A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.Written by
One of the books Stanley is reading at the library is about scientist Charles Fort, who is noted for his work expanding the boundaries of scientific research to include strange phenomena such as those featured in the film. See more »
During the argument between the adults and the kids during the game show, the kids and Cynthia, the show's producer, discover that Stanley peed in his pants. She appears in the shot right next to Stanley. When the camera cuts to show a different angle from the kids and the adults competitors, she disappears from the shot to later on return when there's a close-up with her and Stanley. See more »
In the New York Herald, November 26, year 1911, there is an account of the hanging of three men. They died for the murder of Sir Edmund William Godfrey; Husband, Father, Pharmacist and all around gentle-man resident of: Greenberry Hill, London. He was murdered by three vagrants whose motive was simple robbery. They were identified as: Joseph Green, Stanley Berry, and Daniel Hill. Green, Berry, Hill. And I Would Like To Think This was Only A Matter Of Chance. As reported in the Reno...
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Pedestrian #2 is incorrectly spelled Pedistrian #2. See more »
After watching the documentary "That Moment" on the supplementary DVD, you can see a deleted scene. The scene involves Orlando Jones' character 'The Worm,' his son (who appears in Officer Jim and Linda's scenes), and an unidentified boy. In it, the young rapping boy, Dixon, rushes into a restaurant where his father is staying, and eventually pulls a gun on him. The gun appears to be Jim's lost gun. Perhaps the scene would have further explained how it was so mysteriously returned to Jim in the end of the film. In the documentary, the director seems to be having a tough time with the scene, perhaps explaining why it was cut. See more »
I have never before spent so much time analyzing, discussing, or viewing a film...
And it is a FILM. It is no ordinary movie. As a fan of Boogie Nights, I couldn't wait for Magnolia. Although its running time has made at least 20 people leave the auditorium, I have stayed for every single second. The mood and stories and characters keep building and building and building, and when it finally comes down, I feel this immense sense of relief and wonder at how PT Anderson was able to come up with something so clever and intertwining and wonderous, and was able to pull it off. This "movie" is not for everyone. It is thinking-hat required. I have also never been so excited to look up Bible verses before. The cast, as you have probably read, is superb. I have never been so impressed. This film has "restored my faith in the filmmaking industry. To see these actors, crew, and the writer/director/genius at work is inspiring." These people obviously love their craft, and one of my friends even said that the cast was "touched by the hands of God..." to which I whole-heartedly agree. He also has said, ""This film not only teaches film makers how to make films, but it teaches movie watchers how to watch movies!" to which I again whole-heartedly agree a thousand times over. Phillip Seymour Hoffman is absolutely outstanding as the only character who is "normal." His performance has made me smile and shake my fist in the air the three times I've seen Magnolia since it opened. Tom Cruise is also spectacular. As with every single last character, every line he utters is important to his character and what it means for the rest of the stories. Another outstanding performance/character is the part of police officer Jim Kurring, played by John C. Reilly. His character is just so perfect and JUST SOOOOO PERFECT that it makes me smile every time he is on screen. Add to all of this one incredible soundtrack, and you have something that will go down in film history as legend and probably one of the most underappreciated, misunderstood, and definitely underseen films of all time.
The soundtrack, oh, the soundtrack. When listening to the songs, I can picture each exact moment as if I was watching the movie all over again, and it brings unexplainable feeling. Aimee Mann's songs, especially, are a perfect fit to a perfect story and mood. This film is not for everyone, but, if you want to see glorious filmmaking, acting, writing, and characters in action, I HIGHLY suggest you see Magnolia.
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