The Driver now carries an arrogant rock star who is visiting a major city (not Pittsburgh as earlier believed). Played by Madonna, this title character wants to get away from her bodyguards... See full summary »
Toru Tanaka Jr.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
A rich woman, Raffaella, and some friends rent a yacht to sail the Mediterranean Sea during summer. The sailor, Gennarino, who is a communist, does not like this woman but has to bear with ... See full summary »
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Glendon Wasey is a fortune hunter looking for a fast track out of China. Gloria Tatlock is a missionary nurse seeking the curing powers of opium for her patients. Fate sets them on a hectic... See full summary »
Amber is 40, beautiful, rich, spoiled, and arrogant beyond measure. Nothing makes this woman happy, including her wealthy but passive husband (Tony), a pharmaceutical kingpin. When Tony takes her on a private cruise from Greece to Italy, Amber is unimpressed at this impromptu no-frills vacation, and takes out her anger on the ship's first mate, Giuseppe. When a storm leaves the two shipwrecked on a deserted island, however, the tables suddenly turn... Written by
When asked why Madonna, his then-wife was cast in this movie, Guy Ritchie reportedly replied: "Because she was cheap and available." See more »
Exactly 20 minutes into the movie, when a tipsy Amber runs into Giuseppe in the hallway as the boat is swaying back and forth, the position of Giuseppe's hand on the giant dead fish he's carrying changes between shots. See more »
[while they all play poker]
Stop being such a pussy, Michael.
See more »
This was visually a very pretty movie. The color of the ocean was so BLUE and the white sand beaches were so PRISTINE. The cinematography and tableaus created were so BREATHTAKING that the only pleasure one can derive fom this mess is an appreciation of the beaches in Sardinia. But all of that does not make up for a lack of plot or mischaracterizations of the protagonists. Madonna, who gets marooned on an island with a macho Italian steortypical guy reminded me of a petulant teenager. She related to her husband and Italain macho guy as a naughty teen would. No real depth of anything. The "funny" scenes were merely embarrassing. How could Guy Ritchie make something this bad? It doesn't make any sense after seeing Snatch and Lock, Stock. IT IS STOMACH CHURNING AWFUL people! I felt queasy with the slow motion fake-tears-chasing and the accompanying vertiginous piano: ping! ping! ping! This film was a romp on the beach with adults acting acting like thirteen year old dominant/submissives. (Madonna kissing macho's foot after she submits to him - bleh.)Most of the island scenes between these two adults were filmed like a home movie with the light shining on a worn out looking Madonna: "Look at me! See how buff and pretty I am! I can do push ups and dancie dance, and see how big my biceps are?" Oh my God. This was bad. Madonna doesn't act, she just plays herself. Just because she can cry on cue doesn't mean she is an actress.
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