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Blade Runner (1982)

Trailer
1:02 | Trailer

On Disc

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A blade runner must pursue and terminate four replicants who stole a ship in space, and have returned to Earth to find their creator.

Director:

Ridley Scott

Writers:

Hampton Fancher (screenplay), David Webb Peoples (screenplay) (as David Peoples) | 1 more credit »
Popularity
412 ( 8)

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Check out our side-by-side comparison of the Blade Runner 2049 trailer with scenes from the original Blade Runner. Plus, take a look at Harrison Ford's career in photos.

Top Rated Movies #155 | Nominated for 2 Oscars. Another 12 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Harrison Ford ... Rick Deckard
Rutger Hauer ... Roy Batty
Sean Young ... Rachael
Edward James Olmos ... Gaff
M. Emmet Walsh ... Bryant
Daryl Hannah ... Pris
William Sanderson ... J.F. Sebastian
Brion James ... Leon Kowalski
Joe Turkel ... Dr. Eldon Tyrell
Joanna Cassidy ... Zhora
James Hong ... Hannibal Chew
Morgan Paull ... Holden
Kevin Thompson ... Bear
John Edward Allen John Edward Allen ... Kaiser
Hy Pyke ... Taffey Lewis
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Storyline

In the 21st century, a corporation develops human clones to be used as slaves in colonies outside the Earth, identified as replicants. In 2019, a former police officer is hired to hunt down a fugitive group of clones living undercover in Los Angeles. Written by MadMovieManiac

Plot Summary | Plot Synopsis

Taglines:

Man Has Made His Match... Now It's His Problem See more »

Genres:

Sci-Fi | Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Hong Kong

Release Date:

25 June 1982 (USA) See more »

Also Known As:

Dangerous Days See more »

Filming Locations:

London, England, UK See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$6,150,002, 27 June 1982, Wide Release

Gross USA:

$27,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Workprint Version)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Stereo (35 mm prints)| 12-Track Digital Sound (IMAX 12 .0 Surround)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

There are a total of three origami creatures made by Gaff. The first is a chicken, which he makes from plain paper while Deckard is trying to "chicken out", The second is a man, which he makes of a used and discarded paper match (a burning man, as it were) while Deckard is searching Leon's apartment. The third is a silver unicorn, which he makes outside Deckard's apartment while deciding whether to kill Rachael. Later, when arriving on the rooftop after Roy dies, Gaff says to Deckard that it is over, inferring that all five replicants (including Rachael) were dead. Instead of killing her, Gaff decides to let Deckard pursue his dream, symbolized by the third origami creation - a unicorn made not from paper but from silver foil.

The dream is both allegorical and real, as Deckard actually does dream of a unicorn. An unanswered question in the film is that of whether Deckard is human or otherwise. (Rachel asks him if he'd ever taken the Voight-Kampff test and his lack of response might be taken as a no.) It should also be noted that at one point Deckard describes two dreams that were taken from Tyrell's niece and that in Deckard's own dream there was a unicorn, which poses the question: Was Gaff's choice of a unicorn simply symbolic of a quest for something both beautiful and impossible, or was it taken from Deckard's own dream, which would then point to Deckard himself being a replicant? Another clue would have been heard at the end, after Gaff says "You have done a man's job, sir"; an unused part of the shot had Gaff continue by saying "But are you sure you ARE a man?". The humanity of Deckard was left up to the audience to decide. See more »

Goofs

Tyrell knows that four replicants who have murdered at least 23 people are trying to get to him, and that one of them has already shot a cop nearly to death while trying to infiltrate Tyrell's corporation. In the wake of this, Tyrell is portrayed as being extremely reclusive and security conscious, even suspicious of Sebastian when the latter shows up unexpectedly. Yet when Tyrell sees that Roy, the replicants' leader, has used Sebastian to get past security and into his private apartment, Tyrell does not run, hit a panic button or call for help. Instead he sits down for a friendly conversation with Roy, that ends with the replicant gouging Tyrell's eyes out and crushing his head in. See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »

Alternate Versions

All U.S video tape releases before January 1993 are the unrated version and contain the extra violence in the Euro-release that's not seen in the 117 minute American theatrical release:
  • When Roy attacks Tyrell we clearly see him pushing his thumbs into Tyrell's eyes, and blood spurting out
  • When Pris (Daryl Hannah) attacks Deckard, she reaches down and grabs him by the nostrils
  • When Deckard shoots Pris, he shoots 3 times instead of 2
  • When Roy pushes the nail through his hand, there is a shot of the nail coming through the skin on the other side.
See more »


Soundtracks

Tales of the Future
(uncredited)
Written by Vangelis
Performed by Demis Roussos
See more »

Frequently Asked Questions

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User Reviews

 
A glorious, timeless nightmare
25 July 2006 | by Flagrant-BaronessaSee all my reviews

Dark, deep, uncertain, unsettling – imagine the most beautiful nightmare you've ever had – this is Blade Runner (1982).

Ridley Scott's Blade Runner is a brilliantly crafted science fiction film that not only touches upon, but bravely plunges into deep philosophical questions, making it simply ten times more important than any film of its genre. I love it not only for the initial feeling it gives, but because of its perseverance – none of the visuals, themes or technology feel dated but as deep, gripping and current as ever. It is timeless beauty with huge doses of emotion.

Set in 2019 Los Angeles, Blade Runner zooms in on the eerily-lit, urban streets of the city and follows Richard Deckard – superbly played by Harrison Ford who brings an exquisite moral ambiguity to his character – a special policeman who tracks down and terminates artificially-created humans called replicants, who have escaped from an Off-World colony and made their way to earth and need to be stopped. The things Deckard encounters on his detective journey raise many philosophical questions like: Who is really a replicant? Are replicants really bad? If replicants are bad, when why did we go to such lengths with our technology to create them? Are replicants really humans? Is Deckard a hero? This truly is a film that demands subsequent discussion and its ambiguous ending leave a haunting and eerie feeling.

In spite of a rich glaze of science fiction and futurism coating this adventure, there are distinct film noir elements present – primarily in the bluish haze that the film is seen through and its gritty urban atmosphere. Whoever thought of this combination is a genius. Since it is all about technology, it fits then that Blade Runner features a ridiculous amount of product placement, especially from Atari. In any other film, this would have felt out-of-place but here it is simply perfect. The score by Vangelis is strangely gripping when combined with the striking cinematography of the film.

Blade Runner deserves credit, celebration and remembrance for it is simply an excellent film.

10 out of 10 (and I don't just throw this grade out like SOME people)


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