A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
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The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
Director:
Oliver Hirschbiegel
Stars:
Moritz Bleibtreu,
Christian Berkel,
Oliver Stokowski
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
Director:
Darren Aronofsky
Stars:
Natalie Portman,
Mila Kunis,
Vincent Cassel
In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
Director:
Florian Henckel von Donnersmarck
Stars:
Martina Gedeck,
Ulrich Mühe,
Sebastian Koch
A mentally unstable Vietnam war veteran works as a nighttime taxi driver in New York City where the perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage prostitute in the process.
Director:
Martin Scorsese
Stars:
Albert Brooks,
Robert De Niro,
Jodie Foster
A horrific car accident connects three stories, each involving characters dealing with loss, regret, and life's harsh realities, all in the name of love.
Director:
Alejandro González Iñárritu
Stars:
Emilio Echevarría,
Gael García Bernal,
Goya Toledo
A high school teacher's unusual experiment to demonstrate to his students what life is like under a dictatorship spins horribly out of control when he forms a social unit with a life of its own.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
Jean-Baptiste Grenouille, born with a superior olfactory sense, creates the world's finest perfume. His work, however, takes a dark turn as he searches for the ultimate scent.
Director:
Tom Tykwer
Stars:
Ben Whishaw,
Francesc Albiol,
Dustin Hoffman
Patrick Bateman, a young, well to do man working on wall street at his father's company kills for no reason at all. As his life progresses his hatred for the world becomes more and more intense. Written by
Fabian DuBois <fabian_dubois@sliquid.cjb.net>
The two large lithographs (posters) in Bateman's apartment are part of a series called "Men in the Cities" by Robert Longo. See more »
Goofs
In the scene where Patrick is sitting on his couch making reservations for Dorsia, the camera angle from the side shows his hair styled entirely back from his face. When the camera angle switches to the front there is a noticeable lock of hair hanging in front of his face. The camera switches back to the side view and his hair is styled entirely back from his face again. See more »
Quotes
Patrick Bateman:
[voiceover]
I'm on the verge of tears by the time we arrive at Espace, since I'm positive we won't have a decent table. But we do, and relief washes over me in an awesome wave.
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In 1991, Bret Easton Ellis' controversial novel "American Psycho" took the world by storm women accused it of being misogynist, sexist filth and others were understandably shaken by its brutal and graphic depictions of unprovoked violence and torture.
Set in the 1980s, the book follows the story of a 27-year-old Harvard graduate named Patrick Bateman, who goes on a killing spree and murders "twenty, maybe forty people." It was originally slated for circulation in 1990, but Random House pulled out of distribution, fearing backlash. It was later released as part of a Vintage Series, and quickly sold over 250,000 copies, becoming one of the most popular (and, to some, important) literary works of our time.
In the movie, Welsh actor Christian Bale portrays Bateman gleefully tongue-in-cheek, whether it's confessing to manslaughter over the phone (" I just had to kill a lot of people!") or dancing to Huey Lewis and the News' "Fore" album before hitting an associate over the head with an axe.
Patrick is a troubled guy. On the surface, he appears to be normal he's a Wall Street broker with a secretary, an expensive apartment suite, his own limo and a fancy business card. But on the inside, he's a monster complete with an insatiable blood lust and lack of empathy for fellow human beings. (If he can indeed be classified as one.) As a film and a novel, "American Psycho" is an attack on the absurdities of the '80s yuppie era sometimes the satire isn't very subtle, in fact it's often made very clear, but I liked it. Because the movie is so eccentric and over-the-top, and Bale is so loony and maniacal, the satire needs to be equally strong and it is. Whether it's business men drooling over each other's fetishistic business cards or Patrick discussing the nuances of modern pop music before killing more victims, "American Psycho" hits strong and hard this is a great, overwhelming cinematic and visual experience. It cannot be condemned for being unsubtle it never was.
The performances are wonderful. Bale is superb as Bateman, totally embodying the character. As a man bewildered by his environment, and wanting only desperately to fit in, Bateman listens to Genesis and "Hip to Be Square"; finally we have proof that too much Phil Collins and Huey Lewis will turn you into the next Ed Gein.
Perhaps some fans of the novel will dislike Bale's performance (at times, it almost seems comical, such as when he murders his coworker Paul Allen, played by Jared Leto). But I thought it was the perfect mix of introspection, self-hatred, outer-loathing, lust, conformity and schizophrenia. Bale manages to capture all of this perfectly, and by the end of the film, I could not imagine anyone else in the role.
