A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
The independent and lonely hunter Martin David is hired by the powerful biotech company Red Leaf to hunt down the last Tasmanian tiger. Red Leaf is interested in the DNA of the animal and Martin travels to Tasmania alone. He poses as a researcher from a university and lodges in the house of Lucy Armstrong. Martin learns that Lucy's husband has been missing for a long time and he befriends her children, Sass and Bike. When Martin goes to the village, he has a hostile reception from the locals. Along the days, Martin spends his days in the Tasmanian wilderness chasing the Tiger and becomes closer and closer to the Armstrong family. But Red Leaf wants results no matter the costs. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During the beginning of this film, actual original black-and-white archival footage is seen of the last ever Tasmanian Tiger living in captivity. See more »
As Martin is driving towards Jarrah's house there is a GPS located on the dashboard in front of him. When he turns on the road towards the house, the GPS is now located on the left side of the dashboard location were it was before. See more »
A hunter is contracted to track down the mythical Tasmanian Tiger.
Best Aussie film I've seen in recent memory. Dafoe as the hunter was brilliant. The children gave faultless, endearing performances and their dialogue (or lack thereof) was totally natural without forced "it sounds like it's coming from a 20 year-old" lines. Frances O'Connor and Sam Neil gave nuanced, layered performances. Tasmania as a 'character' was starkly beautiful and the screenplay well served by its 10 year-development. Every scene propels the story. There were some aspects reminiscent of 'The American' (i.e. sparse dialogue, the 'professions' of the protagonists) which is not a bad thing! 10/10 or 11/10 with the extra 'Aussie' star. t: @michaelclarkin
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