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Blade Runner (1982)

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A blade runner must pursue and terminate four replicants who stole a ship in space, and have returned to Earth to find their creator.

Director:

Ridley Scott

Writers:

Hampton Fancher (screenplay), David Webb Peoples (screenplay) (as David Peoples) | 1 more credit »
Popularity
393 ( 6)

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Check out our side-by-side comparison of the Blade Runner 2049 trailer with scenes from the original Blade Runner. Plus, take a look at Harrison Ford's career in photos.

Top Rated Movies #153 | Nominated for 2 Oscars. Another 12 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Harrison Ford ... Rick Deckard
Rutger Hauer ... Roy Batty
Sean Young ... Rachael
Edward James Olmos ... Gaff
M. Emmet Walsh ... Bryant
Daryl Hannah ... Pris
William Sanderson ... J.F. Sebastian
Brion James ... Leon Kowalski
Joe Turkel ... Dr. Eldon Tyrell
Joanna Cassidy ... Zhora
James Hong ... Hannibal Chew
Morgan Paull ... Holden
Kevin Thompson ... Bear
John Edward Allen John Edward Allen ... Kaiser
Hy Pyke ... Taffey Lewis
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Storyline

In the 21st century, a corporation develops human clones to be used as slaves in colonies outside the Earth, identified as replicants. In 2019, a former police officer is hired to hunt down a fugitive group of clones living undercover in Los Angeles. Written by MadMovieManiac

Plot Summary | Plot Synopsis

Taglines:

Man Has Made His Match... Now It's His Problem See more »

Genres:

Sci-Fi | Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Hong Kong

Release Date:

25 June 1982 (USA) See more »

Also Known As:

Dangerous Days See more »

Filming Locations:

London, England, UK See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$6,150,002, 27 June 1982, Wide Release

Gross USA:

$27,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Workprint Version)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Stereo (35 mm prints)| 12-Track Digital Sound (IMAX 12 .0 Surround)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

On the right side of the door to the eye specialist is the sign, "l a Eyeworks" which is a reference to a trendy eyeglass store in LA. The type-style is the same as the store. See more »

Goofs

When Pris meets Sebastian, the visible words on the marquee on the Million Dollar Theatre change from "Andres Garcia...Vidas" to "Los Mimilo Co..Mazacote Y Orque" (Corrected in the 2007 "Final Cut" of the movie; the word are consistently "Andres Garcia...Vidas"). See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »

Alternate Versions

In the San Diego sneak preview version of the film, exhibited only once in May 1982, there are three unique shots which are nowhere to be found in any other version, including the "Workprint". One shot is from the introduction of Roy Batty, displaying a full-body shot of him inside the VidPhon booth, another is of Deckard feebly attempting to reload his weapon after Batty has broken his fingers, and the last one is a high-angled shot of Deckard and Rachael's ride into the sunset. See more »

Connections

Referenced in Ginger Snaps (2000) See more »

Soundtracks

Search For Clues
(uncredited)
By James Horner
[Workprint Cut only)
See more »

Frequently Asked Questions

See more »

User Reviews

 
The Last Great Noir
10 February 2007 | by cp_spandexSee all my reviews

This is a film that is so deep, rich, and multi-layered, it may require more than one viewing to fully absorb the brilliance of what you've just seen. At first glance, it can be a bit slow. It's told in a classic film noir fashion, so this is to be expected. Director Ridley Scott seems to want to savor every shot, and an astute audience will be able to sense this.

Now, I say the film is told in a classic Noir style, but this can be misleading. There is no Humphrey Bogart in Blade Runner, snapping off brilliant one-liners once a second. Only hopeless people, in many ways victims of the merciless world of which they are all a part. Deckard is a typically downbeat protagonist, a hard-boiled cynical leading man with a weakness for heavy drinking. The plot is a mystery in name only, as the audience is allowed to know what Roy Batty, Pris and Leon are all up to before Deckard ever finds out. This only lends to the dread and inevitability of the film, lending further to its pervasive gloom. There is no final scene at the end where the bold detective puts all the pieces together and says "Ah-Ha!". Instead, we find Rick Deckard questioning his own existence and drinking away his constant doubts, all the while embroiled in a romantic relationship with someone he's sworn to kill.

Blade Runner requires audience participation, particularly in the Director's Cut, which is entirely devoid of some rather necessary exposition provided by the Original Cut's much-maligned voice-over. Certain facts will not be clear even at the end of the film, requiring personal interpretation in order to be appreciated fully. Other facts will be given away in much more subtle ways than in most modern cinema, such as through visual cues and tenuous dialogue.

Finally, visually, this movie is quite simply a science fiction triumph. It looks better than modern computer effects in every way that counts. Superimposed special effect objects don't give off that unnatural, clearly computer-generated "Lord of the Rings" sheen common in today's effects-driven blockbusters. This, of course, is because Blade Runner - while a gorgeous movie - is not effects driven in the least. Rather, it is a visually driven story that doesn't rely on special effects. This is an important distinction to make in today's Hollywood.

"Touch of Evil" really wasn't the last of the Great Film Noirs!


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