7.8/10
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La belle noiseuse (1991)

Unrated | | Drama | 4 September 1991 (France)
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1:48 | Trailer

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The former famous painter Frenhofer revisits an abandoned project using the girlfriend of a young visiting artist. Questions about truth, life, and artistic limits are explored.

Director:

Jacques Rivette

Writers:

Pascal Bonitzer (scenario), Christine Laurent (scenario) | 4 more credits »
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4,868 ( 1,203)
5 wins & 6 nominations. See more awards »

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Cast

Cast overview:
Michel Piccoli ... Edouard Frenhofer
Jane Birkin ... Liz
Emmanuelle Béart ... Marianne
Marianne Denicourt ... Julienne
David Bursztein David Bursztein ... Nicolas
Gilles Arbona Gilles Arbona ... Porbus
Marie Belluc Marie Belluc ... Magali
Marie-Claude Roger Marie-Claude Roger ... Françoise
Leïla Remili Leïla Remili ... La servante
Daphne Goodfellow Daphne Goodfellow ... Deux touristes
Susan Robertson Susan Robertson ... Deux touristes
Bernard Dufour Bernard Dufour ... La main du peintre
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Storyline

The former famous painter Frenhofer lives quietly with his wife in his countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start working again on a painting called 'La Belle Noiseuse', which he gave up a long time ago. And he wants Marianne as a model. The ensuing creative process will change the characters' lives. It will become a struggle for truth and meaning, and the question about the limits of art will arise. Written by Jens Bertheau <bertheau@mi-lab.fh-furtwangen.de>

Plot Summary | Plot Synopsis

Taglines:

The torment of creating the naked beauty on canvas!

Genres:

Drama

Certificate:

Unrated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Switzerland

Language:

French | English

Release Date:

4 September 1991 (France) See more »

Also Known As:

A Bela Impertinente See more »

Filming Locations:

Assas, Hérault, France

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Box Office

Opening Weekend USA:

$1,887, 26 November 2017, Limited Release

Gross USA:

$408,571
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (dvd)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list. See more »

Goofs

In Frenhofer's studio, the position of Marianne's legs changes between the long shot (right leg bent and forward) and close shot (left leg bent and forward) when Frenhofer is telling them that they will be unhappy as well. See more »

Alternate Versions

Short version (125 minutes, less nudity, brighter lighting, almost different takes and editing) titled "Divertimento" showing for TV, then released theatrically in 1993. See more »

Connections

Referenced in Kiss and Run (2002) See more »

Soundtracks

Agon
Music by Igor Stravinsky
Performed by Sinfonie-Orchester des Südwestfunks (as Orchestre de Südwestfunk de Baden-Baden)
Conducted by Hans Rosbaud
(avec l'autorisation des disques Adès)
See more »

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User Reviews

 
not just arty twaddle
23 September 1999 | by eastieSee all my reviews

A young artist and his girlfriend run into an aging master who has not painted for many years. It emerges that he stopped in the middle of a painting of his wife which threatened to destroy his marriage. Why this should be so is not at first clear. Over time, however, as the young artist's girlfriend poses for the older artist so that he can finish the painting, it becomes apparent quite how emotionally demanding the artistic process is.

Many people seem to find this film boring or pretentious. It's a matter of taste I guess. I found the long sections of the artist sketching his model extremely compelling. Even if you can't imagine this, give the film a try. I have a friend who hates arty films, particularly if they're in a foreign language. His favourite film is the Rock, yet he started watching this (with the sole aim of seeing Emmanuelle Beart in the buff, which she is for most of the movie) and ended up sitting through the whole four hours. It has a genuinely hypnotic quality.

Aside from the debate about the art sections of the film, its content is superb. The characters are real, interesting and beautifully played. The Beart character in particular is a wonderful depiction of someone who is deeply scarred, but erects a powerful veneer of independence to protect herself. As the artist sketches her from every angle, he gradually gets under her defences, until her entire personality is exposed on canvas. I know this sounds really pretentious, but this film effectively argues that what marks out a masterpiece is that someone's soul - either the artist's or the model's - is put on canvas, and in the process, they and the people close to them are affected irrevocably. Ultimately, the only real flaw in this film is, I'm informed, that the sketches themselves aren't actually that good. If you're like me and have a limited sensitivity to such things, this shouldn't bother you. If not, try not to let it spoil a beautiful, rewarding and profoundly satisfying movie.


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