Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Production Design Barbie
Weekly Commentary: If you’re keeping track of the contenders vying for Academy Awards this season, you might have noted Variety’s prediction that Yorgos Lanthimos’ “Poor Things” could clinch a single award for production design, sparking a flurry of discussions within the punditry community.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Production Design Barbie
Weekly Commentary: If you’re keeping track of the contenders vying for Academy Awards this season, you might have noted Variety’s prediction that Yorgos Lanthimos’ “Poor Things” could clinch a single award for production design, sparking a flurry of discussions within the punditry community.
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
“Oppenheimer” got a big boost in its Oscar bid for Best Production Design with a win on February 10 at the Art Directors Guild Awards. Over the first 27 years of these prizes, the eventual Oscar winner has always numbered among the Adg nominees in the various genre categories. “Oppenheimer” prevailed in the period picture race over two of its Oscar rivals – “Killers of the Flower Moon” and “Napoleon” — plus “Asteroid City” and “Maestro.”
Oscar nominee, “Poor Things” won the fantasy film prize over another Oscar rival, “Barbie,” plus “The Creator.” “Guardians of the Galaxy Vol. 3” and “Wonka.”
“Saltburn” won the contemporary category over “Beau is Afraid,” “John Wick: Chapter 4,” “The Killer” and “Mission: Impossible – Dead Reckoning Part One.”
Period Film
Asteroid City
Production Designer: Adam Stockhausen
Killers of the Flower Moon
Production Designer: Jack Fisk
Maestro
Production Designer: Kevin Thompson
Napoleon
Production Designer: Arthur Max
X – Oppenheimer
Production...
Oscar nominee, “Poor Things” won the fantasy film prize over another Oscar rival, “Barbie,” plus “The Creator.” “Guardians of the Galaxy Vol. 3” and “Wonka.”
“Saltburn” won the contemporary category over “Beau is Afraid,” “John Wick: Chapter 4,” “The Killer” and “Mission: Impossible – Dead Reckoning Part One.”
Period Film
Asteroid City
Production Designer: Adam Stockhausen
Killers of the Flower Moon
Production Designer: Jack Fisk
Maestro
Production Designer: Kevin Thompson
Napoleon
Production Designer: Arthur Max
X – Oppenheimer
Production...
- 2/11/2024
- by Paul Sheehan
- Gold Derby
Poor Things, Oppenheimer and Saltburn won Art Directors Guild (IATSE Local 800) Awards in the categories for fantasy, period and contemporary live action features, respectively, at the 28th Adg Awards, which were handed out Saturday at the Ray Dolby Ballroom in Ovation Hollywood.
Poor Things and Oppenheimer are additionally nominated for the Oscar in production design, alongside Barbie, Killers of the Flower Moon and Napoleon, which were also Adg nominated in their respective categories.
Over the past five years, the winner of the Adg’s period film prize has gone on to win the Oscar for production design twice: In 2020, for Once Upon a Time in Hollywood, and in 2021, for Mank. During that time, the production design Oscar went to the winner of the fantasy category twice, in 2019, for Black Panther, and 2022, for Dune. A year ago, eventual Oscar winner All Quiet on the Western Front was nominated in the period...
Poor Things and Oppenheimer are additionally nominated for the Oscar in production design, alongside Barbie, Killers of the Flower Moon and Napoleon, which were also Adg nominated in their respective categories.
Over the past five years, the winner of the Adg’s period film prize has gone on to win the Oscar for production design twice: In 2020, for Once Upon a Time in Hollywood, and in 2021, for Mank. During that time, the production design Oscar went to the winner of the fantasy category twice, in 2019, for Black Panther, and 2022, for Dune. A year ago, eventual Oscar winner All Quiet on the Western Front was nominated in the period...
- 2/11/2024
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Production design Oscar nominees “Barbie,” “Poor Things,” “Killers of the Flower Moon,” “Oppenheimer,” “Napoleon” all competed for the 28th Art Directors Guild Awards February 10 at Ovation Hollywood’s Ray Dolby Ballroom. “Poor Things” prevailed over “Barbie” for fantasy, and is now in the driver’s seat to win the Oscar. Throughout the season, it has been a race between these two big feminist films constructed around rebirth and unconventional world-building.
Meanwhile, “Oppenheimer” took period honors over “Asteroid City,” “Killers of the Flower Moon,” “Maestro,” and “Napoleon.” Contemporary winner “Saltburn,” though, is not in the Oscar running. The animated feature winner was “Spider-Man: Across the Spider-Verse.”
The TV winners for one-hour period, fantasy, and contemporary were “The Great,” “The Last of Us,” and “Succession.” Movie or limited series went to “Beef,” and the half-hour series winner was “Reservation Dogs.”
As previously announced, the Adg Awards honored Mimi Leder (Apple TV’s...
Meanwhile, “Oppenheimer” took period honors over “Asteroid City,” “Killers of the Flower Moon,” “Maestro,” and “Napoleon.” Contemporary winner “Saltburn,” though, is not in the Oscar running. The animated feature winner was “Spider-Man: Across the Spider-Verse.”
The TV winners for one-hour period, fantasy, and contemporary were “The Great,” “The Last of Us,” and “Succession.” Movie or limited series went to “Beef,” and the half-hour series winner was “Reservation Dogs.”
As previously announced, the Adg Awards honored Mimi Leder (Apple TV’s...
- 2/11/2024
- by Bill Desowitz
- Indiewire
“Saltburn,” “Oppenheimer” and “Poor Things” were among the winners at the 28th Annual Art Director’s Guild Awards which took place in Hollywood on Saturday evening.
Hosted by Max Greenfield, the Adg Awards celebrated outstanding production design in theatrical motion pictures, television, commercials, animated features and music videos.
“Poor Things” production designers Shona Heath and James Price drew visual references ranging from the paintings of French futurist Albert Robida to Francis Ford Coppola’s “Dracula” to build Yorgos Lanthimos’ extraordinary sets.
In “Oppenheimer,” Ruth De Jong built Los Alamos from the ground up. But her most challenging task came when she had to build the Oval Office for the film’s third act. Working with supervising art director, Samantha Englander, the two had floated the idea of finding a pre-existing build of the Oval Office. They looked no further than HBO’s beloved political satire “Veep.” Not only was “Veep...
Hosted by Max Greenfield, the Adg Awards celebrated outstanding production design in theatrical motion pictures, television, commercials, animated features and music videos.
“Poor Things” production designers Shona Heath and James Price drew visual references ranging from the paintings of French futurist Albert Robida to Francis Ford Coppola’s “Dracula” to build Yorgos Lanthimos’ extraordinary sets.
In “Oppenheimer,” Ruth De Jong built Los Alamos from the ground up. But her most challenging task came when she had to build the Oval Office for the film’s third act. Working with supervising art director, Samantha Englander, the two had floated the idea of finding a pre-existing build of the Oval Office. They looked no further than HBO’s beloved political satire “Veep.” Not only was “Veep...
- 2/11/2024
- by Jazz Tangcay and Jaden Thompson
- Variety Film + TV
Since January 2, the four motion picture guilds comprising makeup artists & hairstylists, costume designers, art directors, and sound mixers have announced their nominations for the year’s best work in their respective fields. While there has been plenty of variation in their choices, all four organizations have shown solidarity in recognizing three films: “Barbie,” “Maestro,” and “Oppenheimer”. All of these rank among our top 10 Best Picture candidates, with “Oppenheimer” in first place, “Barbie” in third, and “Maestro” in sixth.
Six of the remaining nine guilds will be heard from over the next week, starting with both the actors and directors on Jan. 10. They will be followed in order by the cinematographers (Jan. 11), producers (Jan. 12), sound editors (Jan. 15), and visual effects artists (Jan. 16), all of whom will reveal their awards finalists during the Oscar nominations voting period.
The casting directors have yet to declare an official date for their 2024 nominations announcement, but...
Six of the remaining nine guilds will be heard from over the next week, starting with both the actors and directors on Jan. 10. They will be followed in order by the cinematographers (Jan. 11), producers (Jan. 12), sound editors (Jan. 15), and visual effects artists (Jan. 16), all of whom will reveal their awards finalists during the Oscar nominations voting period.
The casting directors have yet to declare an official date for their 2024 nominations announcement, but...
- 1/9/2024
- by Matthew Stewart
- Gold Derby
The 2024 Art Directors Guild nominations have been unveiled, mirroring the Oscars shortlists for crafts thus far.
The 28th annual Excellence in Production Design Awards celebrates production design achievements in theatrical motion pictures, television, commercials, music videos, and animated feature films. The 2024 Adg Awards winners will be announced at a ceremony on February 10 at the Ray Dolby Ballroom, Ovation Hollywood, with Emmy-nominated actor and comedian Max Greenfield hosting.
As previously announced, legendary production designer Lawrence G. Paull will be inducted into the Adg Hall of Fame as part of the ceremony.
“It’s our honor and privilege to gather the guild to recognize the excellence among our members,” award show producers Michael Allen Glover, Adg and Megan Elizabeth Bell, Adg said in a joint statement.
In the Period Feature Film category, Wes Anderson’s lush “Asteroid City” is up against Martin Scorsese’s gritty “Killers of the Flower Moon,” with...
The 28th annual Excellence in Production Design Awards celebrates production design achievements in theatrical motion pictures, television, commercials, music videos, and animated feature films. The 2024 Adg Awards winners will be announced at a ceremony on February 10 at the Ray Dolby Ballroom, Ovation Hollywood, with Emmy-nominated actor and comedian Max Greenfield hosting.
