A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
The independent and lonely hunter Martin David is hired by the powerful biotech company Red Leaf to hunt down the last Tasmanian tiger. Red Leaf is interested in the DNA of the animal and Martin travels to Tasmania alone. He poses as a researcher from a university and lodges in the house of Lucy Armstrong. Martin learns that Lucy's husband has been missing for a long time and he befriends her children, Sass and Bike. When Martin goes to the village, he has a hostile reception from the locals. Along the days, Martin spends his days in the Tasmanian wilderness chasing the Tiger and becomes closer and closer to the Armstrong family. But Red Leaf wants results no matter the costs. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Approximately 40% of the film's production personnel were from Tasmania - Australia's small southernmost island where the film was shot. Locations included Maydena, Deloraine and the Florentine Valley. See more »
As Martin is driving towards Jarrah's house there is a GPS located on the dashboard in front of him. When he turns on the road towards the house, the GPS is now located on the left side of the dashboard location were it was before. See more »
Spectacular landscape in a mercenary-redemption thriller
It's hard to tell which is more craggy and characterful - the Tasmanian outback of Willem Dafoe's face. The parallel is clear. Just as the man
a mercenary called Martin David - goes in search of a rare, precious
animal in the extraordinary landscape, so he also finds his charting his own soul and its shortcomings.
One of the devices for this is the classical music that he listens to on his iPod. He seems detached from it, as if he needs to play it to remind him of something but he cannot think what. Only the accidental attachment of a family can make the connection for him.
Frances O'Connor as the mother and Morgana Davies as her daughter are at least as good as Dafoe in this picture. Sam Neill also has a role as a morally vacillating local. I found the idea and the storytelling strong. However, there is a slight sense of an intellectual remove, of the company and director well aware of their work and perhaps trying to hard to convey it rather than inhabit it. Still a really good solid film. 7/10
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