Stuck in a dark limbo between life and death, a deceased soldier Nathan Rijckx collects shadows of dying men and women to buy back his own second chance at life. Obsessed by a girl he met ... See full summary »
Tom Van Avermaet
Peter van den Eede
With a plan to exact revenge on a mythical shark that killed his partner, oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
A man coping with the institutionalization of his wife because of Alzheimer's disease faces an epiphany when she transfers her affections to another man, Aubrey, a wheelchair-bound mute who also is a patient at the nursing home.
Bob Harris is an American film actor, far past his prime. He visits Tokyo to appear in commercials, and he meets Charlotte, the young wife of a visiting photographer. Bored and weary, Bob and Charlotte make ideal if improbable traveling companions. Charlotte is looking for "her place in life," and Bob is tolerating a mediocre stateside marriage. Both separately and together, they live the experience of the American in Tokyo. Bob and Charlotte suffer both confusion and hilarity due to the cultural and language differences between themselves and the Japanese. As the relationship between Bob and Charlotte deepens, they come to the realization that their visits to Japan, and one another, must soon end. Or must they? Written by
There is a shot of Bob running across a busy street while a minivan passes, full of uniformed women waving and politely shouting over a P.A. system. This is a form of advertising used by political candidates. The candidate himself is running alongside the van. See more »
In both scenes where John rushes out of the hotel room, a wood-textured door is visible immediately next to his door at a perpendicular angle. When Bob takes Charlotte back to her room after the first night out, the door he goes in is in the middle of a hallway. See more »
A masterpiece about the mood and states of the characters
It is not easy to talk about "Lost in Translation". Sofia Coppola's second film as a director is in part about things we never talk about. While its two protagonists try to find mutual solace in each other, their silence is as expressive as their words. This is a film that believes that an individual can have a valuable relationship with someone else without becoming part of that person's life. At 19 years of age, I am not married but I can understand pretty well that it is easier for a stranger with whom you share a moment in the bar or corridor to understand your problems better than your husband or wife. Here is an extract from Roger Ebert's great review of the film: "We all need to talk about metaphysics, but those who know us well want details and specifics; strangers allow us to operate more vaguely on a cosmic scale. When the talk occurs between two people who could plausibly have sex together, it gathers a special charge: you can only say "I feel like I've known you for years" to someone you have not known for years."
In this marvellous story, the two lonely individuals that merge the illusions of what they have and what they could have are two Americans. The emotional refuge, Tokyo. We have Bob Harris (Bill Murray), and actor in his fifties who was once a star, and is now supplementing his incomes with the recording of a whisky commercial. On the other side of the telephone, a frightening reality: his wife, his sons, and the mission of choosing the right material for heaven knows what part of the house. When we consider Bob's situation, we realise that Lost in Translation is also a meditation on the misery of fame. Certainly fame has great (perhaps greater than disadvantages) advantages but then there are the obligations, the expectations...
We also have Charlotte (Scarlett Johansson), a woman in her twenties who is accompanying her husband, a photographer addicted to work, on a business trip. But it could said it is as if she is alone anyway. Her world, just like Bob's, is reduced to strange days in the bedroom, the corridors, the hotel's swimming pool, and the bar, the perfect destination for victims of sleeplessness and wounded soul. The bar is the place Bob and Charlotte meet for the first time. They talk, little, but just enough. Once their dislike for parts of their lives are established, they begin sharing times that feel dead to be able to feel alive.
Bob and Charlotte are souls in transition for whom, surrounded and confused by exotic rituals, and a different language, allows them a moment to lose their identities. Both characters provoke similar feelings form different experiences. There are no kisses or crazy nights between them, but only a shared intimacy in which a night out, a walk in the streets, a session of karaoke becomes a powerful expression of their affection an complicity. The relationship we all await only happens in our minds and the protagonists, whom we are not allowed to know everything they say and desire. Tokyo metaphorically speaking is the third character in the film. The bright colours, the noise of the city...just everything evokes the various spiritual awakenings of the characters.
It ends on a perfect note leaving the relationship of the characters undecided. A rare gem in modern day cinema.
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