Justine Smith
Bright Star, Jane Campion
Orlando, Sally Potter
Trouble Every Day, Claire Denis
Cleo 5 a 7, Agnes Varda
A New Leaf, Elaine May
The Night Porter, Liliana Cavani
American Psycho, Mary Harron
Anatomy of Hell, Catherine Breillat
Point Break, Kathryn Bigelow
Everyone Else, Maren Ade
Ricky D
Connection, Shirley Clarke
Wuthering Heights, Andrea Arnold
35 Shots of Rhum, Claire Denis
Meshes of the Afternoon, Maya Derin
Seven Beauties, Lina Wertmuller
The Hitch-Hiker, Ida Lupino
Lina Wertmuller- Swept Away
Meek’s Cutoff, Kelly Reichardt
Headless Woman, Lucrecia Martel
Xxy, Lucía Puenzo
Special mention:
Skyscraper – Shirley Clarke
Wasp – Andrea Arnold
On Dangerous Ground – Ida Lupino (uncredited)
Wanda
Chris Clemente
Little Miss Sunshine, Valerie Faris
American Psycho, Mary Harron
Lost in Translation, Sofia Coppola
We Need to Talk About Kevin, Lynne Ramsay
Fish Tank, Andrea Arnold
Monster, Patty Jenkins
A League of Their Own, Penny Marshall
Wayne’s World, Penelope Spheeris
Clueless, Amy Heckerling
Point Break,...
Bright Star, Jane Campion
Orlando, Sally Potter
Trouble Every Day, Claire Denis
Cleo 5 a 7, Agnes Varda
A New Leaf, Elaine May
The Night Porter, Liliana Cavani
American Psycho, Mary Harron
Anatomy of Hell, Catherine Breillat
Point Break, Kathryn Bigelow
Everyone Else, Maren Ade
Ricky D
Connection, Shirley Clarke
Wuthering Heights, Andrea Arnold
35 Shots of Rhum, Claire Denis
Meshes of the Afternoon, Maya Derin
Seven Beauties, Lina Wertmuller
The Hitch-Hiker, Ida Lupino
Lina Wertmuller- Swept Away
Meek’s Cutoff, Kelly Reichardt
Headless Woman, Lucrecia Martel
Xxy, Lucía Puenzo
Special mention:
Skyscraper – Shirley Clarke
Wasp – Andrea Arnold
On Dangerous Ground – Ida Lupino (uncredited)
Wanda
Chris Clemente
Little Miss Sunshine, Valerie Faris
American Psycho, Mary Harron
Lost in Translation, Sofia Coppola
We Need to Talk About Kevin, Lynne Ramsay
Fish Tank, Andrea Arnold
Monster, Patty Jenkins
A League of Their Own, Penny Marshall
Wayne’s World, Penelope Spheeris
Clueless, Amy Heckerling
Point Break,...
- 9/26/2012
- by Ricky
- SoundOnSight
Ted (15)
(Seth MacFarlane, 2012, Us) Mark Wahlberg, Mila Kunis, Seth MacFarlane, Joe McHale, Giovanni Ribisi. 106 mins
Those unconvinced by MacFarlane's Family Guy cartoon series will be even less convinced by his first feature – basically a routine manchild/bromance story with one novel idea: Wahlberg has a magic talking teddy, which has grown up into an obnoxious party animal – thus creating relationship issues with shrewish girlfriend Kunis. It's all gags and no comedy. And if you're anything other than white, male and pop culture-literate, you'll find the humour at best patchy, at worst, downright nasty.
Sound Of My Voice (15)
(Zal Batmanglij, 2011, Us) Christopher Denham, Nicole Vicius, Brit Marling. 85 mins
As with Another Earth, co-writer Marling takes an unorthodox line through a familiar genre here. This time she's a spacey/scary cult leader who claims to be from the year 2054. A couple of investigative journalists get out of their depth taking her on.
(Seth MacFarlane, 2012, Us) Mark Wahlberg, Mila Kunis, Seth MacFarlane, Joe McHale, Giovanni Ribisi. 106 mins
Those unconvinced by MacFarlane's Family Guy cartoon series will be even less convinced by his first feature – basically a routine manchild/bromance story with one novel idea: Wahlberg has a magic talking teddy, which has grown up into an obnoxious party animal – thus creating relationship issues with shrewish girlfriend Kunis. It's all gags and no comedy. And if you're anything other than white, male and pop culture-literate, you'll find the humour at best patchy, at worst, downright nasty.
