6.8/10
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84 user 79 critic

The Night Porter (1974)

Il portiere di notte (original title)
R | | Drama | 1 October 1974 (USA)
After a chance meeting at a hotel in 1957, a Holocaust survivor and the Nazi officer who tortured her resume their sadomasochistic relationship.

Director:

Writers:

(screenplay), (screenplay) | 5 more credits »
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From $2.99 (SD) on Amazon Video

2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Max
...
...
...
Giuseppe Addobbati ...
Stumm
...
Countess Stein
Nino Bignamini ...
Adolph
Marino Masé ...
Atherton (as Marino Mase')
Amedeo Amodio ...
Bert
Piero Vida ...
Day Porter
Geoffrey Copleston ...
Kurt
Manfred Freyberger ...
Dobson (as Manfred Freiberger)
Ugo Cardea ...
Mario
Hilda Gunther ...
Greta
Nora Ricci ...
The Neighbor
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Storyline

Thirteen years after WWII a concentration camp survivor (Rampling) and her tormentor, currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic relationship. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

The Most Controversial Picture of Our Time!

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

1 October 1974 (USA)  »

Also Known As:

The Night Porter  »

Filming Locations:

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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor) (Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Romy Schneider turned down the role of Lucia. Mia Farrow was considered, as well as Dominique Sanda, before Charlotte Rampling was selected based on her work alongside Dirk Bogarde in Luchino Visconti's The Damned (1969). See more »

Quotes

Max: I met her again... my little girl.
Countess Stein: You mean, the little girl from then?
[Max nods]
Max: [clears his throat] I found her again. I found her again. And no one must touch her!
Countess Stein: Who'd dream of touching her?
[Max gestures with his hands in objection]
Countess Stein: Oh, Max, be careful. Before she could testify against you, you should file her away.
Max: Oh... oh, no.
Countess Stein: But...
Max: No... I love her.
[...]
See more »

Connections

Referenced in L!fe Happens (2011) See more »

Soundtracks

The Magic Flute
Written by Wolfgang Amadeus Mozart
Performed by Karl Böhm
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User Reviews

 
A movie that dares
22 August 2000 | by (Antwerp, Belgium) – See all my reviews

Even though I was planning to watch something else that Saturday night, I came across BBC2 where "The Night Porter" was on and saw it once again. The first time I saw the movie I was a bit disappointed. I had heard so much about this movie that the film couldn't live up to my high expectations. But some scenes found a place in the back of my mind and stayed there. The second time I saw it I was intrigued more and more and ever since I see it as the classic it should be.

If ever there was a difficult movie, it was "The Night Porter". The pace is slow and the characters are all weird. There aren't many movies where you get a homosexual Nazi wanting to be a ballet dancer and a sadistic Nazi still in love with love with a masochistic girl from the camps. (There's more, but I don't want to spoil the plot.) Only a spark of the plot could have been the subject for lots of raunchy exploitation movies, but "The Night Porter" manages to keep its class. The movies is set years after the war. Some Nazis were fortunate enough not to be caught and got on with their lives. Unfortunately one person has survived the camps as well. She immediately recognizes Max (Dirk Bogarde), her cruel S&M-master, and he (now a night porter in a hotel) recognizes her (Charlotte Rampling) as well. The only problem is that the other living Nazis cannot know she's still alive, or they would assassinate her. The passion between Max and his former slave returns and the Nazis find out about their relationship. Max tries to keep her out of their hands, so madly in love that he wants to die for her. (Again, more information would spoil the movie.)

"The Night Porter" is one of the few movies where S&M-relationships aren't immediately reduced to a bunch of idiots and losers playing around with whips and leather masks. It also dares to show you other Nazis than the Pavlovian dogs you normally get to see. And above all it stars Charlotte Rampling as Lucia. Watch her as she performs the dance of Salomé and gets a present from Max (know your Bible and have an idea of what's to come). Watch her face and her near-skeletonlike body very closefully: that is how you should act disgust. Watch her as she locks herself in the bathroom and tries to hurt Max's foot with some glass. Listen to the music, the perfect addition to this murky movie.

Due to the difficulty of the movie it'll never raise above its status as cult classic and actually that's a shame. Be brave and try it.


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