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At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time ... See full summary »
In Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari ... See full summary »
Muriel Santa Ana,
In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a ... See full summary »
The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life. After witnessing the "... See full summary »
In a small coastal town of fishermen in Uruguay, the biologist Kraken works and lives in a house at the sea side with his wife Suli and their aggressive fifteen year-old daughter Alex. When Suli welcomes her former best friend Erika that comes with her husband, the surgeon Ramiro and their teenage son Alvaro to spend a couple of days with her family, Kraken learns that his wife invited Ramiro to operate Alex. Meanwhile Alex and Alvaro feel attracted by each other; however, Alvaro finds that Alex is hermaphrodite and she finds that Alvaro is gay. But the troubled and outcast Alex has the right to choose what gender she wants for her. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
On September 27, 2007, XXY was chosen to represent Argentina at the Oscars, for the Best Foreign Language Film category. In a rare sweep, it was also chosen to represent Argentina at Spain's Goya Awards, for Best Foreign Film in Spanish. The tradition has been for two separate films to be sent to one of the awards each. The runner-up this year, in both cases, was La señal (2007), also starring (and co-directed by) Ricardo Darín. See more »
In the scene that Alex, Alvaro and Vando are smoking and drinking by the fire, Alex and Vando stay up to pee while the camera shows a quiet Alvaro. For a moment, you can still hear the sound of the liquid moving inside the bottle as if he was drinking, while the camera shows that he is sitting still and the bottle is on the ground. See more »
What do you regret the most? Not seeing me again, or not having seen it?
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" There is something wonderful about being different, but few are courageous enough to choose it "
The world as we have come to know it has not changed in thousands of years. That which was seen as strange, bizarre and unusual in past eras, has come to be known as simply different, but nothing science cannot correct. In the modern world, medical wonders have become common place. Unfortunately, that goes for Freaks as well. Such strange and unusual people are still far from the 'Norm'. They are still vilified in such a way, that most people want to have themselves 'altered' to fit in so as not to frighten children or cause controversy. This film " XXY "is about a ' Hermaphrodite ' called Alex (Ines Efron) a fifteen year old girl who has decided not be surgically corrected into either a male or female. Her parents are deeply troubled with her decision as are her few friends. Her closest friend is a teenage boy named Alvaro (Martin Piroyansky) the son of a surgeon and his wife who have joined Alex's parents on a retreat to the beach. There, it is hoped, Alex will chose a gender which best suits her. Despite the fact that Alex feels drawn to Alvaro, she also is troubled as to why she feels it's wrong. The entire film is dedicated to her struggles. It's confrontational setting brings out the curious in neighborhood boys and girls and causes Alex to wonder if she would be better off dead. The film is very slow to develop, slower still to present a particular direction and hampered by juvenile editing and a static script. The ocean scenery fluctuate's like the constant change of setting and furtive characters with no real fixed direction. It does however create a modem amount of sympathy for the main character, who remains as elusive in her decision as her dark aspirations. A good film for an undemanding audience who desires what the main character wants, resolution. ****
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