways in which she mines her life, creative anxieties and influences for narrative material. About the film, which jumps between the filmmaker’s (played by Phantom Thread‘s Vicki Krieps) exploration of the Baltic island where Ingmar Bergman lived and shot several of his films, her conversations with her partner (Tim Roth) about her efforts to crack her third act, and imagined scenes from the film to be, which feature Mia Wasikowska and Joachim Trier-regular Anders […]
The post Trailer Watch: Mia Hansen-Løve’s Bergman Island first appeared on Filmmaker Magazine.
The post Trailer Watch: Mia Hansen-Løve’s Bergman Island first appeared on Filmmaker Magazine.
- 9/7/2021
- by Scott Macaulay
- Filmmaker Magazine - Blog
Writer Mike Gauyo is moving the needle when it comes to inclusivity in the writers room. Under his Black Boy Writes banner, Gauyo has launched a new mentorship initiative that focuses on providing support and resources to preWGA Black writers.
The initiative was launched in partnership with Culture Creative Entertainment and Writ Large and includes a comprehensive program for 11 newly inducted mentees. This includes writer Round tables with established writers in the industry including Amy Aniobi (Insecure), Kay Oyegun (This Is Us), and Golden Globe-winning writer Kemp Powers. In addition, writing workshops will help prepare mentees for fellowship and staffing season and they will have the opportunity to participate in general meetings with networks and production companies.
And at the end of the program, each mentee will have the opportunity to be read by Culture Creative and Writ Large to be considered for representation.
The initiative was launched in partnership with Culture Creative Entertainment and Writ Large and includes a comprehensive program for 11 newly inducted mentees. This includes writer Round tables with established writers in the industry including Amy Aniobi (Insecure), Kay Oyegun (This Is Us), and Golden Globe-winning writer Kemp Powers. In addition, writing workshops will help prepare mentees for fellowship and staffing season and they will have the opportunity to participate in general meetings with networks and production companies.
And at the end of the program, each mentee will have the opportunity to be read by Culture Creative and Writ Large to be considered for representation.
- 4/6/2021
- by Dino-Ray Ramos
- Deadline Film + TV
Mexican virtual lab offers Usd 30,000 in cash prizes.
Spanish multiple Cannes award winner Olivier Laxe and Argentina’s Lisandro Alonso are among participants in the expanded third Mexican project lab Catapulta set to run as an entirely virtual event from March 24-27.
Scroll to bottom to see all lab participants
Laxe, whose Fire Will Come won the Cannes Un Certain Regard jury prize in 2019 and followed a 2016 Critics’ Week grand prize for Mimosas and the 2010 Fipresci award for Directors’ Fortnight selection You Are All Captains, takes part in the new development programme.
His project After (France) follows a man and...
Spanish multiple Cannes award winner Olivier Laxe and Argentina’s Lisandro Alonso are among participants in the expanded third Mexican project lab Catapulta set to run as an entirely virtual event from March 24-27.
Scroll to bottom to see all lab participants
Laxe, whose Fire Will Come won the Cannes Un Certain Regard jury prize in 2019 and followed a 2016 Critics’ Week grand prize for Mimosas and the 2010 Fipresci award for Directors’ Fortnight selection You Are All Captains, takes part in the new development programme.
His project After (France) follows a man and...
- 3/22/2021
- by Jeremy Kay
- ScreenDaily
Mexican virtual lab offers Usd 30,000 in cash prizes.
Spanish multiple Cannes award winner Olivier Laxe, US auteur Rick Alverson and Argentina’s Lisandro Alonso are among participants in the expanded third Mexican project lab Catapulta set to run as an entirely virtual event from March 24-27.
Scroll to bottom to see all lab participants
Laxe, whose Fire Will Come won the Cannes Un Certain Regard jury prize in 2019 and followed a 2016 Critics’ Week grand prize for Mimosas and the 2010 Fipresci award for Directors’ Fortnight selection You Are All Captains, takes part in the new development programme.
His project After (France...
