A small group of American soldiers find horror behind enemy lines on the eve of D-Day.A small group of American soldiers find horror behind enemy lines on the eve of D-Day.A small group of American soldiers find horror behind enemy lines on the eve of D-Day.
- Director
- Writers
- Billy Ray(screenplay by)
- Mark L. Smith(screenplay by)
- Stars
Top credits
- Director
- Writers
- Billy Ray(screenplay by)
- Mark L. Smith(screenplay by)
- Stars
- Awards
- 2 wins & 7 nominations
Videos15
- Director
- Writers
- Billy Ray(screenplay by) (story by)
- Mark L. Smith(screenplay by)
- All cast & crew
- See more cast details at IMDbPro
Storyline
On the eve of D-Day, the 5th of June, 1944, several American paratroopers are dropped behind enemy lines to carry out a mission crucial to the invasion's success: destroy a radio tower built in a little castle of an old French town that the Third Reich uses for communication between Berlin and Normandy beaches' bunkers. Due to the intense enemy fire, the planes are shot down and most soldiers die in the landing or are killed by the Nazis' night patrols after they land. However, a private named Ed Boyce survives to find Corporal Ford, a last-minute incorporation from Italy and a veteran expert in bombs and explosives, rogue sniper Tibbet, war photographer Chase, and finally private Dawson. After they watch the killing of their superior Sergeant Eldson by a Nazi night patrol, Ford becomes leader of the group and they try to get the town with the tower in order to complete the mission. In the forest close to the town they meet Chloe, a villager who assists the soldiers in her home with her elderly aunt and little brother Paul. But the mission gets complicated when, by accident, Boyce ends up inside the Nazi radio tower, only to find horrible secret experiments with human beings that could empower a victory for Hitler and would change the fate of the world forever. With D-Day approaching, Boyce and the others begin to realize there is more going on in this Nazi-occupied village than a simple military operation. They not only have to fight against soldiers to destroy the radio tower, but also against the results of the experiments to turn the entire place to ruins. All this before dawn and Hitler gets his Third Reich of a thousand years that he promised. —Chockys
- Taglines
- Stop the unstoppable.
- Genres
- Certificate
- 18
- Parents guide
Did you know
- TriviaOverlord's first sequence, which sees the soldiers jumping from a burning plane, was done by rigging a plane on a gimbal, actually blowing up the front, tilting it as if it were actually falling through the air, and sending stuntmen tumbling through real fire.
- GoofsDuring the credits, a mock 1940s newsreel shows a United States flag with 50 stars when Jovan Adepo is credited as Boyce. The flag had only 48 stars from 1912 until 1959.
- Alternate versionsAfter the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas.
- ConnectionsFeatured in Projector: Overlord (2018)
- SoundtracksBridging the Gap
Written by Ansel Collins (as Ansel George Collins), Nas (as Nasir Jones), Winston Riley (as Winston Delano Riley), Dave Barker, Salaam Remi (as Salaam Remi Gibbs), Olu Dara, Muddy Waters (as McKinley Morganfield), Melvin London (as Melvin R. London) and Bo Diddley (as Ellas McDaniels)
Performed by Nas feat. Olu Dara
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Top review
A great blend of genres (each done well) - shame about the final 30 mins
If you want to go in to watching this film without seeing the trailer, then don't read any reviews - including this one. There are no spoilers beyond what the trailer shows.
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
helpful•136116
- GoldenBlunderbuss
- Nov 6, 2018
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Chiến Dịch Overlord
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $38,000,000 (estimated)
- Gross US & Canada
- $21,704,844
- Opening weekend US & Canada
- $10,202,108
- Nov 11, 2018
- Gross worldwide
- $41,657,844
- Runtime1 hour 50 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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