A cryptic message from James Bond's past sends him on a trail to uncover the existence of a sinister organisation named SPECTRE. With a new threat dawning, Bond learns the terrible truth about the author of all his pain in his most recent missions.
A cryptic message from the past sends James Bond (Daniel Craig) on a rogue mission to Mexico City and eventually Rome, where he meets Lucia Sciarra (Monica Belluci), the beautiful and forbidden widow of an infamous criminal. Bond infiltrates a secret meeting and uncovers the existence of the sinister organisation known as S.P.E.C.T.R.E. Meanwhile, back in London, Max Denbigh (Andrew Scott), the new head of the Centre of National Security, questions Bond's actions and challenges the relevance of MI6, led by M (Ralph Fiennes). Bond covertly enlists Miss Eve Moneypenny (Naomie Harris) and Q (Ben Whishaw) to help him seek out Dr. Madeleine Swann (Léa Seydoux), the daughter of his old nemesis Mr. White (Jesper Christensen), who may hold the clue to untangling the web of S.P.E.C.T.R.E. As the daughter of the assassin, she understands Bond in a way most others cannot. As Bond ventures towards the heart of S.P.E.C.T.R.E., he learns a chilling connection between him and the enemy he seeks.
First James Bond movie for Daniel Craig where he received billing as a producer, credited for the job and duties of "co-producer". See more »
In the escape from the Spectre HQ, the MD500 helicopter is one of the only helicopters flown from the left-hand seat, Bonds flies from the right, this is correct for most other rotary craft. See more »
The first Gunbarrel Sequence to show Bond carrying his gun in his right hand prior to shooting. All other Gunbarrel Sequence attempt to conceal the weapon until Bond fires, except Casino Royale which had Gunbarrel Sequence incorporated as part of the plot. See more »
In August 2015, Columbia submitted the film to the BBFC in the UK for advice on whether the film would receive a 12A rating upon a formal submission. The BBFC informed the filmmakers that cuts would be required in two scenes before a 12A rating, instead of an uncut 15, could be obtained. These were made prior to formal submission and it was duly passed at 12A with no further changes.
Reductions to "strong bloody (injury) detail" were made in the following two scenes:
The eye gouging now only shows an establishing shot of the thumbs being inserted, then cuts to a counter-shot from behind the victim's head when the slightly bloody thumbs emerge. The uncut version showed this all from the front, including the aftermath.
The suicide now takes place off-screen and with reduced detail. The uncut version showed the man putting the gun under his chin and firing with a spray of bloody mist, and two subsequent shots showed brain tissue hanging down from the back of his head.
These cuts persist in all worldwide versions of the film. See more »
One Furtive Tear (L'Elisir D'Amore)
Written by Gaetano Donizetti
Arranged by Geoff Love
Performed by Geoff Love & His Orchestra
Courtesy of Parlophone Records Ltd.
By arrangement with Warner Music Group Film & TV Licensing See more »
With occasions of triteness, Spectre is satisfactory but not stupendous like Casino Royale
Resuming where Skyfall left off, Spectre points James Bond on a quest to discover and unearth truths behind the sinister organization responsible.
The 00 organization is under duress as the Centre of National Security attempts to take over control of all clandestine undertakings in the protection of the nation. Bond is on his own and off grid as he follows Spectre across the globe, with one mission in mind, to terminate it at the source. Much has changed for Bond since his first mission in Montenegro where he fell for the beautiful Vesper Lynd. On guard, 007's seductive charisma is set aside as he fervently pursues vengeance for M and truth for himself.
Daniel Craig has been James Bond for close to ten years now, a near unbelievable fact until you go back and realize the first film, Casino Royale, was released in 2006. Opening with a strong action sequence set during the Day of the Dead festivities in Mexico City, Spectre starts promisingly intense. Set in exotic locations with transcendentally tactile productions, Spectre satiates the audience's wanderlust craving. Something happens once Sam Smith's "Writings on the Wall" concludes, and the dark gritty James Bond we've grown to be enamored with takes several steps back toward the triteness of the 90s.
It was always going to be difficult for director Sam Mendes to supersede expectations set from the wildly successful Skyfall. The narrative had taken a complicated turn with deceit and bloodshed interwoven with treachery and malice. Mendes had teased us with a captivating scene set in a wintry tundra where a cloaked man compared Bond to a 'kite dancing in a hurricane'. It was enigmatic but furtively beguiling. Desperately longing for Spectre to capture this essence for the totality of its duration, it fails to meet expectations.
There is something intangibly weary about Spectre as a whole. The amorous allure inherently exuding from Bond is overdone and forced, injected into the plot to satisfy token assumptions. His unflinching execution of his license to kill has softened, leaving Bond to feel less like 007 and more like IMF agent Ethan Hunt who participates in a similar journey this year.
Do not mistake these criticisms of Spectre as a conclusion for it being substandard. The hand-to-hand fight sequences are marvelously intense and brutal, especially those against Dave Bautista. The narrative plots across Mexico, Rome, Austria and Morocco and does so without sacrificing the story too much. It just ends up feeling drawn out, as if it were going through the motions.
Spectre is vastly superior to the Pierce Brosnan 007 films, it is just in comparison to its peers that it fails to measure up and is more akin to them than the Craig films we've grown to love. With rare occasions of cheesiness that make you more laughably amused (especially at the senseless love scenes) than suspensefully entertained, we can only hope for a sensational Bond 25.
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