The Empire Podcast delivers yet another cracker this week, folks. Guest-wise, Chris Hewitt has a lovely Zoom chat with Rick Jaffa and Amanda Silver, the husband-wife screenwriting team who have become the producers and custodians of the Planet Of The Apes franchise. Here, Chris chats to the pair about how they revived the Apes franchise, how they became a partnership with The Hand That Rocks The Cradle, and their time working on Avatar sequels with James Cameron. [26:10 - 44:53 approx.] Then, Daisy Ridley — Star Wars' Rey herself, and the star of this week's Young Woman And The Sea — pops into our studio to have a natter with Alex Godfrey about swimming, sand, and injuries. Oh, and she makes a desperate play for free Honest Burgers, one we can fully get behind. [1:06:17 - 1:22:44 approx.]
Then, either side of those, Chris is joined in the podbooth by Helen O'Hara and James Dyer to tackle a question from the Empire Podcast subreddit,...
Then, either side of those, Chris is joined in the podbooth by Helen O'Hara and James Dyer to tackle a question from the Empire Podcast subreddit,...
- 6/1/2024
- by Chris Hewitt
- Empire - Movies
It looks to be a modest weekend at the UK-Ireland box office for new releases, with spider horror Sting crawling into 484 locations for Studiocanal, and the widest release coming from 20th anniversary screenings of Harry Potter And The Prisoner Of Azkaban, out at 524 sites for Warner Bros.
Holdovers including Warner Bros’ Furiosa: A Mad Max Saga, Paramount’s If, Sony’s The Garfield Movie and Disney’s Kingdom Of The Planet Of The Apes will endeavour to dominate the top spots.
Sting is directed by Kiah Roache-Turner. The feature, which shot in Australia, centres on a 12-year-old girl living in...
Holdovers including Warner Bros’ Furiosa: A Mad Max Saga, Paramount’s If, Sony’s The Garfield Movie and Disney’s Kingdom Of The Planet Of The Apes will endeavour to dominate the top spots.
Sting is directed by Kiah Roache-Turner. The feature, which shot in Australia, centres on a 12-year-old girl living in...
- 5/31/2024
- ScreenDaily
Bertrand Bonello on Henry James' The Beast: 'The novella is a masterpiece of melodrama and James is a master of looking at the human soul' Photo: UniFrance There was no easy route for Bertrand Bonello to make what must be his most ambitious and convoluted film to date: The Beast. It unfurls over three time periods: 1910, 1914 and 2044. And the production was delayed twice: first by the tragic death in a ski-ing accident of actor Gaspard Ulliel, who was replaced by British actor George MacKay, and then for a year by scheduling conflicts with one of his favoured collaborators Léa Seydoux.
In the interim his producer suggested he might want to make a short: instead Bonello, never one to shirk a challenge, decided to film another feature Coma, which dealt with a teenage girl in lockdown amid a global health crisis and was the last film Ulliel worked on before the accident.
In the interim his producer suggested he might want to make a short: instead Bonello, never one to shirk a challenge, decided to film another feature Coma, which dealt with a teenage girl in lockdown amid a global health crisis and was the last film Ulliel worked on before the accident.
- 5/30/2024
- by Richard Mowe
- eyeforfilm.co.uk
We’re thrilled to launch a new feature on The Film Stage highlighting our top recommendations for films currently in theaters, from new releases to restorations receiving a proper theatrical run. While we already provide extensive monthly new-release recommendations and weekly streaming recommendations, as distributors’ roll-outs can vary, we thought it would be helpful to provide a one-stop list to share the essential films that may be on a screen near you. We’ll be updating this page weekly, so be sure to bookmark.
Babes (Pamela Adlon)
Transitioning the naturalistic comic sensibilities that made Better Things a success, Pamela Adlon’s feature debut Babes manages to co-opt the rhythms of a romantic comedy to explore the relationship between two best friends at opposite points of their lives. – Christian G. (full review)
The Beast (Bertrand Bonello)
Where to begin with Bertrand Bonello’s wonderful The Beast? It’s been so gratifying...
Babes (Pamela Adlon)
Transitioning the naturalistic comic sensibilities that made Better Things a success, Pamela Adlon’s feature debut Babes manages to co-opt the rhythms of a romantic comedy to explore the relationship between two best friends at opposite points of their lives. – Christian G. (full review)
The Beast (Bertrand Bonello)
Where to begin with Bertrand Bonello’s wonderful The Beast? It’s been so gratifying...
- 5/30/2024
- by The Film Stage
- The Film Stage
The Cannes 2024 market saw a thrilling revival with nine movies — including four movies in the main competition — selling to specialized distributors in domestic deals. However, this wasn’t exactly a return to business as normal: The buyers weren’t stalwarts like A24, or Focus, or IFC. Instead Mubi, Metrograph Pictures, and Sideshow (in partnership with Janus Films) established themselves as major buyers.
Mubi bought three titles in the main competition: “The Girl With the Needle,” “The Substance,” and added North American rights on Andrea Arnold’s “Bird.” (It came to the festival with UK rights.) “The Substance” starring Demi Moore and Margaret Qualley represents a major swing for the upstart, with one source placing the deal in the low-eight figures.
Sideshow picked up Indian drama “All We Imagine As Light” in the main competition, the animated “Flow” from Un Certain Regard, and “Misericordia” and Leos Carax’s “It’s Not Me,...
Mubi bought three titles in the main competition: “The Girl With the Needle,” “The Substance,” and added North American rights on Andrea Arnold’s “Bird.” (It came to the festival with UK rights.) “The Substance” starring Demi Moore and Margaret Qualley represents a major swing for the upstart, with one source placing the deal in the low-eight figures.
Sideshow picked up Indian drama “All We Imagine As Light” in the main competition, the animated “Flow” from Un Certain Regard, and “Misericordia” and Leos Carax’s “It’s Not Me,...
- 5/29/2024
- by Brian Welk
- Indiewire
Sony’s “The Garfield Movie” and Warner Bros.’ “Furiosa: A Mad Max Saga” enjoyed a fruitful long May bank holiday weekend at the U.K. and Ireland box office.
“The Garfield Movie” debuted with £2.1 million ($2.7 million) and “Furiosa” with £1.9 million ($2.5 million), per numbers from Comscore.
In its second weekend, Paramount’s “If” collected £1.6 million for a total of £4.6 million. In its third weekend, Disney’s “Kingdom of the Planet of the Apes” earned £1.5 million for a total of £10.4 million.
Rounding off the top five was Universal’s “The Fall Guy” with £752,683 in its fourth weekend for a total of £9.5 million.
There were two other debuts in the top 10. Dream Entertainment’s Malayalam-language “Turbo” debuted in eighth place with £152,295 and Trinity Asia’s “Twilight Of The Warriors: Walled In” in ninth with £106,919.
The upcoming weekend, Disney is releasing “Young Woman and the Sea,” the story of competitive swimmer Trudy Ederle, who,...
“The Garfield Movie” debuted with £2.1 million ($2.7 million) and “Furiosa” with £1.9 million ($2.5 million), per numbers from Comscore.
In its second weekend, Paramount’s “If” collected £1.6 million for a total of £4.6 million. In its third weekend, Disney’s “Kingdom of the Planet of the Apes” earned £1.5 million for a total of £10.4 million.
Rounding off the top five was Universal’s “The Fall Guy” with £752,683 in its fourth weekend for a total of £9.5 million.
There were two other debuts in the top 10. Dream Entertainment’s Malayalam-language “Turbo” debuted in eighth place with £152,295 and Trinity Asia’s “Twilight Of The Warriors: Walled In” in ninth with £106,919.
The upcoming weekend, Disney is releasing “Young Woman and the Sea,” the story of competitive swimmer Trudy Ederle, who,...
- 5/28/2024
- by Naman Ramachandran
- Variety Film + TV
Opening with an actress screaming at an invisible attacker while filming a green-screen scene, The Beast immediately reveals its primary ideas: the eeriness of technological advancement, a feeling of deep anguish at a terror that isn’t really there, and the interaction between the two. Bertrand Bonello’s sci-fi — in which two people, Gabrielle (Léa Seydoux) and Louis (George MacKay), meet in different eras — is an extraordinary excavation of the role technology plays in causing emotional mayhem, and a clarion call to those who would use it as a stand-in during daily human life.
If that sounds complicated, then buckle up: with three timelines and endless recurring symbolism, The Beast is, well, a bit of a beast. We begin in 1910, where Gabrielle is a musician; in 2014, she’s a model and actor house-sitting in Los Angeles; in 2044, she is considering “purifying” her DNA in an attempt to get a job in an AI-riddled society.
