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Lost in Translation (2003)

 -  Drama  -  3 October 2003 (USA)
7.8
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Ratings: 7.8/10 from 265,305 users   Metascore: 89/100
Reviews: 1,807 user | 259 critic | 44 from Metacritic.com

A faded movie star and a neglected young woman form an unlikely bond after crossing paths in Tokyo.

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Won 1 Oscar. Another 102 wins & 78 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Akiko Takeshita ...
Kazuyoshi Minamimagoe ...
Press Agent
Kazuko Shibata ...
Press Agent
Take ...
Press Agent
Ryuichiro Baba ...
Concierge
Akira Yamaguchi ...
Bellboy
...
Jazz Singer
...
Sausalito Piano (as Francois du Bois)
Tim Leffman ...
Sausalito Guitar
...
American Businessman #1
Richard Allen ...
American Businessman #2
...
Daiamondo Yukai ...
Commercial Director (as Yutaka Tadokoro)
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Storyline

Bob Harris is an American film actor, far past his prime. He visits Tokyo to appear in commercials, and he meets Charlotte, the young wife of a visiting photographer. Bored and weary, Bob and Charlotte make ideal if improbable traveling companions. Charlotte is looking for "her place in life," and Bob is tolerating a mediocre stateside marriage. Both separately and together, they live the experience of the American in Tokyo. Bob and Charlotte suffer both confusion and hilarity due to the cultural and language differences between themselves and the Japanese. As the relationship between Bob and Charlotte deepens, they come to the realization that their visits to Japan, and one another, must soon end. Or must they? Written by veloc <velo_00@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

Everyone wants to be found. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

3 October 2003 (USA)  »

Also Known As:

Perdidos en Tokio  »

Filming Locations:

 »

Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend:

$113,419 (Netherlands) (20 February 2004)

Gross:

£9,865,162 (UK) (26 March 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Bill Murray had a Japanese phrase book called "Making Out In Japanese" in which he would go around to sushi restaurants and ask the chefs if "they had a curfew" or if the would mind if he "used protection." He even mentioned on the Graham Norton Show that he had learned a phrase along the lines of "Who do you think you're talking to?" and would mention it to the fear of others. See more »

Goofs

When Charlotte takes the subway, the orange "you are here" circle on the map indicates that she's at Shibuya station. When she gets to the platform, a sign says she's at Omotesando station, one stop away on the Ginza line. See more »

Quotes

[first lines]
Ms. Kawasaki: Welcome to Tokyo.
Bob: Thank you very much.
Ms. Kawasaki: My name is Kawasaki. Nice to meet you.
Bob: I've heard of you. Thank you.
See more »

Crazy Credits

At the end of the closing credits, a Japanese woman waves to the camera. See more »

Connections

Features La Dolce Vita (1960) See more »

Soundtracks

The Thrill Is Gone
(1958)
Written by Roy Hawkins and Rick Darnell
Performed by Catherine Lambert
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Perfect.
23 March 2007 | by (El Paso!) – See all my reviews

Death in Vegas' spellbinding song "Girls" perfectly sets the tone for Sofia Coppola's second feature film, the bittersweet, intelligent, mature and absolutely wonderful Lost in Translation. Trying to summarize the movie is almost pointless because the emotions the film sparks within you (in my case, at least) can't be described in words. The basic story follows Bob Harris (Bill Murray) and Charlotte (Scarlett Johansson), a washed-up, depressed actor and an emotionally confused newlywed respectively, as they accidentally meet on Park Hyatt Hotel in Tokyo. The two form an unusual bond, but a bond that is infinitely stronger than that which they share with their respective wife and husband (Charlotte's partner is a jittery photographer who doesn't pay very much attention to her; Bob's better half keeps calling him, pestering him about which colour they should choose for the carpet back home). Bob and Charlotte's relationship is not really a sexual thing so much as a matter of emotional understanding. They're both stuck in life, unsure of what to do with the rest of it and certainly not very satisfied with what they've done with it so far. It's very touching to watch, in a refreshingly non-sappy way.

The film isn't all mid-life-crisis slit-your-wrists drama, though - it is also hilarious at many points, mainly thanks to Bill Murray, who turns deadpan exasperation into an artform in a role specifically written for him. The pressure on him is high because he is basically the heart and soul of the film, but he nails the part and he's so great I was really surprised to see that he was nominated for an Oscar (since the Academy rarely hands out awards to performances that are actually *good*). Scarlett Johansson is stunning and convincing in her role and more than holds her own against Murray. Giovanni Ribisi as the aforementioned dorky husband and Anna Faris as a brain dead actress are perfectly cast and it's hard not to hate them.

Sofia Coppola's direction is amazing, both stylistically original, passionate and spellbinding. There are many gorgeous images of Tokyo on display here and she finds the right balance between these eye-catching visuals, Murray's comedy and Johansson's angst. Her style is very different from her father's and shouldn't be compared. She clearly shows that she is fully capable of having a career of her own without putting her faith in Hollywood nepotism.

Favourite scenes? Bob's "Santury time" scene is pure comic gold, and the most emotional part, in my opinion, is the karaoke scene during Bob and Charlotte's night out, when Murray sings his version of Bryan Ferry's "More than this". The scene, the way I see it, says so much about the characters and what they're going through. In fact, I'd call it the most important scene in the entire film. Then again, maybe Sofia Coppola just wanted to hear Bill's awesome singing voice (he's actually really good!).

Overall the film is just perfect. The acting, the direction, the soundtrack, plot, themes, humour, visuals... what's not to like? I know some were turned off by the supposedly "slow" pace, which I just thought helped the movie become more captivating. The central relationship needs to take its time to feel realistic. Honestly, what do you want, car chases? It's an existential drama, not Run Lola Run. Sheesh.

For relaxing times... make it Lost in Translation time.


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