Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heels. Their solution - escape to Bolivia.
George Roy Hill
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Johnny Hooker, a small time grifter, unknowingly steals from Doyle Lonnegan, a big time crime boss, when he pulls a standard street con. Lonnegan demands satisfaction for the insult. After his partner, Luther, is killed, Hooker flees, and seeks the help of Henry Gondorff, one of Luther's contacts, who is a master of the long con. Hooker wants to use Gondorff's expertise to take Lonnegan for an enormous sum of money to even the score, since he admits he "doesn't know enough about killing to kill him." They devise a complicated scheme and amass a talented group of other con artists who want their share of the reparations. The stakes are high in this game, and our heroes must not only deal with Lonnegan's murderous tendencies, but also other side players who want a piece of the action. To win, Hooker and Gondorff will need all their skills...and a fair amount of confidence.Written by
The art work used in the credits and inter-titles were inspired by The Saturday Evening Post, a weekly publication that enjoyed its biggest popularity during the 1930s, the time period in which the story takes place. See more »
The deck of cards Henry uses when showing Johnny his shuffling ability were the 1970s-style Bicycle brand cards that would not have been available in the 1930s. See more »
[losing his temper with Henry]
The name's Lonnegan! Doyle Lonnegan! You're gonna remember that name or you're gonna get yourself a new game! You follow?
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The opening credits are animated like a storybook. See more »
A delicious wheeze from start to finish. Certainly a film that leaves you thinking that you'd like to have been in Henry's gang and played a part in separating Lonnegan from his dough. The editing is pin sharp and beautifully cast with a superb musical track to keep you company. The framing, the photography, the pace all dovetail exquisitely and if you feel left outside of the game plan in your first viewing, never fear, the second time of watching, you'll enjoy it just as much but it will mean more. Certainly it's a film you'll want to see a second time. At least. Oscars rightly by the handful and nominations are full deserved to combine for a winning performance by all concerned. Definitely in my top fifty of all time.
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