In the distant year of 10191, all the planets of the known Universe are under the control of Padishah Emperor Shaddam IV and the most important commodity in the Universe is a substance called the spice "MELANGE" which is said to have the power of extending life, expanding the consciousness and even to "fold space" ; being able to travel to any distance without physically moving. This spice "MELANGE" is said to only be produced in the desert planet of Arrakis, where the FREMEN people have the prophecy of a man who will lead them to true freedom. This "desert planet"of Arrakis is also known as DUNE. A secret report of the space "GUILD" talks about some circumstances and plans that could jeopardize the production of "SPICE" with four planets involved: ARRAKIS, CALADAN, GIEDI PRIME and KAITAIN, a world at least visually very alike to Earth and house of the Emperor of the known Universe. The "GUILD" sends a third stage navigator to KAITAIN to ask details from the Emperor and to demand him ...Written by
David del Real ---@DavidRealActor----
Its surface is barren. Its true strength hidden. Its foreboding desert conceals the power to fold space, to slow time, to send the mind where the body cannot go. It is the source of the ultimate power. It is the deadly battleground where a young leader will emerge to command an army of six million warriors against the tyrannical force that threatens to enslave the universe. It is the clash for the greatest prize of all... The planet called Dune. See more »
The movie alludes strongly to Bible stories, such as, most strongly, the story of Moses. See more »
The Atreides house shield does not conform to the outline of the building it is supposed to be surrounding. See more »
A beginning is a very delicate time. Know then, that it is the year 10191. The known universe is ruled by the Padisha Emperor Shaddam IV, my father. In this time, the most precious substance in the Universe is the spice melange. The spice extends life. The spice expands consciousness. The spice is vital to space travel. The Spacing Guild and its navigators, who the spice has mutated over four-thousand years, use the orange spice gas, which gives them the ability to fold space. That...
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The opening credits play out over shots of the Arrakis desert. See more »
A third version of "Dune", seen on KTVU in San Francisco in 1992, is the only one that edits together footage from both the theatrical and TV versions, putting back the violent scenes (such as the "heart sucking sequence") and theatrical versions of some scenes (such as Paul and Jessica running from a thumper). Also, Lynch's name is restored at the end (watch for the "Assistant to Mr. Lynch" credit). See more »
There are some good parts in David Lynch's much maligned version of Frank Herbert's famous novel but they are few and far between. The main score is generally excellent (except when it pointlessly switches to dated '80's guitar rock), some of the images of the endless deserts of Arrakis are quite well done, and, although primitive and simplistic by modern standards, the early use of CGI in the shielded fight scenes should be lauded. Unfortunately these plusses are greatly outweighed by the film's deficits. The producers seemed to have little faith in the actors, so almost every action is accompanied by an explanatory voice representing of the person's thoughts. Some of the acting, especially the various villainous Harkonnens, is awful. The novelty-casting of Sting as Feyd-Rautha doesn't help: he spends too much time trying to look evil by smirking and fiddling with a knife but whatever menace he establishes is quickly undone when he steps out of the steam-bath in leather pampers. Kyle MacLachlan, who plays the central character Paul Atreides, generally looks uncomfortable and out of place, which is not helped by the constant melodramatic voiceovers. Patrick Stewart's Gurney Halleck is good (although why he has to carry the little dog is beyond me), as is Max von Sydow who plays Kynes, the exobiologist and honorary Freman who introduces Paul to the desert planet. The special-effects set pieces (especially the sand-worms and the climactic battle) have not aged well and despite some nice 'steam punk' stylings, the film still looks like an overproduced 1980's Italian vision of the future. Lynch has essentially disowned the film as have many fans of the book. I didn't like "Dune" when I first saw it 34 years ago and a recent rewatch on Netflix didn't do much to change my overall opinion. There are rumours that Denis Villeneuve will soon direct a remake and, as there have been some great successes in filming 'unfilmable' books ("The Lord of the Rings" being an obvious example), perhaps the next film will better capture Herbert's stark and lofty vision.
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