As previously announced, legendary production designer Lawrence G. Paull will be inducted into the Adg Hall of Fame as part of the ceremony.
“It’s our honor and privilege to gather the guild to recognize the excellence among our members,” award show producers Michael Allen Glover, Adg and Megan Elizabeth Bell, Adg said in a joint statement.
In the Period Feature Film category, Wes Anderson’s lush “Asteroid City” is up against Martin Scorsese’s gritty “Killers of the Flower Moon,” with...
- 1/9/2024
- by Samantha Bergeson
- Indiewire
On January 9, the Art Directors Guild announced the nominees for its 28th annual awards, which will be handed out on February 10. These kudos have a stellar record at previewing the Academy Awards. Over the first 27 years of these prizes, the eventual Oscar winner for Best Production Design has always numbered among the Adg nominees in the various categories.
“Barbie” is the clear frontrunner to win the Oscar for Best Production Design. It reaped a bid in the fantasy film genre with the Adg as did its strongest Oscar rival, “Poor Things.” Two of the other three likeliest Oscar nominees — “Killers of the Flower Moon” and “Oppenheimer” — contend in the period picture category. Our fifth pick, “The Color Purple,” was snubbed in that race, which is rounded out by “Asteroid City,” “Maestro” and “Napoleon.”
The other fantasy film nominees are: “The Creator,” “Guardians of the Galaxy Vol. 3” and “Wonka.”
The...
“Barbie” is the clear frontrunner to win the Oscar for Best Production Design. It reaped a bid in the fantasy film genre with the Adg as did its strongest Oscar rival, “Poor Things.” Two of the other three likeliest Oscar nominees — “Killers of the Flower Moon” and “Oppenheimer” — contend in the period picture category. Our fifth pick, “The Color Purple,” was snubbed in that race, which is rounded out by “Asteroid City,” “Maestro” and “Napoleon.”
The other fantasy film nominees are: “The Creator,” “Guardians of the Galaxy Vol. 3” and “Wonka.”
The...
- 1/9/2024
- by Paul Sheehan
- Gold Derby
The Art Directors Guild has unveiled nominations for its 28th annual Excellence in Production Design Awards, which celebrate the year’s best achievements in theatrical motion pictures, TV, commercials, music videos and animated features. See the full list below.
The guild divides its top film prizes into Fantasy, Period and Contemporary Feature categories. Since the trophy show launched in 1996, the winner of one of those has gone on to win the Art Direction/Production Design Oscar in 18 of the 27 years. It had a run of nine in a row snapped last year, when All Quiet on the Western Front went on to score the Academy Award after the Art Directors lauded Everything Everywhere All at Once (Fantasy), Babylon (Period) and Glass Onion: A Knives Out Mystery (Contemporary).
Winners will be announced February 10 at Ovation Hollywood’s Ray Dolby Ballroom. The late production designer Lawrence G. Paull, a Blade Runner Oscar...
The guild divides its top film prizes into Fantasy, Period and Contemporary Feature categories. Since the trophy show launched in 1996, the winner of one of those has gone on to win the Art Direction/Production Design Oscar in 18 of the 27 years. It had a run of nine in a row snapped last year, when All Quiet on the Western Front went on to score the Academy Award after the Art Directors lauded Everything Everywhere All at Once (Fantasy), Babylon (Period) and Glass Onion: A Knives Out Mystery (Contemporary).
Winners will be announced February 10 at Ovation Hollywood’s Ray Dolby Ballroom. The late production designer Lawrence G. Paull, a Blade Runner Oscar...
- 1/9/2024
- by Erik Pedersen
- Deadline Film + TV
“Saltburn,” “Killers of the Flower Moon,” “Asteroid City,” “Barbie” and “Oppenheimer” are among the films singled out for excellence by the Art Directors Guild (IATSE Local 800).
The guild announced the nominations for its 28th Excellence in Production Design Awards in motion pictures, television, commercial and music video categories.
Adg Awards winners will be announced at a ceremony on Feb. 10 at Ovation Hollywood’s Ray Dolby Ballroom. Max Greenfield will host the ceremony.
“It’s our honor and privilege to gather the guild to recognize the excellence among our members,” says award show producers Michael Allen Glover, Adg and Megan Elizabeth Bell, Adg in a joint statement.
The Adg divides live-action features into three categories. “Asteroid City,” “Killers of the Flower Moon”
“Maestro,” “Napoleon” and “Oppenheimer” were nominated in the period feature film category.
“Barbie,” “The Creator,” “Guardians of the Galaxy Vol. 3,” “Poor Things” and “Wonka” led the fantasy film category.
The guild announced the nominations for its 28th Excellence in Production Design Awards in motion pictures, television, commercial and music video categories.
Adg Awards winners will be announced at a ceremony on Feb. 10 at Ovation Hollywood’s Ray Dolby Ballroom. Max Greenfield will host the ceremony.
“It’s our honor and privilege to gather the guild to recognize the excellence among our members,” says award show producers Michael Allen Glover, Adg and Megan Elizabeth Bell, Adg in a joint statement.
The Adg divides live-action features into three categories. “Asteroid City,” “Killers of the Flower Moon”
“Maestro,” “Napoleon” and “Oppenheimer” were nominated in the period feature film category.
“Barbie,” “The Creator,” “Guardians of the Galaxy Vol. 3,” “Poor Things” and “Wonka” led the fantasy film category.
- 1/9/2024
- by Jazz Tangcay
- Variety Film + TV
The Art Directors Guild (IATSE Local 800) has revealed the nominations for its 28th annual Excellence in Production Design Awards, which will be handed out Feb. 10 at the Ray Dolby Ballroom in Ovation Hollywood.
The production designers on Asteroid City, Killers of the Flower Moon, Maestro, Napoleon and Oppenheimer were nominated in the category for a period movie. For a fantasy film, the nominees are Barbie, The Creator, Guardians of the Galaxy Vol. 3, Poor Things and Wonka. And the Adg chose Beau is Afraid, John Wick: Chapter 4, The Killer, Mission: Impossible – Dead Reckoning Part One and Saltburn as its contemporary film noms.
Over the past five years, the winner of the Adg’s period film prize has gone on to win the Oscar for production design twice: In 2020, for Once Upon a Time in Hollywood, and in 2021 for Mank. The production design Oscar went to the winner of...
The production designers on Asteroid City, Killers of the Flower Moon, Maestro, Napoleon and Oppenheimer were nominated in the category for a period movie. For a fantasy film, the nominees are Barbie, The Creator, Guardians of the Galaxy Vol. 3, Poor Things and Wonka. And the Adg chose Beau is Afraid, John Wick: Chapter 4, The Killer, Mission: Impossible – Dead Reckoning Part One and Saltburn as its contemporary film noms.
Over the past five years, the winner of the Adg’s period film prize has gone on to win the Oscar for production design twice: In 2020, for Once Upon a Time in Hollywood, and in 2021 for Mank. The production design Oscar went to the winner of...
- 1/9/2024
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Late in Ari Aster’s subversive Oedipal odyssey, “Beau Is Afraid,” Joaquin Phoenix’s neurotic man-child enters a play in the woods as a momentary escape from his nightmarish existence. The 12-minute, predominantly stop-motion sequence — aptly titled “Hero Beau” — joyfully conjures an alternate reality of what might have been for Beau, free of his castrating mother (Zoe Lister-Jones and Patti LuPone), raising three boys on a farm, surviving a disaster, and living a full life.
Directed by Chilean animators Cristóbal León and Joaquín Cociña (“La Casa Lobo”), this movie-within-the-movie is exquisitely hand-crafted with the aid of some set design by production designer Fiona Crombie (“The Favourite”), evoking an unnatural world that’s as symbolically dreamlike as the rest of the film. It serves as Beau’s emotional high point and provides the impetus for the rest of his actions thereafter.
“The original plan was not for it to be animated...
Directed by Chilean animators Cristóbal León and Joaquín Cociña (“La Casa Lobo”), this movie-within-the-movie is exquisitely hand-crafted with the aid of some set design by production designer Fiona Crombie (“The Favourite”), evoking an unnatural world that’s as symbolically dreamlike as the rest of the film. It serves as Beau’s emotional high point and provides the impetus for the rest of his actions thereafter.
“The original plan was not for it to be animated...
- 4/24/2023
- by Bill Desowitz
- Indiewire
For his follow-up to the critically acclaimed horror hits "Hereditary" and "Midsommar," writer-director Ari Aster has come out swinging with "Beau Is Afraid," a more divisive "evil comedy," as he calls it, starring Joaquin Phoenix. The film has drawn comparisons to everything from Darren Aronofsky's "mother!" to Charlie Kaufman's "Synecdoche, New York." And in fact, "mother" might be the operative word for "Beau Is Afraid," which our review calls "a Freudian hellride." The plot, per the official A24 synopsis, follows "a paranoid man [who] embarks on an epic odyssey to get home to his mother."
The use of Phoenix -- star of "The Master" and "Inherent Vice" -- and the Supertramp song "Goodbye Stranger," which featured in "Magnolia," also brings to mind the works of Paul Thomas Anderson in the "Beau Is Afraid" trailer. However, big-name filmmakers like Aronofsky, Kaufman, and Anderson aren't the only points of reference where Aster's film is concerned.
