Quentin Tarantino's Once Upon a Time... in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood's golden age.
In an interview with film critic Elvis Mitchell, Quentin Tarantino compared the characters of Rick Dalton and Cliff Booth to the famous Beat Generation duo Jack Kerouac and Neal Cassady. In the late '90s, Francis Ford Coppola had an "On The Road" film moving down the pipeline with Brad Pitt and Johnny Depp as the proposed two leads. With this film's casting, Tarantino just manifested two master directors' casting visions. See more »
Goofs
When Cliff is driving Pussy to Spahn Ranch, he tells her the prison system hasn't gotten him yet and that if it did, it wouldn't be for sexual relations with a minor. In the next scene, Cliff tells Tex he once spent two weeks on a chain gang in Texas. See more »
Quotes
[first lines]
Bounty Law Promo Announcer:
This man is worth 500 dollars. And this man's going to collect. He's Jake Cahill, and he lives by... "Bounty Law".
See more »
Crazy Credits
Like Django Unchained (2012), the film opens with the late 1960's Columbia Pictures logo. See more »
Alternate Versions
In the teaser trailer and the next 2 theatrical trailers some shots from deleted scenes are shown.
Cliff Booth see Charles Manson walking away from Sharon Tate's house. Both exchange looks. Charlie initially greets Cliff, later Charlie grunts at him.
Sharon Tate dancing in a black dress in a moving stage.
Mr. Schwarz salutes the projectionist before entering the projection room.
Hush
Written by Joe South
Performed by Deep Purple
Courtesy of Deep Purple Overseas/Parlophone Records Ltd
By arrangement with Warner Music Group Film & TV Licensing See more »
Before watching this film, it is CRITICAL that you have somewhat of a knowledge about Charles Manson (and Sharron Tate). If I did not have my sister next to me pointing out the small references to this serial killer's story, I would not have understood at least 80% of the movie. Understanding the significant details adds a specific intensity in every other scene, like you know something that the characters don't, and always keeps your eyes glued to the screen.
Although I can see how a few scenes were fairly slow, and the middle was not particularly engaging, Tarantino definitely had a purpose for each scene, even if I don't have all the answers. Even the smallest of details, like a gun holster of beer or the way the characters drive down the highway, reveals hidden thoughts, feelings, and backstories to the audience. If you do not catch onto these specific details, I can understand how some points seem overindulgent of "the golden age" of Hollywood. But the beautifully nostalgic filming in these moments is what makes this film not only entertaining, but a piece of art.
It's the juxtaposition of Sharron and Dalton's storyline, it's the wonder and the dimensional characters, it's the brilliant manipulation of the audience's emotions, causing you to laugh, scream, and cry (sometimes simultaneously) that makes this film utterly perfect.
The ending leaves you wondering "What if..." over and over again, questioning what reality would look like if these fictional characters of Rick Dalton and Cliff Booth actually existed. And I think that's when I realized how perfect the title was: it's a humorous, fairy-tale (although not completely violent-free) ending to the tragic fate of Hollywood in the 60s...
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Before watching this film, it is CRITICAL that you have somewhat of a knowledge about Charles Manson (and Sharron Tate). If I did not have my sister next to me pointing out the small references to this serial killer's story, I would not have understood at least 80% of the movie. Understanding the significant details adds a specific intensity in every other scene, like you know something that the characters don't, and always keeps your eyes glued to the screen.
Although I can see how a few scenes were fairly slow, and the middle was not particularly engaging, Tarantino definitely had a purpose for each scene, even if I don't have all the answers. Even the smallest of details, like a gun holster of beer or the way the characters drive down the highway, reveals hidden thoughts, feelings, and backstories to the audience. If you do not catch onto these specific details, I can understand how some points seem overindulgent of "the golden age" of Hollywood. But the beautifully nostalgic filming in these moments is what makes this film not only entertaining, but a piece of art.
It's the juxtaposition of Sharron and Dalton's storyline, it's the wonder and the dimensional characters, it's the brilliant manipulation of the audience's emotions, causing you to laugh, scream, and cry (sometimes simultaneously) that makes this film utterly perfect.
The ending leaves you wondering "What if..." over and over again, questioning what reality would look like if these fictional characters of Rick Dalton and Cliff Booth actually existed. And I think that's when I realized how perfect the title was: it's a humorous, fairy-tale (although not completely violent-free) ending to the tragic fate of Hollywood in the 60s...