Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts ... See full summary »
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
After a colossal and mysterious accident a young talented architect comes back to his senses in a very odd world that only resembles the reality. This world is based on the memories of the ... See full summary »
A young doctor at a hospital, Susan Wheeler (played by Geneviève Bujold), starts noticing a pattern of strange occurrences with patients. Healthy patients are suddenly developing complications and ending up in comas. She starts investigating and what she reveals is astonishing.Written by
The film was memorable for its striking image of a coma clinic where numerous men and women were suspended by wires attached to, and passing through, their wrists and ankles. Such images were used for the film's movie posters. See more »
When Dr. Wheeler discovers the carbon monoxide line leading to OR 8, it might seem as if she is looking down into the operating room, but she is actually above the hall looking at the door into the OR, as the nameplate beside the door proves. An operating room would never feature a drop ceiling. See more »
Anesthesia's the easiest job in the world until something goes wrong. It's 99% boredom and 1% scared-shitless panic.
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A very underated "Hitchcockian" thriller from the disco-era.
"Coma", as well as other mid-to-late 70's films, was one of the reasons I became a filmmaker myself. In terms of the suspence, tension and general spookiness of such a "normal and everyday" subject as hospitals, doctors, etc., was very influential in how I perceived the things around me. The great thing about the film, and the book - of course, was that we put our trust in people like doctors, policemen, goverment officials, and the like - and most of the time that trust is "blind faith". Dr. Cook and DR. Crichton are masters at this genre - Making the incredible credible. Even though this film is a bit dated, It is almost becoming a reality. In China, prisoners are "harvested" for their organs so others can benefit. Technology, like in the film, can now sustain life for as long as the machine(s) and/or computers can function. It was Sci-Fi in 1978 - now an all-to-real reality. Back to the film itself, I thought Dr. Crichton did a wonderful job on the directing and the screenplay. The material he had from Dr. Cook was first-rate. The cinematography, done by A.S.C. President Victor J. Kemper was outstanding. The technique of keeping the images at the hospital as cold, sterile and clinical as possible was brilliant. Mr. Hirschfield's "Jefferson Institute" sequences were also fantastic. Dr. Crichton's editing pace was also a stroke of genius. All editing was done with straight cuts. No zooms and very few dolly /pan shots. This was keep with the theme that YOU, THE VIEWER, are in the hospital and the "cuts" are as impersonal and precise as the doctor's scalpel. The cast was also well thought out. Ms. Bujold, even though she speaks with a thick French-Canadian accent, was the perfect protagonist. You do not have to be an Amazon Woman to be strong and independent. Mr. Douglas was a bit "sleepy" in his role, he just needed more to do. Mr. Widmark was perfect as the Chief, as was Mrs. Ashley as the Institute's head matron. Look for Tom Selleck and Ed Harris in their first movie roles. Also, in the "Jefferson Institute" sequence, you will see a young Christopher Reeve as a hapless victem of the movie's plot. All in all, "Coma" is one of those films that, even though had moderate success at the box office, is really a forgotten gem in the MGM vaults. It proves that you do not need blood guts, or special effects to make a great movie. Gee, kind of like Mr. Hitchcock.
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