Spanish multiple Cannes award winner Olivier Laxe, US auteur Rick Alverson and Argentina’s Lisandro Alonso are among participants in the expanded third Mexican project lab Catapulta set to run as an entirely virtual event from March 24-27.
Scroll to bottom to see all lab participants
Laxe, whose Fire Will Come won the Cannes Un Certain Regard jury prize in 2019 and followed a 2016 Critics’ Week grand prize for Mimosas and the 2010 Fipresci award for Directors’ Fortnight selection You Are All Captains, takes part in the new development programme.
His project After (France...
- 3/22/2021
- by Jeremy Kay
- ScreenDaily
Founded in 2009 in Knoxville, Tennessee, Big Ears Festival is a renowned event bringing together, music, film, literature, art installations, and more. Year after year, their cinema-related section continues to showcase an eclectic mix of classic and contemporary voices, striving to explore boundary-pushing works in the field. Ahead of next month’s festival, we’re pleased to unveil the 2020 edition of the film lineup.
As part of their Standard Definition program, which explores the transition from celluloid to digital, the festival will present films from Agnès Varda, Chantal Akerman, Abbas Kiarostami, and Hal Hartley, along with U.S. theatrical premieres of Dominik Graf’s Friends of Friends and Franco Piavoli Affettuosa presenza and Paesaggi e figure. Also in the lineup is rarely screened works by Apichatpong Weerasethakul and Kevin Jerome Everson, along with Michael Snow’s 2002 film Corpus Callosum and his most recent project, Cityscape.
Argentine-British artist Jessica Sarah Rinland will also get the spotlight,...
As part of their Standard Definition program, which explores the transition from celluloid to digital, the festival will present films from Agnès Varda, Chantal Akerman, Abbas Kiarostami, and Hal Hartley, along with U.S. theatrical premieres of Dominik Graf’s Friends of Friends and Franco Piavoli Affettuosa presenza and Paesaggi e figure. Also in the lineup is rarely screened works by Apichatpong Weerasethakul and Kevin Jerome Everson, along with Michael Snow’s 2002 film Corpus Callosum and his most recent project, Cityscape.
Argentine-British artist Jessica Sarah Rinland will also get the spotlight,...
- 2/24/2020
- by Jordan Raup
- The Film Stage
After a long – and we do mean long – wait, Doctor Who finally returned to our screens today with its season 12 premiere and suffice it to say, it didn’t disappoint. While not perfect (some issues with pacing held things back), it was still a terrific outing for the show and has us eager to see part two in a few days’ time.
But perhaps the best moment was the big twist near the end, when it was revealed that Chris Chibnall and his team had brought back the Master, this time played by Sacha Dhawan. Yes, the beloved baddie is back in action and it’s safe to say that no one saw it coming.
Understandably, then, fans are freaking out over it and have now taken to Twitter to share their excitement, with but a sampling of what folks are saying found below:
i adore this show so much...
But perhaps the best moment was the big twist near the end, when it was revealed that Chris Chibnall and his team had brought back the Master, this time played by Sacha Dhawan. Yes, the beloved baddie is back in action and it’s safe to say that no one saw it coming.
Understandably, then, fans are freaking out over it and have now taken to Twitter to share their excitement, with but a sampling of what folks are saying found below:
i adore this show so much...
- 1/2/2020
- by Matt Joseph
- We Got This Covered
At least once a decade since, I don't know, the 1960s, someone has declared the End of Cinema, sometimes with an air of triumph, occasionally a sense of relief, but usually a general tone of defeat. As we should have learned by now, cinema is resilient, not unlike the flu. It mutates, but it doesn't ever really go away. And as a specific subset of Cinema writ large, experimental film (and video? Do we still need to stipulate that?) has had its basic DNA rewritten dozens of times since the supposed heyday of the genre, the sixties-into-seventies sweet spot where autobiographical expressionism evolved into formalist rigor. The avant-garde, with its battered but still pulsating community ethos, and its inherent since of opposition (be it latent / aesthetic or blatant / political), has managed to keep on keeping on, even through the dim years of 1985–1993. Someone's always cooking up something good.Reviewing a...
