Thirteen years after WWII a concentration camp survivor (Rampling) and her tormentor, currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic ... See full summary »
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen... See full summary »
Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the... See full summary »
Péter Breznyik Berg
When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Francis Ford Coppola
C. Thomas Howell,
Franz "Fox" Biberkopf is a working-class guy, at loose ends when his lover is arrested and the police shutter their carnival booth. In need of cash for his weekly lottery purchase, Fox lets... See full summary »
Rainer Werner Fassbinder
Rainer Werner Fassbinder,
Thirteen years after WWII a concentration camp survivor (Rampling) and her tormentor, currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic relationship. Written by
Ed Sutton <firstname.lastname@example.org>
According to an interview given by Charlotte Rampling on the National Public Radio program "Fresh Air", the scene where she dances and sings topless in a Nazi outfit was the first scene filmed. See more »
A jaw-dropping study on love in the most obscure of circumstances. It's an intense and compelling study of these characters who flow in the most opposite of circles (one a Nazi, the other a Jewish prisoner in the concentration camp he works at) and a love that transcends anything I've imagined experiencing. I've heard the film called dull numerous times and I could see why one would think this, but I thought the haunting silences only made the film more engaging and had my eyes further glued to the screen. The structure of spasmodically switching from scenes in the concentration camp to when the two lovers see each other again in 1957 really helped put the viewer into the mind-set of the two main characters. It jars the mind and keeps us aware of this inordinate love and why these people are so confused and attracted to one another. A truly original technique that I really admired. Liliana Cavani uses angles and wide-shots that create a haunting sense of passion and really made the cinematography rank high among my all time favorites. Dick Bogarde and especially Charlotte Rampling are phenomenal. Their performances are passionate, intense and natural. The film certainly lived up to my expectations.
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