Shane and June Brown are an American couple honeymooning in Paris in an effort to nurture their new life together, a life complicated by Shane's mysterious and frequent visits to a medical ...
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Teenage siblings Nenette and Boni were raised apart as a result of their parents' divorce. Their mother, who doted on her son Boni, has died. He works for an interesting couple as a pizza ... See full summary »
Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have ... See full summary »
Hélène de Saint-Père
Denis revisits Africa, this time exploring a place rife with civil and racial conflict. A white French family outlawed in its home and attempting to save its coffee plantation connects with... See full summary »
Isaach De Bankolé
Louis Trebor, a man nearing 70, lives alone with dogs in the forest near the French-Swiss border. He has heart problems, seeks a transplant, and then goes in search of a son sired years ... See full summary »
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Beautiful Daiga has emigrated from Lithuania to Paris and is looking for a place to stay and work. Theo is a struggling musician, and his brother Camille - a transvestite dancer. One of ... See full summary »
Shane and June Brown are an American couple honeymooning in Paris in an effort to nurture their new life together, a life complicated by Shane's mysterious and frequent visits to a medical clinic where cutting edge studies of the human libido are undertaken. When Shane seeks out a self-exiled expert in the field, he happens upon the doctor's wife, another victim of the same malady. She has become so dangerous and emotionally paralyzed by the condition that her husband imprisons her by day in their home. It is Shane's chance encounter with this woman that triggers an event so cataclysmic and shocking it might just lead him to rediscover the tranquility he seeks to restore for himself and his new bride.
"Trouble Every Day" is, for me, one of the most unfairly maligned films of recent times. Surely it is the admittedly confronting content that has people dismissing this near-brilliant meditation on carnal desire, blood lust and homicidal tendencies, and not the filmmaking. There is something gratuitous about the scenes of explicit violence in "Trouble Every Day" but I see no reason why this is grounds to reject the film outright. I think everything else works pretty well from the elliptical narrative that never lets on more than it needs, the stripped and reserved performances, the suggestive camera work and the beautiful, atmospheric photography. The sense of menace created by the guttural aural track and the bloody violence suggest an unusual link between art-film and horror that is reminiscent of Cronenberg and Ferrara. One of the more compelling films I've seen in recent times.
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