A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Based solely on a tea leaf reading, superstitious and introspective Kay believes she and Louis are destined to fall in love with each other, he who she is able to convince of the same ... See full summary »
An American girl inherits a fortune and falls into a misguided relationship with a gentleman confidence artist whose true nature, including a barbed and covetous disposition, turns her life into a nightmare.
In 1920s and 1930s New Zealand, Janet Frame grows up in a poor family with lots of brothers and sisters. Already at an early age she is different from the other kids. She gets an education ... See full summary »
While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho ... See full summary »
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
It's 1818 in Hampstead Village on the outskirts of London. Poet Charles Brown lives in one half of a house, the Dilkes family who live in the other half. Through their association with the Dilkes, the fatherless Brawne family know Mr. Brown. The Brawne's eldest daughter, Fanny Brawne, and Mr. Brown don't like each other. She thinks he's arrogant and rude, and he feels that she is pretentious, knowing only how to sew (admittedly well as she makes all her own fashionable clothes), flirt and give opinions on subjects about which she knows nothing. Insecure struggling poet John Keats comes to live with his friend, Mr. Brown. Miss Brawne and Mr. Keats have a mutual attraction to each other, a relationship which however is slow to develop in part since Mr. Brown does whatever he can to keep the two apart. But other obstacles face the couple, including their eventual overwhelming passion for each other clouding their view of what the other does, Mr. Keats' struggling career which offers him ... Written by
When Abigail is showing off her new baby to the Brawnes, Brown goes to talk to Fanny in the next room. Abigail comes in holding her baby, its head rested in one crook of her arm. In the next shot when she turns and leaves, the baby has flipped so its head is on the opposite side of her. See more »
Just saw this at the Ritz East. There wasn't much else playing & this had an 8.1 rating on IMDb so I thought I'd check it out. My instincts were well rewarded because this was one of the best movies I've seen. It was a very well constructed film detailing the relationship of the Romantic poet John Keats with his lover Fanny Brawne, as well as Keats' relationship with his friend and patron Charles Brown.
The actors were relatively unknown to me. I'm pretty sure I've seen Paul Schneider, who played Charles Brown, in other films. But Abbie Cornish, who played Fanny, and Ben Whishaw, who played Keats, are new to me. They were great. I can't imagine anyone doing a better job.
Jane Campion, the Director, brought the period to life. And the character development was outstanding. The viewer really felt a connection to the characters in the film, even minor characters, like Fanny's mother & siblings, were highly engaging. Fanny's younger sister was the most adorable little girl in film since Gretl in "The Sound of Music".
The music and mood of the movie fit the period and subject perfectly. I was mesmerized from the beginning to the end of this great film. I think I'll go back and see it again. It was that good.
The movie ended, while the credits rolled, with Whishaw reciting "Ode to a Nightingale" set to classical music. The audience stayed up until the last credit rolled. It was a nice touch to finish the movie with.
This movie will likely be the definitive film about Romantic poets. Maybe Campion will direct a movie about Byron in Greece or Shelley in Italy. One thing is for sure, she set the bar pretty high with "Bright Star".
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