Set in 1938 Berlin, Louise Von Hollendorf is the wife of a young Nazi diplomat who meets and falls in love with a certain Mitsuko Matsugae, an artist and the daughter of the Japanese ... See full summary »
A series of copycat murders will challenge the preconceptions of the brilliant academic Angela and her lifelong studies of death and its rituals, throwing Angela into collaboration with one of the world's foremost mediums.
Annabella marries Soranzo, when she is pregnant by her brother Giovanni. Destiny, and jealousies will expose her past, and Soranzo broods revenge. But he is not alone in that - and death will unite all.
Giuseppe Patroni Griffi
As World War II escalates, the tight-knit habitants of a street in Tokyo must relocate from their homes so that the government can use the space. Kinoshita's sensitive film-beautifully and ... See full summary »
A superstitious farming family is hesitant to use their prized fallow fields to grow crops to help feed the nation's troops. Kinoshita's rural drama was made to promote the war effort, but ... See full summary »
Leo, dopo un incidente stradale, è ricoverato in ambulatorio e racconta al professore Bennet, suo medico curante, la storia e le gesta del monaco tibetano Milarepa, con il quale si ... See full summary »
Thirteen years after WWII a concentration camp survivor (Rampling) and her tormentor, currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic relationship. Written by
Ed Sutton <firstname.lastname@example.org>
According to an interview given by Charlotte Rampling on the National Public Radio program "Fresh Air", the scene where she dances and sings topless in a Nazi outfit was the first scene filmed. See more »
I saw this film quite by accident last night on IFC and have been walking around in a state of near tears ever since. What really struck me about the story was not the sadomasochistic aspect which I actually found to be rather minor, (He slaps her around a bit and there is a scene where she is chained to a bed), but rather the tenderness and love shown by Max. He calls her "his little girl" throughout the movie and indeed that seems to be the most accurate description of his feelings. I couldn't help thinking of Lolita and indeed it is a similar idea. In both stories the man is both the tormentor and the tormented. Because he is in a position of absolute power of course he is the exploiter, but also it is almost as though he is held captive by "her", the illusive girl/child/women he want to both take care of the way one would a daughter and also penetrate like a lover. And in both stories this proves of course to be impossible as the mans very nature (in one case he is a pedophile, in another a Nazi) prevents it from being so.
28 of 46 people found this review helpful.
Was this review helpful to you?