Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her ex-boyfriend drives by and asks her to go on a date with him. ... See full summary »

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Won 1 Oscar. Another 21 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
Zoë
...
Dave
Jodie Mitchell ...
Kelly
Molly Griffiths ...
Sinead
Kaitlyn Raynor ...
Leanne
Danny Daley ...
Kai
Lizzie Colbert ...
Bullet-head
Ashley Routledge ...
Brown-haired girl
Tabitha Crewe ...
Barmaid
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Storyline

Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her ex-boyfriend drives by and asks her to go on a date with him. Scared that he doesn't want to go out with her, she lies and tells him that she is just babysitting the kids. This will be her first date in years. Written by Rhodry

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Short | Drama

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23 October 2004 (USA)  »

Also Known As:

Ampiainen  »

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1.85 : 1
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Trivia

Sound recordist Neil Robert Herd plays guitar and sings in alt-bluegrass band The Coal Porters. See more »

Connections

Featured in The 77th Annual Academy Awards (2005) See more »

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Nothing
Performed by A
Courtesy of Warner Strategic Marketing UK
Written by Chapman / Perry / Perry / Perry
Published by Warner Chappell Music Ltd
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User Reviews

A bit too forgiving but interesting and very well delivered
25 September 2005 | by (United Kingdom) – See all my reviews

Zoë is a single mum with four kids living on a council estate. Things are rough for the family, with little money to spend on basics such as food and the like although Zoë doesn't really help herself by what she does. Asked out to the pub by Dave, Zoë has to try a place for her kids so she can meet him up.

Perhaps not worthy of the status of being an Oscar winner this is still an interesting and well-made film. Another reviewer on this site has commented that the film can probably be interpreted to suit your politic leaning but I thought that was actually a good aspect of it because it is so ambiguous. Is Zoe a victim of her surroundings or is she just a selfish, council-estate chav? On the surface it is an easy question to answer but, although I did lean towards the latter, the film did make me think about her situation, her poor options and the depressing future that her kids have in front of them. The inability to come down on either side of the fence does take away from the film a bit but I found that the thoughts it gave me covered for it; although I can also see why it would the subject would bother some viewers – after all, are we really expected to be engaged by a lead character that we would move cities to avoid? Press plays her well regardless though. She is totally convincing and deserves credit for being so natural and not allowing the sentimental leaning of the script to turn her into a sympathetic character. Dyer is a good face to have involved and is his usual good value in a wide boy character. The kids are very good and are the heart of the film, delivering depressingly natural depictions of council estate kids – f**ked from birth.

Overall this is an uneven film that will be taken different ways by different viewers but will likely bother many with its forgiving look at a real piece of white trash. However it is still thought provoking and that makes it worth seeing along with very good direction and generally strong performances.


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