A young FBI agent infiltrates an extraordinary team of extreme sports athletes he suspects of masterminding a string of unprecedented, sophisticated corporate heists. "Point Break" is inspired by the classic 1991 hit.
In the coastal town of Los Angeles, a gang of bank robbers call themselves the ex-presidents. commit their crimes while wearing masks of ex-presidents Reagan, Carter, Nixon and Johnson. The F.B.I. believes that the members of the gang could be surfers and send young agent Johnny Utah undercover at the beach to mix with the surfers and gather information. Utah meets surfer Bodhi and gets drawn into the lifestyle of his new friend. Written by
Sami Al-Taher <email@example.com>
During the raid on the drug dealers' house, a poster for Metallica's hit single One is briefly visible. See more »
After the foot chase Johnny hurts his knee and is later shown with it strapped and he is unable to stand properly on it. After the first skydive he gets into the back of a van in a crouching position, but shows no discomfort, despite not being able to stand on the knee only a few hours earlier. See more »
I'm not armed.
[lifts up his shirt to Bodhi]
But, you're not alone.
Good guess. There is a guy on you now.
Where is Roach?
He's around somewhere. Listen Johnny, we're in a kind of a hurry; is there anything you need?
You gotta tell me where she is.
Oh yeah, and let my policy expire. Good idea.
Look Bodhi, people are dead, the ride is over.
[...] See more »
Down to the Wire
Performed by Little Caesar
Written by Ronald Curtis Young, Jimmy Haynes aka Apache, Fidel Angel Paniagua, Lauren Douglas Molinare,
Thomas Nielson Morris
Produced by Mike Clink
Courtesy of DGC Records See more »
Thirteen years on it sounds a little trite - an FBI agent examines his inner self whilst trying to bring down a gang of surfer bank robbers by infiltrating their scene. But dude, how Point Break pulled this off!
In what can now safely be regarded as one of the more generation-defining cinematic moments of the nineties, Point Break serves as not just a credible well-paced action thriller spectacle, but also as a voice for advocates of the adrenalin rush. The movie's sleeper popularity at the time would no doubt have helped issue in a new generation of 'X' sports for a new generation, as hungry sponsors leapt at a new market.
Kathryn Bigelow takes some key pointers from then hubby James Cameron and paces the movie brilliantly. There are many key moments of unique action - that chute-less jump from 4,000 feet being the highlight - that filled the trailer, but it is the cumulative effect of bringing these moments together that adds to the picture. For so many films the denouement is a gross failure but Bigelow controls the films peaks and troughs expertly and the ending is genuinely well handled, something that appears to be a real struggle for Hollywood today.
In what will go down as Patrick Swayze's finest moment on film, he plays the adrenalin guru Bodhi with glaze-eyed and silver tongued expertise, and manages to pull off the very difficult assignment of being both sane and insane simultaneously with accomplishment.
You can almost feel pulled by Bodhi's enthusiasm for a sensation 'as close as you get to God', and as a result can excuse the decade for being labeled that of the 'slacker' generation. The nineties weren't about slacking, just looking for a different kind of high.
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