The use of Phoenix -- star of "The Master" and "Inherent Vice" -- and the Supertramp song "Goodbye Stranger," which featured in "Magnolia," also brings to mind the works of Paul Thomas Anderson in the "Beau Is Afraid" trailer. However, big-name filmmakers like Aronofsky, Kaufman, and Anderson aren't the only points of reference where Aster's film is concerned.
- 4/24/2023
- by Joshua Meyer
- Slash Film
"Beau is Afraid," the new epic dark comedy from acclaimed director Ari Aster, is a surreal odyssey through the main character's inner psyche, exploring fears and traumas with the visual help of dense, elaborate set pieces. Aster labored over creating the nightmare-like world of his film, loading frames with blink-and-you'll-miss-them background details as if no corner provides any sort of relief from Beau's descent into never-ending anxiety. Aster intended this "chicken fat" -- a term coined by Mad Magazine's Will Elder to describe his comic panels' intentionally excessive background gags -- to further immerse the audience into a deeply uncomfortable, overwhelming chaos.
Oh, and they're also supposed to be funny.
Aster has a history of subtly hiding spooky visual clues and references throughout his movies. His 2018 debut feature "Hereditary" featured sinister naked Satanic cult members hanging out in the shadows and foreshadowed the film's big twists with the symbol of the demon Paimon.
Oh, and they're also supposed to be funny.
Aster has a history of subtly hiding spooky visual clues and references throughout his movies. His 2018 debut feature "Hereditary" featured sinister naked Satanic cult members hanging out in the shadows and foreshadowed the film's big twists with the symbol of the demon Paimon.
- 4/19/2023
- by Andrew Housman
- Slash Film
Ari Aster’s first two films, 2018’s “Hereditary” and 2019’s “Midsommar,” cultivated the young director enough cachet for A24 to hand him a blank check for “Beau is Afraid,” his “Jewish ‘Lord of the Rings’” about the psychological horror of visiting your mother. The three-hour horror-comedy epic is the indie studio’s most expensive movie to date. Starring Oscar winner Joaquin Phoenix as the stunted and anxiety-ridden Beau of the title, the movie defies easy categorization and is, expectedly, inspiring awe and disgust in nearly equal measure – often within individual viewers.
Beau lives in an urban hellscape that approximates what “New York City looked like in the mind of Travis Bickle and Bernhard Goetz” and is in a persistent state of waiting for the other shoe to drop. When it finally does, it’s a chandelier on top of his mother’s head (it wouldn’t be an Aster film...
Beau lives in an urban hellscape that approximates what “New York City looked like in the mind of Travis Bickle and Bernhard Goetz” and is in a persistent state of waiting for the other shoe to drop. When it finally does, it’s a chandelier on top of his mother’s head (it wouldn’t be an Aster film...
- 4/14/2023
- by Ronald Meyer
- Gold Derby
There is a succinct, incredible moment of catharsis at the conclusion of Ari Aster’s feature debut Hereditary when one of its beleaguered, terrified protagonists makes the break-neck decision to defenestrate themselves rather than endure the horrors to come. Three features into his career, Aster has not only made a name for himself as an inventive horror auteur but as a peddler of relentless suffering. Both Hereditary and his 2019 sophomore effort Midsommar push their characters, their runtime, and their audience to the brink of agony. This unending pain often culminates in brief artfulness, but in his third film, Beau Is Afraid, Aster has finally crafted something so annoying it had me searching for a window through which I might release myself.
Beau Is Afraid stars Joaquin Phoenix as the titular Beau, a nervous schlub living in decrepit urban life, tormented by his anxieties and the ever-dangerous world around him. He...
Beau Is Afraid stars Joaquin Phoenix as the titular Beau, a nervous schlub living in decrepit urban life, tormented by his anxieties and the ever-dangerous world around him. He...
- 4/11/2023
- by Fran Hoepfner
- The Film Stage
There is a brief scene in the arresting and spectacular “Beau is Afraid,” Ari Aster’s fearless, labyrinthine and wickedly immersive third feature, when the ink of an uncooperative pen runs out as the film’s hypersensitive protagonist tries to scribble “love”. It’s both a hilarious moment and a heartbreaking one in a bottomless film overflowing with similar emotional gulfs, with sadness and laughter erupting frequently, often within the same instant.
The scene is funny because, by the time it arrives, we have already learned a great deal about the misfortunes of Beau, played with a startling level of vulnerability by a soft-spoken, gloomy-eyed Joaquin Phoenix, both enigmatic and translucently bare.
At this point, we know that Beau is haunted by mommy issues, like many an Ari Aster character before him across modern horror classics “Hereditary” and “Midsommar.” He is so haunted and guilt-ridden that his upcoming trip to...
The scene is funny because, by the time it arrives, we have already learned a great deal about the misfortunes of Beau, played with a startling level of vulnerability by a soft-spoken, gloomy-eyed Joaquin Phoenix, both enigmatic and translucently bare.
At this point, we know that Beau is haunted by mommy issues, like many an Ari Aster character before him across modern horror classics “Hereditary” and “Midsommar.” He is so haunted and guilt-ridden that his upcoming trip to...
- 4/11/2023
- by Tomris Laffly
- The Wrap
Hereditary and Midsommar filmmaker Ari Aster makes a depraved return to a world of surrealist nightmares in the epic journey of the mind in Beau Is Afraid. In his most divisive movie yet, he takes audiences on an unforgettable adventure that dares to tackle humanity’s greatest insecurities in a feared film bursting with anxiety. Beau Is Afraid is an affirming, yet challenging watch.
‘Beau Is Afraid’ sets out on an epic journey Joaquin Phoenix as Beau | A24
Beau (Joaquin Phoenix) tries to live out his humble life in a seedy part of town, attending therapy sessions to help him work through his greatest fears. They all come to a head when he has plans to make a trip back home on his father’s death anniversary to visit his mother, with whom he has a particularly difficult relationship.
The mild-mannered man hears news that his mother suddenly died, setting him into utter free fall.
‘Beau Is Afraid’ sets out on an epic journey Joaquin Phoenix as Beau | A24
Beau (Joaquin Phoenix) tries to live out his humble life in a seedy part of town, attending therapy sessions to help him work through his greatest fears. They all come to a head when he has plans to make a trip back home on his father’s death anniversary to visit his mother, with whom he has a particularly difficult relationship.
The mild-mannered man hears news that his mother suddenly died, setting him into utter free fall.
- 4/11/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
Robert Pattinson is heading to space.
Warner Bros. shared a first look at Bong Joon Ho’s upcoming “Mickey 17,” set to be released on March 29, 2024. “Mickey 17” is currently in production and is directed, produced, and scripted by Bong, adapted from Edward Ashton’s novel “Mickey 7.”
Pattinson stars as the titular Mickey, who is an Expendable: a disposable employee on a human expedition sent to colonize the ice world Niflheim. Whenever a mission is too dangerous — even suicidal — the crew turns to Mickey. After one iteration dies, a new body is regenerated with most of his memories intact.
“Parasite” Oscar winner Bong also enlists Academy Award nominees Steven Yeun, Toni Collette, Mark Ruffalo, and “I Wanna Dance With Somebody” star Naomi Ackie to round out the sci-fi thriller.
The first look at “Mickey 17” shows Pattinson in an incubator, seemingly in space.
The film is produced by Brad Pitt’s Plan B Entertainment,...
Warner Bros. shared a first look at Bong Joon Ho’s upcoming “Mickey 17,” set to be released on March 29, 2024. “Mickey 17” is currently in production and is directed, produced, and scripted by Bong, adapted from Edward Ashton’s novel “Mickey 7.”
Pattinson stars as the titular Mickey, who is an Expendable: a disposable employee on a human expedition sent to colonize the ice world Niflheim. Whenever a mission is too dangerous — even suicidal — the crew turns to Mickey. After one iteration dies, a new body is regenerated with most of his memories intact.
“Parasite” Oscar winner Bong also enlists Academy Award nominees Steven Yeun, Toni Collette, Mark Ruffalo, and “I Wanna Dance With Somebody” star Naomi Ackie to round out the sci-fi thriller.
The first look at “Mickey 17” shows Pattinson in an incubator, seemingly in space.
The film is produced by Brad Pitt’s Plan B Entertainment,...
- 12/5/2022
- by Samantha Bergeson
- Indiewire
Click here to read the full article.
Bong Joon Ho has set a date to return to theaters. The Academy Award-winning director behind Parasite will open Mickey 17 around the globe on March 29, 2024, Warner Bros. announced Monday.
Mickey 17 stars Robert Pattinson, Steven Yeun, Naomi Ackie, Toni Collette and Mark Ruffalo, with Bong penning the script based on the book Mickey 7 by Edward Ashton.
The book, published earlier this year, centers on a man known as an expendable on a mission to colonize a distant planet. Each colony features one crew member who takes on the most dangerous jobs on the mission — jobs that will assuredly lead to their deaths. However, their memories are backed up and they are restored to cloned bodies when they die. In the novel, Mickey 7 — the 7th version of this crewmember — is left for dead on a mission, but survives. When he returns to base, he discovers...
Bong Joon Ho has set a date to return to theaters. The Academy Award-winning director behind Parasite will open Mickey 17 around the globe on March 29, 2024, Warner Bros. announced Monday.
Mickey 17 stars Robert Pattinson, Steven Yeun, Naomi Ackie, Toni Collette and Mark Ruffalo, with Bong penning the script based on the book Mickey 7 by Edward Ashton.