Sound Of My Voice (15)
(Zal Batmanglij, 2011, Us) Christopher Denham, Nicole Vicius, Brit Marling. 85 mins
As with Another Earth, co-writer Marling takes an unorthodox line through a familiar genre here. This time she's a spacey/scary cult leader who claims to be from the year 2054. A couple of investigative journalists get out of their depth taking her on.
- 8/3/2012
- by Steve Rose
- The Guardian - Film News
This documentary about the famous designers celebrates a unique kind of American creativity that anticipates the digital age
This documentary by Jason Cohn and Bill Jersey celebrates a unique kind of American creativity. Charles Eames, in underacknowledged partnership with his artist wife, Ray Eames, created a design studio in the mid-20th century in Venice, California. It was not merely a question of their classic Eames chair. They worked in almost every field of art, architecture and design; acting like an ad agency, they accepted commissions from big corporations like Ibm to produce idiosyncratic promotional films that humanised their sponsors and look now like the most earnest but entertaining instructional movies liable to be shown in Us high schools. The most celebrated of these is Powers of Ten (1968), a 9-minute animation about relative scale starting with an overhead shot of a sunbathing couple, zooming out progressively into space and then...
This documentary by Jason Cohn and Bill Jersey celebrates a unique kind of American creativity. Charles Eames, in underacknowledged partnership with his artist wife, Ray Eames, created a design studio in the mid-20th century in Venice, California. It was not merely a question of their classic Eames chair. They worked in almost every field of art, architecture and design; acting like an ad agency, they accepted commissions from big corporations like Ibm to produce idiosyncratic promotional films that humanised their sponsors and look now like the most earnest but entertaining instructional movies liable to be shown in Us high schools. The most celebrated of these is Powers of Ten (1968), a 9-minute animation about relative scale starting with an overhead shot of a sunbathing couple, zooming out progressively into space and then...
- 8/2/2012
- by Peter Bradshaw
- The Guardian - Film News
Australia’s Revelation Perth International Film Festival will be holding it’s explosive 15th annual edition on July 5-15 with one of it’s most jam-packed lineups yet.
One of the most special events that Revelation will be holding is July 14‘s retrospective of the films of Jeff Keen, the pioneering British underground filmmaker who very sadly just passed away on June 21. Keen’s work has been having a major resurgence lately and Revelation is the latest organization to so boldly feature his breathtaking experimental film work, from classics like 1967′s Marvo Movie to modern films like Artwar (1993) and Joy Thru Film (2000). This is absolutely an event not to be missed.
Another staggering event this year is a very special live presentation of Crispin Hellion Glover‘s notorious underground films What Is It? and It Is Fine! Everything Is Fine. (Click film titles for Bad Lit reviews!) These very...
One of the most special events that Revelation will be holding is July 14‘s retrospective of the films of Jeff Keen, the pioneering British underground filmmaker who very sadly just passed away on June 21. Keen’s work has been having a major resurgence lately and Revelation is the latest organization to so boldly feature his breathtaking experimental film work, from classics like 1967′s Marvo Movie to modern films like Artwar (1993) and Joy Thru Film (2000). This is absolutely an event not to be missed.
Another staggering event this year is a very special live presentation of Crispin Hellion Glover‘s notorious underground films What Is It? and It Is Fine! Everything Is Fine. (Click film titles for Bad Lit reviews!) These very...
- 6/26/2012
- by Mike Everleth
- Underground Film Journal
In one of the few times that Corrina Belz’s documentary Gerhard Richter Painting breaks its present-tense, fly-on-the-wall approach to its titular subject, an archival black-and-white interview of a much younger Richter is shown. In the interview, Richter states, “To talk about painting is not only difficult but perhaps pointless, too. You can only express in words what words are capable of expressing, what language can communicate. Painting has nothing to do with that.” Belz’s film seeks to meet the artist on his own terms, providing neither a complete, contextualized biography nor a day-in-the-life diary of her subject. Gerhard Richter Painting is as elegantly simple and straightforward as its title suggests: instead of chronicling the artist’s history or delving into his personal life, the film seeks to capture the process by which the most obvious subject that defines the artist’s life is made manifest, his art. Belz’s minimalist approach to her subject is...
