Not everything is as it seems for Cristi, a policeman who plays both sides of the law. Embarking with the beautiful Gilda on a high-stakes heist, both will have to navigate the twists and turns of corruption, treachery and deception.
An off duty police begins to suspect a local man for having had an affair with his recently dead wife. Gradually his obsession for finding out the truth accumulates and inevitably begins to endanger himself and his loved ones.
A cop from the provinces moves to Paris to join the Anti-Crime Brigade of Montfermeil, discovering an underworld where the tensions between the different groups mark the rhythm.
A stormy reunion between scriptwriter Lumir with her famous mother and actress, Fabienne, against the backdrop of Fabienne's autobiographic book and her latest role in a Sci-Fi picture as a mother who never grows old.
1945, Leningrad. WWII has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Two young women search for meaning and hope in the struggle to rebuild their lives amongst the ruins.
Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation.
After the death of her grandmother, Teresa comes home to her matriarchal village in a near-future Brazil to find a succession of sinister events that mobilizes all of its residents.
Directors:
Juliano Dornelles,
Kleber Mendonça Filho
Stars:
Bárbara Colen,
Thomas Aquino,
Silvero Pereira
Alice, a single mother, is a dedicated senior plant breeder at a corporation engaged in developing new species. Against company policy, she takes one home as a gift for her teenage son and names it after him but soon starts fearing it.
In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Among them is Souleiman, the lover of Ada, promised to another.
Cristi, a Romanian police officer who is a whistle blower for mafia, is going to La Gomera Island to learn an ancestral whistling language. In Romania he is under police surveillance and by using this coded language he will continue to communicate with the mobsters to get Zsolt out of prison. Zsolt is the only one who knows where 30 millions of euros are hidden.Written by
42 KM FILM
La Gomera a.k.a. "The Whistlers" is a fun Romanian neo-noir borrowing suspense tropes from James Cain, Robert Siodmak and Jules Dassin. The premise is a cop (no unreliable voice overs here) who had to learn the idiom of the whistling language for communicating with people living in interstitial spaces inside and outside of the law. Offbeat, at times hilarious in a deadpan way and rife with truly beautiful mise en scène, the film is a deconstructed tribute to this specific and particular film genre but operates outside of it. All the characters are vividly drawn, the supporting ones carry out the one-dimensionality of their roles with a certain lived-in freshness. The use of music was also very tasteful and deliberately operatic as counterpoint to the life-and-death situations, quirkily told. Corneliu Porumboiu seems to be having fun directing this story -- it shows and I for one was swept by the story and storytelling.
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La Gomera a.k.a. "The Whistlers" is a fun Romanian neo-noir borrowing suspense tropes from James Cain, Robert Siodmak and Jules Dassin. The premise is a cop (no unreliable voice overs here) who had to learn the idiom of the whistling language for communicating with people living in interstitial spaces inside and outside of the law. Offbeat, at times hilarious in a deadpan way and rife with truly beautiful mise en scène, the film is a deconstructed tribute to this specific and particular film genre but operates outside of it. All the characters are vividly drawn, the supporting ones carry out the one-dimensionality of their roles with a certain lived-in freshness. The use of music was also very tasteful and deliberately operatic as counterpoint to the life-and-death situations, quirkily told. Corneliu Porumboiu seems to be having fun directing this story -- it shows and I for one was swept by the story and storytelling.