If that sounds complicated, then buckle up: with three timelines and endless recurring symbolism, The Beast is, well, a bit of a beast. We begin in 1910, where Gabrielle is a musician; in 2014, she’s a model and actor house-sitting in Los Angeles; in 2044, she is considering “purifying” her DNA in an attempt to get a job in an AI-riddled society.
- 5/28/2024
- by Steph Green
- Empire - Movies
Bertrand Bonello with Anne-Katrin Titze on Romy Schneider’s face in Coma, the camera test by Henri-Georges Clouzot for his unfinished film L’enfer (Inferno): “I was trying to find an image that you could dream of when you’re a young girl.”
Bertrand Bonello’s prophetic Coma (with a haunting score by the director/screenwriter), starring Louise Labèque (of Zombi Child) as the adolescent and Julia Faure as the title character Patricia Coma, was filmed in France during the Covid pandemic lockdown. We hear the voices of Gaspard Ulliel (Yves Saint Laurent in Bonello’s Saint Laurent), Anaïs Demoustier, Laetitia Casta, Louis Garrel, and Vincent Lacoste as the dollhouse figures. We see Romy Schneider’s face in a camera test for Henri-Georges Clouzot’s unfinished Inferno (L’Enfer) and meet a woman in the forest portrayed by Bonnie Banane.
Young girl (Louise Labèque) with Sharon doll in Coma
Theorists Gilles Deleuze,...
Bertrand Bonello’s prophetic Coma (with a haunting score by the director/screenwriter), starring Louise Labèque (of Zombi Child) as the adolescent and Julia Faure as the title character Patricia Coma, was filmed in France during the Covid pandemic lockdown. We hear the voices of Gaspard Ulliel (Yves Saint Laurent in Bonello’s Saint Laurent), Anaïs Demoustier, Laetitia Casta, Louis Garrel, and Vincent Lacoste as the dollhouse figures. We see Romy Schneider’s face in a camera test for Henri-Georges Clouzot’s unfinished Inferno (L’Enfer) and meet a woman in the forest portrayed by Bonnie Banane.
Young girl (Louise Labèque) with Sharon doll in Coma
Theorists Gilles Deleuze,...
- 5/27/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Bloodbath Films announces Bitches Giving Stitches from director David M. Parks (Static Codes) and starring Mike Ferguson (Amityville Uprising).
The cast also includes Natasha Stricklin (7 Days to Hell ), Twana Barnett Ferguson, Vu Mai (The Joy Luck Club), Denise Milfort, Mana Afshar, Auzi Capri, Larry L. Andrews, Timothy Gough, Hail Adams, Moses Jackson, LeeAnne Bauer, G. Larry Butler, Mario Daggett, Nathan Smith-Finley, Carlos Menzies
Three unassuming ladies are heading to a Halloween party on Halloween night when they are suddenly apprehended by a mysterious cult and dragged into their lair. In the cult’s eerie underground chamber, it is revealed that one of their boyfriends, Spencer, has made a sinister deal with the devil. Faced with imminent danger, the girls must summon all their courage to brave the cult’s dark threats. But in a chilling turn of events, the cult discovers that sometimes dangerous things come in the most unlikely of packages.
The cast also includes Natasha Stricklin (7 Days to Hell ), Twana Barnett Ferguson, Vu Mai (The Joy Luck Club), Denise Milfort, Mana Afshar, Auzi Capri, Larry L. Andrews, Timothy Gough, Hail Adams, Moses Jackson, LeeAnne Bauer, G. Larry Butler, Mario Daggett, Nathan Smith-Finley, Carlos Menzies
Three unassuming ladies are heading to a Halloween party on Halloween night when they are suddenly apprehended by a mysterious cult and dragged into their lair. In the cult’s eerie underground chamber, it is revealed that one of their boyfriends, Spencer, has made a sinister deal with the devil. Faced with imminent danger, the girls must summon all their courage to brave the cult’s dark threats. But in a chilling turn of events, the cult discovers that sometimes dangerous things come in the most unlikely of packages.
- 5/27/2024
- by Michael Joy
- Horror Asylum
Sideshow and Janus Films have acquired the North American rights to Alain Guiraudie’s queer crime thriller “Misericordia,” starring Félix Kysyl, Catherine Frot, Jean-Baptiste Durand, Jacques Develay and David Ayala. The film was a selection of the Cannes Premiere section at this year’s festival.
The film follows Jérémie (Kysyl), a man returning to his hometown for the funeral of his former employer. After a mysterious disappearance, a priest and a townsperson make Jérémie’s short stay take an unexpected turn.
Guiraudie wrote and directed the film, produced by Charles Gillibert of CG Cinema. Janus Films and Sideshow are planning a theatrical release.
The deal was negotiated by Alice Lesort for Les Films du Losange on behalf of the filmmakers with Sideshow and Janus Films. The film is a CG Cinéma, Scala Films, Arte France Cinéma, Andergraun Films and Rosa Filmes co-production with the participation of Arte France, Ocs and Les Films du Losange.
The film follows Jérémie (Kysyl), a man returning to his hometown for the funeral of his former employer. After a mysterious disappearance, a priest and a townsperson make Jérémie’s short stay take an unexpected turn.
Guiraudie wrote and directed the film, produced by Charles Gillibert of CG Cinema. Janus Films and Sideshow are planning a theatrical release.
The deal was negotiated by Alice Lesort for Les Films du Losange on behalf of the filmmakers with Sideshow and Janus Films. The film is a CG Cinéma, Scala Films, Arte France Cinéma, Andergraun Films and Rosa Filmes co-production with the participation of Arte France, Ocs and Les Films du Losange.
- 5/24/2024
- by Selena Kuznikov
- Variety Film + TV
Bloodbath Films announces Bitches Giving Stitches from director David M. Parks (Static Codes) and starring Mike Ferguson (Amityville Uprisng). . The cast also includes Natasha Stricklin (7 Days to Hell ), Twana Barnett Ferguson, Vu Mai (The Joy Luck Club), Denise Milfort, Mana Afshar, Auzi Capri, Larry L. Andrews, Timothy Gough, Hail …
The post New Horror Film, “Bitches Giving Stitches” starring Mike Ferguson Announced from Bloodbath Films appeared first on Horror News | Hnn.
The post New Horror Film, “Bitches Giving Stitches” starring Mike Ferguson Announced from Bloodbath Films appeared first on Horror News | Hnn.
- 5/23/2024
- by Mike Joy
- Horror News
Bertrand Bonello’s The Beast is a mesmerising and thought-provoking cinematic experience that blends elements of intelligent sci-fi, romance, and psychological thriller. Bonello’s distinct directorial style, combined with a compelling narrative and strong performances, makes this a standout in the sci-fi genre.
Set in a dystopian future where emotions have come to be regarded as dangerous liabilities, The Beast stars Léa Seydoux as Gabrielle, a troubled young woman grappling with her intense feelings in a society that prioritises rationality over feelings.
1917 and True History of the Kelly Gang star George MacKay plays Louis, Gabrielle’s enigmatic love interest, whose presence complicates her path to freedom from her own inner turmoil and doubts about her future.
Through a series of scenarios taking place throughout the ages – Paris at the turn of the 20th century and LA, 100 years later – the lovers’ interactions are fraught with tension, desire, and existential dread as...
Set in a dystopian future where emotions have come to be regarded as dangerous liabilities, The Beast stars Léa Seydoux as Gabrielle, a troubled young woman grappling with her intense feelings in a society that prioritises rationality over feelings.
1917 and True History of the Kelly Gang star George MacKay plays Louis, Gabrielle’s enigmatic love interest, whose presence complicates her path to freedom from her own inner turmoil and doubts about her future.
Through a series of scenarios taking place throughout the ages – Paris at the turn of the 20th century and LA, 100 years later – the lovers’ interactions are fraught with tension, desire, and existential dread as...
- 5/22/2024
- by Linda Marric
- HeyUGuys.co.uk
Indian Paintbrush founder Steven Rales has purchased Criterion and Janus Films.
The mission and leadership of the companies will not change following the private transaction.
Screen Daily was first to report the news of the sale. “We have grown our brands and audience with dedication to a set of values reflected in the films we release, the way we release them, and the way we conduct our business with our valued partners around the world,” said Criterion and Janus Films president Peter Becker told the outlet. “We are excited to continue that legacy and pursue new opportunities now available through this relationship.”
