The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
Lonely aspirants on the LA singles scene hook up at their local grocery store, where they can see and be seen by some of their dubiously eligible fellow singles, all the while hoping for one magical relationship that will finally click...
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Amber is 40, beautiful, rich, spoiled, and arrogant beyond measure. Nothing makes this woman happy, including her wealthy but passive husband (Tony), a pharmaceutical kingpin. When Tony takes her on a private cruise from Greece to Italy, Amber is unimpressed at this impromptu no-frills vacation, and takes out her anger on the ship's first mate, Giuseppe. When a storm leaves the two shipwrecked on a deserted island, however, the tables suddenly turn... Written by
This is Guy Ritchie's third collaboration with his ex-wife, Madonna, after her (uncredited) turn in the BMW short film, Star (2001), and the music video "What It Feels Like for a Girl" (2001). See more »
When Guiseppe and Amber are back from the Island and the guy with the suitcase comes to offer reward money to Guiseppe, he's wearing a blue suit. Guiseppe angrily says he doesn't want his bribe. When the man comes back into the bar with the suitcase ONE MINUTE later at the most - he's wearing entirely different clothes. He has a green suit on. Pretty fast change. See more »
[while they all play poker]
Stop being such a pussy, Michael.
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This was visually a very pretty movie. The color of the ocean was so BLUE and the white sand beaches were so PRISTINE. The cinematography and tableaus created were so BREATHTAKING that the only pleasure one can derive fom this mess is an appreciation of the beaches in Sardinia. But all of that does not make up for a lack of plot or mischaracterizations of the protagonists. Madonna, who gets marooned on an island with a macho Italian steortypical guy reminded me of a petulant teenager. She related to her husband and Italain macho guy as a naughty teen would. No real depth of anything. The "funny" scenes were merely embarrassing. How could Guy Ritchie make something this bad? It doesn't make any sense after seeing Snatch and Lock, Stock. IT IS STOMACH CHURNING AWFUL people! I felt queasy with the slow motion fake-tears-chasing and the accompanying vertiginous piano: ping! ping! ping! This film was a romp on the beach with adults acting acting like thirteen year old dominant/submissives. (Madonna kissing macho's foot after she submits to him - bleh.)Most of the island scenes between these two adults were filmed like a home movie with the light shining on a worn out looking Madonna: "Look at me! See how buff and pretty I am! I can do push ups and dancie dance, and see how big my biceps are?" Oh my God. This was bad. Madonna doesn't act, she just plays herself. Just because she can cry on cue doesn't mean she is an actress.
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