The book, published earlier this year, centers on a man known as an expendable on a mission to colonize a distant planet. Each colony features one crew member who takes on the most dangerous jobs on the mission — jobs that will assuredly lead to their deaths. However, their memories are backed up and they are restored to cloned bodies when they die. In the novel, Mickey 7 — the 7th version of this crewmember — is left for dead on a mission, but survives. When he returns to base, he discovers...
- 12/5/2022
- by Aaron Couch
- The Hollywood Reporter - Movie News
Bong Joon Ho’s Mickey 17 will hit theaters around the globe on March 29, 2024, Warner Bros said Monday. The studio already had the date staked out for an event film. Also opening that weekend is Sony’s Spider-Man: Beyond the Spider-Verse and an untitled event film from Universal.
The pic from the Parasite Oscar winner is currently shooting off a script he wrote based on the novel Mickey 7 by Edward Ashton. The filmmaker is also producing.
Robert Pattinson stars in the title role alongside Oscar nominee Steven Yeun (Minari), Naomi Ackie (I Wanna Dance with Somebody), with Oscar nominee Toni Collette (Hereditary) and Oscar nominee Mark Ruffalo (the Avengers films).
The film is produced by Plan B Entertainment, Dooho Choi of Kate Street Picture Company, and Bong under his Offscreen, Inc. banner. The behind-the-camera creative team includes Oscar-nominated director of photography Darius Khondji, Oscar-nominated production designer Fiona Crombie, Oscar-nominated editor Jinmo Yang (Parasite), costume designer Catherine George and visual effects supervisor Dan Glass (The Matrix franchise). The music is by composer Jae-il Jung.
Parasite fired off like a rocket out of the 2019 Cannes Film Festival, taking the Palme d’Or and going on to win Best Picture at the Oscars, one of its four trophies there along with Best Director, Screenplay and International Feature. The pic was a revolution for a Korean title on the festival and awards circuit.
Mickey 7 was published in February by St. Martin, a Macmillan imprint. While the film will be inspired by the novel, sources say that given Bong’s past experiences with adaptations, his version might ultimately may be different from the novel’s. The novel’s story follows Mickey7, who is an Expendable: a disposable employee on a human expedition sent to colonize the ice world Niflheim. Whenever there’s a mission that’s too dangerous—even suicidal—the crew turns to Mickey. After one iteration dies, a new body is regenerated with most of his memories intact. After six deaths, Mickey7 understands the terms of his deal…and why it was the only colonial position unfilled when he took it.
Here’s a first look of Pattinson’s character in some sci-fi sedation state:...
The pic from the Parasite Oscar winner is currently shooting off a script he wrote based on the novel Mickey 7 by Edward Ashton. The filmmaker is also producing.
Robert Pattinson stars in the title role alongside Oscar nominee Steven Yeun (Minari), Naomi Ackie (I Wanna Dance with Somebody), with Oscar nominee Toni Collette (Hereditary) and Oscar nominee Mark Ruffalo (the Avengers films).
The film is produced by Plan B Entertainment, Dooho Choi of Kate Street Picture Company, and Bong under his Offscreen, Inc. banner. The behind-the-camera creative team includes Oscar-nominated director of photography Darius Khondji, Oscar-nominated production designer Fiona Crombie, Oscar-nominated editor Jinmo Yang (Parasite), costume designer Catherine George and visual effects supervisor Dan Glass (The Matrix franchise). The music is by composer Jae-il Jung.
Parasite fired off like a rocket out of the 2019 Cannes Film Festival, taking the Palme d’Or and going on to win Best Picture at the Oscars, one of its four trophies there along with Best Director, Screenplay and International Feature. The pic was a revolution for a Korean title on the festival and awards circuit.
Mickey 7 was published in February by St. Martin, a Macmillan imprint. While the film will be inspired by the novel, sources say that given Bong’s past experiences with adaptations, his version might ultimately may be different from the novel’s. The novel’s story follows Mickey7, who is an Expendable: a disposable employee on a human expedition sent to colonize the ice world Niflheim. Whenever there’s a mission that’s too dangerous—even suicidal—the crew turns to Mickey. After one iteration dies, a new body is regenerated with most of his memories intact. After six deaths, Mickey7 understands the terms of his deal…and why it was the only colonial position unfilled when he took it.
Here’s a first look of Pattinson’s character in some sci-fi sedation state:...
- 12/5/2022
- by Anthony D'Alessandro
- Deadline Film + TV
“Dune” got a big boost in its Oscar bid for Best Production Design with a win on March 6 at the Art Directors Guild Awards. Over the first 25 years of these prizes, the eventual Oscar winner has always numbered among the Adg nominees in the various genre categories. “Dune” prevailed in the fantasy film race over “Cruella,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
Its closest Oscar competition, “Nightmare Alley,” won the period picture prize over two other Oscar contenders — “The Tragedy of Macbeth” and “West Side Story.” The fifth Oscar nominee, “The Power of the Dog,” was snubbed in that race in favor of “The French Dispatch” and “Licorice Pizza.”
“No Time to Die” won the contemporary category over “Candyman,” “Don’t Look Up,” “In the Heights” and “The Lost Daughter.”
Period Film
“The French Dispatch” – Production Designer: Adam Stockhausen
“Licorice Pizza” – Production Designer:...
Its closest Oscar competition, “Nightmare Alley,” won the period picture prize over two other Oscar contenders — “The Tragedy of Macbeth” and “West Side Story.” The fifth Oscar nominee, “The Power of the Dog,” was snubbed in that race in favor of “The French Dispatch” and “Licorice Pizza.”
“No Time to Die” won the contemporary category over “Candyman,” “Don’t Look Up,” “In the Heights” and “The Lost Daughter.”
Period Film
“The French Dispatch” – Production Designer: Adam Stockhausen
“Licorice Pizza” – Production Designer:...
- 3/6/2022
- by Paul Sheehan
- Gold Derby
2022 Art Directors Guild Awards: ‘Dune,’ ‘Nightmare Alley,’ and ‘No Time to Die’ Win Top Film Prizes
“Dune” (Warner Bros.), “Nightmare Alley” (Searchlight), and “No Time to Die” (MGM/UA) were the big film winners Saturday at the 26th Art Directors Guild Awards (held at the Intercontinental Los Angeles Downtown).
Denis Villeneuve’s epic “Dune” took sci-fi honors, Guillermo del Toro’s noirish “Nightmare Alley” won for period, and Cary Fukanaga’s “No Time to Die” (which closed out Daniel Craig’s James Bond saga), earned the contemporary prize. Additionally, “Encanto,” the Oscar favorite from Disney, grabbed the animated feature award.
Meanwhile, “Squid Game” (Netflix), “What We Do in the Shadows” (FX), and Marvel’s “Loki” and “WandaVision” from Disney+ won the major TV prizes.
In terms of an Oscar predictor, the production design race now comes down to “Dune” and “Nightmare Alley.” “No Time to Die” is not in contention, but the other nominees are “West Side Story” (20th Century), “The Power of the Dog” (Netflix...
Denis Villeneuve’s epic “Dune” took sci-fi honors, Guillermo del Toro’s noirish “Nightmare Alley” won for period, and Cary Fukanaga’s “No Time to Die” (which closed out Daniel Craig’s James Bond saga), earned the contemporary prize. Additionally, “Encanto,” the Oscar favorite from Disney, grabbed the animated feature award.
Meanwhile, “Squid Game” (Netflix), “What We Do in the Shadows” (FX), and Marvel’s “Loki” and “WandaVision” from Disney+ won the major TV prizes.
In terms of an Oscar predictor, the production design race now comes down to “Dune” and “Nightmare Alley.” “No Time to Die” is not in contention, but the other nominees are “West Side Story” (20th Century), “The Power of the Dog” (Netflix...
- 3/6/2022
- by Christian Blauvelt and Bill Desowitz
- Indiewire
Who’d have thought the 26th annual Art Directors Guild Awards would be such a good party?
Community alum and host Yvette Nicole Brown kicked things off with great energy and a few genuinely funny jokes. There followed two genuinely engaging acceptance speeches from Ethan Tobman and François Audouy and then a genuinely emotional — and funny — introduction from Kevin Costner for his longtime collaborator, production designer Ida Ransom, who received the Lifetime Achievement Award.
“I’m so impressed how many production designers are not freaked out by talking up here,” said a visibly nervous Costner. “It’s freaking me out.”
The guild also awarded Lifetime Achievement Awards to Donna Cline, Anne Harris and Denise & Michael Okuda.
Oscar-nominated Dune director Denis Villeneuve received the William Cameron Menzies Award, for which he credited all the production designers he has worked with, especially frequent collaborator Patrice Vermette. Vermette, it turns out, won the gong for Fantasy Feature Film.
Community alum and host Yvette Nicole Brown kicked things off with great energy and a few genuinely funny jokes. There followed two genuinely engaging acceptance speeches from Ethan Tobman and François Audouy and then a genuinely emotional — and funny — introduction from Kevin Costner for his longtime collaborator, production designer Ida Ransom, who received the Lifetime Achievement Award.
“I’m so impressed how many production designers are not freaked out by talking up here,” said a visibly nervous Costner. “It’s freaking me out.”
The guild also awarded Lifetime Achievement Awards to Donna Cline, Anne Harris and Denise & Michael Okuda.