Janus Films was founded in 1954 by Bryant Haliday and Cyrus Harvey, Jr., and has since become the preeminent distributor of international classic films in the United States. Recent films include “Drive My Car,” “Evil Does Not Exist,” “Eo” and “The Beast.” On Monday, Sideshow and Janus films acquired...
The mission and leadership of the companies will not change following the private transaction.
Screen Daily was first to report the news of the sale. “We have grown our brands and audience with dedication to a set of values reflected in the films we release, the way we release them, and the way we conduct our business with our valued partners around the world,” said Criterion and Janus Films president Peter Becker told the outlet. “We are excited to continue that legacy and pursue new opportunities now available through this relationship.”
Janus Films was founded in 1954 by Bryant Haliday and Cyrus Harvey, Jr., and has since become the preeminent distributor of international classic films in the United States. Recent films include “Drive My Car,” “Evil Does Not Exist,” “Eo” and “The Beast.” On Monday, Sideshow and Janus films acquired...
- 5/20/2024
- by Katcy Stephan
- Variety Film + TV
Criterion and its sister distribution arm Janus Films each have a new owner: Indian Paintbrush founder Steven Rales.
Rales has acquired both Criterion and Janus in a private transaction, IndieWire has learned according to two individuals, giving the home for classic and art house films a new leader.
However, as Screen Daily first reported, leadership, including Criterion and Janus Films president Peter Becker, is expected to remain in place, and the overall mission of both companies is not expected to change, per a source.
“We have grown our brands and audience with dedication to a set of values reflected in the films we release, the way we release them, and the way we conduct our business with our valued partners around the world,” Becker said in a statement to Screen. “We are excited to continue that legacy and pursue new opportunities now available through this relationship.”
Reps for Janus Films...
Rales has acquired both Criterion and Janus in a private transaction, IndieWire has learned according to two individuals, giving the home for classic and art house films a new leader.
However, as Screen Daily first reported, leadership, including Criterion and Janus Films president Peter Becker, is expected to remain in place, and the overall mission of both companies is not expected to change, per a source.
“We have grown our brands and audience with dedication to a set of values reflected in the films we release, the way we release them, and the way we conduct our business with our valued partners around the world,” Becker said in a statement to Screen. “We are excited to continue that legacy and pursue new opportunities now available through this relationship.”
Reps for Janus Films...
- 5/20/2024
- by Brian Welk
- Indiewire
Sideshow and Janus films (“Drive My Car”) have acquired all North American rights to Payal Kapadia’s “All We Imagine as Light,” the first Indian film to screen in official competition at the Cannes Film Festival in 30 years. The movie will world premiere on Thursday, May 23.
It’s also one of only four films in the Competition directed by a woman. Kapadia previously helmed the documentary “A Night of Knowing Nothing,” which premiered at Directors’ Fortnight and won the L’Œil d’Or for Best Documentary in 2021.
“All We Imagine as Light” stars Kani Kusruti, Divya Prabha, Chhaya Kadam, Hridhu Haroon and Azees Nedumangad. Sideshow and Janus Films are planning a theatrical release.
In the last three years, Sideshow — along with its partner Janus Films — have had an impressive track record with their Cannes acquisitions, starting with Ryūsuke Hamaguchi’s “Drive My Car,” which went on to become the most...
It’s also one of only four films in the Competition directed by a woman. Kapadia previously helmed the documentary “A Night of Knowing Nothing,” which premiered at Directors’ Fortnight and won the L’Œil d’Or for Best Documentary in 2021.
“All We Imagine as Light” stars Kani Kusruti, Divya Prabha, Chhaya Kadam, Hridhu Haroon and Azees Nedumangad. Sideshow and Janus Films are planning a theatrical release.
In the last three years, Sideshow — along with its partner Janus Films — have had an impressive track record with their Cannes acquisitions, starting with Ryūsuke Hamaguchi’s “Drive My Car,” which went on to become the most...
- 5/20/2024
- by Elsa Keslassy
- Variety Film + TV
Basado en el best-seller de David Gilbert.
Según anuncia Deadline, Bill Nighy (“Living”), Noah Jupe (“A Quiet Place”), George MacKay y Matt Smith (“The Crown”) protagonizarán el debut en inglés del cineasta argentino Pablo Trapero (“El Clan”) “& Sons”, cuyo guion ha sido escrito por la ganadora del Oscar Sarah Polley (“Women Talking”).
La película “& Sons” está basada en la novela homónima de David Gilbert. Andrew es un novelista más conocido en el mundo como A.N. Dyer. Escribió su primer libro a los 27 años y se convirtió en un clásico instantáneo, vendiendo 45 millones de ejemplares. Andrew se despierta una mañana convencido de que está a punto de morir. Sabe que se le acaba el tiempo y necesita arreglar los vínculos más importantes de su vida, así que reúne a sus hijos para que estén con él. Han pasado casi 20 años desde que un “incidente” destrozó el hogar de los Dyer.
Según anuncia Deadline, Bill Nighy (“Living”), Noah Jupe (“A Quiet Place”), George MacKay y Matt Smith (“The Crown”) protagonizarán el debut en inglés del cineasta argentino Pablo Trapero (“El Clan”) “& Sons”, cuyo guion ha sido escrito por la ganadora del Oscar Sarah Polley (“Women Talking”).
La película “& Sons” está basada en la novela homónima de David Gilbert. Andrew es un novelista más conocido en el mundo como A.N. Dyer. Escribió su primer libro a los 27 años y se convirtió en un clásico instantáneo, vendiendo 45 millones de ejemplares. Andrew se despierta una mañana convencido de que está a punto de morir. Sabe que se le acaba el tiempo y necesita arreglar los vínculos más importantes de su vida, así que reúne a sus hijos para que estén con él. Han pasado casi 20 años desde que un “incidente” destrozó el hogar de los Dyer.
- 5/20/2024
- by Marta Medina
- mundoCine
After breaking out as a wide-eyed soldier in 1917, the actor showed a darker side to masculinity as a closeted thug in Femme. Now he’s gone further, playing an incel in twisted sci-fi The Beast
George MacKay reaches into his backpack and pulls out a squeezy bottle of honey, squirting it into his americano. “It’s a bit eccentric,” he says sheepishly. He picked up the habit years ago on a shoot in Australia; recognising that requesting a pot of honey might be perceived as “a slightly wanky ask”, he carries his own supply instead. This is typical MacKay – charming, discreet, and more than a little concerned about giving others the wrong idea.
On screen, MacKay frequently plays characters who are suffocated by the codes of traditional masculinity, and turned cruel by them, too. The actor’s breakout role was in Sam Mendes’s Oscar-winning war blockbuster 1917, which plays out as one dizzying,...
George MacKay reaches into his backpack and pulls out a squeezy bottle of honey, squirting it into his americano. “It’s a bit eccentric,” he says sheepishly. He picked up the habit years ago on a shoot in Australia; recognising that requesting a pot of honey might be perceived as “a slightly wanky ask”, he carries his own supply instead. This is typical MacKay – charming, discreet, and more than a little concerned about giving others the wrong idea.
On screen, MacKay frequently plays characters who are suffocated by the codes of traditional masculinity, and turned cruel by them, too. The actor’s breakout role was in Sam Mendes’s Oscar-winning war blockbuster 1917, which plays out as one dizzying,...
- 5/20/2024
- by Simran Hans
- The Guardian - Film News
Descubre los detalles del largometraje.
Según Variety, la reconocida actriz francesa Léa Seydoux, protagonizará la película “The Unknown” bajo la dirección del guionista Arthur Harari, conocido por su trabajo en “Anatomía de una Caída”.
Aunque el argumento de la película se mantiene en secreto, el proyecto se describe como “una mezcla de crónica urbana realista, película fantástica, investigación, melodrama y ensoñación.”
Nicolas Anthomé, productor de la película, ha compartido su entusiasmo por el proyecto y ha dicho: «The Unknown será una película de fantasía realista, entendiendo la fantasía, ante todo, como una espectacular promesa de vértigo, evocación y poesía.»
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The post Léa Seydoux protagonizará ‘The Unknown’, la nueva película del galardonado guionista de ‘Anatomía de una Caída’. first appeared on mundoCine.
The post Léa Seydoux protagonizará ‘The Unknown’, la nueva película del galardonado guionista de ‘Anatomía de una Caída’. first appeared on mundoCine.
