In the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and enter the world, challenging his idea of what it means to be a parent.
A Russian teenager living in London who dies during childbirth leaves clues to a midwife in her journal that could tie her child to a rape involving a violent Russian mob family.
Algeria, 1954. Two very different men thrown together by a world in turmoil are forced to flee across the Atlas mountains. Daru, the reclusive teacher, has to escort Mohamed, a villager accused of murder.
Ben and Leslie Cash live largely off the grid with their offspring -- Bodevan, Kielyr, Vespyr, Rellian, Zaja and Nai -- in a cabin in the mountains of Washington state. The parents have passed their socialist and survivalist ideals to their children. Ben considers most of Western society to be fascist, especially corporate America. He also believes that no one will or should be there for you, so you'd better learn how to take care of yourself. As such, the children have been subject to vigorous physical training; know how to deal with minor bumps, bruises, cuts, sprains, and even fractures; and know how to hunt, forage, and grow their own food. The children are also non-registered home schooled, meaning that they have no official academic records. Ben and Leslie have tried to make the children critical thinkers, however, within the context of their ideals. Beyond these issues, Ben and Leslie made the decision to live this lifestyle for Leslie's health. Formerly an attorney, Leslie was...Written by
Huggo
In the last scenes Viggo Mortensen's character is wearing a t-shirt that reads "Jesse Jackson 88". Jesse Jackson is an American civil rights activist and politician, who ran for president with the Democratic Party in 1984 and 1988. See more »
Goofs
During the funeral scene, Dave and Harper (Steve Zahn and Kathryn Hahn) sit next to each other, and in between shots Dave's hand jumps from being behind Harper to holding her shoulder. See more »
Quotes
[first lines]
Ben:
[family gathers around the slain deer]
Today, the boy is dead. And in his place... is a man.
Bo:
[rips off a bloody bite of the offered morsel]
See more »
Unaccompanied Cello Suite No. 4 in E-Flat Major, BWV 1010, Prélude
Written by Johann Sebastian Bach
Performed by Yo-Yo Ma
Courtesy of Sony Classical
By arrangement with Sony Music Licensing See more »
Greetings again from the darkness. There seems to be no end to the theories on how to be an effective parent and raise kids who are productive, well-adjusted and successful. Writer/director Matt Ross offers up a creative, entertaining and thought-provoking story of one family's unconventional approach in a world that seems to expect and accept only the conventional.
We are first introduced to Ben (Viggo Mortensen) and his six kids as they are stalking a deer while deep in the Pacific Northwest forest only this isn't your buddy's weekend deer hunting trip. Each family member is covered head-to-toe in mud and other means of camouflage, and the oldest son Bodevan (George MacKay) takes the lead with his knife in what is presented as a rite of passage into manhood.
The family carries out a daily ritual that includes extreme physical conditioning, lessons on survival and living off the land, and advanced education that includes reading such diverse material as Dostoevsky and Lolita. Each evening is capped off with an impromptu musical jam. It's evident that self-sufficiency, intelligence and family loyalty are crucial to Ben's approach an approach that is challenged when circumstances require the family board their Partridge Family bus (named Steve) and take a cross-country road trip into a civilization that doesn't know what to make of them (and vice-versa).
The film is jam-packed with social commentary on education, parenting, societal norms, societal influences, and even grief. Who gets to decide what is best for a family or what's the best method for education? Sometimes the dysfunctional family isn't so easy to identify. Director Ross proves this in a gem of a dinner table scene as Ben and the kids visit Kathryn Hahn, Steve Zahn and their two sons in suburbia.
In addition to the terrific performance by up-and-comer George MacKay, the other actors playing the kids are all very strong and believable: Samantha Isler as Kieyler, Annalise Basso as Vespyr, Nicholas Hamilton as Rellian, Shree Crooks as Zaja, and Charlie Shotwell as Nai. Screen vets Frank Langella and Ann Dowd bring presence to the role of their grandparents and provide the greatest contrast to the off-the-grid existence of the kids.
Viggo Mortensen truly shines here and gives a performance full of grace and depth as he displays many emotions (some of which aren't so pleasant). He even goes full-Viggo for one of the film's many humorous moments though the comedy is balanced by plenty of full scale drama. His best work comes in the scenes when he begins to question that there may be some flaws in his plan the moments of self-realization are stunning.
Many will note some similarities between this film and Little Miss Sunshine (2006), though this one carries quite a bit more heft. It's beautifully photographed by cinematographer Stephane Fontaine (A Prophet, Rust and Bone) and captures the danger and solitude of the forest, while also capturing the more personal family dynamics. It's a film that should generate plenty of discussion, and one of the questions is will Noam Chomsky Day ever match Festivus in popularity?
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Greetings again from the darkness. There seems to be no end to the theories on how to be an effective parent and raise kids who are productive, well-adjusted and successful. Writer/director Matt Ross offers up a creative, entertaining and thought-provoking story of one family's unconventional approach in a world that seems to expect and accept only the conventional.
We are first introduced to Ben (Viggo Mortensen) and his six kids as they are stalking a deer while deep in the Pacific Northwest forest only this isn't your buddy's weekend deer hunting trip. Each family member is covered head-to-toe in mud and other means of camouflage, and the oldest son Bodevan (George MacKay) takes the lead with his knife in what is presented as a rite of passage into manhood.
The family carries out a daily ritual that includes extreme physical conditioning, lessons on survival and living off the land, and advanced education that includes reading such diverse material as Dostoevsky and Lolita. Each evening is capped off with an impromptu musical jam. It's evident that self-sufficiency, intelligence and family loyalty are crucial to Ben's approach an approach that is challenged when circumstances require the family board their Partridge Family bus (named Steve) and take a cross-country road trip into a civilization that doesn't know what to make of them (and vice-versa).
The film is jam-packed with social commentary on education, parenting, societal norms, societal influences, and even grief. Who gets to decide what is best for a family or what's the best method for education? Sometimes the dysfunctional family isn't so easy to identify. Director Ross proves this in a gem of a dinner table scene as Ben and the kids visit Kathryn Hahn, Steve Zahn and their two sons in suburbia.
In addition to the terrific performance by up-and-comer George MacKay, the other actors playing the kids are all very strong and believable: Samantha Isler as Kieyler, Annalise Basso as Vespyr, Nicholas Hamilton as Rellian, Shree Crooks as Zaja, and Charlie Shotwell as Nai. Screen vets Frank Langella and Ann Dowd bring presence to the role of their grandparents and provide the greatest contrast to the off-the-grid existence of the kids.
Viggo Mortensen truly shines here and gives a performance full of grace and depth as he displays many emotions (some of which aren't so pleasant). He even goes full-Viggo for one of the film's many humorous moments though the comedy is balanced by plenty of full scale drama. His best work comes in the scenes when he begins to question that there may be some flaws in his plan the moments of self-realization are stunning.
Many will note some similarities between this film and Little Miss Sunshine (2006), though this one carries quite a bit more heft. It's beautifully photographed by cinematographer Stephane Fontaine (A Prophet, Rust and Bone) and captures the danger and solitude of the forest, while also capturing the more personal family dynamics. It's a film that should generate plenty of discussion, and one of the questions is will Noam Chomsky Day ever match Festivus in popularity?