Oscar-nominated Dune director Denis Villeneuve received the William Cameron Menzies Award, for which he credited all the production designers he has worked with, especially frequent collaborator Patrice Vermette. Vermette, it turns out, won the gong for Fantasy Feature Film.
- 3/6/2022
- by Tom Tapp
- Deadline Film + TV
The 26th annual Art Directors Guild Awards take place on Saturday (March 5). These kudos have a stellar record at previewing the outcome of the Best Production Design race at the Academy Awards. Over the first 25 years of these prizes, the eventual Oscar winner has always numbered among the Adg nominees in the various genre categories.
“Dune” is the clear frontrunner to win the Oscar for Best Production Design. It reaped a bid in the fantasy film genre with the Adg. The other fantasy film nominees are: “Cruella,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
Three of its Oscar rivals — “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story”– contend in the period picture category. The fifth Oscar nominee, “The Power of the Dog,” was snubbed in that race in favor of “The French Dispatch” and “Licorice Pizza.”
The contemporary contenders are: “Candyman,...
“Dune” is the clear frontrunner to win the Oscar for Best Production Design. It reaped a bid in the fantasy film genre with the Adg. The other fantasy film nominees are: “Cruella,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
Three of its Oscar rivals — “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story”– contend in the period picture category. The fifth Oscar nominee, “The Power of the Dog,” was snubbed in that race in favor of “The French Dispatch” and “Licorice Pizza.”
The contemporary contenders are: “Candyman,...
- 3/4/2022
- by Paul Sheehan
- Gold Derby
With the announcement on Feb. 1 of the contenders for the Artios Awards, which are bestowed by the Casting Society of America, we’ve now heard from all 13 guilds. The CSA was the only group to hold off till the end of Oscar nominations voting. The actors, art directors, cinematographers, costume designers, directors, film editors, makeup artists & hairstylists, producers, sound editors, sound mixers, visual effects wizards and writers all weighed in on or before the start of balloting on Jan. 27.
“Dune” had racked up a perfect score by reaping nominations with each of the first dozen guilds but was snubbed by the CSA.”West Side Story” is next with 10, missing out for film editing and lensing. The stylish “No Time to Die” has eight.
Of the other leading Academy Awards contenders for Best Picture, only “Licorice Pizza” went four for four with the big guilds. Both “Belfast” and “The Power of the Dog...
“Dune” had racked up a perfect score by reaping nominations with each of the first dozen guilds but was snubbed by the CSA.”West Side Story” is next with 10, missing out for film editing and lensing. The stylish “No Time to Die” has eight.
Of the other leading Academy Awards contenders for Best Picture, only “Licorice Pizza” went four for four with the big guilds. Both “Belfast” and “The Power of the Dog...
- 2/1/2022
- by Paul Sheehan
- Gold Derby
On January 24 the Art Directors Guild announced the nominees for its 26th annual awards, which will be handed out on March 5. These kudos have a stellar record at previewing the Academy Awards. Over the first 25 years of these prizes, the eventual Oscar winner for Best Production Design has always numbered among the Adg nominees in the various categories.
“Dune” is the clear frontrunner to win the Oscar for Best Production Design. It reaped a bid in the fantasy film genre with the Adg. All four of its likeliest Oscar rivals — “The French Dispatch,” “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story”– contend in the period picture category. That race is rounded out by “Licorice Pizza.”
The other fantasy film nominees are: “Cruella,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
The contemporary contenders are: “Candyman,” “Don’t Look Up,” “In the Heights,” “The Lost Daughter...
“Dune” is the clear frontrunner to win the Oscar for Best Production Design. It reaped a bid in the fantasy film genre with the Adg. All four of its likeliest Oscar rivals — “The French Dispatch,” “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story”– contend in the period picture category. That race is rounded out by “Licorice Pizza.”
The other fantasy film nominees are: “Cruella,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
The contemporary contenders are: “Candyman,” “Don’t Look Up,” “In the Heights,” “The Lost Daughter...
- 1/24/2022
- by Paul Sheehan
- Gold Derby
The Art Directors Guild has announced nominations for the 26th Annual Excellence in Production Design Awards in theatrical motion pictures, television, commercials, music videos and animation features, with nominees in the top categories including Licorice Pizza, Cruella, Dune, In The Heights, The White Lotus and Encanto.
Winners will be announced at the Adg Awards ceremony, which returns to a live-in person event at the InterContinental Hotel Los Angeles Downtown Hotel on Saturday, March 5. Today’s announcement was made by Adg President Nelson Coates, Adg, and Awards Producer Michael Allen Glover, Adg.
As previously announced, director Denis Villeneuve (Dune) will receive the William Cameron Menzies Award. Academy Award-winning filmmaker Jane Campion (The Power of the Dog) will receive the Cinematic Imagery Award. The Adg Awards honor excellence in Production Design in theatrical motion pictures, television, commercials, music videos and animated feature films.
The producer of the 2022 Adg Awards is Art Director Michael Allen Glover,...
Winners will be announced at the Adg Awards ceremony, which returns to a live-in person event at the InterContinental Hotel Los Angeles Downtown Hotel on Saturday, March 5. Today’s announcement was made by Adg President Nelson Coates, Adg, and Awards Producer Michael Allen Glover, Adg.
As previously announced, director Denis Villeneuve (Dune) will receive the William Cameron Menzies Award. Academy Award-winning filmmaker Jane Campion (The Power of the Dog) will receive the Cinematic Imagery Award. The Adg Awards honor excellence in Production Design in theatrical motion pictures, television, commercials, music videos and animated feature films.
The producer of the 2022 Adg Awards is Art Director Michael Allen Glover,...
- 1/24/2022
- by Greg Evans
- Deadline Film + TV
“Nightmare Alley,” “Cruella,” “No Time to Die” and “In The Heights” are among the top films recognized for excellence in production design in the 26th annual Art Directors Guild nominations.
On Monday, the Adg announced nominations for this year’s awards show, which will return to a live ceremony on March 5 at the Intercontinental Hotel in Downtown Los Angeles.
“The French Dispatch,” “Licorice Pizza,” “West Side Story” and “The Tragedy of Macbeth” landed nominations in the period feature film category alongside “Nightmare Alley.” “Dune,” “Cruella,” “Shang-Chi and the Legend of the Ten Rings” “Ghostbusters: Afterlife” and “The Green Knight” earned recognition in fantasy feature film.
Missing out were Oscar contenders “Spencer,” “The Power of the Dog,” “Belfast” and “Cyrano.”
As previously announced, director Denis Villeneuve (“Dune”) will receive the William Cameron Menzies award. Jane Campion “(The Power of the Dog”) will receive the cinematic imagery award.
The Adg Awards honor...
On Monday, the Adg announced nominations for this year’s awards show, which will return to a live ceremony on March 5 at the Intercontinental Hotel in Downtown Los Angeles.
“The French Dispatch,” “Licorice Pizza,” “West Side Story” and “The Tragedy of Macbeth” landed nominations in the period feature film category alongside “Nightmare Alley.” “Dune,” “Cruella,” “Shang-Chi and the Legend of the Ten Rings” “Ghostbusters: Afterlife” and “The Green Knight” earned recognition in fantasy feature film.
Missing out were Oscar contenders “Spencer,” “The Power of the Dog,” “Belfast” and “Cyrano.”
As previously announced, director Denis Villeneuve (“Dune”) will receive the William Cameron Menzies award. Jane Campion “(The Power of the Dog”) will receive the cinematic imagery award.
The Adg Awards honor...
- 1/24/2022
- by Jazz Tangcay
- Variety Film + TV
“The French Dispatch,” “Nightmare Alley,” “West Side Story,” “Dune,” “The Green Knight” and “Don’t Look Up” are among the feature-film nominees for the 26th Annual Excellence in Production Design Awards, which are given out by the Art Directors Guild (IATSE Local 800).
Kicking off a four-day period in which 10 different Hollywood guilds and societies will announce their nominations, the Adg honorees were announced by guild president Nelson Coates and Adg Awards producer Michael Allen Glover.
In the period-film category, the Adg category that most closely matches the Oscar for Best Production Design, the nominees were “The French Dispatch,” “Licorice Pizza,” “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story.”
In the fantasy category, nominations went to “Cruella,” “Dune,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
And in the contemporary category, the nominees were “Candyman,” “Don’t Look Up,” “In the Heights,” “The Lost Daughter” and “No Time to Die.
Kicking off a four-day period in which 10 different Hollywood guilds and societies will announce their nominations, the Adg honorees were announced by guild president Nelson Coates and Adg Awards producer Michael Allen Glover.
In the period-film category, the Adg category that most closely matches the Oscar for Best Production Design, the nominees were “The French Dispatch,” “Licorice Pizza,” “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story.”
In the fantasy category, nominations went to “Cruella,” “Dune,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
And in the contemporary category, the nominees were “Candyman,” “Don’t Look Up,” “In the Heights,” “The Lost Daughter” and “No Time to Die.
- 1/24/2022
- by Steve Pond
- The Wrap
The Set Decorators Society of America, which celebrates excellence in the art of set decoration for film, announced its nominees Monday. The Decor/Design categories highlight feature-length films of the 2021 season, which were voted on by Sdsa members.
