The Kims - mother and father Chung-sook and Ki-taek, and their young adult offspring, son Ki-woo and daughter Ki-jung - are a poor family living in a shabby and cramped half basement apartment in a busy lower working class commercial district of Seoul. Without even knowing it, they, especially Mr. and Mrs. Kim, literally smell of poverty. Often as a collective, they perpetrate minor scams to get by, and even when they have jobs, they do the minimum work required. Ki-woo is the one who has dreams of getting out of poverty by one day going to university. Despite not having that university education, Ki-woo is chosen by his university student friend Min, who is leaving to go to school, to take over his tutoring job to Park Da-hye, who Min plans to date once he returns to Seoul and she herself is in university. The Parks are a wealthy family who for four years have lived in their modernistic house designed by and the former residence of famed architect Namgoong. While Mr. and Mrs. Park ...Written by
Director Bong Joon Ho chose his long time collaborator Kang-ho Song and Woo-sik Choi, who was in Bong's last film Okja (2017), before picking any other actors of the movie while writing the script. Bong also said that if Song had declined, he wouldn't have made the movie, as he couldn't think of another actor playing the part. See more »
After Chung-Sook rushed to cook Ram-don, she dumped her phone into drawer with all the mess on the table.
But when she was slicing sirloin, her phone still remains on the table. See more »
Also available in a black-and-white version. Instead of opting for a simple digital bleaching, Bong Joon Ho worked with a colorist and cinematographer to make sure each scene retained its texture. See more »
I am remarkably stingy with my 10/10 ratings. I'll be the first person to acknowledge this. Of the roughly 2600 titles I've rated on here, only 34 have a 10.
Parasite is one of them. If this isn't a masterpiece, then I don't know what is.
I'm going to keep it vague on the plot-front, because I didn't know anything about it going in, and was really excited to see it progress and unfold in satisfying, unexpected ways.
What I will say is that this film, more than just about any other I've seen, put me through so many different emotional states during its 132-minute runtime, and did so without ever feeling muddled or tonally inconsistent. Parts of this movie were hilarious. Parts were heartbreaking. Other parts were insanely suspenseful (I'm honestly not sure if I've felt this close to the edge of my seat since the final season of Breaking Bad, way back in 2013).
And it does all this while being perfectly paced, beautifully directed, and amazingly acted from every single member of its cast. All the characters are understandable and sympathetic to some degree; the amount of conflict, drama and tension derived from a narrative with no clear heroes and villains is staggering. You come to care for just about all of them.
I'm stumped to come up with any flaws for this movie. And sure, I've seen many movies that are hard to fault, but it's rare that a movie appeals to me on a gut level and excites me to this degree while also being so close to technically perfect. It's extremely entertaining, thoroughly moving in so many different ways, and as icing on the cake there's a ton of social commentary and some heavy themes to chew on once the movie's over (and this one's not going to leave my head for a while, I can tell).
Catch this one when you can and believe the hype. Joon-Ho Bong has made many great films (and so far no bad one's), but this even manages to stand head and shoulders above all the others.
When it comes time to consider what the best film of the 2010s was, this one will surely be up there.
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