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Lost in Translation (2003)
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Overview
User Rating:
Release Date:
3 October 2003 (USA) moreTagline:
Everyone wants to be found. morePlot:
A movie star with a sense of emptiness, and a neglected newlywed meet up as strangers in Tokyo, Japan and form an unlikely bond. full summary | add synopsisAwards:
Won Oscar. Another 70 wins & 59 nominations moreNewsDesk:
(190 articles)
Is Avatar One of the Top 100 Movies of the Decade? (From FilmJunk. 11 November 2009, 6:23 AM, PST)
Photos: Sofia Coppola’s Somewhere, Noah Baumbach’s Greenberg, and The American
(From Slash Film. 10 November 2009, 11:16 PM, PST)
User Comments:
Sometimes the simplest stories make the best films more (1712 total)Cast
(Cast overview, first billed only)| Scarlett Johansson | ... | Charlotte | |
| Bill Murray | ... | Bob Harris | |
| Akiko Takeshita | ... | Ms. Kawasaki | |
| Kazuyoshi Minamimagoe | ... | Press Agent | |
| Kazuko Shibata | ... | Press Agent | |
| Take | ... | Press Agent | |
| Ryuichiro Baba | ... | Concierge | |
| Akira Yamaguchi | ... | Bellboy | |
| Catherine Lambert | ... | Jazz Singer | |
| François du Bois | ... | Sausalito Piano (as Francois du Bois) | |
| Tim Leffman | ... | Sausalito Guitar | |
| Gregory Pekar | ... | American Businessman #1 | |
| Richard Allen | ... | American Businessman #2 | |
| Giovanni Ribisi | ... | John | |
| Diamond Yukai | ... | Commercial Director (as Yutaka Tadokoro) |
Additional Details
MPAA:
Rated R for some sexual content.Parents Guide:
View content advisory for parentsRuntime:
102 minColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby DigitalCertification:
Indonesia:Dewasa | Canada:PG (British Columbia/Manitoba/Nova Scotia/Ontario) | Malaysia:18PL (re-rating) | Malaysia:(Banned) (uncut version) | Iceland:L | Hungary:14 | Greece:K | Argentina:13 | Australia:PG | Brazil:14 | Canada:14A (Alberta) | Canada:G (Québec) | Chile:TE | Finland:K-11 | Germany:6 (bw) | Hong Kong:IIB | Italy:T | Netherlands:AL | New Zealand:PG | Norway:A | Peru:PT | Philippines:PG-13 | Portugal:M/12 | Singapore:PG (edited for re-rating) | Singapore:R(A) (original rating) | South Korea:15 | Spain:13 | Sweden:Btl | Switzerland:12 (canton of the Grisons) | UK:15 | USA:R | Singapore:M18 (DVD rating)Fun Stuff
Trivia:
The opening shot of Scarlett Johansson is actually influenced by a painting by John Kacere, whose painting shows up later in the hotel. moreGoofs:
Continuity: When Bob lies alone near the beginning of the movie (just before he gets a fax), the clock reads 4:20 in a close-up shot. At the end of the following long-distance shot, the clock is blurry, but clearly changes (probably to 4:21). In the following shots, it's back to 4:20. moreQuotes:
[first lines]Ms. Kawasaki: Welcome to Tokyo.
Bob: Thank you very much.
Ms. Kawasaki: My name is Kawasaki. Nice to meet you.
Bob: I've heard of you. Thank you.
more
Soundtrack:
Scarborough Fair/Canticle moreFAQ
What did Bob whisper into Charlotte's ear?What temples and shrines does Charlotte go to?
more
more (1712 total)
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I went through an array of emotions and expressions watching this film; most of them centred around how bizarre I thought it was, yet it was like a good book I simply couldn't put down even if the film itself lived up to its title at times.
This is by far the best work Bill Murray has done, and it will be a pleasant surprise for many to see him find a new (to me, anyway) side to his ability as an actor. He captures the role with such precision that you don't realise this is the same guy who, dare I even mention it in the same breath, provided the voice of Garfield last year. You see a few traces of his characteristic smugness every once in a while, but by and large the Bill Murray you see is a lot more serious... and seriously damned good.
It's such a simple story... unhappy married man meets unhappy married woman in a place neither of them are familiar with, and suddenly realise that they're all the other has got at least for the time being. In an age where Hollywood is trying (mostly unsuccessfully) to scare and shock us with something new at every turn, Sofia Coppola takes what should be the premise for a typical chick flick and turns it into something that anyone who has ever experienced an emotion of any description can watch and appreciate.
A brilliant film in any language.