Here is the full list of Nominees:
Best Achievement In Decor/Design Of A Contemporary Feature Film
Don’t Look Up
Set Decoration by Tara Pavoni with Production Design by Clayton Hartley
Hand of God
Set Decoration by Iole Autero with Production Design by Carmine Guarino
The Lost Daughter
Set Decoration by Christine-Athina Vlachos with Production Design by Inbal Weinberg
No Time To Die
Set Decoration by Véronique Melery Sdsa with Production Design by Mark Tildesley
Best Achievement In Decor/Design Of A Period Feature Film
Being The Ricardos
Set Decoration by Ellen Brill Sdsa with Production Design by Jon Hutman
House of Gucci
Set Decoration by Letizia Santucci Sdsa with Production Design...
Here is the full list of Nominees:
Best Achievement In Decor/Design Of A Contemporary Feature Film
Don’t Look Up
Set Decoration by Tara Pavoni with Production Design by Clayton Hartley
Hand of God
Set Decoration by Iole Autero with Production Design by Carmine Guarino
The Lost Daughter
Set Decoration by Christine-Athina Vlachos with Production Design by Inbal Weinberg
No Time To Die
Set Decoration by Véronique Melery Sdsa with Production Design by Mark Tildesley
Best Achievement In Decor/Design Of A Period Feature Film
Being The Ricardos
Set Decoration by Ellen Brill Sdsa with Production Design by Jon Hutman
House of Gucci
Set Decoration by Letizia Santucci Sdsa with Production Design...
- 1/18/2022
- by Valerie Complex
- Deadline Film + TV
Variety's Awards Circuit is home to the official predictions for the upcoming Oscars and Emmys ceremonies from film awards editor Clayton Davis. Following history, buzz, news, reviews and sources, the Oscar and Emmy predictions are updated regularly with the current year's list of contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long: Draft, Pre-Season, Regular Season and Post Season. The eligibility calendar and dates of awards will determine how long each phase lasts and is subject to change.
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best Production Design
Updated: Dec 27, 2021
Awards Prediction Commentary: Production designer Patrice Vermette has had an impressive...
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best Production Design
Updated: Dec 27, 2021
Awards Prediction Commentary: Production designer Patrice Vermette has had an impressive...
- 12/27/2021
- by Clayton Davis
- Variety Film + TV
Two new major releases in A Quiet Place Part II and Cruella helped to breathe life back into the box office last weekend, though results were stymied by the closure of cinemas across Victoria.
Paramount’s A Quiet Place Part II was one of the first films to be delayed by the pandemic. Some 14 months later than planned, the John Krasinski-helmed sequel premiered ahead of the 2018 original, topping the box office with $3.1 million from 542 screens. With previews from the previous weekend, it sits on highly respectable $5.2 million.
In the US, where it is Memorial Day weekend, the horror, starring Emily Blunt, Krasinski, Cillian Murphy, Millicent Simmonds and Noah Jupe is expected to post $58 million by Monday.
Despite a simultaneous PVOD release on Disney+, Cruella, starring Emma Stone in the titular role, still drew a respectable crowd for the Mouse House, bowing at no. 2 from $1.5 million from 452, or $1.6 million with previews.
Paramount’s A Quiet Place Part II was one of the first films to be delayed by the pandemic. Some 14 months later than planned, the John Krasinski-helmed sequel premiered ahead of the 2018 original, topping the box office with $3.1 million from 542 screens. With previews from the previous weekend, it sits on highly respectable $5.2 million.
In the US, where it is Memorial Day weekend, the horror, starring Emily Blunt, Krasinski, Cillian Murphy, Millicent Simmonds and Noah Jupe is expected to post $58 million by Monday.
Despite a simultaneous PVOD release on Disney+, Cruella, starring Emma Stone in the titular role, still drew a respectable crowd for the Mouse House, bowing at no. 2 from $1.5 million from 452, or $1.6 million with previews.
- 5/31/2021
- by Jackie Keast
- IF.com.au
“Cruella” production designer Fiona Crombie worked on more than 100 sets to create the multi-layered vintage look of 1970s London, giving lots of thought to young Cruella’s den.
Crombie looked at old photos of abandoned locks that ran along the Thames River in London for her main inspiration for young Estella’s/Cruella’s (Emma Stone) home and lair, where she and her henchmen Joel Fry and Paul Walter Hauser plot out their scams.
In contrast, the Baroness’ warehouse is bright, sharp and monochromatic — an entirely different space for London’s top fashion designer, played by Emma Thompson. She wanted them to be a cultural and generational clash, the past in the Baroness, and the future in Cruella.
Crombie breaks down her process and the ideas behind the sets for the Disney origin story, directed by Craig Gillespie, now in theaters and streaming on Disney Plus (Premier Access).
The Lair...
Crombie looked at old photos of abandoned locks that ran along the Thames River in London for her main inspiration for young Estella’s/Cruella’s (Emma Stone) home and lair, where she and her henchmen Joel Fry and Paul Walter Hauser plot out their scams.
In contrast, the Baroness’ warehouse is bright, sharp and monochromatic — an entirely different space for London’s top fashion designer, played by Emma Thompson. She wanted them to be a cultural and generational clash, the past in the Baroness, and the future in Cruella.
Crombie breaks down her process and the ideas behind the sets for the Disney origin story, directed by Craig Gillespie, now in theaters and streaming on Disney Plus (Premier Access).
The Lair...
- 5/29/2021
- by Jazz Tangcay
- Variety Film + TV
Cruella, a new live-action feature about the formation of one of the more notorious villains in cinema history, tells the story of how the title character became as wicked and obsessed with Dalmatians as she ultimately did.
Set in 1970s London, amidst the heyday of punk rock, Cruella follows the path of a young orphan named Estella (Emma Stone) who is determined to carve out a name for herself in the world of fashion. After befriending a pair of thieves, she builds a life as a grifter on the streets of London. However, she still yearns to make a name for herself in the world of fashion as well as exact a modicum of revenge on the person she feels has been root of all of the pain in her life, the Baroness von Hellmann (Emma Thompson).
While one may be tempted to look at Cruella as a kid-centric picture...
Set in 1970s London, amidst the heyday of punk rock, Cruella follows the path of a young orphan named Estella (Emma Stone) who is determined to carve out a name for herself in the world of fashion. After befriending a pair of thieves, she builds a life as a grifter on the streets of London. However, she still yearns to make a name for herself in the world of fashion as well as exact a modicum of revenge on the person she feels has been root of all of the pain in her life, the Baroness von Hellmann (Emma Thompson).
While one may be tempted to look at Cruella as a kid-centric picture...
- 5/28/2021
- by Mike Tyrkus
- CinemaNerdz
“Cruella” is loaded with pop-song needle drops throughout, but it’s the oft-used Rolling Stones hit at the end that ties it all together: The studio that gave us “Maleficent” and the director of “I, Tonya” have teamed up to rehabilitate yet another villain, in a film that could have just as easily been titled “Sympathy for the de Vil.”
Yes, the dastardly fashionista who wanted to skin 101 Dalmatians just to make a coat has been officially retrofitted here, but there’s plenty to enjoy if you don’t mind the fact that this new version of the character eschews fur, canine or otherwise, and doesn’t even smoke. Purists may balk, but viewers who think of this less as a reboot of Dodie Smith’s memorable monster and more as a Disney spin on Derek Jarman’s “Jubilee” for gay 8-year-olds will find “Cruella” to be flashy fun, even...
Yes, the dastardly fashionista who wanted to skin 101 Dalmatians just to make a coat has been officially retrofitted here, but there’s plenty to enjoy if you don’t mind the fact that this new version of the character eschews fur, canine or otherwise, and doesn’t even smoke. Purists may balk, but viewers who think of this less as a reboot of Dodie Smith’s memorable monster and more as a Disney spin on Derek Jarman’s “Jubilee” for gay 8-year-olds will find “Cruella” to be flashy fun, even...
- 5/26/2021
- by Alonso Duralde
- The Wrap
Akira Kurosawa’s 1952 classic Ikiru––which we recently highlighted in our feature exploring the best films about mortality––is getting an English-language adaptation. The original film, partially inspired by Leo Tolstoy’s The Death of Ivan Ilyich, follows Takashi Shimura’s character, who receives a terminal diagnosis of stomach cancer and attempts to come to terms with his impending death.
THR reports that acclaimed writer Kazuo Ishiguro (The Remains of The Day and Never Let Me Go) has now scripted a new take on the story, which will be directed by Oliver Hermanus and set to star Bill Nighy and Aimee Lou Wood. The English-language version will be titled Living, which takes from the original’s translation of To Live, and will move the story to 1952 in London. Check out the synopsis below.
Nighy will play William, a veteran civil servant who has become a small cog in the bureaucracy...
THR reports that acclaimed writer Kazuo Ishiguro (The Remains of The Day and Never Let Me Go) has now scripted a new take on the story, which will be directed by Oliver Hermanus and set to star Bill Nighy and Aimee Lou Wood. The English-language version will be titled Living, which takes from the original’s translation of To Live, and will move the story to 1952 in London. Check out the synopsis below.
Nighy will play William, a veteran civil servant who has become a small cog in the bureaucracy...
- 10/15/2020
- by Leonard Pearce
- The Film Stage
Bill Nighy (Love Actually ) and rising UK actress Aimee Lou Wood (Sex Education) are set to star in feature Living for director Oliver Hermanus (Moffie).
The screenplay by Nobel and Booker Prize winner Kazuo Ishiguro (The Remains of The Day) is an English-language adaptation of the 1952 classic Ikiru, written by Akira Kurosawa, Shinobu Hashimoto and Hideo Oguni.
