Young nobleman Orlando is commanded by Queen Elizabeth I to stay forever young. Miraculously, he does just that. The film follows him as he moves through several centuries of British ... See full summary »
On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from ... See full summary »
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the ... See full summary »
Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea ... See full summary »
In this Derek Jarman version of Christopher Marlowe's Elisabethan drama, in modern costumes and settings, Plantagenet king Edward II hands the power-craving nobility the perfect excuse by ... See full summary »
A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to... See full summary »
In this film, told almost entirely in iambic pentameter, She is a scientist in a loveless marriage to Anthony, a devious politician. He is a Lebanese doctor in self-imposed exile, working ... See full summary »
Anxious to use artificial life to improve the world, Rosetta Stone, a bio-geneticist creates a Recipe for Cyborgs and uses her own DNA in order to breed three Self Replicating Automatons, ... See full summary »
Young nobleman Orlando is commanded by Queen Elizabeth I to stay forever young. Miraculously, he does just that. The film follows him as he moves through several centuries of British history, experiencing a variety of lives and relationships along the way, and even changing sex. Written by
I have been watching films for well over thirty years, but this one in particular has remained my favorite since its release for the simple reason that it consistently makes me weep with joy. Joy being so hard to come by, and a commodity rarely associated with any sort of entertainment medium, I don't need any other reason to love "Orlando." It's clever, charming, thought-provoking, at times achingly ironic, and lavishly beautiful. I have to say also that I love seeing and hearing dear Jimmy Sommerville whom we miss so much. While I tend to be hyper-critical of all films, with "Orlando" I just listen to my gut and it says, "this is perfection."
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