Meshes of the Afternoon (1943)

A solitary flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a phone off the hook: discordant images a woman sees as she comes home. She naps and, ... See full summary »

Directors:

Maya Deren, Alexander Hammid

Writer:

Maya Deren

Stars:

Maya Deren, Alexander Hammid

1 win.

Cast

Complete credited cast:
Maya Deren	...	The Woman
Alexander Hammid	...	The Man

Storyline

A solitary flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a phone off the hook: discordant images a woman sees as she comes home. She naps and, perhaps, dreams. She sees a hooded figure going down the driveway. The knife is on the stair, then in her bed. The hooded figure puts the flower on her bed then disappears. The woman sees it all happen again. Downstairs, she naps, this time in a chair. She awakes to see a man going upstairs with the flower. He puts it on the bed. The knife is handy. Can these dream-like sequences end happily? A mirror breaks, the man enters the house again. Will he find her?

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Plot Keywords:

knife | flower | bed | key | mirror | 

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Genres:

Short

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Details

Country:

USA

Release Date:

27 October 2001 (Sweden)

Also Known As:

A délután szövevénye

Filming Locations:

Maya Deren's house, North Kings Road, West Hollywood , Los Angeles, California, USA

Box Office

Budget:

$275 (estimated)

Company Credits

Technical Specs

Runtime:

14 min

Sound Mix:

Mono Silent

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

This film was selected to the National Film Registry, Libary of Congress, in 1990.

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Goofs

When The Woman tries to open the supposedly locked door for the first time, it gives way a little (too much).

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Connections

Referenced in Cool Hands, Warm Heart (1979)

User Reviews

Our Unfortunate era

Its just so unfortunate to not have 'Maya Daren' with us today. Her exemplary direction with perfect length of her movies makes her a legend in short film category.

Meshes of the Afternoon has everything that no one has ever seen before, in terms of abstraction, philosophy, movie making.. everything is just so beautiful. Her movies cannot be categorized into any available genres, cos' no on e really makes movie of her sort.

A girl entangled into a recursive event which by the directorial pattern looks like a figment of her own imagination. It seems like she is waiting for her lover or something like that and then she finds her replicas all around her haunting her and finally killing her. It also seems that Maya's other short film 'At Land' is a sequel to 'Meshes of the Afternoon' for she keeps alive the same passion and abstraction and romance in 'At Land'.

All in all, its one of the best attempts I have seen. If you believe in movies you cannot miss it.