- 12/16/2019
- MUBI
Top Picksdaniel KASMAN1. 2008 (Blake Williams)2. State Funeral (Sergei Loznitsa)3. About Endlessness (Roy Andersson)4. Seven Years in May (Affonso Uchôa)5. Uncut Gems (Josh & Benny Safdie)6. Crazy World (Nabwana I.G.G.)7. Austrian Pavilion (Philipp Fleischmann)8. Transcript (Erica Sheu)9. Collective (Alexander Nanau)10. Book of Hours (Annie MacDonell)Fernando F. CROCE1. The Traitor (Marco Bellocchio)2. The Cordillera of Dreams (Patricio Guzmán)3. Uncut Gems (Josh & Benny Safdie)4. Bacurau (Kleber Mendonça Filho & Juliano Dornelles)5. The Wild Goose Lake (Diao Yinan)6. First Love (Takashi Miike)7. Anne at 13,000 ft (Kazik Radwanksi)8. The Invisible Life of Eurídice Gusmão (Karim Aïnouz)9. Sound of Metal (Darius Marder)10. It Must Be Heaven (Elia Suleiman)Kelley DONG1. To the Ends of the Earth (Kiyoshi Kurosawa)2. Jordan River Anderson, the Messenger (Alanis Obomsawin)3. The Body Remembers When the World Broke Open (Elle-Máijá Tailfeathers and Kathleen Hepburn)4. Liberté (Albert Serra)5. How to Build a Girl (Coky Gieroyc), Saint Maud (Rose Glass)Correspondences#1 Daniel Kasman...
- 9/18/2019
- MUBI
The Notebook is covering Tiff with an on-going correspondence between critics Fernando F. Croce, Kelley Dong, and editor Daniel Kasman.2008Dear Kelley and Fern,I think many of us, amateurs and professionals alike, come to film festivals to be wowed. No one is at the Toronto International Film Festival simply for a nice time: Audiences attend festivals precisely to have a unique experience. This is why, for me, the shorts program of the Wavelengths section always feels like my home base at Tiff: Minute for minute, it provides the most surprises. Foregrounding artists’ films—variously but frustratingly called avant-garde (ahead of what?) and experimental (which suggests incompleteness) cinema—this section is wildly diverse: celluloid and video, abstraction and essay film, the art world and that of the cinephile, self-reflexivity and country-hopping globalism. You cannot leave one of these programs without your mind activated, your senses agog, and opinions abounding.After attending Wavelengths for many years,...
- 9/13/2019
- MUBI
The films in this program, for the most part, seem to pertain to global space, in particular the subjective experience of movement that one can glean from travel, displacement, or the disorienting impact of visual technologies. Now, I know from experience that I always enjoy the disorientations generated by the 3D films of Blake Williams, but sadly I was unable to preview his new film 2008 because I could not secure equipment on which to view it. Apologies for that. The rest of the program is discussed below.Amusement RideQ: What's a "structural film"?
A: That's easy! Everybody knows what a structural film is! It's when engineers design an airplane or a bridge, and they build a model to find out if it will fall apart too soon. The film shows where all the stresses are!—Owen Land, On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and...
A: That's easy! Everybody knows what a structural film is! It's when engineers design an airplane or a bridge, and they build a model to find out if it will fall apart too soon. The film shows where all the stresses are!—Owen Land, On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and...
- 9/8/2019
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.Recommended VIEWINGThe official trailer for Peter Strickland's In Fabric, which stars Marianne Jean-Baptiste as a woman who purchases a haunted dress from a sinister boutique. The long awaited trailer to Hideo Kojima's new boundary-pushing video game Death Stranding, which by way of motion capture stars the likes of Norman Reedus, Léa Seydoux, Mads Mikkelsen, Nicolas Winding Refn, and Guillermo del Toro.Alien: The Play, a North Bergen High School production that features handmade costumes made of recycled materials, is now available online in its entirety. In the latest edition of the Museum of Modern Art's "How To See" series, curator Dave Kehr discusses how the nitrate prints and negatives of cinema's early days inspired audiences by expanding their perception of the world. Miranda July directs the music video for Sleater-Kinney's "Hurry On Home,...
