Patrick Bateman, a young, well to do man working on wall street at his father's company kills for no reason at all. As his life progresses his hatred for the world becomes more and more intense. Written by
Fabian DuBois <firstname.lastname@example.org>
Having read the novel by Easton-Ellis a year ago I was intrigued to find out how it could be made into a movie.
Whilst turned off by the totally uneccesary details of Batemans crimes in the book, I felt that Easton's insight into superficial 80's yuppie culture made it a classic.
Who could play a credible Bateman? Leonardo Di Caprio? I think not.
How would Mary Harron deal with those controversial torture scenes?
What we got was one of the finest movies I have seen for some time. Of course, those of closed minds will slate this film without even bothering to see it, simply because of the book's notoriety.
I was impressed to see how closely Harron followed the book, replacing the un-filmable seens with suggestion, aka ear-cutting scene from resevior dogs, so that you believe you have seen more than you have. There are more parallels with Tarantino, such as the use of classic (& non classic ) 80's pop to create a stylised feel to the movie, that has not been seen since Pulp Fiction.
Casting was superb, with Cristian Bale giving the performance of a lifetime, We, the audience, saw the souless monster within, Batemans superficial aquaintences, saw another faceless human being.
Just like the book, you are never sure wether Batemans crimes are real, or just imaginary, but his slide into insanity is clearly real and paced expertly by Bale.
Rheese Witherspoon as Evelyn was disappointing, "Election" showed what a great actress she is and although this role called for an airhead performance, it was clear that she was cruising.
Mary Harron deserves the credit for creating an excellent film, that could have so easily been just another slasher movie.
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