Según Variety, la reconocida actriz francesa Léa Seydoux, protagonizará la película “The Unknown” bajo la dirección del guionista Arthur Harari, conocido por su trabajo en “Anatomía de una Caída”.
Aunque el argumento de la película se mantiene en secreto, el proyecto se describe como “una mezcla de crónica urbana realista, película fantástica, investigación, melodrama y ensoñación.”
Nicolas Anthomé, productor de la película, ha compartido su entusiasmo por el proyecto y ha dicho: «The Unknown será una película de fantasía realista, entendiendo la fantasía, ante todo, como una espectacular promesa de vértigo, evocación y poesía.»
¡SÍGUENOS!
TikTok
YouTube
Threads
The post Léa Seydoux protagonizará ‘The Unknown’, la nueva película del galardonado guionista de ‘Anatomía de una Caída’. first appeared on mundoCine.
The post Léa Seydoux protagonizará ‘The Unknown’, la nueva película del galardonado guionista de ‘Anatomía de una Caída’. first appeared on mundoCine.
- 5/14/2024
- by Marta Medina
- mundoCine
Pathe has boarded “The Unknown,” the highly anticipated next movie from “Anatomy of a Fall” co-writer Arthur Harari, starring Léa Seydoux. “Anatomy of a Fall,” which Harari co-wrote with director Justine Triet, won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
Rolling off “Dune: Part Two,” Seydoux is set to headline the fantasy movie. The actor, whose career spans Hollywood and European productions, recently starred in Bertrand Bonello’s sci-fi romance “The Beast.”
“The Unknown” is produced by Paris-based Bathysphere and is scheduled for completion in the first half of 2026. Pathé is co-producing, and will introduce the package to buyers at the Cannes Market. The banner will also distribute the movie in France.
While the plot remains under wraps, Harari teased that the project is “a mix of realistic urban chronicle, fantasy film, investigation, melodrama and daydream.”
“[It] will continually metamorphose before our eyes,...
Rolling off “Dune: Part Two,” Seydoux is set to headline the fantasy movie. The actor, whose career spans Hollywood and European productions, recently starred in Bertrand Bonello’s sci-fi romance “The Beast.”
“The Unknown” is produced by Paris-based Bathysphere and is scheduled for completion in the first half of 2026. Pathé is co-producing, and will introduce the package to buyers at the Cannes Market. The banner will also distribute the movie in France.
While the plot remains under wraps, Harari teased that the project is “a mix of realistic urban chronicle, fantasy film, investigation, melodrama and daydream.”
“[It] will continually metamorphose before our eyes,...
- 5/13/2024
- by Elsa Keslassy
- Variety Film + TV
Vertigo Releasing has unleashed the trailer for the visionary sci-fi epic ‘The Beast’.
In a near-future world dominated by artificial intelligence, where human emotions are perceived as a threat, Gabrielle (Lea Seydoux) embarks on a journey to purify her DNA by revisiting her past lives. During this process, she reconnects with Louis (George MacKay), her great love. However, a sense of foreboding and fear grips her as she anticipates an impending catastrophe.
The film had its world premiere at the 2023 Venice Film Festival to great acclaim and was recently showcased at the London Film Festival. The thought-provoking film which spans three time periods, draws inspiration from Henry James’s evocative short story.
Directed by Bertrand Bonello, the movie stars BAFTA-nominated actors Léa Seydoux and George MacKay.
Also in trailers – Stephen Fry & Lena Dunham embark on an emotional journey in trailer for ‘Treasure’
The movie will be released in UK and Irish cinemas 31st May.
In a near-future world dominated by artificial intelligence, where human emotions are perceived as a threat, Gabrielle (Lea Seydoux) embarks on a journey to purify her DNA by revisiting her past lives. During this process, she reconnects with Louis (George MacKay), her great love. However, a sense of foreboding and fear grips her as she anticipates an impending catastrophe.
The film had its world premiere at the 2023 Venice Film Festival to great acclaim and was recently showcased at the London Film Festival. The thought-provoking film which spans three time periods, draws inspiration from Henry James’s evocative short story.
Directed by Bertrand Bonello, the movie stars BAFTA-nominated actors Léa Seydoux and George MacKay.
Also in trailers – Stephen Fry & Lena Dunham embark on an emotional journey in trailer for ‘Treasure’
The movie will be released in UK and Irish cinemas 31st May.
- 5/9/2024
- by Zehra Phelan
- HeyUGuys.co.uk
(Welcome to Under the Radar, a column where we spotlight specific movies, shows, trends, performances, or scenes that caught our eye and deserved more attention ... but otherwise flew under the radar. In this edition: the haunting genre-bender "The Beast," the farcical indie "Hundreds of Beavers," and HBO's "The Sympathizer" all stand out as clear highlights.)
Buckle up, folks: The theme of this month's edition of "Under the Radar" falls under the category of weird and wild.
More so than in previous years, this past April marked something of an awkward transition point in the overall release calendar. While Oscar season is well and truly behind us, the summer blockbuster season still remains a few weeks away from truly ramping up in earnest. Sure, the one-two punch of "Kingdom of the Planet of the Apes" and "Furiosa" technically kick off the festivities in short order, but June and July are when the real heavy-hitters -- hello,...
Buckle up, folks: The theme of this month's edition of "Under the Radar" falls under the category of weird and wild.
More so than in previous years, this past April marked something of an awkward transition point in the overall release calendar. While Oscar season is well and truly behind us, the summer blockbuster season still remains a few weeks away from truly ramping up in earnest. Sure, the one-two punch of "Kingdom of the Planet of the Apes" and "Furiosa" technically kick off the festivities in short order, but June and July are when the real heavy-hitters -- hello,...
- 5/8/2024
- by Jeremy Mathai
- Slash Film
The MCU is about to mutate. The arrival of Deadpool & Wolverine is set to bring an all-new flavour to the Marvel universe – teaming up Ryan Reynolds’ Merc With A Mouth and Hugh Jackman’s adamantium-clawed Logan for a mad, meta buddy movie. The new issue of Empire takes a world-exclusive deep-dive into the film speaking to its stars and filmmakers – and you’ll find it on newsstands from Thursday 9 May.
For now, take an early peek at what’s inside the magazine. Hold onto your chimichangas!
Deadpool & Wolverine
What happens when you team up two volatile agents of chaos, take them out of their respective worlds, and plunge them into the MCU? You get Wolverine & Deadpool, a no-holds-barred Marvel movie set to change the game. Empire speaks to Ryan Reynolds, Hugh Jackman, director Shawn Levy, Marvel boss Kevin Feige and more about unleashing mutant mayhem in the Marvel universe.
For now, take an early peek at what’s inside the magazine. Hold onto your chimichangas!
Deadpool & Wolverine
What happens when you team up two volatile agents of chaos, take them out of their respective worlds, and plunge them into the MCU? You get Wolverine & Deadpool, a no-holds-barred Marvel movie set to change the game. Empire speaks to Ryan Reynolds, Hugh Jackman, director Shawn Levy, Marvel boss Kevin Feige and more about unleashing mutant mayhem in the Marvel universe.
- 5/8/2024
- by Ben Travis
- Empire - Movies
Celine Song’s “Materialists” has rounded out its cast with Zoë Winters (“Succession”), Dasha Nekrasova, Louisa Jacobson (“The Gilded Age”) and Marin Ireland (“Eileen”).
The A24 feature starring Dakota Johnson, Chris Evans and Pedro Pascal is described as a New York-set rom-com following a high-end matchmaker who gets involved with a wealthy man. Further details on the plot and the roles of Johnson, Evans and Pascal have not been disclosed.
Winters is best known for her role as Logan Roy’s calculating and confident assistant (and paramour) Kerry on the HBO’s Emmy-winner “Succession.” She and the cast received a 2022 and 2024 SAG Award for best drama ensemble.
Winters’ other film and television credits include “Flatbush Misdemeanors,” “Hunters” and Marc Turtletaub’s feature “Jules,” in which she stars opposite Ben Kingsley. A longtime New York stage actor, Winters appeared in “Heroes of the Fourth Turning” at Playwrights Horizons, for which she...
The A24 feature starring Dakota Johnson, Chris Evans and Pedro Pascal is described as a New York-set rom-com following a high-end matchmaker who gets involved with a wealthy man. Further details on the plot and the roles of Johnson, Evans and Pascal have not been disclosed.
Winters is best known for her role as Logan Roy’s calculating and confident assistant (and paramour) Kerry on the HBO’s Emmy-winner “Succession.” She and the cast received a 2022 and 2024 SAG Award for best drama ensemble.
