Double crosses, adultery, murder, mistaken identity, and revenge ensue when a mysterious power player and his sultry wife hire a disgraced Los Angeles property broker to discreetly market and sell their Malibu villa.
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Walt Disney World.
Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.Written by
The script was written by Paul Thomas Anderson in collaboration with Daniel Day-Lewis. Anderson has even said that, "He probably should have some kind of co-writing credit." See more »
When Alma takes off her shoes in Woodcock's bedroom, she leaves them by the door. When Cyril enters the room, she steps over the shoes, but when Cyril leaves, the shoes have changed position and Cyril also seems to trip over them. See more »
Reynolds has made my dreams come true. And I have given him what he desires most in return.
Dr. Robert Hardy:
And what's that?
Every piece of me.
Dr. Robert Hardy:
He's a very demanding man, isn't he? Must be quite a challenge to be with him.
Yes. Maybe he is the most demanding man.
See more »
The typeface used for the credits is called Reynolds Stone and it was created by English wood engraver, typographer, and designer Reynolds Stone, who was a close friend of the parents of Daniel Day-Lewis. See more »
Maybe i just don';t like movies directed by Paul Thomas Anderson. Long periods of non-conversation and silent glances leading up to a big who-cares climax. The movie is a well-shot, well-acted, pretentious bore, Give me my 130 minutes back.
110 of 246 people found this review helpful.
Was this review helpful to you?
| Report this