Stephen Woolley and Elizabeth Karlsen’s Number 9 Films (Carol) will produce. The plan is to shoot on location in the UK next spring and Rocket Science is handling sales and will be selling ahead of and at next month’s virtual AFM.
The film has been developed with and will be funded by Film4 and Ingenious Media, in association with Kurosawa Productions, with executive producer Ko Kurosawa. Oscar-nominated Fiona Crombie (The Favourite) has come on board as production designer.
Set in 1952 London, the film will follow Williams, a veteran civil servant, who has...
The screenplay by Nobel and Booker Prize winner Kazuo Ishiguro (The Remains of The Day) is an English-language adaptation of the 1952 classic Ikiru, written by Akira Kurosawa, Shinobu Hashimoto and Hideo Oguni.
Stephen Woolley and Elizabeth Karlsen’s Number 9 Films (Carol) will produce. The plan is to shoot on location in the UK next spring and Rocket Science is handling sales and will be selling ahead of and at next month’s virtual AFM.
The film has been developed with and will be funded by Film4 and Ingenious Media, in association with Kurosawa Productions, with executive producer Ko Kurosawa. Oscar-nominated Fiona Crombie (The Favourite) has come on board as production designer.
Set in 1952 London, the film will follow Williams, a veteran civil servant, who has...
- 10/15/2020
- by Andreas Wiseman
- Deadline Film + TV
The 92nd Academy Awards are hours away, and, with it, our biggest awards season questions will have answers: Will Joaquin Phoenix and Brad Pitt win their first acting Oscars? Can “Parasite” make history as the first South Korean movie to take home an Academy Award? Will “1917” win Best Picture and Best Director? The 2020 Oscars are airing tonight on ABC beginning at 8pm Et/5pm Pt. The show will air without host for the second year in a row. ABC is offering various ways for viewers to live stream both the red carpet and the awards ceremony broadcast online.
ABC’s 2020 Oscars pre-show is set to begin at 6:30pm Et/3:30pm Pt and will be live streamed on the official ABC website and ABC app. Viewers will need to log into both platforms using their cable subscription username and password. The pre-show includes the network’s red carpet coverage.
ABC’s 2020 Oscars pre-show is set to begin at 6:30pm Et/3:30pm Pt and will be live streamed on the official ABC website and ABC app. Viewers will need to log into both platforms using their cable subscription username and password. The pre-show includes the network’s red carpet coverage.
- 2/9/2020
- by Zack Sharf
- Indiewire
At the 2018 Oscars, Frances McDormand, who’d just won her second Best Actress Academy Award for “Three Billboards Outside Ebbing, Missouri” asked all the female nominees to stand. Ten women will always be nominated by the academy: five for Best Actress and another five for Best Supporting Actress. Besides these other nine women, how many others were on their feet in the Dolby Theater?
Forty-seven women other than actresses were nominated for those 90th Academy Awards. Of these, only four won Oscars. By comparison, 151 men other than actors were nominated and 32 took home statuettes. Of the 20 non-gender specific categories, women were contenders in 17 of them; they were shut out of Original Score (5 men), Sound Editing (9 men) and Visual Effects (20 men).
At last year’s Academy Awards, 53 women other than actresses were nominated as were 159 men. Women make up 25% of the nominees in the non-gender specific categories compared to 23.73% in 2018. Thirteen...
Forty-seven women other than actresses were nominated for those 90th Academy Awards. Of these, only four won Oscars. By comparison, 151 men other than actors were nominated and 32 took home statuettes. Of the 20 non-gender specific categories, women were contenders in 17 of them; they were shut out of Original Score (5 men), Sound Editing (9 men) and Visual Effects (20 men).
At last year’s Academy Awards, 53 women other than actresses were nominated as were 159 men. Women make up 25% of the nominees in the non-gender specific categories compared to 23.73% in 2018. Thirteen...
- 1/1/2020
- by Paul Sheehan
- Gold Derby
Robert Pattinson, Alicia Vikander, Himesh Patel Among Record Number of New BAFTA Members (Exclusive)
Robert Pattinson, Alicia Vikander, Sam Rockwell, Melissa McCarthy, Joanne Froggatt, Himesh Patel and Nicholas Hoult are among the record-setting 559 new members joining BAFTA in 2019, Variety can reveal.
The new class includes a number of recent BAFTA Award nominees, such as composer Nicholas Britell (“If Beale Street Could Talk”), director and producer “Arthur Cary” (“Grayson Perry: All Man”), and production designer Fiona Crombie and set decorator Alice Felton, who both won a BAFTA for their work on “The Favourite.”
The new members are drawn from a mix of individuals applying directly and those who were invited. In both cases they have to pass strict vetting and fulfill eligibility criteria. As well as film and TV, the new intake spans games. There are also numerous craft names in the mix, including special-effects expert Chris Lyons, whose recent work includes fashioning Rami Malek’s teeth for his portrayal of Freddie Mercury in “Bohemian Rhapsody.
The new class includes a number of recent BAFTA Award nominees, such as composer Nicholas Britell (“If Beale Street Could Talk”), director and producer “Arthur Cary” (“Grayson Perry: All Man”), and production designer Fiona Crombie and set decorator Alice Felton, who both won a BAFTA for their work on “The Favourite.”
The new members are drawn from a mix of individuals applying directly and those who were invited. In both cases they have to pass strict vetting and fulfill eligibility criteria. As well as film and TV, the new intake spans games. There are also numerous craft names in the mix, including special-effects expert Chris Lyons, whose recent work includes fashioning Rami Malek’s teeth for his portrayal of Freddie Mercury in “Bohemian Rhapsody.
- 12/4/2019
- by Stewart Clarke
- Variety Film + TV
‘Lambs of God’.
Lingo Pictures’ Lambs of God was the big winner at yesterday’s Aacta Industry Luncheon, taking home seven of a potential nine awards, while Rodd Rathjen’s debut feature Buoyancy was named Best Indie Film.
Sweeping the afternoon, Lambs of God’s various accolades included Best Direction in a Television Drama or Comedy for Jeffery Walker; Best Cinematography in Television for Don McAlpine; Best Original Score in Television for Bryony Marks (one of two awards for the composer during the event); Best Production Design in Television for Chris Kennedy; Best Costume Design in Television for Xanthe Heubel; Best Sound Sound in Television for Nick Emond, Stephen Smith, Paul Devescovi and Mia Stewart; and Best Hair and Makeup for Zeljka Stanin, Paul Pattison, Cheryl Williams and Anita Howell-Lowe.
The Foxtel mini-series was beaten only out for Best Screenplay in Television, which went to Niki Aken and Matthew Cormack for The Hunting,...
Lingo Pictures’ Lambs of God was the big winner at yesterday’s Aacta Industry Luncheon, taking home seven of a potential nine awards, while Rodd Rathjen’s debut feature Buoyancy was named Best Indie Film.
Sweeping the afternoon, Lambs of God’s various accolades included Best Direction in a Television Drama or Comedy for Jeffery Walker; Best Cinematography in Television for Don McAlpine; Best Original Score in Television for Bryony Marks (one of two awards for the composer during the event); Best Production Design in Television for Chris Kennedy; Best Costume Design in Television for Xanthe Heubel; Best Sound Sound in Television for Nick Emond, Stephen Smith, Paul Devescovi and Mia Stewart; and Best Hair and Makeup for Zeljka Stanin, Paul Pattison, Cheryl Williams and Anita Howell-Lowe.
The Foxtel mini-series was beaten only out for Best Screenplay in Television, which went to Niki Aken and Matthew Cormack for The Hunting,...
- 12/3/2019
- by jkeast
- IF.com.au
It’s snowing in Budapest, and production designer Fiona Crombie is on a recce — the British term for a reconnaissance mission. She’s looking for the perfect location to recreate the Battle of Agincourt for David Michod’s “The King,” starring Timothée Chalamet as King Henry V of England. Loosely based on Shakespeare’s plays, the film follows Hal as he ascends to the throne and faces political threats from neighboring France. For Crombie, it meant not only did she have to find locations for the muddy battles we see on-screen.
For the interior scenes, Crombie scouted the U.K. to find the ideal location for her royal court. “We shot in Haddon Hall and Berkeley Hall. I built some sets in Wales.”
Crombie is no stranger to recreating royal courts and working with medieval households; she created Queen Anne’s court in “The Favourite,” as well as the medieval settings of “Macbeth.
For the interior scenes, Crombie scouted the U.K. to find the ideal location for her royal court. “We shot in Haddon Hall and Berkeley Hall. I built some sets in Wales.”
Crombie is no stranger to recreating royal courts and working with medieval households; she created Queen Anne’s court in “The Favourite,” as well as the medieval settings of “Macbeth.
- 11/7/2019
- by Jazz Tangcay
- Variety Film + TV
Timothée Chalamet and David Michôd on the set of ‘The King’.
David Michôd’s 2010 debut feature Animal Kingdom propelled him to international attention. But as that was happening, the writer-director wasn’t sure where to go next with his career: so many of the studios were shutting down their specialty divisions.
“Nobody was making those properly resourced, mid-budgeted movies for grown ups. And then Netflix arrived,” he tells If.
Michôd has since made two films for the streamer: 2017 Brad Pitt vehicle War Machine and the upcoming The King, starring Timothée Chalamet, Joel Edgerton (who also co-wrote and co-produced the film with Michôd), Lily Rose Depp, Sean Harris, Robert Pattinson and Ben Mendelsohn.