Winters’ other film and television credits include “Flatbush Misdemeanors,” “Hunters” and Marc Turtletaub’s feature “Jules,” in which she stars opposite Ben Kingsley. A longtime New York stage actor, Winters appeared in “Heroes of the Fourth Turning” at Playwrights Horizons, for which she...
- 5/7/2024
- by Katcy Stephan
- Variety Film + TV
The Beast.She was there on harder terms than any one; she was there as a consequence of things suffered, one way and another, in the interval of years, and she remembered him very much as she was remembered—only a good deal better.So says John Marcher of May Bartram in Henry James’s novella The Beast in the Jungle (1903). Everything coalesces for John and May to reconnect on an October afternoon, having met years prior. Their meeting again is “the sequel of something of which he had lost at the beginning.” What follows is a strained dalliance, never physically realized. John is transfixed by May’s knowledge of his “secret,” the feeling of an imminent doom that has tailed him his entire life. Something awaits him, like a beast in the jungle. And May—only May, whose illness brings her closer and closer to her own death—knows what it is.
- 5/3/2024
- MUBI
Exclusive: Former Fifth Season film head Alexis Garcia has launched CAT5, an action film label that will be backed by his former employers, who are among other investors and partners to be announced at later date. As one of its first projects, CAT5 has signed on to co-finance Black Bear’s Levon’s Trade. The film is in production, with David Ayer-directing the Jason Statham vehicle that was adapted from the Chuck Dixon novel by Sylvester Stallone, with revisions by Ayer. Garcia joins as an executive producer. The film is in production in London and slated for wide theatrical release in the U.S. by Amazon MGM Studios on January 17, 2025.
Garcia spent seven years with Fifth Season and Graham Taylor and Chris Rice, helping build it from its 2017 launch as Endeavor Content. Before that he spent a decade at Endeavor/WME under Ari Emanuel and Patrick Whitesell, where he...
Garcia spent seven years with Fifth Season and Graham Taylor and Chris Rice, helping build it from its 2017 launch as Endeavor Content. Before that he spent a decade at Endeavor/WME under Ari Emanuel and Patrick Whitesell, where he...
- 5/2/2024
- by Mike Fleming Jr
- Deadline Film + TV
Léa Seydoux, George MacKay in BeastImage: Ad Vitam
There’s an instant urgency in The Beast, the latest film from writer-director Bertrand Bonello, that persists despite its hefty runtime of 145 minutes. Even in its quietest moments, as Bonello’s pacing slows to a crawl and we are asked to consider every gesture,...
There’s an instant urgency in The Beast, the latest film from writer-director Bertrand Bonello, that persists despite its hefty runtime of 145 minutes. Even in its quietest moments, as Bonello’s pacing slows to a crawl and we are asked to consider every gesture,...
- 5/1/2024
- by Matthew Jackson
- avclub.com
Welcome to our weekly rundown of the best new music — featuring big new singles, key tracks from our favorite albums, and more. This week, Normani cuts right to the chase with the first single from her highly anticipated debut album, Myke Towers and Bad Bunny link up, and Anitta brings the funk on a super-charged dance hit. Plus, new music from Cash Cobain and Ice Spice, Tems, St. Vincent, and more.
Normani feat. Gunna, “1:59” (YouTube)
Myke Towers feat. Bad Bunny, “Adivino” (YouTube)
Anitta, “Grip” (YouTube)
Cash Cobain, Bay Swag...
Normani feat. Gunna, “1:59” (YouTube)
Myke Towers feat. Bad Bunny, “Adivino” (YouTube)
Anitta, “Grip” (YouTube)
Cash Cobain, Bay Swag...
- 4/26/2024
- by Rolling Stone
- Rollingstone.com
No secret that we love The Beast. But it’s perhaps not even the best Bertrand Bonello film released in 2024. For more than two years I’ve been a major advocate of his lockdown horror Coma (at one point flying to another country to screen it), during which time the film’s struggled to achieve American distribution––a baffling, embarrassing oversight corrected by Film Movement, who are releasing this masterpiece-of-sorts at New York’s Roxy Cinema (where you can see House of Tolerance this weekend) on May 17, with other cities to follow. There’s now a trailer.
As David Katz said in his review from 2022’s Berlinale, “Coma is anything but a navel-gazing work, and more one of imaginative empathy. It is not Being Bertrand Bonello, but addressed to and concerning a person of a far-removed generation and gender: his teenage daughter Anna. Some amusing early interactions with pop culture,...
As David Katz said in his review from 2022’s Berlinale, “Coma is anything but a navel-gazing work, and more one of imaginative empathy. It is not Being Bertrand Bonello, but addressed to and concerning a person of a far-removed generation and gender: his teenage daughter Anna. Some amusing early interactions with pop culture,...
- 4/18/2024
- by Nick Newman
- The Film Stage
French director Bertrand Bonello is rightly back in the imaginations of U.S. cinephiles, as his new film “The Beast” is now playing stateside. The time-hopping sci-fi romantic drama starring Léa Seydoux and George MacKay as would-be lovers across centuries had the biggest opening weekend yet for distributor Sideshow/Janus Films earlier this month. Now, Bertrand Bonello’s previously undistributed 2022 film “Coma” is finally joining “The Beast” at theaters beginning in May from Film Movement. Watch the trailer for “Coma,” an IndieWire exclusive, below.
Combining live-action and animation, “Coma” centers on a teenage girl in lockdown amid a global health crisis (cough cough) who develops a disturbing relationship with a YouTuber. The cast features Louise Labèque, Julia Faure, Gaspard Ulliel, Laetitia Casta, Vincent Lacoste, Louis Garrel, and Anaïs Demoustier. This was the last film Ulliel worked on before he died in January 2022 after a skiing accident. Ulliel was meant to...
Combining live-action and animation, “Coma” centers on a teenage girl in lockdown amid a global health crisis (cough cough) who develops a disturbing relationship with a YouTuber. The cast features Louise Labèque, Julia Faure, Gaspard Ulliel, Laetitia Casta, Vincent Lacoste, Louis Garrel, and Anaïs Demoustier. This was the last film Ulliel worked on before he died in January 2022 after a skiing accident. Ulliel was meant to...
- 4/18/2024
- by Ryan Lattanzio
- Indiewire
As soon as I hit 'publish' on my article on films by director Bertrand Bonello that are now streaming, I realized I forgot to mention his penultimate film, Coma, which is currently not streaming. Then came the very welcome news that Coma is heading for U.S. theatrical release next month! Here's the official synopsis: "Amidst a period of unprecedented world events, an eighteen-year-old girl's life is placed on hold. Isolated in her bedroom, she falls under the spell of the mysterious vlogger Patricia Coma. As time carries on, the lines between her dreams, fears, hopes, and reality begin to blur into one another. "From French master Bertrand Bonello, Coma is 'a neo-Lynchian slow burn masterpiece' (International Cinephile Society) that creates...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 4/16/2024
- Screen Anarchy
Iac, the Barry Diller-owned company that controls The Daily Beast, has landed a strategic partnership with former Disney executive Ben Sherwood and Hearst veteran Joanna Coles to define the digital publication’s next chapter in a struggling media climate.
Effective immediately, Sherwood will serve as publisher and CEO and Coles as chief creative and content officer. As strategic partners, both will share a substantial interest in the company but specific terms of the partnership were not disclosed.
“These are tough times for digital journalism, but the combined experience, expertise and energy of Ben and Joanna have made me an optimist about their ability to make The Beast an enduring and successful enterprise,” said Barry Diller, who is Iac’s chairman and senior executive.
“Timing is everything, and the current media hellstorm feels like the ideal moment to jump back into journalism,” said Sherwood, who formerly served as co-chairman of...
Effective immediately, Sherwood will serve as publisher and CEO and Coles as chief creative and content officer. As strategic partners, both will share a substantial interest in the company but specific terms of the partnership were not disclosed.
“These are tough times for digital journalism, but the combined experience, expertise and energy of Ben and Joanna have made me an optimist about their ability to make The Beast an enduring and successful enterprise,” said Barry Diller, who is Iac’s chairman and senior executive.
“Timing is everything, and the current media hellstorm feels like the ideal moment to jump back into journalism,” said Sherwood, who formerly served as co-chairman of...
- 4/15/2024
- by Jill Goldsmith
- Deadline Film + TV
A pair of high-profile media veterans are taking charge at The Daily Beast.