- 5/29/2019
- MUBI
The 2019 Cannes Film Festival wrapped its 72nd edition on Sunday by awarding director Bong Joon-ho with the Palme d’Or for “Parasite,” his dark comedy about a lower-class family that schemes to overtake a wealthy household. It was the first time that the Palme d’Or went to a Korean director, and many critics felt that it was the right decision: “Parasite” topped IndieWire’s annual critics survey of the best films at Cannes, with 50 critics participating from around the world.
The outcome marked the second year in a row that a Korean film topped the survey, following the first-place finish for Lee Chang-dong’s “Burning” in 2018.
“Parasite” also topped the category for best screenplay. For best director, however, another Cannes favorite ranked highly. French director Celine Sciamma topped that category with “Portrait of a Lady on Fire,” which stars Adèle Haenel and Noémie Merlant as covert lovers in the 18th century.
The outcome marked the second year in a row that a Korean film topped the survey, following the first-place finish for Lee Chang-dong’s “Burning” in 2018.
“Parasite” also topped the category for best screenplay. For best director, however, another Cannes favorite ranked highly. French director Celine Sciamma topped that category with “Portrait of a Lady on Fire,” which stars Adèle Haenel and Noémie Merlant as covert lovers in the 18th century.
- 5/28/2019
- by Eric Kohn
- Indiewire
Below you will find an index of our coverage from the Cannes Film Festival, Directors' Fortnight, and Critics' Week in 2019, as well as our favorite films.Awardstop 101. Parasite (Bong Joon-ho)2. Liberté (Albert Serra)3. Jeanne4. Bacurau5. Atlantics (Mati Diop)6. Zombi Child (Bertrand Bonello)7. A Hidden Life (Terrence Malick)8. Portrait of a Lady on Fire (Céline Sciamma)9. The Whistlers (Corneliu Porumboiu)10. Once Upon a Time in... Hollywood (Quentin Tarantino)
(Contributors: Pedro Emilio Segura Bernal, Ela Bittencourt, Annabel Ivy Brady-Brown, Giovanni Marchini Camia, Jordan Cronk, Jesse Cumming, Flavia Dima, Leonardo Goi, Daniel Kasman, Roger Koza, Boris Nelepo, Blake Williams)Correspondences#1 Daniel Kasman previews the festival | Read#2 Leonardo Goi reviews The Dead Don't Die (Jim Jarmusch), Deerskin (Quentin Dupieux) | Read#3 Daniel Kasman reviews Bacurau, Beanpole (Kantemir Balagov), Atlantics (Mati Diop) | Read#4 Leonardo Goi reviews Sorry We Missed You (Ken Loach), Les misérables (Ladj Ly), A White, White Day (Hlynur Pálmason) | Read#5 Daniel Kasman reviews...
(Contributors: Pedro Emilio Segura Bernal, Ela Bittencourt, Annabel Ivy Brady-Brown, Giovanni Marchini Camia, Jordan Cronk, Jesse Cumming, Flavia Dima, Leonardo Goi, Daniel Kasman, Roger Koza, Boris Nelepo, Blake Williams)Correspondences#1 Daniel Kasman previews the festival | Read#2 Leonardo Goi reviews The Dead Don't Die (Jim Jarmusch), Deerskin (Quentin Dupieux) | Read#3 Daniel Kasman reviews Bacurau, Beanpole (Kantemir Balagov), Atlantics (Mati Diop) | Read#4 Leonardo Goi reviews Sorry We Missed You (Ken Loach), Les misérables (Ladj Ly), A White, White Day (Hlynur Pálmason) | Read#5 Daniel Kasman reviews...
- 5/28/2019
- MUBI
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