A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Kristin Scott Thomas
Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.Written by
The typeface used for the credits is called Reynolds Stone and it was created by the English wood engraver, typographer, and designer Reynolds Stone, who was a close friend of the parents of Daniel Day-Lewis. When Paul Thomas Anderson and Daniel Day-Lewis were devising the character of Reynolds Woodcock, they agreed that they wanted the film to have a sort of "Reynolds Stone look," and the character's name, Reynolds Woodcock, was partly inspired by this as well. See more »
During a scene set in a hotel room a modern blue "Fire door keep shut" sign can be seen on a door in the background. See more »
Reynolds has made my dreams come true. And I have given him what he desires most in return.
Dr. Robert Hardy:
And what's that?
Every piece of me.
Dr. Robert Hardy:
He's a very demanding man, isn't he? Must be quite a challenge to be with him.
Yes. Maybe he is the most demanding man.
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Quiet movies are not usually my thing. I like pace and story and energy. But this film crackles in the quiet. PTA makes every scene feel like a battle, and the actors' performances rise to that challenge. It may be a quiet movie about a dress maker, but it is so much more - a battle of wills, a tension against each seam, a few characters slowly resigning themselves to something other than what they planned. If you described the plot, I would be like, "Really? That is the story?" After watching it, I can say it is not just a story...it is a great story.
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