The King premiered at the Venice Film Festival in September and is currently in limited theatrical release ahead of a launch on Netflix November 1. Last week, it garnered some 13 Aacta nominations.
Michôd says Netflix is making the kinds...
David Michôd’s 2010 debut feature Animal Kingdom propelled him to international attention. But as that was happening, the writer-director wasn’t sure where to go next with his career: so many of the studios were shutting down their specialty divisions.
“Nobody was making those properly resourced, mid-budgeted movies for grown ups. And then Netflix arrived,” he tells If.
Michôd has since made two films for the streamer: 2017 Brad Pitt vehicle War Machine and the upcoming The King, starring Timothée Chalamet, Joel Edgerton (who also co-wrote and co-produced the film with Michôd), Lily Rose Depp, Sean Harris, Robert Pattinson and Ben Mendelsohn.
The King premiered at the Venice Film Festival in September and is currently in limited theatrical release ahead of a launch on Netflix November 1. Last week, it garnered some 13 Aacta nominations.
Michôd says Netflix is making the kinds...
- 10/27/2019
- by jkeast
- IF.com.au
Timothee Chalamet was determined not to be typecast after his breakout, Oscar-nominated performance in “Call Me By Your Name” two years ago. Since then he has appeared in an eclectic mix of films, each different from the last. His latest, David Michod‘s “The King,” is based on on several plays from William Shakespeare‘s historical plays, collectively referred to as the “Henriad.” It recently screened as part of the BFI London Film Festival and will be released stateside by Netflix on October 11 before it streams starting on November 1.
As Henry V, Chalamet shows a steely brutality mixed with measured strength in a physical role that presents him as a leader amongst much more experienced men. He redeems himself in a part played on-screen previously by Laurence Olivier and Kenneth Branagh. Those knighted actors headlined straightforward adaptations of Shakespeare’s play “Henry V.” This new film, which was written by...
As Henry V, Chalamet shows a steely brutality mixed with measured strength in a physical role that presents him as a leader amongst much more experienced men. He redeems himself in a part played on-screen previously by Laurence Olivier and Kenneth Branagh. Those knighted actors headlined straightforward adaptations of Shakespeare’s play “Henry V.” This new film, which was written by...
- 10/9/2019
- by Jacob Sarkisian
- Gold Derby
‘Top End Wedding’, ‘Hearts and Bones’ and ‘The King’ are among the 34 longlisted films.
Some 34 feature films will compete for nominations for this year’s Aacta Awards, and the longlist covers a diverse range of titles, from box office earners like Top End Wedding and Storm Boy, through to critically lauded films like The Nightingale and micro budget indies such as Suburban Wildlife.
However, perhaps the most notable inclusion in the longlist is David Michôd’s Netflix Original The King, which premiered at Venice Film Festival last week to an eight-minute standing ovation.
Typically, to be eligible for Aacta Awards, a film – even when made for a streaming platform – must have paid cinema screenings in Australia or local festival play.
Aacta has made an exception for The King, which is not due to play in Australian cinemas or in festivals before its release on Netflix later this year, because of...
Some 34 feature films will compete for nominations for this year’s Aacta Awards, and the longlist covers a diverse range of titles, from box office earners like Top End Wedding and Storm Boy, through to critically lauded films like The Nightingale and micro budget indies such as Suburban Wildlife.
However, perhaps the most notable inclusion in the longlist is David Michôd’s Netflix Original The King, which premiered at Venice Film Festival last week to an eight-minute standing ovation.
Typically, to be eligible for Aacta Awards, a film – even when made for a streaming platform – must have paid cinema screenings in Australia or local festival play.
Aacta has made an exception for The King, which is not due to play in Australian cinemas or in festivals before its release on Netflix later this year, because of...
- 9/10/2019
- by jkeast
- IF.com.au
Liz Watts and Ivan Sen.
Directors Jennifer Kent and Ivan Sen, producer Liz Watts and Oscar-nominated production designer Fiona Crombie have been invited to join the Academy of Motion Picture Arts and Sciences.
Film editor Dany Cooper, composer Jed Kurzel, Animal Logic founder Zareh Nalbandian, make-up artist Rosalina Da Silva, cinematographer Ari Wegner and stunt performer Glenn Boswell are also among 842 new members of the Oscars body.
Kent has been invited to join the directors and writers branches. Nalbandian and Boswell are among the members-at-large group.
Cooper’s latest credits include Jim Loach’s Measure of a Man, Mirrah Foulkes’ Judy & Punch and Unjoo Moon’s I Am Woman.
Kurzel composed the music for French director/actor Laure de Clermont-Tonnerre’s The Mustang, Julius Avery’s Overlord and The Nightingale.
Watts is executive producing Stateless, a six-part drama about four strangers in an immigration detention centre for the ABC, after...
Directors Jennifer Kent and Ivan Sen, producer Liz Watts and Oscar-nominated production designer Fiona Crombie have been invited to join the Academy of Motion Picture Arts and Sciences.
Film editor Dany Cooper, composer Jed Kurzel, Animal Logic founder Zareh Nalbandian, make-up artist Rosalina Da Silva, cinematographer Ari Wegner and stunt performer Glenn Boswell are also among 842 new members of the Oscars body.
Kent has been invited to join the directors and writers branches. Nalbandian and Boswell are among the members-at-large group.
Cooper’s latest credits include Jim Loach’s Measure of a Man, Mirrah Foulkes’ Judy & Punch and Unjoo Moon’s I Am Woman.
Kurzel composed the music for French director/actor Laure de Clermont-Tonnerre’s The Mustang, Julius Avery’s Overlord and The Nightingale.
Watts is executive producing Stateless, a six-part drama about four strangers in an immigration detention centre for the ABC, after...
- 7/1/2019
- by The IF Team
- IF.com.au
Publicity veterans Jonathan Rutter and Pamela Godwin-Austen on the list.
The Academy has invited 842 people from 59 countries – half of them women – including Lady Gaga, Adele, and Black Panther star Letitia Wright, to join the ranks in 2019.
The invitees include Jamie Bell, Claes Bang, Andrea Riseborough, Peter Mullan, and directors Matteo Garrone, Jennifer Kent and Mélanie Laurent, as well as Hollywood filmmakers Phil Lord and Chris Miller.
Not every one of the 842 may choose to join the Academy, although based on recent years, the acceptance rate is in the high 90% range. Besides women accounting for 50% of the new invitees, the Academy...
The Academy has invited 842 people from 59 countries – half of them women – including Lady Gaga, Adele, and Black Panther star Letitia Wright, to join the ranks in 2019.
The invitees include Jamie Bell, Claes Bang, Andrea Riseborough, Peter Mullan, and directors Matteo Garrone, Jennifer Kent and Mélanie Laurent, as well as Hollywood filmmakers Phil Lord and Chris Miller.
Not every one of the 842 may choose to join the Academy, although based on recent years, the acceptance rate is in the high 90% range. Besides women accounting for 50% of the new invitees, the Academy...
- 7/1/2019
- by Jeremy Kay
- ScreenDaily
Publicity veterans Jonathan Rutter and Pamela Godwin-Austen on the list.
The Academy has invited 842 people from 59 countries – half of them women – including Lady Gaga, Adele, and Black Panther star Letitia Wright, to join the ranks in 2019.
Potential new members include Jamie Bell, Claes Bang, Andrea Riseborough, Peter Mullan, and directors Matteo Garrone, Jennifer Kent and Mélanie Laurent, as well as Hollywood filmmakers Phil Lord and Chris Miller.
Not every one of the 842 may choose to join the Academy, although based on recent years, the acceptance rate is in the high 90% range. Besides women accounting for 50% of the new invitees, the...
The Academy has invited 842 people from 59 countries – half of them women – including Lady Gaga, Adele, and Black Panther star Letitia Wright, to join the ranks in 2019.
Potential new members include Jamie Bell, Claes Bang, Andrea Riseborough, Peter Mullan, and directors Matteo Garrone, Jennifer Kent and Mélanie Laurent, as well as Hollywood filmmakers Phil Lord and Chris Miller.
Not every one of the 842 may choose to join the Academy, although based on recent years, the acceptance rate is in the high 90% range. Besides women accounting for 50% of the new invitees, the...
- 7/1/2019
- by Jeremy Kay
- ScreenDaily
At this year’s Academy Awards, 15 women won while 36 men (some multiple times) made their way to the stage of the Dolby Theater (these figures include the two men and two women are always guaranteed to win the acting awards). That marks a big increase from last year when the gender gap saw just 6 women winners versus 34 men. Scroll down to see the names of the 13 women who won at the 2019 Oscars besides actresses Olivia Colman (“The Favourite”) and Regina King (“If Beale Street Could Talk”).
This year, 53 women other than actresses were nominated at the 91st Academy Awards. With 159 men in contention, this meant that women make up 25% of the nominees in the non-gender specific categories (there will always be 10 women and 10 men nominated for the acting awards). At last year’s Oscars women represented 23.73% of the nominees in the 20 non-gender specific categories. Forty-seven women numbered among the contenders in those 17 races.
This year, 53 women other than actresses were nominated at the 91st Academy Awards. With 159 men in contention, this meant that women make up 25% of the nominees in the non-gender specific categories (there will always be 10 women and 10 men nominated for the acting awards). At last year’s Oscars women represented 23.73% of the nominees in the 20 non-gender specific categories. Forty-seven women numbered among the contenders in those 17 races.
- 2/25/2019
- by Paul Sheehan
- Gold Derby
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