Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden,... See full summary »
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Det. Sgt. Mark Dixon wants to be something his old man wasn't: a guy on the right side of the law. But Dixon's vicious nature will get the better of him.
A calculating divorcée risks her chances at wealth and security with a man she doesn't love by getting involved with the hotheaded murderer romancing her foster sister.
Director:
Robert Wise
Stars:
Claire Trevor,
Lawrence Tierney,
Walter Slezak
The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. There are only two problems: First, Nick is the violent type, preferring to do things... See full summary »
Director:
John Cromwell
Stars:
Robert Mitchum,
Lizabeth Scott,
Robert Ryan
A struggling young father-to-be gives in to temptation and impulsively steals money from the office of a shady lawyer - with catastrophic consequences.
Director:
Anthony Mann
Stars:
Farley Granger,
Cathy O'Donnell,
James Craig
Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden, whom he finds attractive and independent. However, Mary's brother is chief suspect in the killing. And Mary herself is blind. Written by
Jeremy Perkins <jwp@aber.ac.uk>
A hand-held camera was used in many scenes to give a "live action" feel to those sequences. This was extremely rare in feature films of the time. See more »
Goofs
Toward the end of the film when Ward Bond is sleeping in the chair, Robert Ryan removes the shells from his shotgun. However, minutes later Bond fires his shotgun. See more »
Quotes
Jim Wilson:
Serve drinks to juveniles, you get into trouble. How many times do I have to tell you that?
Bartender:
Whatta ya want me to do...? Every dame comes in here, look at her teeth...?
See more »
The musical score is worthy of Hitchcock's Finest thrillers and is part of what raises this "On Dangerous Ground" to the level of classic film noir. In fact, one might say that it stands on its own as one of the movie's characters - that, plus strong direction and stunning photography with unusual close-ups. For example, the opening shot shows a WOMAN picking up a shoulder holster with a gun in it. Is she some one's long-time gun moll? Is this movie about her?
"On Dangerous Ground" surprises you again and again with its many plot twists and excellent, though sometimes frightening characterizations. Mr. Ryan's character purposely lacks the charm exhibited by tough, film noir leading men like those portrayed by Dick Powell, Humphrey Bogart and Robert Mitchum. And Detective Jim Wilson (Robert Ryan) is just too brutal for the audience to admire.
Ida Lupino doesn't come onto the scene until about 37 minutes into the movie. Ms. Lupino takes what could easily be a one-dimensional supporting role, normally given to a second rate actress, and turns Mary Malden into an intelligent, sensitive and complex character.
Ward Bond, the always-competent supporting actor, is excellent as the avenging father. He is so blinded by his loss and rage that he repeatedly misses important clues that are right before his own eyes. Like Mary's blindness, or a critically important fact about the murderer.
22 of 31 people found this review helpful.
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The musical score is worthy of Hitchcock's Finest thrillers and is part of what raises this "On Dangerous Ground" to the level of classic film noir. In fact, one might say that it stands on its own as one of the movie's characters - that, plus strong direction and stunning photography with unusual close-ups. For example, the opening shot shows a WOMAN picking up a shoulder holster with a gun in it. Is she some one's long-time gun moll? Is this movie about her?
"On Dangerous Ground" surprises you again and again with its many plot twists and excellent, though sometimes frightening characterizations. Mr. Ryan's character purposely lacks the charm exhibited by tough, film noir leading men like those portrayed by Dick Powell, Humphrey Bogart and Robert Mitchum. And Detective Jim Wilson (Robert Ryan) is just too brutal for the audience to admire.
Ida Lupino doesn't come onto the scene until about 37 minutes into the movie. Ms. Lupino takes what could easily be a one-dimensional supporting role, normally given to a second rate actress, and turns Mary Malden into an intelligent, sensitive and complex character.
Ward Bond, the always-competent supporting actor, is excellent as the avenging father. He is so blinded by his loss and rage that he repeatedly misses important clues that are right before his own eyes. Like Mary's blindness, or a critically important fact about the murderer.