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The Remains of the Day (1993)

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A butler, Stevens (Sir Anthony Hopkins), who sacrificed body and soul to service in the years leading up to World War II realizes too late how misguided his loyalty was to his lordly employer.

Director:

James Ivory

Writers:

Kazuo Ishiguro (novel), Ruth Prawer Jhabvala (screenplay)
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Popularity
3,002 ( 913)
Nominated for 8 Oscars. Another 16 wins & 32 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Haycraft John Haycraft ... Auctioneer
Christopher Reeve ... Lewis
Anthony Hopkins ... Stevens
Emma Thompson ... Miss Kenton
Caroline Hunt Caroline Hunt ... Landlady
James Fox ... Lord Darlington
Peter Vaughan ... Father
Paula Jacobs Paula Jacobs ... Mrs. Mortimer, the Cook
Ben Chaplin ... Charlie, Head Footman
Steve Dibben ... George, Second Footman
Abigail Hopkins ... Housemaid (as Abigail Harrison)
Patrick Godfrey ... Spencer
Peter Cellier ... Sir Leonard Bax
Peter Halliday ... Canon Tufnell
Hugh Grant ... Cardinal
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Storyline

Rule bound head butler Stevens' (Sir Anthony Hopkins') world of manners and decorum in the household he maintains is tested by the arrival of housekeeper Miss Kenton (Dame Emma Thompson), who falls in love with him in pre-World War II Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG for themes | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK

Language:

English | French | German

Release Date:

19 November 1993 (USA) See more »

Also Known As:

The Remains of the Day See more »

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Box Office

Budget:

$15,000,000 (estimated)

Gross USA:

$22,954,968
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby SR (35 mm prints)| SDDS (35 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Principal photography wrapped on December 1, 1992, at Badminton House, Gloucestershire, England. See more »

Goofs

We see a dozen bottles of Graham's Port being delivered for the banquet - but the port would have been cellared for at least six months before being decanted - vintage port is undrinkable immediately after being transported; and later Stevens takes (and breaks) a bottle of Dow 1913 vintage port- but no producers declared a vintage in that year. 1912 was a vintage year, and the next one was 1917. See more »

Quotes

Father: There was this English butler out in India. One day, he goes in the dining room and what does he see under the table ? A tiger. Not turning a hair, he goes straight to the drawing room. "Hum, hum. Excuse me, my lord," and whispering, so as not to upset the ladies : "I'm very sorry my lord. There appears to be a tiger in the dining room. Perhaps his Lordship will permit use of the twelve bores ?" They go on drinking their tea. And then, there's three gunshots. Well, they don't think nothing of ...
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Connections

Referenced in Nostalgia Critic: Bebe's Kids (2010) See more »

Soundtracks

Sei mir gegrüsst
Composed by Franz Schubert
Text by Friedrich Rückert
Sung by Ann Murray
Piano: Graham Johnson
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User Reviews

 
If you have a normal 21st century attention span, you won't get it
18 April 2007 | by Fred-SSee all my reviews

I am disappointed to see reviewers refer to this movie as anti-war or a story of unrequited love or Lord Darlington as a Nazi or WWII as a nuclear holocaust. I think that perhaps these comments reflect both the lack of an adequate attention span and a lack of a proper knowledge and perspective of the times. "The Remains of the Day" requires both. I found it to be an interesting movie with many facets, each of which could be used as the sole theme of a movie. It is a movie that has great acting, is beautifully filmed in and around one of England's great mansions, and tells a fascinating and complex story as well.

It is true that the movie is about, in part, what many in the audience would believe is a romance that never has a chance because of Mr. Stevens' devotion to and pride in the occupation he has chosen. It is important to recognize that it is the job of his choosing, not one that has been forced upon him. It is tempting to write the job off as no more than servant of the wealthy, but it is actually the equivalent of presidency of a small company. Stevens is in charge of seeing that the large staff serving Darlington gets all of the many jobs in the household done - to perfection - every day of the week. I doubt that the White House has standards that approach those of Lord Darlington. So, each viewer can decide for himself or herself whether there could have ever been a woman in Stevens' life to whom he could give husband-like devotion.

Darlington is not a Nazi sympathizer. He is a man who exhibits the ideals of 20th century Britain: honor, fairness, and full devotion to what is right. He believes, most would say correctly, that the Treaty of Versailles was unduly harsh in its treatment of post-WWI Germany. Unfortunately, he fails to recognize, as many Americans do now, that unfairness in the past cannot be rectified by stupid policies in the present. So, by seeking what he considers fairness for Germany in the 1930's, when Hitler's evil and expansionist aims should have been clearly evident, he and others set the stage for a world-wide conflict that cost 60 million lives, of which the lives lost in Hiroshima and Nagasaki constitute less than one-half of one percent.

One of my tests of a movie is how far into it I start looking at my watch. In this case I began looking at my watch not to see how much more I had to sit through: rather, I was hoping to assure myself that there was enough movie left to provide a satisfactory ending. There was: however, I could have enjoyed much more of the talent and story I was seeing.


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