Iac says that it has formed a “strategic partnership” in the publication with Ben Sherwood, the former president of Disney’s TV group (and the former president of ABC News) as well as Joanna Coles, the former chief content officer for Hearst and editor-in-chief of Cosmopolitan.
Sherwood will be The Daily Beast‘s CEO and publisher, with Coles serving as its chief content and creative officer. In a statement, Coles said the new team would be “bringing The Beast back to its rebel roots and will build on its beloved DNA to make it even beastier.
“Our fearless investigative team will break even more stories on the end of democracy,” she added. “And obviously our Chief Fruit and Vegetable Correspondent is moving to Montecito and will be on 24/7 stand-by for the launch of the American Riviera Orchard.
Iac says that it has formed a “strategic partnership” in the publication with Ben Sherwood, the former president of Disney’s TV group (and the former president of ABC News) as well as Joanna Coles, the former chief content officer for Hearst and editor-in-chief of Cosmopolitan.
Sherwood will be The Daily Beast‘s CEO and publisher, with Coles serving as its chief content and creative officer. In a statement, Coles said the new team would be “bringing The Beast back to its rebel roots and will build on its beloved DNA to make it even beastier.
“Our fearless investigative team will break even more stories on the end of democracy,” she added. “And obviously our Chief Fruit and Vegetable Correspondent is moving to Montecito and will be on 24/7 stand-by for the launch of the American Riviera Orchard.
- 4/15/2024
- by Alex Weprin
- The Hollywood Reporter - Movie News
Chicago – Patrick McDonald of HollywoodChicago.com audio film review for the U.S. release of “The Beast,” a science fiction film about the inherent psychological/emotional carriage within us all, co-written and directed by Bertrand Bonello. In select theaters now (see local listings). At Chicago’s Music Box Theatre on April 12th.
Rating: 5.0/5.0
The film involves a woman named Gabrielle (Léa Seydoux) who in 2044 is about to embark on a “DNA cleansing” to take away the trauma her past lives had endured. While going through the process she meets Louis (George MacKay) who gives her a sense of deja vu. It turns out that this couple has been together in a 1910 sense (Belle Époque Paris) and a 2014 sense (in Los Angeles). As the story of those three encounters play out within her cellular energy, the evolution of Gabrielle seems to have something to do with her connection to Louis.
”The Beast...
Rating: 5.0/5.0
The film involves a woman named Gabrielle (Léa Seydoux) who in 2044 is about to embark on a “DNA cleansing” to take away the trauma her past lives had endured. While going through the process she meets Louis (George MacKay) who gives her a sense of deja vu. It turns out that this couple has been together in a 1910 sense (Belle Époque Paris) and a 2014 sense (in Los Angeles). As the story of those three encounters play out within her cellular energy, the evolution of Gabrielle seems to have something to do with her connection to Louis.
”The Beast...
- 4/12/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
George MacKay became one Hollywood’s most sought after young actors after his starring role as a sweet-faced solider in Sam Mendes’ Oscar-winning “1917.”
But he’s looking much different in his latest film, “Femme.” He stars in the queer revenge thriller from directors Sam H. Freeman and Ng Choon Ping as a closeted street thug who begins a sexual relationship with Jules (Nathan Stewart-Jarrett), a man he doesn’t realize is the drag queen he once brutally gay-bashed.
For the film, MacKay’s body is ripped and covered in tattoos. His hair is shaved and slicked back. He wears tracksuits and garish gold chains and rings, and his working class accent can be hard to decipher.
It took him about eight weeks of “bulking” to get in shape. Even so, MacKay admits he did a lot of push-ups for scenes where he had to be particularly “big and scary.
But he’s looking much different in his latest film, “Femme.” He stars in the queer revenge thriller from directors Sam H. Freeman and Ng Choon Ping as a closeted street thug who begins a sexual relationship with Jules (Nathan Stewart-Jarrett), a man he doesn’t realize is the drag queen he once brutally gay-bashed.
For the film, MacKay’s body is ripped and covered in tattoos. His hair is shaved and slicked back. He wears tracksuits and garish gold chains and rings, and his working class accent can be hard to decipher.
It took him about eight weeks of “bulking” to get in shape. Even so, MacKay admits he did a lot of push-ups for scenes where he had to be particularly “big and scary.
- 4/8/2024
- by Marc Malkin
- Variety Film + TV
There’s little precedent for what George MacKay does in The Beast, a multilingual production that required the English star to learn French for extended sequences. It’s one thing if this were a buttoned-up, altogether bland drama that is never seen on North American screens after its obligatory TIFF premiere; it’s quite another to be the new film by Bertrand Bonello which also requires he play, in the film’s central section, a take on the murderous progenitor of modern incel culture. One imagines many offers since ten-time Oscar nominee 1917 were more commercial.
Thus I wanted to get insight into MacKay’s process. As my interviews with Bertrand Bonello and Léa Seydoux cover, respectively, the film’s creation and its star’s personal philosophy, MacKay and I discussed certain of the practical decision-making that went into his appearing here, some newfound possibilities of French-language productions, and The Beast‘s dark paths.
Thus I wanted to get insight into MacKay’s process. As my interviews with Bertrand Bonello and Léa Seydoux cover, respectively, the film’s creation and its star’s personal philosophy, MacKay and I discussed certain of the practical decision-making that went into his appearing here, some newfound possibilities of French-language productions, and The Beast‘s dark paths.
- 4/8/2024
- by Nick Newman
- The Film Stage
April began with showers, plus a tiny regional earthquake on the East Coast, but that didn’t keep anyone away from theaters, even if it was a slower weekend than much of March. Read on for the weekend box office report.
There was little surprise that Warner Bros.’ “Godzilla x Kong: The New Empire” would win its second weekend at #1. Despite dropping 60% from its fantastic opening weekend, it still was able to take first place with an estimated $31.7 million to bring its total to $135 million after crossing the $100 million mark in its first week. It also passed the $361 million mark globally, with another $59.3 million grossed overseas this weekend.
The weekend offered two new wide releases in Dev Patel‘s directorial debut, the action-thriller “Monkey Man,” and 20th Century’s horror prequel “The First Omen,” the former released into 3,029 theaters vs. “The First Omen’s” 3,375 theaters. “Monkey Man” came into the...
There was little surprise that Warner Bros.’ “Godzilla x Kong: The New Empire” would win its second weekend at #1. Despite dropping 60% from its fantastic opening weekend, it still was able to take first place with an estimated $31.7 million to bring its total to $135 million after crossing the $100 million mark in its first week. It also passed the $361 million mark globally, with another $59.3 million grossed overseas this weekend.
The weekend offered two new wide releases in Dev Patel‘s directorial debut, the action-thriller “Monkey Man,” and 20th Century’s horror prequel “The First Omen,” the former released into 3,029 theaters vs. “The First Omen’s” 3,375 theaters. “Monkey Man” came into the...
- 4/7/2024
- by Edward Douglas
- Gold Derby
Sony Pictures Classics’ Wicked Little Letters grossed an estimated $1.5+ million in a big second week expansion for the R-rated British period comedy to 1,000 screens from five. The Thea Sharrock-directed film starring Olivia Colman (also a producer) and Jessie Buckley, no. 8 at the domestic weekend box office, has a $1.6+ million cume.
Colman and Buckley have been out actively promoting the film, based on an actual scandal, about a police investigation into the anonymous author of crude letters sent to the residents of a British seaside town.
The number is on the high end of SPC’s expectations, and the Sunday estimate may be conservative.
Audiences for Wicked Little Letters are 60% female, 40% male, with a range of women age 30-plus, unusual for a period film as they skew older. It’s playing especially well in major cities and college towns but also popping in smaller markets like Seattle. Word of mouths is terrific,...
Colman and Buckley have been out actively promoting the film, based on an actual scandal, about a police investigation into the anonymous author of crude letters sent to the residents of a British seaside town.
The number is on the high end of SPC’s expectations, and the Sunday estimate may be conservative.
Audiences for Wicked Little Letters are 60% female, 40% male, with a range of women age 30-plus, unusual for a period film as they skew older. It’s playing especially well in major cities and college towns but also popping in smaller markets like Seattle. Word of mouths is terrific,...
- 4/7/2024
- by Jill Goldsmith
- Deadline Film + TV
Exhibitor convention CinemaCon starts tomorrow in Las Vegas, and it would be great to kick off with happy box office news. That’s not the case with surprisingly weak results for two fresh titles, “Monkey Man” (Universal) and “The First Omen” (Disney). They brought the weekend total lower than expected and suggested an already-weak April could slide toward a worst-case scenario.
