| Cast overview, first billed only: | |||
| Abbie Cornish | ... | ||
| Ben Whishaw | ... | ||
| Paul Schneider | ... |
Mr. Brown
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| Kerry Fox | ... | ||
| Edie Martin | ... |
Toots
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| Thomas Brodie-Sangster | ... |
Samuel
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| Claudie Blakley | ... |
Maria Dilke
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| Gerard Monaco | ... | ||
| Antonia Campbell-Hughes | ... | ||
| Samuel Roukin | ... |
Reynolds
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| Amanda Hale | ... |
Reynolds Sister
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Lucinda Raikes | ... |
Reynolds Sister
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| Samuel Barnett | ... |
Mr. Severn
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| Jonathan Aris | ... |
Mr. Hunt
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| Olly Alexander | ... | ||
It's 1818 in Hampstead Village on the outskirts of London. Poet Charles Brown lives in one half of a house, the Dilkes family who live in the other half. Through their association with the Dilkes, the fatherless Brawne family know Mr. Brown. The Brawne's eldest daughter, Fanny Brawne, and Mr. Brown don't like each other. She thinks he's arrogant and rude, and he feels that she is pretentious, knowing only how to sew (admittedly well as she makes all her own fashionable clothes), flirt and give opinions on subjects about which she knows nothing. Insecure struggling poet John Keats comes to live with his friend, Mr. Brown. Miss Brawne and Mr. Keats have a mutual attraction to each other, a relationship which however is slow to develop in part since Mr. Brown does whatever he can to keep the two apart. But other obstacles face the couple, including their eventual overwhelming passion for each other clouding their view of what the other does, Mr. Keats' struggling career which offers him ... Written by Huggo
Sitting in a packed cinema in Mill Valley, CA watching this film demonstrates that the film experience still exists and that great films can be made. This is a great movie experience because it is so gentle, simple and direct-no stunts-no noise-no robots-just a piece of history recreated with tenderness and poetic truth. Jane Champion shows how film can tell a story without interference and how the elements of film can join together to open a world of wonder and song.
The film is visual and very moving without being maudlin or melodramatic. It also refuses to dwell on the sensational, even the creative part of the story.
The viewer is left inspired to explore the creation of Keats, and no wonder. Such an introduction to a life would leave anyone hungry for more.
The performances are enchanting and almost mystical in scope. The cinematography is just inspired. So this is it-turn off your lap top and go to a show.....You will remember this for a very long time.