A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.Written by
Paul Thomas Anderson is the son of former ABC-TV announcer Ernie Anderson, who started his career as a Cleveland late-night monster-movie host named "Ghoulardi". Paul Thomas Anderson's production company is called Ghoulardi Pictures. One running Ghoulardi gag was to make fun of Parma, Ohio, a Cleveland suburb known for its Polish population. Philip Seymour Hoffman's character is named Phil Parma. One of Ghoulardi's catch phrases was "Stay sick!" When Donnie Smith (William H. Macy) remarks to Thurston Howell (Henry Gibson) that he is sick, Thurston replies, "Stay that way." See more »
In the scene where Donnie Smith is robbing the furniture store he previously worked at the poster on the door reads, "Keep Door Lock at all times!", instead of "Keep Door Locked at all times!" Due to the owner's accent, it can be assumed that this was just due to him being a non-native English speaker and writer. See more »
In the New York Herald, November 26, year 1911, there is an account of the hanging of three men. They died for the murder of Sir Edmund William Godfrey; Husband, Father, Pharmacist and all around gentle-man resident of: Greenberry Hill, London. He was murdered by three vagrants whose motive was simple robbery. They were identified as: Joseph Green, Stanley Berry, and Daniel Hill. Green, Berry, Hill. And I Would Like To Think This was Only A Matter Of Chance. As reported in the Reno...
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As the credit for Robert Downey Sr. scrolls up the screen, the words "(a prince)" appear next to his name. See more »
In the script, there is an alternate storyline for Stanley. In it, instead of running to the school library where he reads the books about the geniuses, he runs away to a coffee shop. Also in the coffee shop are Dixon (the little boy who raps for Jim Curring) and the Worm (who is mentioned in the movie, both in the rap and during Marcie's interrogation). The Worm (who is Dixon's father) notices Stanley and motions for Dixon to leave. At this point, Dixon finds Linda passed out in her car. In the coffee shop, the Worm and Stanley talk about their fathers and Stanley offers to give the Worm the money he won on the game show. The frogs begin to fall from the sky as Dixon runs in, asks the Worm if he got the money from Stanley, then pulls a gun (the one which he stole from Jim Kurring) on Stanley, demanding his money. The Worm convinces Dixon to give the gun up. They leave the diner after the frogs fall, drive by Solomon and Solomon, and throw the gun from their speeding car, which lands by Jim and Donnie. From the DVD documentary, it seems like this scene was partially filmed and then PT Anderson decided to scrap it. See more »
A dazzling epic of coincidence and fate during one day in the San Fernando Valley. This opens with a short story about some "true-life" examples of coincidence designed to show us that these things can't "just happen" and that there must be more to it than that. It then flies into the lives of a handful of different characters in a exhilarating introduction to a game show host, a sex guru, a police officer, a dying father, a male nurse, a drug addict to name a few. After this the speed slows down slightly and the characters are given time to develop and the stories begin to interlink.
Paul Thomas Anderson continues to get better and better with Hard Eight, Boogie Nights and now this. Here he gives a human touch to the director where someone like Altman would have been colder and more clinical. He seems to care about these characters and encourages us to do likewise. The direction is astonishing - it moves at a fast pace when it needs to, it is still and watching when appropriate and, at times, it is downright beautiful in a visionary way. Anderson's tries some audacious tricks and manages to pull them off - a scan round all the main characters singing an Aimee Mann track while they contemplate what's become of their lives is not only daring but works as one of the most moving moments in the film.
The acting is flawless - Cruise deserved the Oscar for this performance, but he is only one of an amazing range of actors including Julianne Moore, William H. Macy, Phillip Seymour Hoffman, John C. Reilly, Jason Robards, Philip Baker Hall etc. They are all excellent in their roles and make you care for all their characters - no matter how terrible they seem or how bad their crimes.
Direction is faultless, performances border on the brilliant, the script is totally convincing and moving. The only weak link is the biblical ending which may annoy some but I think fits in well with the tone of the film, after all, like the film says, "but it did happen".
If only all films could meet the standards achieved by this beautiful piece of work.
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