A story within a story. In Australia's Northern Territory, a man tells us one of the stories of his people and his land. It's a story of an older man, Minygululu, who has three wives and ... See full summary »
Rolf de Heer,
Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.
Jennifer Jason Leigh,
Stephen Adly Guirgis
With a plan to exact revenge on a mythical shark that killed his partner, oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
In Albuquerque Sheryl Hoover brings her suicidal brother Frank to the breast of her dysfunctional and emotionally bankrupted family. Frank is homosexual, an expert in Proust. He tried to commit suicide when he was rejected by his boyfriend and his great competitor became renowned and recognized as number one in the field of Proust. Sheryl's husband Richard is unsuccessfully trying to sell his self-help and self-improvement technique using nine steps to reach success, but he is actually a complete loser. Her son Dwayne has taken a vow of silence as a follower of Nietzsche and aims to be a jet pilot. Dwayne's grandfather Edwin was sent away from the institution for elders (Sunset Manor) and is addicted in heroin. When her seven-year-old daughter Olive has a chance to dispute the Little Miss Sunshine pageant in Redondo Beach, California, the whole family travels together in their old Volkswagen Type 2 (Kombi) in a funny journey of hope of winning the talent contest and to make a dream ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Originally written as an East Coast road trip movie from Maryland to Florida, it was shifted to a journey from New Mexico to California due to shooting issues. See more »
In the hotel scene Dwayne is lying on the right hand side of the bed, after he turns the TV off, The Shot turns to the mirror where you see Dwayne now on the left hand side of the bed. Upon cutting away from the mirror Dwayne is now back on the right hand side. See more »
There are two kinds of people in this world, winners and losers.
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Comedies about families usually come in one of two genres. Often featuring dysfunctional families (are those two words redundant?), they are either broad and goofy ("Cheaper by the Dozen") or dark and abstruse ("The Royal Tenenbaums"). Driving its Volkswagon bus down the middle of these two extremes is "Little Miss Sunshine", a comedy both inclusive and exclusive, one that some will get entirely, while others will whiff on to the same degree.
The title stems from a beauty pageant in which seven-year old Olive (Abigail Breslin of "Signs") competes. For a good portion of the film, the contest serves as a MacGuffin of sorts, putting an already odd mix of family members on the road in bizarre situations that call Vegas Vacation to mind.
But "Sunshine" is far more than the slapstick of "Vacation". It mixes humor both broad and subtle humor into a strange brew of comedy, poignancy, lessons, and life. Huge and deep issues are addressed, topics like death, dreams, and failure. Yet somehow the movie doesn't feel heavy. You'll walk out with a smile on your face because the movie sensibly touches on these issues, realizing that stuff happens and life continues, that the handling of adversity is often what defines people. And above all, there is family, which you're stuck with, for better and worse.
"Sunshine" may not grab you right away, which is part of its power. It burns slowly, introducing the family members to the viewing outsiders through observation, then putting the viewers in the bus with them as they enter a foreign world. All this is done without lapsing into melodrama and without losing steam as the movie chugs toward the climactic final scene, continuously building momentum along the way, before promptly getting out on top.
Rather crude at times, "Sunshine" is not a movie for children, nor is it for anyone who takes life or movies too seriously. But if you excel at finding the askance humor in life and film, then you will relish this offbeat look at a collection of family dynamics perhaps only slightly stranger than most, although definitely more extreme.
Bottom Line: One of the year's best, and likely its best comedy. 8 of 10.
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