Willem Dafoe, Chloe Sevigny and Reese Witherspoon all have co-starring roles, but at the end of the day it is Bale who really drives this film home he's the reason it's worth seeing, and in part the reason it exceeds beyond the typical restraints of its genre.
Since its release, many critics have accused "American Psycho" of being a watered-down version of the book, being both "politically correct" and "lacking satire." However, I don't recall the last time I saw a man beat a dog to death with the heel of his shoe in a mainstream motion picture. Or chase after a prostitute completely naked, wielding a bloodied chainsaw. Or hold a gun to a cat's head and threaten to feed it to an ATM machine.
In fact, when "American Psycho" was previewed before the Motion Picture Association of America, they gave it an NC-17 rating not for its violence, as one might expect, but rather for its threesome scene between Patrick and two prostitutes.
Director Mary Harron cut footage from the film and finally managed to achieve an R-rating, but on a new "Uncut Killer Collector's Edition" DVD, you can see the film as it was intended to be seen and it's a real fine treat. Now excuse me, I have to go return some videotapes.
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In 1991, Bret Easton Ellis' controversial novel "American Psycho" took the world by storm women accused it of being misogynist, sexist filth and others were understandably shaken by its brutal and graphic depictions of unprovoked violence and torture.
Set in the 1980s, the book follows the story of a 27-year-old Harvard graduate named Patrick Bateman, who goes on a killing spree and murders "twenty, maybe forty people." It was originally slated for circulation in 1990, but Random House pulled out of distribution, fearing backlash. It was later released as part of a Vintage Series, and quickly sold over 250,000 copies, becoming one of the most popular (and, to some, important) literary works of our time.
In the movie, Welsh actor Christian Bale portrays Bateman gleefully tongue-in-cheek, whether it's confessing to manslaughter over the phone (" I just had to kill a lot of people!") or dancing to Huey Lewis and the News' "Fore" album before hitting an associate over the head with an axe.
Patrick is a troubled guy. On the surface, he appears to be normal he's a Wall Street broker with a secretary, an expensive apartment suite, his own limo and a fancy business card. But on the inside, he's a monster complete with an insatiable blood lust and lack of empathy for fellow human beings. (If he can indeed be classified as one.) As a film and a novel, "American Psycho" is an attack on the absurdities of the '80s yuppie era sometimes the satire isn't very subtle, in fact it's often made very clear, but I liked it. Because the movie is so eccentric and over-the-top, and Bale is so loony and maniacal, the satire needs to be equally strong and it is. Whether it's business men drooling over each other's fetishistic business cards or Patrick discussing the nuances of modern pop music before killing more victims, "American Psycho" hits strong and hard this is a great, overwhelming cinematic and visual experience. It cannot be condemned for being unsubtle it never was.
The performances are wonderful. Bale is superb as Bateman, totally embodying the character. As a man bewildered by his environment, and wanting only desperately to fit in, Bateman listens to Genesis and "Hip to Be Square"; finally we have proof that too much Phil Collins and Huey Lewis will turn you into the next Ed Gein.
Perhaps some fans of the novel will dislike Bale's performance (at times, it almost seems comical, such as when he murders his coworker Paul Allen, played by Jared Leto). But I thought it was the perfect mix of introspection, self-hatred, outer-loathing, lust, conformity and schizophrenia. Bale manages to capture all of this perfectly, and by the end of the film, I could not imagine anyone else in the role.
Willem Dafoe, Chloe Sevigny and Reese Witherspoon all have co-starring roles, but at the end of the day it is Bale who really drives this film home he's the reason it's worth seeing, and in part the reason it exceeds beyond the typical restraints of its genre.
Since its release, many critics have accused "American Psycho" of being a watered-down version of the book, being both "politically correct" and "lacking satire." However, I don't recall the last time I saw a man beat a dog to death with the heel of his shoe in a mainstream motion picture. Or chase after a prostitute completely naked, wielding a bloodied chainsaw. Or hold a gun to a cat's head and threaten to feed it to an ATM machine.
In fact, when "American Psycho" was previewed before the Motion Picture Association of America, they gave it an NC-17 rating not for its violence, as one might expect, but rather for its threesome scene between Patrick and two prostitutes.
Director Mary Harron cut footage from the film and finally managed to achieve an R-rating, but on a new "Uncut Killer Collector's Edition" DVD, you can see the film as it was intended to be seen and it's a real fine treat. Now excuse me, I have to go return some videotapes.