In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a ... See full summary »
At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time ... See full summary »
The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life. After witnessing the "... See full summary »
In Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari ... See full summary »
Muriel Santa Ana,
In a small coastal town of fishermen in Uruguay, the biologist Kraken works and lives in a house at the sea side with his wife Suli and their aggressive fifteen year-old daughter Alex. When Suli welcomes her former best friend Erika that comes with her husband, the surgeon Ramiro and their teenage son Alvaro to spend a couple of days with her family, Kraken learns that his wife invited Ramiro to operate Alex. Meanwhile Alex and Alvaro feel attracted by each other; however, Alvaro finds that Alex is hermaphrodite and she finds that Alvaro is gay. But the troubled and outcast Alex has the right to choose what gender she wants for her. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
On September 27, 2007, XXY was chosen to represent Argentina at the Oscars, for the Best Foreign Language Film category. In a rare sweep, it was also chosen to represent Argentina at Spain's Goya Awards, for Best Foreign Film in Spanish. The tradition has been for two separate films to be sent to one of the awards each. The runner-up this year, in both cases, was La señal (2007), also starring (and co-directed by) Ricardo Darín. See more »
In the scene that Alex, Alvaro and Vando are smoking and drinking by the fire, the bottle that is left next to Alvaro when the other two are peeing moves from his left to his right between camera switches. See more »
I want to sleep with you because I'll never fall in love with you.
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The chromosomal abnormality of XXY has been labeled as Klinefelter's Syndrome, hermaphroditism, and Intersex. The 'conception' defect results in a child with both male and female organs and when detected at birth usually results in a decision between physicians and parents to surgically alter the child to be one or the other phenotypic assignments - male or female. In this remarkably sensitive film based on a short story 'Cinismo' by Sergio Bizzio and adapted for the screen by writer/director Lucía Puenzo, XXY becomes a story of understanding and acceptance of a diagnosis by both child and parents and the conflicts such gender variation can present.
Alex (Inés Efron) is the XXY patient of the story, having been raised on the isolated coastline of Uruguay as a girl with the aid of supplemental hormones until age 15, the age when her loving Argentinean parents Kraken (Ricardo Darín) and Suli (Valeria Bertuccelli) have decided she should have her 'offending member' removed, allowing her to become a completely phenotypic female. Alex is deeply conflicted about her situation, refuses to take her medications and enjoys being 'one of the boys' in secret. When Alex's parents invite their surgeon friend Ramiro (Germán Palacios) and his wife Erika (Carolina Pelleritti) to their home to advise them on the surgical alternatives, they are accompanied by their artistic son Alvaro (Martín Piroyansky). There is an attraction between Alex and Alvaro and this ultimately results in a crisis that results in the coming of age and self-acceptance of both youngsters. Lucía Puenzo and her fine cast sensitively explore the interaction between parents and children and the coming to grips with choice of identity. This is yet another challenging and rewarding film from Argentina, one that stands alone as a fine movie, but one that also would be wise to add to the film libraries of high school and college students and of patient resource facilities who deal with problems of gender identity. Highly recommended. Grady Harp
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