“Godzilla x Kong: The New Empire” (Warner Bros.) repeated as #1 in its second week, more than tripling the take for #2, Dev Patel’s “Monkey Man.” The franchise’s 60 percent drop isn’t bad, given an opening weekend that included Good Friday and the Easter holidays. It’s grossed $135 million U.S./Canada in 10 days.
After March revitalized the concept of franchises and sequels as an essential part of the distribution ecosystem, the hope was April would demonstrate continued audience interest in lower-budgeted original titles — as evidenced earlier this year...
“Godzilla x Kong: The New Empire” (Warner Bros.) repeated as #1 in its second week, more than tripling the take for #2, Dev Patel’s “Monkey Man.” The franchise’s 60 percent drop isn’t bad, given an opening weekend that included Good Friday and the Easter holidays. It’s grossed $135 million U.S./Canada in 10 days.
After March revitalized the concept of franchises and sequels as an essential part of the distribution ecosystem, the hope was April would demonstrate continued audience interest in lower-budgeted original titles — as evidenced earlier this year...
- 4/7/2024
- by Tom Brueggemann
- Indiewire
“The present came to a halt,” Bertrand Bonello writes in an ode to his teen daughter in his experimental feature Coma, “leaving us with the past and the future.” Much of this subtitled text refers to the specific circumstances of the film’s creation during the pandemic. Yet the French filmmaker’s follow-up, The Beast, which was developed before Coma but shot afterward, feels like a natural extension of his fascination with the scrambled perception of time in a digital era. In Bonello’s time-warping adaptation of Henry James’s 1903 novella The Beast in the Jungle, the present day is the Paris of 2044, where landscape and character have been warped by advances in artificial intelligence.
What’s evergreen, as a repeated aural motif so often reminds, is the twisted relationship of fear and love between Gabrielle (Léa Seydoux) and Louis (George MacKay). Bonello gives us a glance at two of...
What’s evergreen, as a repeated aural motif so often reminds, is the twisted relationship of fear and love between Gabrielle (Léa Seydoux) and Louis (George MacKay). Bonello gives us a glance at two of...
- 4/6/2024
- by Marshall Shaffer
- Slant Magazine
At least stateside, audiences will experience Femme and The Beast, both starring George MacKay, as near-simultaneous releases. The 32-year-old British actor has been a presence for over two decades dating back to his film debut as a Lost Boy in 2003’s adaptation of Peter Pan. He grew up on screen in films like 2008’s Defiance, 2014’s Pride, and 2016’s Captain Fantastic. Twenty nineteen proved a breakthrough year for MacKay as a leading man, playing a heroic soldier on a mission in 1917 and delivering a brooding, brutal interpretation of Australian urban legend Ned Kelly in True History of the Kelly Gang.
MacKay’s latest one-two punch features elements familiar from his previous standout roles and elevates them to new heights. In Sam H. Freeman and Ng Choon Ping’s Femme, he’s electric as Preston, a hardened hypebeast in contemporary London who harbors a secret identity. The character is drawn out...
MacKay’s latest one-two punch features elements familiar from his previous standout roles and elevates them to new heights. In Sam H. Freeman and Ng Choon Ping’s Femme, he’s electric as Preston, a hardened hypebeast in contemporary London who harbors a secret identity. The character is drawn out...
- 4/5/2024
- by Marshall Shaffer
- Slant Magazine
Léa Seydoux tells me “it may be nicer to have eye contact.” Though I was informed our interview would be audio-only––no complaints; time with the most exciting actor of her generation is the last time to grouse––it’s about six seconds into our Zoom call before she decides something more is necessary. Such directness will perfectly presage our conversation.
You’ll find this interview does not make great strides to cover The Beast (here’s one that does), despite Seydoux’s fascinating admission that Bertrand Bonello’s film wasn’t an easy viewing experience––her reason for which facilitated one of the more candid, no-frills conversations I’ve ever had with an actor. Fitting for someone who can embrace both knotty material and an international superstar’s career to extents that greatly exceed her Anglophone counterparts.
The Film Stage: I revisisted an interview I did with Arnaud Desplechin...
You’ll find this interview does not make great strides to cover The Beast (here’s one that does), despite Seydoux’s fascinating admission that Bertrand Bonello’s film wasn’t an easy viewing experience––her reason for which facilitated one of the more candid, no-frills conversations I’ve ever had with an actor. Fitting for someone who can embrace both knotty material and an international superstar’s career to extents that greatly exceed her Anglophone counterparts.
The Film Stage: I revisisted an interview I did with Arnaud Desplechin...
- 4/5/2024
- by Nick Newman
- The Film Stage
In the Mood for Love & Death: Bonello Explores the Final Frontier of Emotional Intelligence
Throughout the dizzying centuries-spanning odyssey of an unrequited love in Bertrand Bonello’s formidable film La Bête, we puzzle together a complex set of symbols, subtexts and parallel themes on the evolution of how humankind’s technological advances may have affected but still not answered how to satisfy our eternal quest for the thing called love. Outside of solutions which aim to simply numb it, cut it out, or therapize it with tranquility assisted by medication. Such is a main approach into conveying the spectacular cinematic experience of Bonello’s latest, an aggravating, aching masterpiece about the satisfaction of a longing we’re conditioned to search for, but never feels like the experience we’re coerced into expecting based on a myriad of cultural signifiers.…...
Throughout the dizzying centuries-spanning odyssey of an unrequited love in Bertrand Bonello’s formidable film La Bête, we puzzle together a complex set of symbols, subtexts and parallel themes on the evolution of how humankind’s technological advances may have affected but still not answered how to satisfy our eternal quest for the thing called love. Outside of solutions which aim to simply numb it, cut it out, or therapize it with tranquility assisted by medication. Such is a main approach into conveying the spectacular cinematic experience of Bonello’s latest, an aggravating, aching masterpiece about the satisfaction of a longing we’re conditioned to search for, but never feels like the experience we’re coerced into expecting based on a myriad of cultural signifiers.…...
- 4/5/2024
- by Nicholas Bell
- IONCINEMA.com
Every time I’ve seen The Beast there comes some point where I think Bertrand Bonello is the world’s greatest under-60 filmmaker. Not quite a new stance for me (declaring Saint Laurent the best movie of the 2010s was a lonely battle), but it’s exactly this accumulation of films through years and years of appreciation that makes his newest film’s climax so powerful, so cascading in its effects, so potent in the question of who’s even treating images and montage in service of such heady narrative frameworks and sharp-tuned performances. If I confess unique bias, having worked on Bonello’s films in the distribution realm––the theatrical and home-video release of Nocturama, the digital debut of Ingrid Caven: Music and Voice, and producing a vinyl LP of his original soundtracks––it means I’ve also seen a shift in perception, from cult figure to major figure of world cinema.
- 4/4/2024
- by Nick Newman
- The Film Stage
Updated April 3, 2024: Léa Seydoux has officially joined the cast of Luca Guadagnino’s “Separate Rooms” alongside Josh O’Connor. The queer-romance film involves a love triangle between O’Connor’s character Leo, his ill-fated lover Thomas, and a woman. Deadline first reported the news. “The Beast” star Seydoux recently appeared in “Dune: Part Two” and will join the central three-hander.
Published March 25, 2024: Luca Guadagnino is set to team up once more with “Challengers” actor Josh O’Connor for his upcoming feature “Separate Rooms,” according to a report in Variety.
The film is a queer drama adapted from the novel of the same name by late author Pier Vittorio Tondelli. O’Connor would play the lead role Leo, an Italian writer who is mourning the death of his musician boyfriend Thomas. Variety first reported the news and claimed that O’Connor has been studying Italian for the role.
Reps for...
Published March 25, 2024: Luca Guadagnino is set to team up once more with “Challengers” actor Josh O’Connor for his upcoming feature “Separate Rooms,” according to a report in Variety.
The film is a queer drama adapted from the novel of the same name by late author Pier Vittorio Tondelli. O’Connor would play the lead role Leo, an Italian writer who is mourning the death of his musician boyfriend Thomas. Variety first reported the news and claimed that O’Connor has been studying Italian for the role.
Reps for...
- 4/3/2024
- by Samantha Bergeson
- Indiewire
Exclusive: Léa Seydoux (Dune: Part Two) is attached to star opposite Josh O’Connor (Challengers) in Separate Rooms, an upcoming film from Luca Guadagnino, multiple sources tell Deadline.
