7.2/10
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Point Break - Extrême limite (1991)

Point Break (original title)
An FBI agent goes undercover to catch a gang of surfers who may be bank robbers.

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(story), (story) | 1 more credit »
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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Ben Harp (as John McGinley)
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Julian Reyes ...
Alvarez
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Babbit
Chris Pedersen ...
Vincent Klyn ...
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Dave Olson ...
Archbold
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Storyline

In the coastal town of Los Angeles, a gang of bank robbers call themselves the ex-presidents. commit their crimes while wearing masks of ex-presidents Reagan, Carter, Nixon and Johnson. The F.B.I. believes that the members of the gang could be surfers and send young agent Johnny Utah undercover at the beach to mix with the surfers and gather information. Utah meets surfer Bodhi and gets drawn into the lifestyle of his new friend. Written by Sami Al-Taher <staher2000@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

Point Break: 100% Pure Adrenaline! See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and brief nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

12 July 1991 (USA)  »

Also Known As:

Johnny Utah  »

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Box Office

Budget:

$24,000,000 (estimated)

Gross USA:

$43,218,387

Cumulative Worldwide Gross:

$97,000,000, 31 December 1991
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Deluxe)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This film and Platoon (1986), both feature Chris Pedersen and John C. McGinley. Also, Keanu Reeves auditioned for a role in Platoon, while Charlie Sheen, Johnny Depp, and Willem Dafoe were contenders for the role of Utah. See more »

Goofs

When Bodhi shows Jonny the 'kidnap' tape in the back of the van, the monitor is a small, approx 5 inch portable device with dials down the right-hand side and the VCR underneath. However, when they exit the van and we can see inside, the monitor is now a normal 12 inch portable TV with no dials and the VCR appears to be on top of the TV. See more »

Quotes

[first lines]
Shooting Instructor: [Agent Utah finishes his gun range test] 100%, Utah. Good job!
See more »


Soundtracks

Down to the Wire
Performed by Little Caesar
Written by Ronald Curtis Young, Jimmy Haynes aka Apache, Fidel Angel Paniagua, Lauren Douglas Molinare,
Thomas Nielson Morris
Produced by Mike Clink
Courtesy of DGC Records
See more »

Frequently Asked Questions

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User Reviews

 
The film for an adrenaline generation
14 October 2004 | by See all my reviews

Thirteen years on it sounds a little trite - an FBI agent examines his inner self whilst trying to bring down a gang of surfer bank robbers by infiltrating their scene. But dude, how Point Break pulled this off!

In what can now safely be regarded as one of the more generation-defining cinematic moments of the nineties, Point Break serves as not just a credible well-paced action thriller spectacle, but also as a voice for advocates of the adrenalin rush. The movie's sleeper popularity at the time would no doubt have helped issue in a new generation of 'X' sports for a new generation, as hungry sponsors leapt at a new market.

Kathryn Bigelow takes some key pointers from then hubby James Cameron and paces the movie brilliantly. There are many key moments of unique action - that chute-less jump from 4,000 feet being the highlight - that filled the trailer, but it is the cumulative effect of bringing these moments together that adds to the picture. For so many films the denouement is a gross failure but Bigelow controls the films peaks and troughs expertly and the ending is genuinely well handled, something that appears to be a real struggle for Hollywood today.

In what will go down as Patrick Swayze's finest moment on film, he plays the adrenalin guru Bodhi with glaze-eyed and silver tongued expertise, and manages to pull off the very difficult assignment of being both sane and insane simultaneously with accomplishment.

You can almost feel pulled by Bodhi's enthusiasm for a sensation 'as close as you get to God', and as a result can excuse the decade for being labeled that of the 'slacker' generation. The nineties weren't about slacking, just looking for a different kind of high.


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