- 3/15/2012
- by Landon Palmer
- FilmSchoolRejects.com
Jason Cohn and Bill Jersey’s documentary Eames: The Architect And The Painter isn’t just about influential 20th-century designer Charles Eames, or even about Charles and his wife Ray; it’s also about the studio full of creative types that they oversaw. And while Charles is “the architect” of the title and Ray “the painter,” they and their collaborators were also filmmakers, toymakers, historians, photographers, and curators. And that’s not even taking into account the Eames furniture, which brought modernism to the middle class and gave Charles and Ray the financial freedom to pursue whatever creative whim struck ...
- 1/18/2012
- avclub.com
First Run Features announced today its acquisition of the award-winning documentary The Pruitt-igoe Myth from filmmaker Chad Freidrichs. First Run is planning a March 2012 theatrical launch with VOD, home video and television to follow. The deal was negotiated by Film Sales Company head Andrew Herwitz and First Run’s Marc Mauceri.
The Pruitt-igoe Myth tells the story of the transformation of the American city in the decades after World War II, through the lens of the infamous Pruitt-Igoe housing development and the St. Louis residents who called it home.
It began as a housing marvel. Built in 1956, Pruitt-Igoe was heralded as the model public housing project of the future, “the poor man’s penthouse.” Two decades later, it ended in rubble – its razing an iconic event that the architectual theorist Charles Jenks famously called the death of modernism. The footage and images of its implosion have helped to perpetuate a myth of failure,...
The Pruitt-igoe Myth tells the story of the transformation of the American city in the decades after World War II, through the lens of the infamous Pruitt-Igoe housing development and the St. Louis residents who called it home.
It began as a housing marvel. Built in 1956, Pruitt-Igoe was heralded as the model public housing project of the future, “the poor man’s penthouse.” Two decades later, it ended in rubble – its razing an iconic event that the architectual theorist Charles Jenks famously called the death of modernism. The footage and images of its implosion have helped to perpetuate a myth of failure,...
- 12/13/2011
- by Michelle McCue
- WeAreMovieGeeks.com
Modern American design and its history have become major preoccupations within contemporary cosmopolitan circles. Gary Hustwit recently finished his third documentary on the subject, Mad Men makes us nostalgically long for clean copy and clear utility, and the death of Steve Jobs brought forth considerations of the important connections between user-friendliness, sleek aesthetics, and the construction of products around human intuition. Making the case that we have still yet to exhaust what continually proves to be a fascinating and increasingly relevant subject, Jason Cohn and Bill Jersey’s historical documentary Eames: The Architect and The Painter traverses the fascinating life of a couple whose contributions broadly determined what modern postwar American life looked and felt like. As narrator James Franco romantically points towards the beginning of the film, Charles Eames was an architect who never got his license, and Ray Eames was a painter who rarely painted. Perhaps the most fascinating aspect of their influential lives was...
- 11/18/2011
- by Landon Palmer
- FilmSchoolRejects.com
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers? The Hunter Trailer This certainly has a nice pedigree. Having a film being executive produced by the man who brought us Animal Kingdom, being based...
- 11/5/2011
- by Christopher Stipp
- Slash Film
Even as I carry on updating the entry on Doc NYC, there's quite a lot besides going on in the field of nonfiction filmmaking. Last week, both the International Documentary Association and Cinema Eye Honors announced the nominations for their respective awards, and yesterday, Cinema Eye unveiled "a new, periodic award called the Hell Yeah Prize, to be given to filmmakers who have created works of incredible craft and artistry that also have significant, real-world impact. The inaugural Hell Yeah Prize will be presented to Joe Berlinger and Bruce Sinofsky for their HBO Documentary Films trilogy Paradise Lost, which played a critical role in securing the release from prison of the wrongly prosecuted and convicted West Memphis Three."
And the other day, when I pointed to Dennis Lim's review of Travis Wilkerson's An Injury to One (2002), "one of American independent cinema's great achievements of the past decade, just issued on DVD by Icarus Films,...
And the other day, when I pointed to Dennis Lim's review of Travis Wilkerson's An Injury to One (2002), "one of American independent cinema's great achievements of the past decade, just issued on DVD by Icarus Films,...
- 11/4/2011
- MUBI
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