After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle-station while also attempting to rescue Princess Leia from the evil Darth Vader.
A seemingly indestructible Android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all cost
A former assassin knwon as The Bride wakens from a four-year coma. The child she carried in her womb is gone. Now she must wreak vengeance on the team of assassins who betrayed her - a team she was once part of.
In the 21st century, a corporation develops human clones to be used as slaves in colonies outside the Earth, identified as replicants. In 2019, a former police officer is hired to hunt down a fugitive group living undercover in Los Angeles. Written by
According to Paul Sammon, who toured the set in 1981, the level of detail on everything (what Ridley Scott refers to as 'layering') was amazing, even though much of it would never be seen on screen. For example, written on the door of a bus was "Driver is Armed; Carries No Cash", whilst written in tiny print on the parking meters was "WARNING - DANGER! You Can Be Killed By Internal Electrical System If This Meter Is Tampered With". Also written on the parking meters was the rate - 1 minute parking cost $3. On a magazine rack were to be found magazines with mocked up twentieth-first covers; these magazines included Krotch, Zord, Bash, Creative Emotion and Droid. A skin magazine called Horn had headlines reading "The Cosmic Orgasm", "Hot Lust in Space", "Tit Job Review", "Scratch and Sniff Centrespread." Crime magazine Kill had covers reading "Multiple Murders - Readers' Own Photos", "98 Dead in Spinner Dive", "Death Penalty Snuffs 12 Jurors in Freak Accident." Another magazine, Moni, had headlines "Earthlings: Pay Big $ to See Future" by M. Deeley, "Higher Tech" by L.G. Paull and "Illegal Aliens" by R. Scott. See more »
When Deckard performs the Voight-Kampff on Rachael there is a bellow measuring her breathing, yet we do not see Deckard attach it and there was no such apparatus attached to Leon. (The bellows are designed to collect invisible airborne particles emitted from the body, as mentioned in the original 1982 Blade Runner press-kit.) See more »
Female announcer over intercom:
Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
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The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »
Blade Runner is perhaps the best sci-fi film and undoubtedly one of the best films of all time. Along with 2001: A Space Odyssey, it is one of the most philosophical and influential movies ever created, as it conveys a plethora of fundamental questions, which are woven in the very fabric of the human essence and existence. It seems near impossible to imagine a more suitable fusion of two of the most successful genres of all time, Science Fiction and Film Noir. By merging together the moral conflict and the emphatic character arc of the private detective, a trait that is exclusive to and definitive of the Film Noir genre, with a futuristic dystopian environment, Blade Runner creates the ultimate Neo-Noir setting, the only one capable of supporting such strong ideas and posing such significant questions to the viewer, without compromising on an interesting plot development and an appealing pace, things that are masterfully achieved via a tight script and persuasive performances.
In a dark, future dystopian portrait of a 2019 Los Angeles, where humans have alienated themselves with their true nature and claimed the title of god/creator of life, effectively manufacturing artificial intelligence and bioengineering androids, called "Replicants", a retired "Blade Runner" named Rick Deckard is assigned with the undertaking of terminating four rogue such replicants that have illegally returned to Earth in a quest to force their maker, Tyrel, into postponing their grim destiny, basically prolonging their already predetermined four-year lifespan. Their greatest sin, however, is having the audacity of desiring one of the most sought-after values in the history of the human species, the freedom to live as they please. In this uneasy and twisted world, the lines between humanness and machinery are blurred and Deckard is faced with the consequences of the realization that not all is as it seems and there is more to "being-alive" than most believe.
Blade Runner's unique depiction of the future has been imitated numerous times quite unsuccessfully, mostly due to the fact that no other film to this date has managed to create such an engaging atmosphere so beautifully connected to every part of it, effectively enhancing every scene and allowing for a strong conveyance of all the moral and existential questions that are posed during the whole duration. The audience is instantaneously absorbed by the vivid and compelling world depicted in the film, and that's where Ridley Scott succeeds the most, offering a glance into an original and somewhat disturbing reality that might very well be humanity's near future. The cinematography is impeccable, the art direction is gorgeous and along with some of the best visual effects that have ever been used in film-making, creates one of the most realistic and visually stunning environments that have ever graced a motion picture to this day. Vangelis has also composed one of the best and most awe-inspiring scores of all time, effectively managing to capture the very essence of each scene, thus making all sound a significant and inseparable part of the whole cinematic experience that Blade Runner has to offer.
This thorough examination of what it means to be human isn't, thankfully, to no avail, as a careful observant, is forced to question their beliefs and attempt to choose a side on dilemmas that are still discussed by philosophers to this day, such as the traits that define humanity, the relativity that characterizes concepts like right or wrong, good or evil, as well as the meaning of life itself. The moral and existential complexity of this reality that Blade Runner has offered to the world reaches depths unparalleled by the majority of the films available, therefore greatly distinguishing it from all others and thus emphasizing its uniqueness through the most complete portrayal of science fiction to date.
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