An adaptation of the 1989 novel by the late author Pier Vittorio Tondelli, the film is a non-chronological examination of the romance between the Italian iconoclast writer, Leo (O’Connor), and his translator, Thomas. Details as to the role Seydoux is playing haven’t been disclosed.
The script comes from Francesca Manieri, who collaborated with Guadagnino on his Sky/HBO series We Are Who We Are. Lorenzo Mieli will produce for Fremantle, following his work with Guadagnino on his cannibal romance Bones and All, starring Timothée Chalamet, which won Guadagnino the prize for Best Director at the 2022 Venice Film Festival.
Best known for starring in the Bond films Spectre and No Time to Die, as well as Abdellatif Kechiche’s Palme d’Or winner Blue Is the Warmest Color,...
An adaptation of the 1989 novel by the late author Pier Vittorio Tondelli, the film is a non-chronological examination of the romance between the Italian iconoclast writer, Leo (O’Connor), and his translator, Thomas. Details as to the role Seydoux is playing haven’t been disclosed.
The script comes from Francesca Manieri, who collaborated with Guadagnino on his Sky/HBO series We Are Who We Are. Lorenzo Mieli will produce for Fremantle, following his work with Guadagnino on his cannibal romance Bones and All, starring Timothée Chalamet, which won Guadagnino the prize for Best Director at the 2022 Venice Film Festival.
Best known for starring in the Bond films Spectre and No Time to Die, as well as Abdellatif Kechiche’s Palme d’Or winner Blue Is the Warmest Color,...
- 4/3/2024
- by Matt Grobar
- Deadline Film + TV
The world is heating up out there, but the gusts and erratic temperature swings of early Spring can often be deceiving. One minute it looks sunny and warm, the next you’re stranded on a long walk in just basketball shorts when a sudden chill descends. Or it looks nasty, and all of a sudden you’re overdressed in 80-degree heat. It might be best to stay safely within the confines of your local art house or home theater with some Don’t-Miss Indies instead.
Monkey Man
When You Can Watch: April 5
Where You Can Watch: Theaters
Directors: Dev Patel
Cast: Dev Patel, Sharlto Copley, Pitobash, Sobhita Dhulipala
Why We’re Excited: Famous for his lead role in the Oscar-winning Slumdog Millionaire, Dev Patel has turned his attention to directing with his debut Monkey Man, which premiered last month at SXSW. Inspired by the Indian legend of Hanuman, Monkey Man...
Monkey Man
When You Can Watch: April 5
Where You Can Watch: Theaters
Directors: Dev Patel
Cast: Dev Patel, Sharlto Copley, Pitobash, Sobhita Dhulipala
Why We’re Excited: Famous for his lead role in the Oscar-winning Slumdog Millionaire, Dev Patel has turned his attention to directing with his debut Monkey Man, which premiered last month at SXSW. Inspired by the Indian legend of Hanuman, Monkey Man...
- 4/3/2024
- by Su Fang Tham
- Film Independent News & More
It’s too bright, the sunshine is monotonous, it’s very isolating. Those were the reasons why Chloë Sevigny, in a recent viral interview, said she will never live in Los Angeles. Anyone who’s lived there can relate to the loneliness that blankets the fragmented city, a collection of neighborhoods strung together by cars in traffic, where nobody walks or talks to each other. And why does everyone flake on plans? What are we afraid of?
That’s much like the central dilemma in Bertrand Bonello’s “The Beast,” a time-hopping sci-fi epic about the existential terrors of unrequited love, green-screen-acting, incel killers, artificial intelligence, and, oh, yes, Los Angeles. Léa Seydoux and George MacKay play reincarnated almost-lovers across time who can never make it work: first, in fin-de-siècle Paris (she’s married); then, in 2014 Los Angeles (he’s a sociopathic virgin inspired by 2014 Isla Vista shooter Elliot Rodger...
That’s much like the central dilemma in Bertrand Bonello’s “The Beast,” a time-hopping sci-fi epic about the existential terrors of unrequited love, green-screen-acting, incel killers, artificial intelligence, and, oh, yes, Los Angeles. Léa Seydoux and George MacKay play reincarnated almost-lovers across time who can never make it work: first, in fin-de-siècle Paris (she’s married); then, in 2014 Los Angeles (he’s a sociopathic virgin inspired by 2014 Isla Vista shooter Elliot Rodger...
- 4/3/2024
- by Ryan Lattanzio
- Indiewire
As most connoisseurs of cinema already know, the end credit roll is a relatively recent addition to the medium. The reasons for this are too lengthy to go into here, but suffice to say that films used to end very definitively and, at least for those of us raised in a world where end credits were already a thing, quite abruptly, sending audiences out of the theater with a brusqueness not unlike a train disembarking.
Ever since end credit rolls became commonplace, filmmakers have experimented with finding ways of extending the cinematic experience throughout their duration rather than treating them the way so many moviegoers tend to: as mere legally-mandated appendages to a movie. While even the most basic film includes music during the end credits so as to help keep the roll a part of the movie, some go above and beyond that, including deleted material, bloopers, or entire...
Ever since end credit rolls became commonplace, filmmakers have experimented with finding ways of extending the cinematic experience throughout their duration rather than treating them the way so many moviegoers tend to: as mere legally-mandated appendages to a movie. While even the most basic film includes music during the end credits so as to help keep the roll a part of the movie, some go above and beyond that, including deleted material, bloopers, or entire...
- 4/1/2024
- by Bill Bria
- Slash Film
Update: the Roxy have added encore dates for House of Tolerance. See them below along with ticket info.
Bonello Season approaches. In anticipation of the U.S. release of The Beast and, at long last, Coma––or just an excuse to watch one of this (any) century’s greatest films; either works!––The Film Stage is proud to present his masterpiece House of Tolerance at the Roxy Cinema on March 14, 16, and 17, marking New York’s first 35mm showing in five years.
Special thanks to our friends at Janus Films / Sideshow Films and Film Movement, who will present trailers for their upcoming, respective Bonello releases The Beast and Coma.
The Film Stage readers receive a discounted $12 ticket with mention of our program at the Roxy’s box office. (Don’t be shy––their employees are very nice.) We look forward to seeing you at the movies.
House of Tolerance on 35mm
Tuesday,...
Bonello Season approaches. In anticipation of the U.S. release of The Beast and, at long last, Coma––or just an excuse to watch one of this (any) century’s greatest films; either works!––The Film Stage is proud to present his masterpiece House of Tolerance at the Roxy Cinema on March 14, 16, and 17, marking New York’s first 35mm showing in five years.
Special thanks to our friends at Janus Films / Sideshow Films and Film Movement, who will present trailers for their upcoming, respective Bonello releases The Beast and Coma.
The Film Stage readers receive a discounted $12 ticket with mention of our program at the Roxy’s box office. (Don’t be shy––their employees are very nice.) We look forward to seeing you at the movies.
House of Tolerance on 35mm
Tuesday,...
- 4/1/2024
- by Nick Newman
- The Film Stage
Léa Seydoux was originally meant to star opposite Gaspard Ulliel in Bertrand Bonello’s audacious sci-fi love story “The Beast.” But the beloved César-winning French actor died at age 37 in January 2022 after a skiing accident while the film was still in pre-production, and he was posthumously replaced by George MacKay.
Seydoux previously starred alongside Ulliel, revered for roles in movies including Jean-Pierre Jeunet’s “A Very Long Engagement” and Bonello’s own “Saint Laurent,” in Xavier Dolan’s 2016 Cannes winner “It’s Only the End of the World.” Seydoux, who recently spoke with IndieWire about her multiple roles in “The Beast” as a woman confronted across centuries by a devastating impossible romance, did not get the chance to talk to Ulliel about “The Beast” before filming. He did, however, leave her a WhatsApp voice message praising her turn in Bruno Dumont’s media satire “France,” a box office hit in France...
Seydoux previously starred alongside Ulliel, revered for roles in movies including Jean-Pierre Jeunet’s “A Very Long Engagement” and Bonello’s own “Saint Laurent,” in Xavier Dolan’s 2016 Cannes winner “It’s Only the End of the World.” Seydoux, who recently spoke with IndieWire about her multiple roles in “The Beast” as a woman confronted across centuries by a devastating impossible romance, did not get the chance to talk to Ulliel about “The Beast” before filming. He did, however, leave her a WhatsApp voice message praising her turn in Bruno Dumont’s media satire “France,” a box office hit in France...
- 3/31/2024
- by Ryan Lattanzio
- Indiewire
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