| Cast overview, first billed only: | |||
| Pat Healy | ... | Sir Edmund William Godfrey / Young Pharmacy Kid | |
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Genevieve Zweig | ... | Mrs. Godfrey |
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Mark Flanagan | ... | Joseph Green (as Mark Flannagan) |
| Neil Flynn | ... | Stanley Berry | |
| Rod McLachlan | ... | Daniel Hill | |
| Allan Graf | ... | Firefighter | |
| Patton Oswalt | ... | Delmer Darion | |
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Raymond 'Big Guy' Gonzales | ... | Reno Security Guard |
| Brad Hunt | ... | Craig Hansen | |
| Jim Meskimen | ... | Forensic Scientist | |
| Chris O'Hara | ... | Sydney Barringer | |
| Clement Blake | ... | Arthur Barringer | |
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Frank Elmore | ... | 1958 Detective |
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John Kraft Seitz | ... | 1958 Policeman |
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Cory Buck | ... | Young Boy |
24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky. Written by <jhailey@hotmail.com>
A dazzling epic of coincidence and fate during one day in the San Fernando Valley. This opens with a short story about some "true-life" examples of coincidence designed to show us that these things can't "just happen" and that there must be more to it than that. It then flies into the lives of a handful of different characters in a exhilarating introduction to a game show host, a sex guru, a police officer, a dying father, a male nurse, a drug addict to name a few. After this the speed slows down slightly and the characters are given time to develop and the stories begin to interlink.
Paul Thomas Anderson continues to get better and better with Hard Eight, Boogie Nights and now this. Here he gives a human touch to the director where someone like Altman would have been colder and more clinical. He seems to care about these characters and encourages us to do likewise. The direction is astonishing - it moves at a fast pace when it needs to, it is still and watching when appropriate and, at times, it is downright beautiful in a visionary way. Anderson's tries some audacious tricks and manages to pull them off - a scan round all the main characters singing an Aimee Mann track while they contemplate what's become of their lives is not only daring but works as one of the most moving moments in the film.
The acting is flawless - Cruise deserved the Oscar for this performance, but he is only one of an amazing range of actors including Julianne Moore, William H. Macy, Phillip Seymour Hoffman, John C. Reilly, Jason Robards, Philip Baker Hall etc. They are all excellent in their roles and make you care for all their characters - no matter how terrible they seem or how bad their crimes.
Direction is faultless, performances border on the brilliant, the script is totally convincing and moving. The only weak link is the biblical ending which may annoy some but I think fits in well with the tone of the film, after all, like the film says, "but it did happen".
If only all films could meet the standards achieved by this beautiful piece of work.