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Orlando (1992)

PG-13 | | Biography, Drama, Fantasy | 9 June 1993 (USA)
Young nobleman Orlando is commanded by Queen Elizabeth I to stay forever young. Miraculously, he does just that. The film follows him as he moves through several centuries of British ... See full summary »

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Writers:

, (novel)
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ON DISC
Nominated for 2 Oscars. Another 15 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Quentin Crisp ...
Jimmy Somerville ...
Falsetto / Angel
...
Elaine Banham ...
Orlando's Mother
Anna Farnworth ...
Clorinda
...
Favilla
Anna Healy ...
...
King James I
...
Earl of Moray
...
Lord Francis Vere
...
Translator
Viktor Stepanov ...
Russian Ambassador (as Victor Stepanov)
...
Mary MacLeod ...
First Older Woman
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Storyline

Young nobleman Orlando is commanded by Queen Elizabeth I to stay forever young. Miraculously, he does just that. The film follows him as he moves through several centuries of British history, experiencing a variety of lives and relationships along the way, and even changing sex. Written by Phythian

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for some sensuality | See all certifications »

Parents Guide:

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Details

Country:

| | | |

Language:

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Release Date:

9 June 1993 (USA)  »

Also Known As:

Орландо  »

Filming Locations:

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Box Office

Budget:

$4,000,000 (estimated)

Gross:

$5,289,772 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jessica Swinton, who played Orlando's daughter, is Tilda Swinton's real life niece. See more »

Quotes

Orlando: The treachery of women!
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Crazy Credits

With special thanks to Michael Powell 1905 - 1990 See more »


Soundtracks

COMING
Composed by Sally Potter, Jimmy Somerville, David Motion
Published by Copyright Conrtol/ Virgin Music
Performed by Jimmy Somerville
Courtesy of London Records
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User Reviews

 
Enchanting
16 April 1999 | by (Mill Valley, CA) – See all my reviews

This is one of those rare films that really captures magic. After watching it, I feel as though a fairy has enchanted the air around me. Maybe it's Tilda Swanton's fathomless, eyes. She stares at us so enigmatically, as if she can see through the camera, into our souls.

I could also go on about the sumptuous costumes and set design, but I'd say the subtle humor pervading the film was even more compelling and delightful. It assumes an intelligent audience, but does not come across as superior. The end of the film leaves me with a sense of hope for the future.


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